The performer behind the iconic character Pee-wee Herman, Paul Reubens, recognized for his unique laugh “heh heh heh” and his signature gray suit with a red bow tie, has passed away, according to a statement released on his Instagram account on Monday. After a prolonged struggle with cancer, the 70-year-old entertainer died in his sleep.
“A gifted and prolific talent, he will forever live in the comedy pantheon and in our hearts as a treasured friend and man of remarkable character and generosity of spirit,”
Paul Rubens Instagram account
Paul Reubens saw a resurgence of his iconic character in the 2016 Netflix original film “Pee-wee’s Big Holiday.” The warm reception indicated Pee-wee’s unique charm was still welcomed by audiences.
Despite the controversy that marred his career in the early 1990s, Reubens quietly continued to work in Hollywood throughout the 2000s. He had roles in notable projects such as the film “Blow” (2001) and popular TV shows like “30 Rock.” However, he didn’t bring back the role of Pee-wee until the late 2000s, when he appeared in a revamped stage production of “The Pee-wee Herman Show.”
The early 1990s were a tumultuous time for Reubens. In 1991, he was arrested on charges of indecent exposure in Florida, an incident that led to the cancellation of “Pee-wee’s Playhouse” and forced him to retreat from the public eye. He later pleaded no contest to the charges.
From 1986 to 1990, Reubens delighted children on “Pee-wee’s Playhouse,” an Emmy-winning CBS show celebrated for its innovative and whimsical style. The show, featuring Pee-wee’s unique brand of humor and educational lessons, was a hit with audiences.
Reubens’ character of Pee-wee first made it to the big screen in the 1985 cult classic “Pee-wee’s Big Adventure,” directed by Tim Burton. The film’s success was a testament to Pee-wee’s quirky appeal and the creativity of Reubens.
Before his success in film and television, Reubens was part of the Los Angeles-based improvisational comedy team The Groundlings in the 1970s. It was here that he developed the character of Pee-wee Herman, a man-child dressed in a grey suit with a red bow tie. “The Pee-wee Herman Show,” a stage production, was later turned into an HBO special in 1981.
Born as Paul Rubenfeld on August 27, 1952, in Peekskill, New York, Reubens spent his formative years in Sarasota, Florida, where his parents owned a lamp store. This reverse journey of Reubens’ life showcases a career marked by significant cultural impact and resilience in the face of controversy.
Sinéad O’Connor , Irish singer and activist, has died at the age of 56.
The family of the singer expressed their sorrow in a statement, saying: “We are deeply saddened to inform of the passing of our dear Sinéad. This is a heartbreaking time for her family and friends who have asked for their privacy to be respected in these challenging moments.” The artist, globally recognized for her 1990 hit single, Nothing Compares 2 U, which soared to the top of charts worldwide, will be dearly missed.
Early Life
Sinéad O’Connor was born on December 8, 1966, in Glenageary, County Dublin, Ireland. Her parents, John and Marie O’Connor, were both middle-class workers whose marriage was marked by strife, finally ending in divorce when O’Connor was eight. She, along with her siblings, lived through a turbulent childhood marked by frequent moves and time spent in a Magdalene Asylum—an institution for women deemed “fallen” by society. These early experiences shaped her outlook on life and influenced her music and activism.
Musical Career
Sinéad O’Connor’s music career began in the early 1980s. At 15, she caught the attention of Paul Byrne, drummer of the band In Tua Nua, when a demo tape of her singing a song she wrote circulated in Dublin. This led to her first recording contract with Ensign Records.
Her debut album, “The Lion and the Cobra,” released in 1987, brought her initial fame. The album’s intense and passionate musical style garnered much praise and landed her a Grammy nomination for Best Female Rock Vocal Performance.
However, it was her second album, “I Do Not Want What I Haven’t Got,” that catapulted her to international stardom. The album, released in 1990, featured the song “Nothing Compares 2 U”—a cover of a song originally written and composed by Prince. The song topped charts across the globe, and its video, which featured a close-up of O’Connor’s face as she performed, became iconic.
Throughout her career, O’Connor has released several more albums that showcase her unique blend of rock, folk, and traditional Irish sounds, with lyrics often exploring themes of love, spirituality, and social issues. Notably, her 2002 album “Sean-Nós Nua” delved into traditional Irish music, while “Theology” (2007) explored spiritual themes inspired by the Bible.
Activism and Controversies
O’Connor is well-known not only for her music but also for her activism and the controversies she has sparked. In 1992, during a performance on Saturday Night Live, she protested against sexual abuse in the Catholic Church by ripping up a photo of Pope John Paul II on live television—a move that caused widespread outrage at the time but later garnered recognition for its defiant stand against institutional abuse.
In 1999, she was ordained as a priest by the Independent Catholic group known as the Latin Tridentine Church, adopting the name “Mother Bernadette Mary.”
Personal Life
O’Connor’s personal life has been marked by her struggles with mental health. She has openly discussed her experiences with bipolar disorder and suicidal tendencies.
She has been married four times and has four children. In 2017, she legally changed her name to Magda Davitt, saying that she wished to be free of the patriarchal slant of her birth name. Then, in 2019, she converted to Islam and adopted the name Shuhada Sadaqat.
Legacy
Throughout her career, Sinéad O’Connor has defied norms and conventions, both musically and socially. Her unapologetic attitude, combined with her hauntingly beautiful voice and deeply emotional songwriting, has cemented her place as one of the most influential figures in modern music. Despite the controversies and personal struggles, she remains an iconic figure, with a body of work that continues to inspire generations of musicians and listeners alike.
Huge box office unexpectedly this weekend for both films: $155 Million, which was the biggest of 2023 so far, for Barbie, while Oppenheimer raked in $80 Million.
The somewhat odd pairing, now known as “Barbenheimer” has become a double feature smash. Countless moviegoers found themselves torn between two strikingly different blockbusters, each boasting a vast ensemble of talent, the visionary touch of auteur directors, and simultaneous release dates.
Instead of choosing one over the other, they chose both. This resulted in “Barbie” and “Oppenheimer” being enjoyed as an unparalleled same-day double bill, transforming the anticipated box office clash into a historic cinematic experience.
