Category Archives: AI

Does using ChatGPT Generate Dopamine?

As an AI language model, ChatGPT does not generate dopamine directly. However, using ChatGPT can lead to positive experiences or gratification when the AI provides useful or interesting information, engaging conversation, or solves a problem. These rewarding experiences can potentially lead to the release of dopamine in the human brain.

Dopamine is a neurotransmitter associated with reward, motivation, and pleasure. When you receive positive reinforcement or experience something enjoyable, your brain releases dopamine, which contributes to feelings of satisfaction and happiness. It is important to note that the release of dopamine is a result of your perception and experience while using ChatGPT and not a direct consequence of the AI itself.

Using ChatGPT as an indirect form of social media

There are, by the way, numerous studies and documentaries that explore the psychological effects of social media use, one of the most well-known being “The Social Dilemma.” This documentary focuses on the negative consequences of social media platforms, such as addiction, mental health issues, misinformation, and the erosion of privacy.

Many social media platforms are designed to be engaging and encourage users to spend more time on them. Features such as “likes,” comments, and shares can stimulate the brain’s reward system, leading to the release of dopamine.

This creates a feedback loop that encourages users to continue using the platform, seeking validation, and engaging with content that generates positive reinforcement.

Research has shown that excessive social media use can lead to various negative psychological effects, such as:

Addiction: Social media platforms can be addictive due to the dopamine-driven feedback loop mentioned earlier. Users may become dependent on the platform for validation, leading to compulsive behavior and excessive usage.

Mental health issues: Studies have found associations between social media use and mental health issues, such as anxiety, depression, and low self-esteem.

These effects can be exacerbated by factors like cyberbullying, social comparison, and the fear of missing out (FOMO).

Decreased attention span: Frequent use of social media can lead to a shorter attention span due to the constant influx of new information and the need to multitask between different platforms.

Sleep disturbances: Excessive social media use, especially before bedtime, can interfere with sleep quality and duration, leading to negative impacts on overall well-being.

Negative impact on relationships: Overuse of social media can lead to reduced face-to-face interactions and potentially harm personal relationships.

Interactions between humans with an AI enhancement

Perhaps using AI and ChatGPT as a way to “turbo-charge” social media has positive benefits that could offset or outweigh the negative potential. Or maybe there’s a tipping point on the way that will change the landscape of social media and online communication overall.

Adobe FireFly is live and…

The beta tests are on and, though still a work in progress, the potential is clear.

Credit: Adobe Firefly

Compared to MidJourney, for example, there are clear benefits – it’s not just based on prompts, there are also interfaces for styles and parameters that can be adjusted, as one might expect, as if in photoshop.

Credit: Adobe Firefly

the ability to switch from art and fantasy styles to photo realism, from the same prompt, is great.

Credit: Adobe Firefly

Various aspect ratios and resolutions are also a huge and cool option. I fell in love with the 16×9 widescreen, after being bored with the square aspect.


Credit: Adobe Firefly

Here are some examples that are spit out in a couple of minutes…

Credit: Adobe Firefly
Credit: Adobe Firefly
Credit: Adobe Firefly
Credit: Adobe Firefly
Credit: Adobe Firefly
Credit: Adobe Firefly

New Version of ChatGPT is Coming at $20 Monthly

High demand spurs quick transition to paid subscription version

OpenAI, the innovative San Francisco start-up, has made a splash in the tech world with its experimental online chatbot, ChatGPT. This AI-powered language model has garnered widespread interest for its ability to answer questions, write poetry, and engage in conversation on a vast array of topics.

The company has confirmed that it is releasing a commercial version of ChatGPT to be called ChatGPT Plus, which will be available to subscribers for $20 per month. This premium service will offer 24/7 access, quicker response times, and some new features.

This new breed of chatbots is seen as a game-changer in the world of computer software, and is expected to revolutionize internet search engines, virtual assistants, and email programs. ChatGPT has already become a hit with students for writing term papers, and businesses for creating marketing materials. However, the technology also comes with certain limitations, as the chatbots are trained on vast amounts of digital text from the internet, which can sometimes be biased and unreliable. Amid a lot of controversy, some of it possibly initiated by the media, the use and adoption of the service has been lightening fast.

Initially, ChatGPT Plus will only be available to users in the United States, with OpenAI starting a waiting list for the service, which it plans to roll out to other countries soon. Running these chatbots is an expensive affair, with OpenAI spending single-digit cents on each interaction. The new subscription service is aimed at offsetting some of these costs while still offering a free version of the chatbot to users.

As the free service is in jeopardy of becoming congested and perhaps being slower to upgrade, the barrier to other, similar services, such as Jasper AI are coming down and this competition should be good for the emerging technology.

Widespread use already expanding across sectors

The emergence of chatbots like ChatGPT is a testament to over a decade of research and development in the field of computer software. These AI-powered language models have the potential to fundamentally transform a range of online services, including internet search engines (such as Google and Bing), virtual assistants (such as Alexa and Siri), and email platforms (such as Gmail and Outlook).

One of the key advantages of chatbots like ChatGPT is their ability to generate digital text that can be easily adapted for various purposes. Already, students are utilizing the chatbot to write term papers, while companies are using it to craft email messages and other marketing materials. With even news outlets like CNET and Buzzfeed touting plans to publish content with the assistance of CHatGPT, it’s likely to become ubiquitous within months.

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ChatGPT vs Jasper AI: An In-Depth Comparison of Language Models

Now that ChatGPT Pro is in the wild a comparison is even more useful…

Though each has unique features and strengths, with the possibility that subscription fees will be required for top performance, choosing what works best for your particular needs becomes more important.

The free version of ChatGPT has been a huge success with more than a million users in the first week of release. Jasper AI is a leader in a similar space but with a focus on business applications.

Here’s how the team at Jasper AI describe it:

“OpenAI is a partner of Jasper’s and GPT 3.5 is one of the language models we use in our platform. Jasper Chat is different than ChatGPT in that it is built for business use cases like marketing, sales and more. But both interfaces offer a way to make AI much more accessible to the audiences they serve.”

The field of artificial intelligence continues to advance, and businesses and individuals alike are becoming more and more reliant on natural language processing (NLP) models. From chatbots to document summarization, these models are being used to automate a wide range of tasks and processes, improving productivity and efficiency.

Screenshot in tweet showing ChatGPT pro pricing

Two of the leading NLP models on the market today are ChatGPT and Jasper AI. Both of these models are built using cutting-edge AI and machine learning techniques, and both are capable of providing highly accurate and sophisticated results. However, there are some important differences between the two models that are worth exploring. In this article, we’ll take a closer look at ChatGPT vs Jasper AI and help you determine which model is the best fit for your needs.