What it means, if we ascribe meaning
The respective histories of the Barbie doll and the atomic bomb have continued to intersect and diverge in interesting ways since their inception.
The atomic bomb’s legacy is complex and profound. Its first use in warfare, in the bombings of Hiroshima and Nagasaki in August 1945, brought an end to World War II but at a staggering human cost.
This, combined with the subsequent nuclear arms race during the Cold War, led to the atomic bomb becoming a symbol of destruction and a deterrent against global conflict. However, the technology and knowledge gained also led to advancements in nuclear energy, providing a new, potent source of power.
J. Robert Oppenheimer, despite his pivotal role in the creation of the atomic bomb, became a vocal opponent of nuclear proliferation after witnessing its destructive power.
His life after the Manhattan Project was marked by his advocacy for the control of nuclear power and his regret about the weapon he had helped to create.
On the other hand, Barbie, launched by Ruth Handler in 1959, was initially met with skepticism but soon became a global phenomenon. Barbie was the first doll of its kind to have an adult body, breaking away from the tradition of childlike dolls. This new design was seen as a way for children, particularly girls, to imagine and role-play their futures.
As time went on, Barbie became more than a doll. It became a reflection of the changing social attitudes and norms. Despite facing criticism for promoting unrealistic body standards and perpetuating certain stereotypes, Barbie evolved with the times.
Mattel, the company that produces Barbie, has since made significant strides in inclusivity and representation, producing dolls with varying body types, ethnicities, careers, and backgrounds. Barbie dolls have been astronauts, presidents, and doctors, reflecting society’s changing views on women’s roles.
By 2020, Barbie was seen as a symbol of female empowerment and potential, far from the simplistic toy it was once considered. Its origin as a creation born out of a mother’s desire to provide a sense of normalcy and future for her children in a world overshadowed by war still resonates.
It is fascinating to see how two creations, both born out of the context of World War II, took such different paths. The atomic bomb and Barbie doll each represent contrasting aspects of the human experience – destruction and creation, despair and hope. Their histories serve as poignant reminders of the far-reaching impacts of the decisions and actions taken during tumultuous times.
What the stories accidentally intertwine
In the heart of 1943, the world was clouded in the dust and smoke of World War II. Far from the front lines, in a remote corner of New Mexico, an intense battle of the mind was raging, led by the enigmatic J. Robert Oppenheimer. A theoretical physicist, Oppenheimer was tasked with the mammoth responsibility of heading the Manhattan Project, a clandestine initiative to develop an atom bomb that could end the war.
Across the country, Ruth Handler, a humble young woman in Los Angeles, watched her two children, Barbara and Kenneth, play with makeshift toys. She could hardly escape the feeling of dread permeating the air as the radio hummed in the background with updates about the war. At this moment, an idea sparked in her mind – a vision of a doll, a symbol of hope and normalcy, something to distract and comfort children from the harsh realities of the world.
In Los Alamos, Oppenheimer and his team of brilliant minds worked against the ticking clock, racing to finish their devastating invention. With each passing day, Oppenheimer felt the weight of his actions – a burden as heavy as the nucleus at the heart of the project. He was crafting the potential destroyer of worlds, something so powerful, so irreversible, that the echo of its explosion would forever change the world.
While Oppenheimer grappled with the moral implications of his work, Handler busied herself in the creation of her vision. She was determined to bring her idea to life, a doll with adult features, something girls could dream through and play with, projecting their hopes and aspirations. Her friends and family thought her idea strange, but she pressed on, with a fierce determination in her heart.
Then came July 16, 1945. In the early hours of the morning, as dawn began to break, the world’s first atomic bomb, christened “Trinity,” was detonated in the New Mexico desert. Oppenheimer watched in horrified awe as the desert lit up with an unnatural light, an intense wave of heat followed by a deafening blast. As the mushroom cloud ascended, he quoted a verse from the Bhagavad Gita, “Now I am become Death, the destroyer of worlds.”
News of the atomic bomb’s successful testing spread like wildfire. People reacted with a cocktail of emotions – awe, fear, relief, and horror. Amidst this chaos, Ruth saw an opportunity. In the aftermath of this massive creation, she saw room for a smaller one – a beacon of hope.
In 1945, as the world started to piece itself together following the cessation of the worst war in human history, Handler went to work. She labored day and night, combining, crafting, refining, until finally, in 1959, Barbie was born – the doll Ruth had envisioned all those years ago. With its adult physique, fashionable clothes, and endless possibility for play, the doll was an instant success.
Barbie and the atom bomb, two creations born from the same era but of diametrically opposed intentions. One, a symbol of destruction, crafted in the shadows by a team of the world’s brightest scientists, and the other, a beacon of hope and innocence, created by a mother yearning for normalcy amidst chaos.
As the years passed, the legacy of both creations evolved. Barbie became a symbol of empowerment and possibilities for millions of girls worldwide. And as for the atom bomb, its terrifying power also paved the way for peaceful nuclear energy, highlighting the dual aspects of scientific advancement.
The narrative of Barbie and the atom bomb reflects the dual nature of human capability: our power to destroy and our ability to create hope in the shadow of devastation. It serves as a reminder of the choices we make and the impacts they have, for years and generations to come.
Us Weekly previously confirmed that Lisa Marie, 54, was taken to a local Los Angeles hospital on Thursday after suffering cardiac arrest in her home.
Lisa Marie was given CPR by paramedics on the scene, according to TMZ, the outlet first to report the news.
The Los Angeles County Sheriff’s Department then confirmed that officers arrived at Lisa Marie’s Calabasas, California, home at 10:40 a.m. on Thursday, and that she regained a pulse before she was transferred to a nearby hospital.
Lisa Marie’s death came two days after she had attended the 2023 Golden Globes with her mother in celebration of Baz Luhrmann’s Elvis biopic’s three nominations.
Lisa Marie Presley is the only child of rock and roll icon Elvis Presley and actress Priscilla Presley. She was born on February 1, 1968 in Memphis, Tennessee.
Growing up, she was raised primarily by her mother and grandparents, as her father was often on tour. Despite this, she was very close with her father and often accompanied him on tour.
Lisa Marie began her music career in the early 1990s, releasing her debut album, “To Whom It May Concern,” in 2003. The album was a commercial success, reaching number five on the Billboard 200 chart and being certified gold by the RIAA.
She followed this up with the release of her second album, “Now What,” in 2005. The album was not as successful as her debut, but still received positive reviews from critics.
In addition to her music career, Lisa Marie has also dabbled in acting. She made her acting debut in the 1995 film “The Boy in the Box” and has also appeared in the films “Black and White” and “The Whole Ten Yards.”
In addition to her music and acting career, Lisa Marie has also been involved in various business ventures. She is the owner of Presley Motors, a classic car dealership, and Presley Properties, a real estate company.
In her personal life, Lisa Marie has been married four times. Her first marriage was to musician Danny Keough in 1988, with whom she has two children, Riley and Benjamin. The couple divorced in 1994.
In 1994, Lisa Marie married Michael Jackson, in a highly publicized ceremony. However, the marriage lasted only 20 months and they divorced in 1996.
Her third marriage was to actor Nicholas Cage, the couple married in 2002, but the marriage lasted only 3 years and they divorced in 2004.
Her fourth and current marriage is to musician Michael Lockwood, whom she married in 2006, they have twin daughters, Harper and Finley.
Lisa Marie has also been open about her struggles with addiction and mental health. In 2007, she entered rehab for addiction to prescription drugs, and in 2016, she spoke publicly about her diagnosis of bipolar disorder.
Despite facing personal struggles, Lisa Marie continued to be active in both her music and business career. She was also been a vocal advocate for mental health awareness and was dedicated to helping others who are struggling with addiction.
At once a serious and entertaining force, she changed the face of news in America
ABC News announced on Friday Evening that Barbara Walter’s has died. She was 93. The cause of death was not provided in the announcement. Barbara Walters was a pioneering journalist and television personality who has had a long and successful career in the media industry, a career that seems larger than life now, to many looking back.
She was born on September 25, 1929, in Boston, Massachusetts. Her parents, Lou and Dena Seaman, were both Russian immigrants, and her father owned a jewelry store.
As a child, Walters showed an early interest in journalism and writing. She attended Lawrence High School in Lawrence, Massachusetts, where she wrote for the school newspaper and participated in drama productions. After graduating from high school, she attended Sarah Lawrence College in Bronxville, New York, where she earned a bachelor’s degree in English in 1951.
After college, Walters began her career in journalism as a researcher and writer for NBC News. She quickly worked her way up the ranks, eventually becoming a producer and correspondent for the network.
In 1961, she became the first woman to co-host the Today show, alongside Hugh Downs. She remained with the show for more than 10 years, becoming a household name and paving the way for other women in television news.
In 1976, Walters left the Today show to co-host the ABC news magazine 20/20 with Hugh Downs. She remained with the show for over 25 years, becoming known for her in-depth interviews with world leaders, celebrities, and other notable figures.
She was also a frequent contributor to other ABC news programs, including Good Morning America and World News Tonight.
In addition to her work on 20/20, Walters also hosted a number of specials and television events, including the Academy Awards and the Miss America pageant. She became the first woman to solo host the Oscars in 1984, and she continued to co-host the awards show for several years.
Throughout her career, Walters has interviewed countless high-profile figures, including presidents, world leaders, and celebrities.
She was known for her ability to ask tough questions and get her subjects to open up, and she has been recognized for her contributions to journalism with numerous awards and honors. In 1989, she was inducted into the Television Hall of Fame, and in 2008, she received the Presidential Medal of Freedom.
Challenges to face and overcome
Despite her many accolades, Walters faced her share of challenges and controversies over the course of her career. She faced criticism for her involvement in the Miss America pageant, which was seen as out of step with the feminist movement of the time.
She also faced backlash for her interviews with controversial figures, including former Iranian president Mahmoud Ahmadinejad and Libyan leader Muammar Gaddafi.
Despite these controversies, Walters has remained a respected and influential figure in the media industry. She retired from full-time television work in 2014. She is widely regarded as a trailblazer and role model for women in the media industry, and her work has had a lasting impact on the way television news is produced and consumed.
13.6 Million Likes?! Sure, if you are Jason Stratham on TikTok. And it’s the first video on a brand new account. The only video on the account so far. And you are dancing while you divulge your stats.
Looking at the comments, however, nearly 70,000 of them, a large number are asking “is this real”. Deep-fakes are most definitely real. Several accounts used Tom Cruise Deep-fake video to try to spoof an official TikTok account for the star. And a few stray clips of Brad Pit at a script reading spawned a series of fake accounts trying to look like Brad’s personal “rogue” account.
But, wait, there’s also Billie Eilish who started a “secret” personal account in November 2020 and posted some fascinatingly bizarre ukulele footage, apparently just for kicks, as she surely has no need for more publicity. The account was so unique and, well, strange, that it was hard to imagine that it could be fake.
Sure enough, yesterday what appears to be an outtake from her recent music video with some hilarious captions and stickers popped up on the, mostly dormant, account and has since gone viral. All of which pretty much cements the “it’s definitely real” theory.
As for Jason Statham? We are going to go out on a limb here and say that he is following Billie Eilish’s lead and this is a real account. The fact that there is a single video with a full body dance clip of what absolutely appears to be the star is a tip-off. Secondly if this is his head deep-faked onto someone else’s body, that’s a pretty perfect body double.
Also, the original sound mix seems to indicate that there was method that went the extra mile.
What’s your take? Send us comments or your detective results and let us know if you think this is real, like we do, or if this is just some amazing wizardry at a next level of deep-fake-ness, which thousands of comment writers on TikTok seem to believe…
Above: Official Trailer for “Wrath of Man” Credit: MGM
In addition to Statham, he is joined by a slew of actors including: Alex Ferns, Holt McCallany, Scott Eastwood, Jeffrey Donovan, Laz Alonso, Josh Hartnett, Niamh Algar, Raúl Castillo, Post Malone, Lyne Renee, Anthony Molinari, Deobia Oparei, Tadhg Murphy, Babs Olusanmokun, Darrell D’Silva, Chris Reilly, Matthew Illesley, Rebecca Calder, Jason Wong, Alessandro Babalola, Cameron Jack, Montana Manning, Rocci Williams, Josh Cowdery, and Eve Macklin.