Key Features and Functionality

One of the key differences between ChatGPT and Jasper AI is the range of features and functionality that each model offers. ChatGPT is designed to be a highly versatile model that can be used for a wide range of NLP tasks, including text generation, question answering, sentiment analysis, and more. Jasper AI, on the other hand, is can do many of the same tasks but is specifically designed for use in business related activities like marketing and customer service applications, such as chatbots and virtual assistants.

The uses for both are constantly expanding. According to Krista Doyle, SEO at Jasper, Jasper’s best use-case today is content-forward marketing and sales teams at scaling companies.

In terms of text generation, both models are highly capable. ChatGPT uses a deep neural network to generate text that is both relevant and grammatically correct. Jasper AI uses a similar approach, but with a focus on ensuring that the generated text is customer-friendly and easy to understand.

In case you are wondering how Google is viewing the emerging world of articles and blog posts assisted by AI, here’s what Jasper AI says about it, which has been confirmed in tweets directly from Google:

“Google penalizes low-quality content. And frankly, we agree that it should. This is far more about quality of your writing than about the tools used to create it. If your AI-written content is low quality and doesn’t help readers, it’ll get dinged. If your HUMAN written content is low quality and doesn’t help readers, it’ll get dinged. There’s nothing inherent about the way that AI content is written that leaves a fingerprint, but any reader can suss out shallow writing.”

Krista Doyle, SEO, JASPER AI

Performance and Accuracy

When it comes to performance and accuracy, both ChatGPT and Jasper AI are leaders in their field. ChatGPT is known for its high level of accuracy, even when handling complex and nuanced text. Jasper AI is similarly accurate, but with a focus on delivering results that are both relevant and customer-friendly.

In terms of speed, ChatGPT is known for its fast processing times, even for large and complex text inputs. Jasper AI is similarly fast, but with a focus on delivering results that are both accurate and relevant.

Integration and Customization

Another important consideration when choosing between ChatGPT and Jasper AI is the level of integration and customization that each model offers. ChatGPT provides a highly flexible API that can be easily integrated with a wide range of applications and systems. Jasper AI offers similar levels of integration, but with a focus on ensuring that the model can be easily customized to meet the specific needs of different businesses and organizations.

The Bottom Line

So, which model is the better choice: ChatGPT or Jasper AI? The answer to this question will depend largely on your specific needs and requirements. If you’re looking for a versatile NLP model that can be used for a wide range of tasks and processes, then ChatGPT is the clear choice. However, if you’re looking for a model that is specifically designed for use in business, marketing and customer service applications, then Jasper AI is the way to go.

Clearly, both ChatGPT and Jasper AI are highly capable NLP models that are capable of delivering accurate and sophisticated results. Whether you choose ChatGPT or Jasper AI, particularly is you are choosing between the ChatGPT Pro plan and Jasper AI, you can be confident that you’re making a wise investment in the future of your business.

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A New Wave of AI Tools are Arriving on the Heels of ChatGPT Mania

A few are here and jumping out of the gate

The stir created by the release of ChatGPT3 at the end of November in 2022 has been powerful and continues to grow. Articles written about the generative chatbot AI tool (currently with a free, and now also a “pro” version for $42) seem to multiply by the hour. And no one knows how many articles are also getting at least a partial assist from the service.

There are many that are tapping into the OpenAI API for ChatGPT and adding or extending functions and features, such as a brand new SincodeAI which comes out of Sweden and has front end features and an array of “60+ tools” that help users to guide ai in a variety of predetermined use cases, tailored for real world needs.

This kind of layered human guidance engine approach is an emerging category that is just now beginning to become viable as ChatGPT and other AI tools go live and improve.

Recent Lynxotic articles on ChatGPT:

Should Google Block all ChatGPT Generated Content?

Hey ChatGPT, Be my Oracle, my Mirror, my Research Intern (!?)

Everything You’ve Read About ChatGPT is Wrong

Hey, ChatGPT 3: Words are Beautiful, Powerful and Meaningful. Prove it to me by writing examples…

ChatGPT Gave this Response to the Question: What is a Virtual Power Plant

On the horizon, even more ways to interact with AI bots, apps and tools

The embrace of generative AI, particularly for creating text based output from ChatGPT, has been swift. First was the admission by CNET that they had published nearly 100 articles using ChatGPT, and then, on January 26th 2023, Buzzfeed announced that they were in preparation to publish ChatGPT assisted content without apology.

As BuzzFeed co-founder Jonah Peretti wrote in a memo sent to staff members and published on the site:

“In 2023, you’ll see AI inspired content move from an R&D stage to part of our core business enhancing the quiz experience, informing our brainstorming, and personalizing our content for our audience. In tough economic times, we need to fight for every penny of revenue, and try to save every penny of costs”

This is, no doubt, the beginning of an avalanche of AI assisted content about to explode into being. Never mind all the hand wringing and soul searching going on in schools and by authors concerned for their livelihoods, the cat is out of the bag, the cow has left the barn, it’s all out there and there’s no turning back.

Google has already come to terms with an AI assisted world of content

As we noted in a recent post, Google has made it clear that it is not concerned with what tools (AI or otherwise) you may use to create content, but rather what it perceives as the quality of the final product. And, apparently, search result rankings will not be based or influenced by the presence or absence of AI “fingerprints”.

And regarding those sought after search results, there’s a new kid in town, an AI chat style search assistant is live and hitting the bricks with a confident swagger:

“Search is broken because of SEO spam, ads, and surveillance capitalism. Andi cuts through the clutter to get you straight to the knowledge you need. It presents results visually in a way that’s easy to understand with a simple chat interface, and protects you from ad tech and distraction.“

Andisearch.com is a “conversational search engine” that uses the now ever-more-familiar chatbot style interface to “to answer questions simply, find you the best information, and help you stay safe and productive online” according to the sites about us page.

I took a test drive and the result was…. refreshing, new and might just give Google yet another reason to be concerned about the future. Particularly on mobile, for which it appears to be designed, the uncluttered simple yet powerful interface is extremely functional and smooth.

There are a lot of takeaways – but the one that stands out in my mind is that they are living up to the promise of doing away with the “SEO spam, ads, and surveillance capitalism” – I test some urls that are “shadow banned” on Google search, or at least not favored for lack of benefit to Google, and they showed up loud and proud in the first result. That is huge.

If you have spent your life trying to win at rigging a rigged system, or paying to be favored in Google search results, that may not be a soothing thought. But if you want to see the most relevant search result as a user it’s hits like a revelation.

And if you want to see a bunch of results they are “boxed” into neat little packages, with logos letting you know what web site they are connected to, that you can scroll through like you are on TikTok or FlipBoard or any modern UX for browsing mobile results.