Actor Bob Odenkirk, who portrays the iconic Jimmy McGill /Saul Goodman character in AMC’s “Better Call Saul” is currently wrapping up the show’s final season, which is now available to watch (or stream) weekly on AMC . And even though the show is coming to an end, there is still so much more in store for the actor; he is set to star in a new series, an adaptation, also on the AMC Network called “Straight Man”, as well as venturing out on a book tour for his newly released memoir “Comedy Comedy Comedy Drama”.
Starting to re-watch the series from scratch, it’s easy to see the why the show has been so incredibly successful. Odenkirk it’s a unique star with a wide acting range, playing an easily lovable character that you feel you can stand behind (as he cares for his mentally ill brother), even when he is doing sketchy things (bribing witnesses, forging documents, etc.) to get by.
Of course, not to be forgotten is the epic and one-of-a-kind construction that made ‘Better Call Saul’ into a 6 season prequel to ‘Breaking Bad’s’ 5 amazing seasons. Since the 6th and final season is currently underway – there will no doubt be an amazing opportunity to watch all 11 seasons in the binge of all binge marathons.
The shared characters and storylines, from Ignacio “Nacho” Varga to Michael Ehrmantraut to Walter White and Jesse Pinkman make for an amazing and truly gargantuan story arc. The final season of ‘Better Call Saul’ even includes a few “flash forwards’ to the post ‘Breaking Bad’ timeframe which currently also has the ‘El Camino’ feature in its time-space dimension.
Rising from his early origins as a stand up comic, then to writing for Saturday Night Live (SNL) to eventually an on-screen debut in “The Ben Stiller Show”, HBO’s “Mr Show with Bod and David” and of course, making his lasting trademark as Saul Goodman in “Breaking Bad”.
If you want to learn more about Bob’s new memoir, more information about the book with a description from the publisher follows, below.
Bob Odenkirk’s career is inexplicable. And yet he will try like hell to explicate it for you. Charting a “Homeric” decades-long “odyssey” from his origins in the seedy comedy clubs of Chicago to a dramatic career full of award nominations–with a side-trip into the action-man world that is baffling to all who know him–it’s almost like there are many Bob Odenkirks! But there is just one and one is plenty. Bob embraced a life in comedy after a chance meeting with Second City’s legendary Del Close. He somehow made his way to a job as a writer at Saturday Night Live.
While surviving that legendary gauntlet by the skin of his gnashing teeth, he stashed away the secrets of comedy writing–eventually employing them in the immortal “Motivational Speaker” sketch for Chris Farley, honing them on The Ben Stiller Show, and perfecting them on Mr. Show with Bob and David. In Hollywood, Bob demonstrated a bullheadedness that would shame Sisyphus himself, and when all hope was lost for the umpteenth time, the phone rang with an offer to appear on Breaking Bad–a show about how boring it is to be a high school chemistry teacher. His embrace of this strange new world of dramatic acting led him to working with Steven Spielberg, Alexander Payne, and Greta Gerwig, and then, in a twist that will confound you, he re-re-invented himself as a bona fide action star. Why? Read this and do your own psychoanalysis–it’s fun! Featuring humorous tangents, never-before-seen photos, wild characters, and Bob’s trademark unflinching drive, Comedy Comedy Comedy Drama is a classic showbiz tale told by a determined idiot.
Film release cancellations in Russia added to boycotts in response to invasion
Just days ahead of the highly anticipated theatrical release of “The Batman”, Warner Bros. made the swift and necessary decision to cease any distribution plans in Russia. A spokesperson for the studio said in a statement, “In light of the humanitarian crisis in Ukraine, WarnerMedia is pausing the release of its feature film ‘The Batman’ in Russia”.
While getting a star on the Hollywood Walk of Fame, British actor, known for his latest roles in “Spider-Man: No Way Home” and “The Power of the Dog” also called specifically for action to bring the assault on Ukraine to an end, when he emphasized in his speech that “This is no longer a time for avarice or sloth or inactiveness or ineptitude. We need to act.”
Walt Disney Co. and Sony Pictures also have plans to pause any releases of their films in Russia which includes the previously scheduled release of the Pixar film “Turning Red” for March 10, as well as Sony’s “Morbius” which is currently slated for release early April.
The Ukrainian Film Academy called for an international boycott of the Russian film industry. The Motion Pictures Association also condemned Russia for its attack and made the statement that it “stands with the international community in upholding the rule of law and condemning Russia’s invasion of Ukraine.”
Despite the title of the upcoming film, “Nightmare Alley”, the new Bradly Cooper / Cate Blanchett starrer is not a horror movie or anything in the realm of the otherworldly or comic book are fantastical. Instead, it’s a very different type of movie, which perhaps less surprising once you take into account that it is the newest work from Guillermo del Toro who is best known for his supernatural films like “The Shape of Water” or the franchise “Hellboy”.
In this outing, it’s a somewhat obscure genre; a larger-than-life-update to a 40s noir classic with a unique aesthetic, perhaps more fitting for 2021.
Perhaps, given the star studded cast, it aims for academy cred, such as last years “Mank” without the obvious Orson Wells connex.
The official “Nightmare Alley” synopsis from Searchlight Pictures reads: “When charismatic but down-on-his-luck Stanton Carlisle (Bradley Cooper) endears himself to clairvoyant Zeena (Toni Collette) and her has-been mentalist husband Pete (David Strathairn) at a traveling carnival, he crafts a golden ticket to success, using this newly acquired knowledge to grift the wealthy elite of 1940s New York society.
With the virtuous Molly (Rooney Mara) loyally by his side, Stanton plots to con a dangerous tycoon (Richard Jenkins) with the aid of a mysterious psychiatrist (Cate Blanchett) who might be his most formidable opponent yet.”
The remake of the 1947 film noir classic, inspired by the 1946 novel of the same name. The official trailer gives viewers a sneak peak at the upcoming creepy psychological thriller that will premiere in theaters December 17.
A race against time in order to save the world is ostensibly the schema of the latest Netflix film “Don’t Look Up”. DiCaprio plays as professor Dr. Randall Mindy and JLaw is an astronomy grad student. The pair stumble across a life-changing discovery… that a comet is on a collision course for Earth.
Based on first impressions film may be more of a accurate allegorical send up for our real life climate crisis. In the film, when the scientists raise the alarm to the U.S. government about the comet, the response, in typical bureaucratic insanity is to “sit tight and assess”, just as has been the case for over 30 years regarding global warming (joke delivered by the wildly funny Jonah Hill).
The über impressive cast has a handful of extremely talented actors including (in addition to the marquee stars Leonardo DiCaprio and Jennifer Lawrence); Meryl Streep, Jonah Hill, Ron Perlman, Timothée Chalamet, Ariana Grande, Kid Cudi, Cate Blanchett, and Tyler Perry.
The movie was both written and directed by Adam McKay, the Oscar Award winner responsible for “The Big Short” and “Vice”.
Similar to those films, his patented multi-layered approach is in play, where comedy, absurd pathos and a “laugh about the tragic stupidity of the human race” reigns.
And, possibly, with this amazing cast, it will be the most successful iteration to date.
A huge departure, if you take the correlation to the looming climate extinction level events at face value, is how the film is focused on the future (a fictional one, but still looking forward) for a change.
While both “The Big Short” and “Vice” chronicled a historic event or personage, this time, it is the potentially devastating human inability to see past their own self absorbed pathetic existences that is lampooned.
And if we can all laugh at ourselves and somehow get the message underlying, what meanwhile appears as great comic entertainment, perhaps the outcome can be altered. Or at least we can appreciate the absurdity as we all go down in flames.
The comedy will be released in select theaters on December 10th and two weeks later be available for subscribers to stream free on Netflix, starting on December 24th
The final film featuring actor Daniel Craig playing the iconic role of James Bond is now available to watch as a theatrical release worldwide. The current box office hit marks the 5th and final round Craig has made for the franchise.
While the previous standard has recently been that, after 45 days into the theatrical release, streaming options were finally made available, this time, just a little over a month after the premiere we now have the ability to rent the Bond film through video-on-demand (VOD) via retailers including Amazon Prime Video, Vudu and Apple TV+ for $19.99.
The movie can be streamed in up to 4K quality with high dynamic range.
If you haven’t got caught up with all the previous Bond movies that feature Daniel Craig, you can also have a binge on Amazon Prime video and watch “Skyfall“. “Casino Royal” (Free with subscription), “Quantum of Solace” (Free with subscription) and “Spectre”
According to the Smart TV measurement firm Samba TV, 4.2 Million US households watched Netflix’s “Red Notice” during its debut weekend. These numbers triggered a historical, record breaking amount of streams – a new all time high for the Netflix streaming service.
Although Rotten Tomatoes scored the action comedy as only 35% “tomatometer” the audience score ranked a whopping 91%.
Having watched the movie myself I can understand the scoring. The movie is kinda what you would expect with the typical humor of Ryan Reynolds and The Rock. It is the type of movie you can watch on autopilot and not really have to think about the overall plot. The film is enjoyable to watch considering the all-star cast, yet as some reviews have mentioned, the movie does follow the same contrived premise of previous action/heist flicks.
Yet – who cares?! Sometimes viewers just want a daily dose of escapism and that premise is proven with the record breaking weekend “Red Notice” received.
Above: Photo Credit: Netflix
Below Gal Gadot and Ryan Reynolds commented on the biggest opening day for the movie on their Twitter pages:
“we r hot” show dance rehearsal with commentary (hilarious sexy fun)
After her wild Ukulele post popped up on her crazy subterranean TikTok account and a couple of random posts since, today Billi Eilish posted what appears to be a impromptu reversal video with some hilarious commentary. Set to the song “Lost Cause” (very hot now).
The account which only has 14 videos since it first popped up and has 35.4 million followers (of course!) and 190.3 millions likes, and the video (below) got a whopping 3.2 million in the first hour and currently has accumulated 80 million views to date. The first full video on the account – other than the Ukulele post mentioned above. That one went live back on November 13, 2020.
It’s pretty clear from the humor, voice over and the attitude that Billie loves the vibe and spontaneity of TikTok and this video and her rogue account style fits right in!
Even at the relatively elderly summit of 19 her sultry, dark style along with top of the world presence continues to command loyalty and love for her music and style. Her recent biographical photo book was also a hit and the new songs will likely continue at the top of our summer list. The documentary is great also.
Oh, and the WORLD TOUR 2022 starts in February! Kicking off in Smoothie King Center, New Orleans, LA, however, unfortunately tickets for that show has since been SOLD OUT!
A teaser trailer of the film was previewed in small select theaters around Los Angeles this week. Those present for the sneak peak of the film characterize it as an “intimate mashup of ‘Inherent Vice’,‘ Boogie Nights’ and a “love letter to the youth generation”
“Licorice Pizza” which was only recently renamed over working title “Soggy Bottom” and the upcoming film is set within the San Fernando Valley during the 1970’s. It follows the story of a high school child actor. The movie is also a coming of age story following the character Cooper Hoffman as he tries arduously to make it in entertainment business.
Directed by the iconic Paul Thomas Anderson (PTA) who has given movie-goers a slew of great films including: “There Will Be Blood”, “Inherent Vice”, “Punch-Drunk Love”, “ Boogie Nights”, “Magnolia” and more.
So where the heck did the name Licorice Pizza come from? It is a reference to a real record store, infamous in its day, established during in the 70’s (and has since closed down).
The cast includes Bradley Cooper, Ben Stiller and Tom Waits. The film is scheduled for limited release on November 26th with a larger release towards the end of the year on December 25th.
The official trailer for “Spencer” has been released, starring Kristen Stewart who looks like an absolute ringer for Princess Diana.
There have already been rave reviews since the film had its debut at the Venice Film Festival. Stewart is said to be an Oscar Award top contender for Best Actress.