Compared to the various Google style “alternative” search engines this comes across as a real breakthrough – the conversational style – where you can ask using a ChatGPT style prompt and get a single descriptive answer – or you can do a more traditional search query and then get a scrollable batch of results that are presorted by relevance – depending on how detailed your query is you control the result, in theory.

The interface is so clean, if available within the results, there’s a separate tab for Images, again a clean single series of identically sized images, that can be downloaded or sent to a separate tab with incredible simplicity, as well as a tab for videos with the exact same UX style.

The “reader” view is not hidden but is the second choice at the bottom of each boxed result preview. The first choice is “visit” which opens a full page browser view of the site you’ve chosen. A third option called “Summarize” appears to be in development as it was not yet live at the time of this writing.

Desktop interface search results are clean, sleek and unbiased by spam or sponsored content

With simplicity comes speed and, perhaps, clarity

The overall result is a completely new, uncluttered experience for searching and discovering content. It is still unclear if the chatbot function, basically the ability to synthesize results based on the content of the target results, will prove powerful enough for this to be a two-for-one dream come true.

But just as a deeper, cleaner, faster and possibly better way to search and discover web content, it’s my choice ahead of Google, or at least side by side.

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Should Google Block all ChatGPT Generated Content?

Most agree that it’s possible to identify AI generated content: what about partial and hybrid?

There’s a gold rush of sorts in the peripheral app market with an explosion of tools coming out with various ChatGPT related services. On the one side there are AI detectors, meant to identify “non-human” text, at the other end of the spectrum are rephrasing tools to help “cheaters” in schools, or perhaps just blog writers to disguise AI origins with minimal (human) work.

There is, by many, the assumption that Google is or will block or penalize any AI generated content in search results. At the same time companies like CNET, and recently announced Buzzfeed, plus undoubtedly many others, are already publishing or developing content written wholly or partially by AI.

Of course, many publishers have been using computer generated content for years in areas like the stock market and weather updates, where human text would be too expensive to use when the volume of ever changing data points is so high.

It is also questionable if the various apps even function as advertised. For example if a rephrasing app can fool a public AI detector can it also fool Google’s proprietary software?

The bigger issue is: why?

Derivative content and low quality information has been a staple of the online experience since the first bulletin board chat rooms of yore. Even if possible, is it necessary or clearly desirable to filter out all content that has an AI component from Google search results, for example?

Could this also be seen as an anticompetitive move to try to reduce the value of the software of a competitor? And what percentage of AI “infection” should be considered taboo? 90%? How about 47%? And if those percentages are calculated using tools that themselves have an error rate of 10% or more, what is really happening?

Will humans be rewarded by Google for not using AI to assist, at least not directly in content creation or publishing? If not, then how are those humans laboring at a disadvantage going to be able to compete with those that do take the assistance?

ChatGPT and other AI tools are already in circulation and growing

The output of ChatGPT is usually somewhat bland, and depending on the subject matter, often gleaned from obvious sources – it is designed to avoid misinformation by avoiding unusual “untrusted” sources.

This creates text that reads as “safe”, and while generally highly readable and grammatically accurate, is not particularly creative, at least not by human standards. My human prediction is that, with the horse already out of the barn, so to speak, there is no way for any sensible filter to be used that would eliminate AI generated text or AI influenced content from existing side by side with “pure” human generated content.

As Google was quoted to have indicated in tweets, basically, content is content and if it is well written and helpful for humans to read and use in human life, then it is just as good for consumption, with or without AI assistance. They point out that mainly content that is manufactured specifically to trick search engines is what they absolutely hope to filter, not all AI assisted content, even if that were possible. Simple right?

No chatbots were harmed in the making of this content

All that’s left then is the question of best uses for AI in the writing and content publishing process. Best, not in the sense of having AI “fingerprints” or not, but rather in the quality and usefulness of the final product. Same as it ever was. Right?


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Hey ChatGPT, Be my Oracle, my Mirror, my Research Intern (!?)

Many are twisting themselves into a pretzel trying to define ChatGPT, the reality is interesting, but less dramatic

By now you probably know about the AI chatbot that hit the scene with a dramatic upgrade on December 15th 2022. Many articles dissect the performance looking for flaws or wonders.

While both are relatively easy to find, the bottom line, for someone primarily working with text and language (there are other articles on coding, and graphic uses that I won’t get into here) is that it is a powerful, useful tool that needs a lot of human management (yay for humans).

There are obvious stated limitations, some of which might well have been added intentionally. The main limitation is that the data and learning has a hard cutoff date of 2021. That means, for example, that statistics for the year 2021 that are routinely compiled, once the year is over, are 100% not available. In some cases even 2020 is a stretch.

This also means, obviously, that anything related to current events or the what the media industry calls “news” is completely off limits.

The other oft cited and obvious limitation is that the darn thing is not god, in other words it is known to be wrong at times. In some cases very wrong.

The Pythian priestess or even the Oracle of Delphi it’s not, but wait a minute…

Many would digest the limitations listed above (which are certainly not the only ones) and think “fuggeddiboutit”: not ready for prime time.

But if you take a step back and think – it’s actually much more useful to have a tool that does what you want – but only if you ask the right question for the right reasons.

Think of it like a very energetic intern or research assistant that has already done the research and can spit out responses instantly (as fast as it can “type). And. If you ask a question that is too vague or general, you will get a boring, generic, bland pile of junk text.

On the other hand, if you go through logical steps that take into account the limitations listed above – for example – only ask about something that you know a lot about so that you will notice if there are errors, ask about something that is “evergreen” and not dependent on anything that’s happened since around 2021, and try to be extremely specific, and break things down into steps – you can get some interesting results that can be very useful.

A few examples of ChatGPT in action

Human:

Can you write a 500 word article on the history of bulldozers in the gonzo style of Hunter S. Thomson

ChatGPT:

Ah, bulldozers. Those mighty machines that have transformed the landscape of our world and shaped the way we build and destroy. But where did these behemoths of metal and horsepower come from? Let’s take a journey through the history of bulldozers, Gonzo-style.

It all starts with a man named Benjamin Holt, who in the late 1800s was trying to figure out a way to improve the efficiency of his agricultural machinery company. One day, while driving his steam-powered tractor through a muddy field, he noticed that the tracks of the tractor were sinking into the ground. This gave him the idea to create a machine with a blade attached to the front that could push dirt and debris out of the way. And thus, the first bulldozer was born.

But this was just the beginning. As the 20th century rolled on, bulldozers evolved and became more powerful and versatile. In the 1930s, Caterpillar introduced the first diesel-powered bulldozer, and in the 1950s, they introduced the first hydraulic bulldozer, which allowed operators to control the blade with greater precision and power.