The movie is set over a single weekend and focusing on how Princess Diana contemplates ending her marriage to Prince charles.
According to Neon, the official synopsis reads:
“December, 1991: The Prince and Princess of Wales’ marriage has long since grown cold. Though rumors of affairs and a divorce abound, peace is ordained for the Christmas festivities at Sandringham Estate. There’s eating and drinking, shooting and hunting. Diana knows the game. This year, things will be a whole lot different.”
The movie will be released in theaters later this fall on November 5, 2021. Check out the official trailer, below, for the upcoming biographical drama:
A post on the celebrity’s instagram stories back in June is now getting some unwelcome attention from the head of U.K.’s Financial Conduct Authority Charles Randell.
Randall called out Kim Kardashian West, in particular, in a speech to the Cambridge International Symposium on Economics Crime as he discussed risks in crypto and the needs for token regulation.
Here’s an excerpt from his speech: “Which brings me on to Kim Kardashian West. When she was recently paid to ask her 250 million Instagram followers to speculate on crypto tokens by ’joining the Ethereum Max Community‘, it may have been the financial promotion with the single biggest audience reach in history.”
The concern is that her ad could have easily been confused with Ethereum.”Ethereum Max” is a newer token created by unknown developers. More importantly the price peak, to date, for the not-ethereum coin coincided with Kim’s Instagram ad going live. She is rumored to receive up to $1 million or more per Instagram post.
Despite the name and the similar look of the logo, its is not affiliated with any of the developers behind the already well established Ethereum digital currency known as “Ether” or ETH.
Not only that, but her massive payday for boosting the coin coincided with a price crash for the token immediately thereafter. A classic pump-and-dump scenario.
It is unknown if the E-Max founders and her client, or even she herself “double-dipped” and sold on the bump she and her ad orchestrated, but that, along with the potential victims that bought at the high and subsequently were left holding the bag, are exactly what the questions are all about.
The Financial Conduct Authority (FCA) cautioned against “hype” in the marketing of cryptocurrencies, particularly new tokens backed by celebrities that may end up being fake, as reported in The Guardian.
This is where is the big issue arises since this problem is a fairly common one, generally because crypto names are sometimes not copyrighted, and therefore there can be many look-a-likes, and these can often be riddled with higher risks, etc.
The speculative token hasn’t officially been deemed a scam, however it is quite common for social media influencers to get paid large sums of money by the developers of scam products and services, with little regard to those being “scammed” (that is to say, the general public targeted with the ads) or the total amounts of money lost in “pump-and-dump” schemes.
The bonds between fathers and sons, as seen through the eye of their mothers
The Duchess of Sussex, Meghan Markle, already holds so many titles: she is a wife, a mother, feminist, activist, and now will be adding author to her list of accomplishments. Just a few days ago, the couple announced the birth of their daughter, with reference to both grandmother and great-grandmother naming her Lilibet “Lili” Diana Mountbatten-Windsor.
Fittingly, today, June 8th, 2021, marks the the release of Markle’s first children’s book.
The Duchess sweetly dedicates the book to “the man and the boy who make my heart go pump-pump”. “Lili” also holds a special place in her heart as her own mother Doria Ragland gave her the childhood nickname “Flower”. The Lilly flower happens to signify happiness and rebirth which gives their daughter name lots of symbolism and meaning to royal family’s newest (‘lil) addition.
The inspiration for the Duchess of Sussex’s first book started from a poem Megan wrote for Prince Harry after their son Archie was born for Father’s day. The poem then evolved into a story, the book will capture the special bond and relationship between fathers and sons from all walks of life, as described by mothers.
As news relating to the upcoming release of Markle’s debut book, reports began to surface speculating potential plagiarism with another children’s book “The Boy on the Bench” by Corrinne Averiss. The only real similarity between the two titles is they both have the word “bench”, aside from this, Averiss took to Twitter to defend the Duchess stating “I don’t see any similarities”.
“The Bench” includes illustrations by Christian Robinson, a Caldecott Award winner, who has worked with both Pixar and Sesame Street Workshop. Markle and Robinson worked together to make sure the final product was inclusive and shared a universal message every kind of family could relate to.
In a statement from Random House Children’s Books, Markle said “Christian layered in beautiful and ethereal watercolor illustrations that capture the warmth, joy, and comfort of the relationship between fathers and sons from all walks of life,” and continued to say “This representation was particularly important to me, and Christian and I worked closely to depict this special bond through an inclusive lens.
My hope is thatThe Bench resonates with every family, no matter the makeup, as much as it does with mine.”
— Random House Children's Books (@randomhousekids) May 4, 2021
“The Bench” will mark the latest venture for the Duchess after stepping back from the Royal Family and moving to the United States in 2020. Prince Harry and Meghan have also launched a podcast in partnership with Spotify Archewell Audio. The two also have plans to work on a Netflix documentary based on the Invictus Games which the Prince founded back in 2014.
The Ice Road is the latest venture for Liam Neeson, who, no stranger to action packed thrillers, already boasts a huge list of theatrical hits including: “The Marksman“, “Honest Thief”, “Cold Pursuit“, “Non-Stop“, “Taken” and more.
This time, he’s back at it in the Netflix produced Ice fest. Neeson’s character, Mike, plays a big rig driver traveling through the dangerous icy roads of Canada. A remote diamond mine collapses, trapping workers with only a limited time to survive without freezing. Mike must lead a seemingly impossible rescue mission transporting necessary equipment needed to save the 26 trapped miners.
In a sense with plot is a hybrid of Neeson’s two most dominant sub-genres, the violent triumph of the good guy against obvious pure evil and, initially in this case, the survival hero against the odds. As the trailer shows, the evil enemy does emerge, apparently in the form of the corrupt mine company that conspired in the collapse and thereby add even more tension to the already dire straits.
Though not a surprise in terms of genre, there is a sense that Liam Neeson is pushing all the buttons he’s pushed so well before, and with a star cameo from Laurence Fishburne as the man charged with putting together the crack team of misfits to make the rescue happen, it looks like this could be another winner.
Along with Liam, cast includes: Benjamin Walker, Amber Midthunder, Marcus Thomas and Laurence Fishburne. Check out the official trailer that just dropped. “The Ice Road” will be available to watch on the streaming platform starting June 25, 2021.
A unique talent for choosing and presenting exactly the theme and subject of the moment, and for posterity
Above:Photo from ‘The Big Short’ courtesy of Paramount
Very few authors have the intense feeling for the “zeitgeist” that Michael has shown throughout his long career. The ability to capture the spirit of the times so well is also possibly the reason why so many of his books have been snapped up and made into successful films. Examples are “The Big Short” (Christian Bale), “Moneyball” (Brad Pitt), “The Blind Side” (Sandra Bullock), all three of these also received Best Picture Oscar nominations.
While perhaps not an author to be remembered as a high literary genius such as James Joyce or William Shakespeare, the body of work, as a chronicle of modern times seen through the lens of his minds eye is, nevertheless, substantive and engaging. While “The Big Short”, both the book and subsequent film, capture with amazing clarity a confusing period that has been in many ways glossed over, even willfully, by those that were partially responsible but never held to account.
Though it remains to be seen how the future will look back on the 2020 novel coronavirus era, “Premonition” has, once more, the same potential to become one, potentially definitive portrait, of the crisis and it’s emergence into a full blown worldwide pandemic.
Now, soon, “The Premonition” is set to be produced by Amy Pascal for Pascal Pictures, with Rachel O’Connor. Directors are slated to be Phil Lord and Chris Miller who are mostly known for lighter fare.
To make it easier a great selection of Michael Lewis’ books are featured front and center, below, along with descriptions, provided courtesy of the Bookshop (and the various publishers), and with some links for a variety of options of where to purchase.
Fortunately, we are still a nation of skeptics. Fortunately, there are those among us who study pandemics and are willing to look unflinchingly at worst-case scenarios. Michael Lewis’s taut and brilliant nonfiction thriller pits a band of medical visionaries against the wall of ignorance that was the official response of the Trump administration to the outbreak of COVID-19.
The characters you will meet in these pages are as fascinating as they are unexpected. A thirteen-year-old girl’s science project on transmission of an airborne pathogen develops into a very grown-up model of disease control.
A local public-health officer uses her worm’s-eye view to see what the CDC misses, and reveals great truths about American society.
A secret team of dissenting doctors, nicknamed the Wolverines, has everything necessary to fight the pandemic: brilliant backgrounds, world-class labs, prior experience with the pandemic scares of bird flu and swine flu…everything, that is, except official permission to implement their work.
Michael Lewis is not shy about calling these people heroes for their refusal to follow directives that they know to be based on misinformation and bad science. Even the internet, as crucial as it is to their exchange of ideas, poses a risk to them. They never know for sure who else might be listening in.
The real story of the crash began in bizarre feeder markets where the sun doesn’t shine and the SEC doesn’t dare, or bother, to tread: the bond and real estate derivative markets where geeks invent impenetrable securities to profit from the misery of lower- and middle-class Americans who can’t pay their debts.
The smart people who understood what was or might be happening were paralyzed by hope and fear; in any case, they weren’t talking.
Michael Lewis creates a fresh, character-driven narrative brimming with indignation and dark humor, a fitting sequel to his #1 bestseller Liar’s Poker.
Out of a handful of unlikely-really unlikely-heroes, Lewis fashions a story as compelling and unusual as any of his earlier bestsellers, proving yet again that he is the finest and funniest chronicler of our time.
Michael Lewis was fresh out of Princeton and the London School of Economics when he landed a job at Salomon Brothers, one of Wall Street’s premier investment firms.
During the next three years, Lewis rose from callow trainee to bond salesman, raking in millions for the firm and cashing in on a modern-day gold rush. Liar’s Poker is the culmination of those heady, frenzied years–a behind-the-scenes look at a unique and turbulent time in American business.
From the frat-boy camaraderie of the forty-first-floor trading room to the killer instinct that made ambitious young men gamble everything on a high-stakes game of bluffing and deception, here is Michael Lewis’s knowing and hilarious insider’s account of an unprecedented era of greed, gluttony, and outrageous fortune.
Moneyball is a quest for the secret of success in baseball.
In a narrative full of fabulous characters and brilliant excursions into the unexpected, Michael Lewis follows the low-budget Oakland A’s, visionary general manager Billy Beane, and the strange brotherhood of amateur baseball theorists. They are all in search of new baseball knowledge–insights that will give the little guy who is willing to discard old wisdom the edge over big money. Also made into a hit movie starring Brad Pitt, Moneyball is a book that exposes human nature, and how it can suddenly be overcome when unique perspectives lead to innovative choices.
When we first meet him, Michael Oher is one of thirteen children by a mother addicted to crack; he does not know his real name, his father, his birthday, or how to read or write.
He takes up football, and school, after a rich, white, Evangelical family plucks him from the streets. Then two great forces alter Oher: the family’s love and the evolution of professional football itself into a game where the quarterback must be protected at any cost.
Our protagonist becomes the priceless package of size, speed, and agility necessary to guard the quarterback’s greatest vulnerability, his blind side.
In Michael Lewis’s game-changing bestseller, a small group of Wall Street iconoclasts realize that the U.S. stock market has been rigged for the benefit of insiders.
They band together–some of them walking away from seven-figure salaries–to investigate, expose, and reform the insidious new ways that Wall Street generates profits. If you have any contact with the market, even a retirement account, this story is happening to you. Billions have been spent by Wall Street firms and stock exchanges to gain the advantage of a millisecond. “Is it a scam?” 60 Minutes correspondent Steve Kroft asks during his interview with the author, It’s bigger than a scam, Lewis says.
Lewis further explains how ordinary investors are affected and argues that high-frequency traders have created instability in the stock market — for everyone. A reoccurring metaphor Lewis uses in his book “Flash Boys” is one of “prey and predators.” According to Lewis, the prey is “anybody who’s actually an investor in the stock market.”
Michael Lewis’s brilliant narrative of the Trump administration’s botched presidential transition takes us into the engine rooms of a government under attack by its leaders through willful ignorance and greed.