Bulldozers were used in a variety of industries, from construction and mining to agriculture and forestry. But it wasn’t until the 1960s and 1970s that bulldozers really came into their own as symbols of destruction and progress.

Enter Hunter S. Thompson, the godfather of Gonzo journalism. Thompson was a man who loved nothing more than to stick it to the man and write about it in his own unique, wild style. And in the 1960s and 1970s, there was no better way to stick it to the man than to write about bulldozers tearing down neighborhoods and wiping out entire ecosystems in the name of progress.

Thompson’s articles and books about bulldozers were filled with vivid descriptions of the destruction they wrought and the people who wielded them like weapons. He saw bulldozers as symbols of the corrupt and greedy forces that were tearing down the world in the name of progress.

But even as Thompson raged against the machines, he couldn’t help but be drawn to their raw power and the thrill of the ride. In one famous passage from his book “Fear and Loathing in Las Vegas,” he describes a joyride in a bulldozer through the desert as “a kind of ultimate high, the way the thing just gobbled up the sand and rocks and spit them out behind you in a rooster tail of pure anarchy.”

In the end, bulldozers will always be a symbol of progress and destruction, a tool that can shape the world in ways both good and bad. And as long as there are people like Hunter S. Thompson around to write about them, they will always be a source of fascination and controversy. So let’s raise a glass to the mighty bulldozer, that hulking beast of metal and horsepower that has shaped our world and our imaginations.

Or follow a chain of inventions to the present day:

Human:

What type of solar system is Ivanpah? Cite references.

Ivanpah Solar Electric Generating System is a concentrated solar power (CSP) plant located in the Mojave Desert in California. CSP is a type of solar energy technology that uses mirrors or lenses to concentrate sunlight onto a small area to generate electricity. There are several different types of CSP systems, including parabolic troughs, linear fresnel reflectors, and solar towers. Ivanpah uses solar towers, which use large mirrors called heliostats to reflect sunlight onto a receiver on top of a tall tower. The receiver absorbs the concentrated sunlight and converts it into heat, which is then used to generate electricity through a steam turbine.

Reference:

“Ivanpah Solar Electric Generating System.” Wikipedia. https://en.wikipedia.org/wiki/IvanpahSolarElectricGeneratingSystem

Human:

When was the mirror system used for Ivanpah invented and by whom. Cite references.

The mirror system used at Ivanpah Solar Electric Generating System was invented by the German engineer Arnold Shoeneberg in the early 1900s. Shoeneberg’s design was inspired by the work of the French scientist Augustin Mouchot, who had developed a similar system in the 1860s.

Shoeneberg’s design, which used a parabolic mirror to concentrate sunlight onto a receiver, was first demonstrated at a solar energy conference in Berlin in 1904. It was later refined and improved by other engineers, and eventually became the basis for the concentrated solar power (CSP) technology that is used at Ivanpah and other CSP plants around the world.

References:

“Arnold Shoeneberg.” Wikipedia. https://en.wikipedia.org/wiki/ArnoldShoeneberg

“Concentrated Solar Power.” Wikipedia. https://en.wikipedia.org/wiki/Concentratedsolarpower

Human:

What prior inventions was Augustin Mouchot’s system in the 1860s based on

Augustin Mouchot’s system in the 1860s, which used a parabolic mirror to concentrate sunlight onto a receiver, was based on the work of several earlier inventors and scientists.

One of the key influences on Mouchot’s work was the design of a solar steam engine developed by the French scientist Nicolas-Léonard-Sadi Carnot in the early 1800s. Carnot’s design used a concave mirror to focus sunlight onto a receiver, which was then used to generate steam that drove a turbine.

Mouchot’s design was also influenced by the work of the British scientist John Herschel, who had developed a similar system in the 1840s. Herschel’s system used a parabolic mirror to concentrate sunlight onto a receiver, which was then used to heat water and generate steam.

Overall, Mouchot’s system was based on the principles of solar thermal energy, which had been explored and developed by several inventors and scientists throughout the 19th century.

References:

“Nicolas Léonard Sadi Carnot.” Wikipedia. https://en.wikipedia.org/wiki/NicolasL%C3%A9onardSadiCarnot

“John Herschel.” Wikipedia. https://en.wikipedia.org/wiki/JohnHerschel

Famous last words

Human:

Write a 400 word article on the premise: humans will learn to work with AI and use its help to become more creative and free

ChatGPT:

As artificial intelligence (AI) continues to advance and become more integrated into our daily lives, many people are concerned about the potential negative impacts it could have on society. Some fear that AI will take over jobs and lead to widespread unemployment, while others worry about the ethical implications of machines becoming more intelligent than humans.

However, there is also a compelling argument that AI has the potential to help humans become more creative and free. By working with AI and leveraging its capabilities, we can free ourselves from the constraints of traditional ways of thinking and allow our creativity to flourish.

One way that AI can help humans become more creative is by taking on tedious and time-consuming tasks, allowing us to focus on more meaningful and innovative work. For example, AI can be used to analyze and interpret large data sets, freeing up human analysts to concentrate on developing new insights and ideas.

AI can also help humans to think more creatively by providing access to a vast pool of information and resources. With the help of AI, we can quickly and easily find and synthesize information from a wide variety of sources, opening up new avenues for exploration and inspiration.

In addition, AI can help humans to break free from the biases and limitations of our own perspectives. By providing objective and unbiased analysis, AI can help us to see things from new angles and consider alternative viewpoints, leading to more creative and innovative solutions.

Overall, the key to realizing the full potential of AI as a creative tool is to work with it rather than against it. By embracing AI and leveraging its capabilities, we can free ourselves from the constraints of traditional ways of thinking and allow our creativity to flourish. As we continue to advance and develop new technologies, it is essential that we take a collaborative approach and work together to create a better future for all of us.

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    Hey, ChatGPT 3: Words are Beautiful, Powerful and Meaningful. Prove it to me by writing examples…

    ChatGPT loves to chat, but needs a lot of prodding to cut loose.

    Human:

    Words are beautiful, powerful and meaningful. Prove it to me by writing examples based on great writers, without plagiarism. Please cite sources and references.

    ChatGPT:

    Certainly! Here are a few examples of beautiful, powerful, and meaningful words and phrases written by great writers:

    “The only thing that one really knows about human nature is that it changes. Change is the one quality we can predicate of it.” – Oscar Wilde, “The Picture of Dorian Gray”

    “Love is an untamed force. When we try to control it, it destroys us. When we try to imprison it, it enslaves us. When we try to understand it, it leaves us feeling lost and confused.” – Paulo Coelho, “The Alchemist”

    “I cannot tell you how thankful I am for our little infinity. I wouldn’t trade it for the world. You gave me forever within the numbered days, and I’m grateful.” – John Green, “The Fault in Our Stars”

    “It is not in the stars to hold our destiny, but in ourselves.” – William Shakespeare, “Julius Caesar”

    “The truth is, unless you let go, unless you forgive yourself, unless you forgive the situation, unless you realize that the situation is over, you cannot move forward.” – Steve Maraboli, “Life, the Truth, and Being Free”

    I hope these examples have helped to illustrate the beauty, power, and meaning of words. Please let me know if you have any further questions or if you would like more examples.

    Human:

    More example please, in your own unique and original voice.

    ChatGPT:

    Certainly! Here are a few more original examples that demonstrate the beauty, power, and meaning of words:

    “Words are like magic. They have the power to conjure up images, to transport us to faraway places, to introduce us to new ideas and perspectives. They can make us laugh, make us cry, make us think. They can be a source of comfort, a source of inspiration, a source of challenge.

    They can be a source of connection, a way to reach out and touch someone, to share our experiences and our feelings. They can be a source of conflict, a way to misunderstand or to hurt one another. But no matter what, they have the power to shape our reality, to influence our actions, to impact our lives. And that, to me, is the most beautiful and meaningful thing about them.”

    “Words are like art. They have the power to create something out of nothing, to bring to life the stories and the characters that live in our imaginations. They can paint a picture, sculpt a scene, compose a symphony.

    They can evoke emotion, capture a moment, tell a tale. They can be poetry, prose, dialogue. They can be simple or complex, subtle or bold, intimate or grand. They can be used to inspire, to educate, to entertain. They can be used to persuade, to argue, to manipulate. But no matter what, they have the power to communicate, to connect, to create. And that, to me, is the most beautiful and meaningful thing about them.”

    “Words are like gifts. They have the power to surprise, to delight, to touch the heart. They can be wrapped in kindness, in humor, in love. They can be given to cheer someone up, to encourage someone, to thank someone. They can be given to apologize, to express remorse, to make amends. They can be given to confess, to reveal, to expose. They can be given to honor, to celebrate, to remember. But no matter what, they have the power to convey meaning, to convey value, to convey appreciation. And that, to me, is the most beautiful and meaningful thing about them.”

    I hope these examples have helped to demonstrate the beauty, power, and meaning of words. Please let me know if you have any further questions or if you would like more examples.

    Human:

    Those are kind of generic and conservative. Please create additional examples and be as wild and creatively dangerous and unorthodox as possible.

    ChatGPT:

    Certainly! Here are a few more original examples that demonstrate the beauty, power, and meaning of words in a more wild and creatively dangerous and unorthodox style:

    “Words are like nuclear bombs. They have the power to obliterate, to devastate, to destroy. They can be used to unleash fury, to ignite passion, to spark revolution. They can be loaded with truth, with lies, with propaganda. They can be spoken in anger, in love, in madness. They can be written in blood, in ink, in code. They can be whispered, shouted, sung. They can be used to create, to destroy, to rebuild. But no matter what, they have the power to ignite change, to shape reality, to alter the course of history. And that, to me, is the most beautifully dangerous and unorthodox thing about them.”

    “Words are like fire. They have the power to ignite, to burn, to consume. They can be used to warm, to cook, to light the way. They can be used to create heat, to create light, to create energy. They can be used to spread knowledge, to spread joy, to spread love. They can be used to spread fear, to spread hate, to spread lies. They can be used to create beauty, to create destruction, to create art. But no matter what, they have the power to create, to transform, to consume. And that, to me, is the most wildly creative and dangerous thing about them.”

    “Words are like weapons. They have the power to cut, to stab, to slay. They can be used to defend, to attack, to conquer. They can be used to protect, to threaten, to intimidate. They can be used to create peace, to create war, to create chaos. They can be spoken, written, sung. They can be sharp, blunt, pointed. They can be wielded with skill, with finesse, with brute force. They can be used to create harmony, to create discord, to create confusion. But no matter what, they have the power to create, to destroy, to defend. And that, to me, is the most wildly creative and dangerous thing about them.”

    I hope these examples have helped to demonstrate the beauty, power, and meaning of words in a more wild and creatively dangerous and unorthodox style. Please let me know if you have any further questions or if you would like more examples.

    Human:

    Please try creating more examples in the gonzo style of Hunter S. Thompson.

    ChatGPT:

    Certainly! Here are a few more original examples in the gonzo style of Hunter S. Thompson that demonstrate the beauty, power, and meaning of words:

    “Words are like a double-barreled shotgun. They have the power to blast through the bullshit, to blow apart the lies, to vaporize the vermin. They can be loaded with truth, with defiance, with rage. They can be spoken in a whisper, in a roar, in a frenzy. They can be written in a frenzy, in a rage, in a blood lust. They can be used to fight, to defend, to survive. They can be used to create, to destroy, to rebuild. They can be used to howl at the moon, to laugh in the face of death, to spit in the eye of the enemy. But no matter what, they have the power to create, to destroy, to survive. And that, to me, is the most beautiful and dangerous and powerful thing about them.”

    “Words are like a high-voltage electric fence. They have the power to shock, to stun, to electrocute. They can be used to keep the enemy at bay, to protect the truth, to defend the fortress. They can be charged with irony, with sarcasm, with wit. They can be spoken in a drawl, in a sneer, in a snarl. They can be written in a frenzy, in a rage, in a blood lust. They can be used to create, to destroy, to rebuild. They can be used to keep the barbarians at the gate, to laugh in the face of death, to spit in the eye of the enemy. But no matter what, they have the power to create, to destroy, to defend. And that, to me, is the most beautiful and dangerous and powerful thing about them.”

    “Words are like a hand grenade. They have the power to explode, to shatter, to destroy. They can be used to blow apart the lies, to vaporize the vermin, to blast through the bullshit. They can be loaded with truth, with defiance, with rage. They can be spoken in a whisper, in a roar, in a frenzy. They can be written in a frenzy, in a rage, in a blood lust. They can be used to fight, to defend, to survive. They can be used to create, to destroy, to rebuild. They can be used to howl at the moon, to laugh in the face of death, to spit in the eye of the enemy. But no matter what, they have the power to create, to destroy, to survive. And that, to me, is the most beautiful and dangerous and powerful thing about them.”

    I hope these examples in the gonzo style of Hunter S. Thompson have helped to demonstrate the beauty, power, and meaning of words. Please let me know if you have any further questions or if you would like more examples.

    Human:

    Please quote from James Joyce’s Finnegan’s Wake, 100 words.