The government manages a vast array of critical services that keep us safe and underpin our lives from ensuring the safety of our food and drugs and predicting extreme weather events to tracking and locating black market uranium before the terrorists do. The Fifth Risk masterfully and vividly unspools the consequences if the people given control over our government have no idea how it works.
Forty years ago, Israeli psychologists Daniel Kahneman and Amos Tversky wrote a series of breathtakingly original papers that invented the field of behavioral economics.
One of the greatest partnerships in the history of science, Kahneman and Tversky’s extraordinary friendship incited a revolution in Big Data studies, advanced evidence-based medicine, led to a new approach to government regulation, and made much of Michael Lewis’s own work possible. In The Undoing Project, Lewis shows how their Nobel Prize-winning theory of the mind altered our perception of reality.
Coming from Focus Features, “Stillwater” follows an American oil-rig roughneck from Oklahoma who travels to the French city Marseille, to see his daughter, who is now in prison for a murder she said she did not commit.
FIRST LOOK: Matt Damon, Abigail Breslin, Camille Cottin and Lilou Siauvaud in #STILLWATER, a film by Tom McCarthy. In theaters July 30. pic.twitter.com/3FP4CKkAvd
Matt Damon stars as the father, Bill Baker, who at every turn is confronted with obstacles; language barrier, cultural clashes and navigating complicated foreign legal systems. No matter, Baker immerses himself into life on the other side of the world in order to exonerate his daughter.
In an interview with Entertainment Weekly, Director Tom McCarthy explains Damon’s character – “He’s a guy that’s had a difficult life, he’s struggled, but he sort of tried to make amends and do what’s right, I think, when we meet him”.
This dramatic thriller will be in theaters only starting July 30th, 2021. Directed by Tom McCarthy, the Oscar Award winning filmmaker responsible for “Spotlight”. Along with Damon, the film stars Abigail Breslin and Camille Cottin.
Echoes of the Amanda Knox ordeal, as well as “Taken” with Liam Neeson come to mind but neither quite fit, which is a good thing. Not even gonna mention the Bourne Identity connections! Check it out below for yourself and see if it feels derivative or original and if Matt is inhabiting the cowboy-esque character in an interesting way…
Singer Grimes made a cameo and was present alongside partner Elon Musk on the recent Saturday Night Live episode. The artist posted photos taken backstage, including with musical guest Miley Cyrus, a few days later, adding that she was recently hospitalized due to a panic attack.
This isn’t the first time Grimes has been open and shared information about her mental health issues, explaining in a 2012 interview she struggled with bad social anxiety and sometimes experienced panic attacks.
Grimes played Princess Peach in a Super Mario type themed sketch. It was also revealed the two went to a crypto-themed after party. Its not exactly clear if social anxiety or other factors played into those situations.
The artist also posted the following on her Instagram page:
Forgot to post these cuz I somehow caused myself to have a panic attack and went to the hospital yesterday which tbh was quite scary and I suppose it’s a good time to start therapy 😑😑😑. But nonetheless – wowwwww @mileycyrus is good live and so chill! So grateful to the SNL team for being so kind and letting me sneak in as princess peach snd so proud of my beautiful E (which I know will upset the grimes fans so I apologize in advance) but he killed it
National Alliance on Mental Health
Grimes sharing her struggles only helps to highlight the reality that millions of Americans face daily with mental health issues. The month of May also happens to be mental health awareness month. Now you are not alone. If you are struggling and need support. The NAMI HelpLine can be reached Monday through Friday, 10 a.m.–8 p.m., ET. 1-800-950-NAMI (6264) or info@nami.org
In a sudden about-face Elon Musk announced that Tesla would not accept Bitcoin for its environmentally friendly electric vehicles after all. This, after the company made big news when it purchased $1.5 billion of the cryptocurrency which was revealed in an SEC filing.
In the first quarter report of 2021 the company revealed that it sold a portion of its Bitcoin and netted a $101 million profit. That number represented nearly a fourth of the reported total profits for the quarter.
An even larger contributing factor to the positive news at the time was the massive sales of regulatory credits were $518 million. In other words, profit from Bitcoin and government subsidies was basically 100% of the upside. Car sales, not so much.
Enter the massive media frenzy over the energy use “wasted” on Bitcoin mining and you have a PR disaster waiting to happen for Tesla and Musk. Naturally, clever lad that he is, it was prudent to cancel, at least temporarily the policy of allowing customers to pay with Bitcoin.
Odd thing is, there are many worse things sucking up energy than Bitcoin. And the mining will not stop or slow down because Tesla is not getting any for its cars. But the perception that there’s a “great cost to the environment” from crypto-mining is enough to make this sudden announcement mandatory from a PR standpoint.
Though not mentioned in the tweet where this policy change was announced, it is unlikely that Tesla will go forward with accepting Dogecoin, which was mentioned recently by Musk also, due to the perceived similarities in the mining process.
In the statement attached to Musk’s tweet he also states that they will potentially use a crypto currency if it can be used at an energy cost of less than 1% of Bitcoin per transaction.
This is a separate issue from the mining energy usage but it has also been a criticism that the energy expended to transact using Bitcoin is very high, compared to what is a separate question. Perception is at the root, but wanting more efficient crypto is certainly a laudable goal.
This part of the statement will no doubt lead to feverish speculation as to which cryptocurrency might meet his stated requirements.
Elon Musk’s support for cryptocurrency is, like his commitment to sustainable energy, a positive stance and, before his personal success became completely overblown, a courageous one.
Taking on the fossil fuel industry, it’s easy to forget, was no easy feat in the early days. And, similarly, the inevitable upcoming clash between crypto-adherents and governments (printers of fiat currencies) will need established eminent “super-citizens” to give crypto a chance of survival.
For that reason it is good to see that this does no represent a rejection of crypto itself on Musk’s part, but a necessary response to mounting criticism based on the perception of hypocrisy.
You can bet that, if there is a way to mine with sustainable energy sources (actually in many ways already happening) he will reverse his stance yet again.
![STILLWATER - Official Trailer [HD] - In Theaters July 30](https://i.ytimg.com/vi/9cq1lPPeMUY/hqdefault.jpg)