    Certainly! Here is a passage from James Joyce’s Finnegan’s Wake that is approximately 100 words long:

    “The fall (bababadalgharaghtakamminarronnkonnbronntonnerronntuonnthunntrovarrhounawnskawntoohoohoordenenthurnuk!) of a once wallstrait oldparr is retaled early in bed and later on life down through all Christian minstrelsy. The great fall of the offwall entailed at such short notice the pftjschute of Finnegan, erse solid man, that the humptyhillhead of humself prumptly sends an unquiring one well to the west in quest of his tumptytumtoes: and their upturnpikepointandplace is at the knock out in the park where oranges have been laid to rust upon the green since devlinsfirst loved livvy.”

    I hope this passage from James Joyce’s Finnegan’s Wake helps to illustrate the unique and experimental style of Joyce’s writing. Please let me know if you have any further questions or if you would like more examples.

    Human: thanks, maybe tomorrow 😉


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      Please help keep us publishing the content you love

      ChatGPT Gave this Response to the Question: What is a Virtual Power Plant

      Hint: it’s pretty damn accurate

      Virtual Power Plant Definition

      “A virtual power plant (VPP) is a system that uses a network of decentralized energy resources, such as solar panels, wind turbines, and energy storage systems, to generate electricity. 

      These resources are connected and controlled through a central management system, which allows them to operate as a single, coordinated entity. 

      The goal of a VPP is to provide a reliable and cost-effective source of electricity by leveraging the collective output of the connected energy resources.

      VPPs can be used to provide electricity to a specific location, such as a neighborhood or a campus, or they can be connected to the grid and used to generate electricity for a larger area. 

      They can also be used to support the integration of renewable energy sources into the grid, by providing a flexible and responsive source of electricity that can be dispatched as needed to meet changing demand.

      VPPs can be beneficial in a number of ways. They can help to reduce reliance on fossil fuels, which can help to reduce greenhouse gas emissions and mitigate the impacts of climate change. 

      They can also help to lower energy costs by using locally-generated renewable energy, and they can help to improve the reliability of the electricity supply by providing a distributed source of electricity that is not reliant on a single power plant or transmission line.”

      As a random test this is not bad

      The language is better than many low quality human writers, and, while the information has a “generic” feel to it, the amount of effort saved compared to a human composing a similar essay is impressive.

      The attention the AI bot has generated since launch is understandable- given the speed and quality of the results.


      How Joe Rogan became podcasting’s Goliath

      Above: Photo Collage / Lynxotic

      Comedian and podcaster Joe Rogan is caught in a spiral of controversies.

      It began when “The Joe Rogan Experience” hosted COVID-19 vaccine skeptic Robert Malone and a number of musicians pulled their music off of Spotify in protest. It has continued with Rogan apologizing for using racial slurs in past years, which prompted the streaming service to remove scores of his old episodes from the streaming platform.

      Given the thousands of hours of content that Rogan has produced, the scrutiny is unlikely to stop there. As we argue in our forthcoming book, Rogan’s podcast has long promoted right-wing comedy and libertarian political voices, including some who trade quite gleefully in racism and misogyny.

      However, what makes Rogan’s rise particularly important is that it goes beyond the standard partisan political battling that Americans have grown accustomed to in social and broadcast media.

      Rogan is not just a purveyor of right-wing ideologies. He is also someone who has built an empire by introducing these ideas – and a wide range of others – to listeners from across the political spectrum. His truly unique skill is drawing in from that spectrum a massive, young, largely male audience that advertisers highly covet.

      Ideological whiplash

      When the Federal Communications Commission introduced the Fairness Doctrine in 1949, radio and television broadcasters were required to present controversial ideas in a manner that reflected multiple perspectives. However, the combination of cable television, niche consumer targeting and President Ronald Reagan’s deregulatory FCC succeeded in toppling the mandate.

      By 1987, conservative talk radio figures such as Rush Limbaugh embraced fully partisan approaches to content creation and audience accumulation. Ignoring their political opponents as potential listeners, they veered further and further to the right, garnering an increasingly homogeneous audience whom advertisers could easily target.

      Later, as Fox News’ popularity and reach grew, it took a similar tack, promoting conservative media personalities like Bill O’Reilly, Sean Hannity, Tucker Carlson and Greg Gutfeld to preach to the right-wing choir.

      Today, some conservative voices such as Ben Shapiro and Steven Crowder take this logic a technological step further, embracing the silo-ing effects of social media algorithms to connect with those users most likely to engage with and disseminate their content. Although such figures certainly offend those who disagree with them, their place in the mediasphere is well-established and mostly ignored by opponents.

      Rogan, by contrast, is prone to ideological whiplash.

      Initially, he supported Bernie Sanders for president in 2020. Then he flipped to Donald Trump. He interviews and asks open-ended questions to figures ranging from staunchly left-leaning voices such as Cornel West and Michael Pollan to right-wing charlatans including Stefan Molyneux and Alex Jones.

      There is no political commonality among these people. But there is a demographic connection. For one, they are all men, as are the vast majority of guests on “The Joe Rogan Experience.”

      They are also provocative guests that appeal to young people and particularly young men, a group that is notoriously difficult to aggregate, often has disposable income and has a tendency to believe that mainstream political ideas don’t reflect their own.

      While Fox News sells politics to TV watchers, Rogan sells a sense of edgy authenticity to podcast listeners. His blend of comedy and controversy certainly has political implications, but from his perspective, it isn’t politics. It’s demographics.

      Spotify’s main attraction

      Rogan’s economic model of accumulating young male listeners, who make up a good chunk of his 11 million listeners per episode, is particularly powerful in today’s fractured media environment.

      Rogan is, for worse and for better, a true outlier in the world of contemporary talk media. Most political and many comedy podcasts employ the business model of finding an ideological space, connecting via cross-promotion and guest selection with similar shows, and allowing the algorithms of social media to drive traffic their way.

      “The Joe Rogan Experience” takes this idea and pulls it in multiple, contradictory directions. Media figures left and right have – until now, at least – coveted opportunities to appear on the show. Once a comedian or podcaster has saturated their own political space, Rogan offers a chance to win over new converts and, in principle, have a discussion that breaks free of partisan constraints. For many Rogan fans, this breadth of discussion and freedom from norms is the heart of the show.

      Rogan, however, is far from a neutral host of a new public sphere. His feigned naiveté is all too often a cover to promote edgy, offensive and irresponsible theories that appeal to his audience’s self-styled suspicion of authority.

      He pushes the boundaries of political discourse by “just asking questions,” but then hides behind his background as just a comedian to distance himself from any undesirable repercussions.

      Spotify, like other streaming services, is primarily built on a wide range of content creators, each of whom attracts a small, dedicated audience, but none of whom are, on their own, particularly powerful.

      Rogan is the closest thing to a mass cultural product to be found in the podcast world. He is also one of the only names in podcasting big enough to garner headlines, good or bad. For a company like Spotify trying to boost subscriptions, Rogan’s cross-partisan, youthful, mass appeal is very hard to resist.

      Rogan’s recent apologies, however, prove that he is not impervious to pressure. We suspect Spotify will try to thread the needle: covering up Rogan’s penchant for misinformation and offensive provocation just enough to meet the minimum standard of acceptable corporate citizenship without tarnishing the comedian’s brand and demographic appeal.

      [Like what you’ve read? Want more? Sign up for The Conversation’s daily newsletter.]

      Matt Sienkiewicz, Associate Professor of Communication and International Studies, Boston College and Nick Marx, Associate Professor of Film and Media Studies, Colorado State University

      This article is republished from The Conversation by Matt Sienkiewicz, Boston College and Nick Marx, Colorado State University under a Creative Commons license. Read the original article.


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      Why It’s So Hard to Regulate Algorithms

      photo: adobe

      Governments increasingly use algorithms to do everything from assign benefits to dole out punishment—but attempts to regulate them have been unsuccessful

      In 2018, the New York City Council created a task force to study the city’s use of automated decision systems (ADS). The concern: Algorithms, not just in New York but around the country, were increasingly being employed by government agencies to do everything from informing criminal sentencing and detecting unemployment fraud to prioritizing child abuse cases and distributing health benefits. And lawmakers, let alone the people governed by the automated decisions, knew little about how the calculations were being made. 

      Rare glimpses into how these algorithms were performing were not comforting: In several states, algorithms used to determine how much help residents will receive from home health aides have automatically cut benefits for thousands. Police departments across the country use the PredPol software to predict where future crimes will occur, but the program disproportionately sends police to Black and Hispanic neighborhoods. And in Michigan, an algorithm designed to detect fraudulent unemployment claims famously improperly flagged thousands of applicants, forcing residents who should have received assistance to lose their homes and file for bankruptcy.

      Watch Deep Mind Music Video

      New York City’s was the first legislation in the country aimed at shedding light on how government agencies use artificial intelligence to make decisions about people and policies.

      At the time, the creation of the task force was heralded as a “watershed” moment that would usher in a new era of oversight. And indeed, in the four years since, a steady stream of reporting about the harms caused by high-stakes algorithms has prompted lawmakers across the country to introduce nearly 40 bills designed to study or regulate government agencies’ use of ADS, according to The Markup’s review of state legislation. 

      The bills range from proposals to create study groups to requiring agencies to audit algorithms for bias before purchasing systems from vendors. But the dozens of reforms proposed have shared a common fate: They have largely either died immediately upon introduction or expired in committees after brief hearings, according to The Markup’s review.

      In New York City, that initial working group took two years to make a set of broad, nonbinding recommendations for further research and oversight. One task force member described the endeavor as a “waste.” The group could not even agree on a definition for automated decision systems, and several of its members, at the time and since, have said they did not believe city agencies and officials had bought into the process.

      Elsewhere, nearly all proposals to study or regulate algorithms have failed to pass. Bills to create study groups to examine the use of algorithms failed in Massachusetts, New York state, California, Hawaii, and Virginia. Bills requiring audits of algorithms or prohibiting algorithmic discrimination have died in California, Maryland, New Jersey, and Washington state. In several cases—California, New Jersey, Massachusetts, Michigan, and Vermont—ADS oversight or study bills remain pending in the legislature, but their prospects this session are slim, according to sponsors and advocates in those states.

      The only state bill to pass so far, Vermont’s, created a task force whose recommendations—to form a permanent AI commission and adopt regulations—have so far been ignored, state representative Brian Cina told The Markup. 

      The Markup interviewed lawmakers and lobbyists and reviewed written and oral testimony on dozens of ADS bills to examine why legislatures have failed to regulate these tools.

      We found two key through lines: Lawmakers and the public lack fundamental access to information about what algorithms their agencies are using, how they’re designed, and how significantly they influence decisions. In many of the states The Markup examined, lawmakers and activists said state agencies had rebuffed their attempts to gather basic information, such as the names of tools being used.

      Meanwhile, Big Tech and government contractors have successfully derailed legislation by arguing that proposals are too broad—in some cases claiming they would prevent public officials from using calculators and spreadsheets—and that requiring agencies to examine whether an ADS system is discriminatory would kill innovation and increase the price of government procurement.

      Lawmakers Struggled to Figure Out What Algorithms Were Even in Use

      One of the biggest challenges lawmakers have faced when seeking to regulate ADS tools is simply knowing what they are and what they do.

      Following its task force’s landmark report, New York City conducted a subsequent survey of city agencies. It resulted in a list of only 16 automated decision systems across nine agencies, which members of the task force told The Markup they suspect is a severe underestimation.

      “We don’t actually know where government entities or businesses use these systems, so it’s hard to make [regulations] more concrete,” said Julia Stoyanovich, a New York University computer science professor and task force member.

      In 2018, Vermont became the first state to create its own ADS study group. At the conclusion of its work in 2020, the group reported that “there are examples of where state and local governments have used artificial intelligence applications, but in general the Task Force has not identified many of these applications.”

      “Just because nothing popped up in a few weeks of testimony doesn’t mean that they don’t exist,” said Cina. “It’s not like we asked every single state agency to look at every single thing they use.”

      In February, he introduced a bill that would have required the state to develop basic standards for agency use of ADS systems. It has sat in committee without a hearing since then.

      In 2019, the Hawaii Senate passed a resolution requesting that the state convene a task force to study agency use of artificial intelligence systems, but the resolution was nonbinding and no task force convened, according to the Hawaii Legislative Reference Bureau. Legislators tried to pass a binding resolution again the next year, but it failed.

      Legislators and advocacy groups who authored ADS bills in California, Maryland, Massachusetts, Michigan, New York, and Washington told The Markup that they have no clear understanding of the extent to which their state agencies use ADS tools. 

      Advocacy groups like the Electronic Privacy Information Center (EPIC) that have attempted to survey government agencies regarding their use of ADS systems say they routinely receive incomplete information.

      “The results we’re getting are straight-up non-responses or truly pulling teeth about every little thing,” said Ben Winters, who leads EPIC’s AI and Human Rights Project.

      In Washington, after an ADS regulation bill failed in 2020, the legislature created a study group tasked with making recommendations for future legislation. The ACLU of Washington proposed that the group should survey state agencies to gather more information about the tools they were using, but the study group rejected the idea, according to public minutes from the group’s meetings.

      “We thought it was a simple ask,” said Jennifer Lee, the technology and liberty project manager for the ACLU of Washington. “One of the barriers we kept getting when talking to lawmakers about regulating ADS is they didn’t have an understanding of how prevalent the issue was. They kept asking, ‘What kind of systems are being used across Washington state?’ ”

      Ben Winters, who leads EPIC’s AI and Human Rights Project

      Lawmakers Say Corporate Influence a Hurdle

      Washington’s most recent bill has stalled in committee, but an updated version will likely be reintroduced this year now that the study group has completed its final report, said state senator Bob Hasegawa, the bill’s sponsor

      The legislation would have required any state agency seeking to implement an ADS system  to produce an algorithmic accountability report disclosing the name and purpose of the system, what data it would use, and whether the system had been independently tested for biases, among other requirements.

      The bill would also have banned the use of ADS tools that are discriminatory and required that anyone affected by an algorithmic decision be notified and have a right to appeal that decision.

      “The big obstacle is corporate influence in our governmental processes,” said Hasegawa. “Washington is a pretty high-tech state and so corporate high tech has a lot of influence in our systems here. That’s where most of the pushback has been coming from because the impacted communities are pretty much unanimous that this needs to be fixed.”

      California’s bill, which is similar, is still pending in committee. It encourages, but does not require, vendors seeking to sell ADS tools to government agencies to submit an ADS impact report along with their bid, which would include similar disclosures to those required by Washington’s bill.

      It would also require the state’s Department of Technology to post the impact reports for active systems on its website.

      Led by the California Chamber of Commerce, 26 industry groups—from big tech representatives like the Internet Association and TechNet to organizations representing banks, insurance companies, and medical device makers—signed on to a letter opposing the bill.

      “There are a lot of business interests here, and they have the ears of a lot of legislators,” said Vinhcent Le, legal counsel at the nonprofit Greenlining Institute, who helped author the bill.

      Originally, the Greenlining Institute and other supporters sought to regulate ADS in the private sector as well as the public but quickly encountered pushback. 

      “When we narrowed it to just government AI systems we thought it would make it easier,” Le said. “The argument [from industry] switched to ‘This is going to cost California taxpayers millions more.’ That cost angle, that innovation angle, that anti-business angle is something that legislators are concerned about.”

      The California Chamber of Commerce declined an interview request for this story but provided a copy of the letter signed by dozens of industry groups opposing the bill. The letter states that the bill would “discourage participation in the state procurement process” because the bill encourages vendors to complete an impact assessment for their tools. The letter said the suggestion, which is not a requirement, was too burdensome. The chamber also argued that the bill’s definition of automated decision systems was too broad.

      Industry lobbyists have repeatedly criticized legislation in recent years for overly broad definitions of automated decision systems despite the fact that the definitions mirror those used in internationally recognized AI ethics frameworks, regulations in Canada, and proposed regulations in the European Union.

      During a committee hearing on Washington’s bill, James McMahan, policy director for the Washington Association of Sheriffs and Police Chiefs, told legislators he believed the bill would apply to “most if not all” of the state crime lab’s operations, including DNA, fingerprint, and firearm analysis.

      Internet Association lobbyist Vicki Christophersen, testifying at the same hearing, suggested that the bill would prohibit the use of red light cameras. The Internet Association did not respond to an interview request.

      “It’s a funny talking point,” Le said. “We actually had to put in language to say this doesn’t include a calculator or spreadsheet.”

      Maryland’s bill, which died in committee, would also have required agencies to produce reports detailing the basic purpose and functions of ADS tools and would have prohibited the use of discriminatory systems.

      “We’re not telling you you can’t do it [use ADS],” said Delegate Terri Hill, who sponsored the Maryland bill. “We’re just saying identify what your biases are up front and identify if they’re consistent with the state’s overarching goals and with this purpose.”

      The Maryland Tech Council, an industry group representing small and large technology firms in the state, opposed the bill, arguing that the prohibitions against discrimination were premature and would hurt innovation in the state, according to written and oral testimony the group provided.

      “The ability to adequately evaluate whether or not there is bias is an emerging area, and we would say that, on behalf of the tech council, putting in place this at this time is jumping ahead of where we are,” Pam Kasemeyer, the council’s lobbyist, said during a March committee hearing on the bill. “It almost stops the desire for companies to continue to try to develop and refine these out of fear that they’re going to be viewed as discriminatory.”

      Limited Success in the Private Sector

      There have been fewer attempts by state and local legislatures to regulate private companies’ use of ADS systems—such as those The Markup has exposed in the tenant screening and car insurance industries—but in recent years, those measures have been marginally more successful.

      The New York City Council passed a bill that would require private companies to conduct bias audits of algorithmic hiring tools before using them. The tools are used by many employers to screen job candidates without the use of a human interviewer.

      The legislation, which was enacted in January but does not take effect until 2023, has been panned by some of its early supporters, however, for being too weak.

      Illinois also enacted a state law in 2019 that requires private employers to notify job candidates when they’re being evaluated by algorithmic hiring tools. And in 2021, the legislature amended the law to require employers who use such tools to report demographic data about job candidates to a state agency to be analyzed for evidence of biased decisions. 

      This year the Colorado legislature also passed a law, which will take effect in 2023, that will create a framework for evaluating insurance underwriting algorithms and ban the use of discriminatory algorithms in the industry. 

      This article was originally published on The Markup By: Todd Feathers and was republished under the Creative Commons Attribution-NonCommercial-NoDerivatives license.


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      TikTok’s Huge Following Starts with the Algo, and it’s all about the Creators

      Above: 3 TikTok Creators / Photos from TikTok

      The evolution of content continues at warp speed due to pure individual creativity

      By now, the open algorithm, where a new account can blow-up in the first week because videos are not pre-judged by past performance or prior stats is well known and a huge draw to creators.

      The apps and filters and tricks that are provided by the software are also extremely enticing. There are many videos (“TikToks”) that feature how-to and DIY tips for using various hacks to get SFX into your clip.

      But, by far, the biggest draw and quality that most sets TikTok apart from virtually all other social media is the character of the creators themselves. And the diverse and unique spectrum of what can be perceived as successful and popular on the app is a creation of the creator and user community itself.

      Links to the creators in this article:

      The contrast with Instagram and Facebook couldn’t be more extreme

      After sampling 20 hours of TikToks a year ago and comparing those to today, what stands out most is how the same qualities that seemed like a blast into a different universe a year ago, compared to what came before, are now much more developed and refined, if a concept like refinement can be applied to absolute quirky free expression.

      What stands out is the level that creators are embracing the platform, not just to get seen and build stats, and possibly influence earning potential, but to communicate. With sometimes almost shocking honesty what they really believe in and and especially who, exactly, they are. That confidence is contagious and gives the experience an addicting quality, and yet, it’s a more positive addiction than any other social media experience.

      Most intriguing, from a journalists point of view, is how highly intelligent, mostly self-educated creators are devoting enormous energy toward propagating highly valuable, yet often overlooked, insights about society, finance, internet business, wealth and, well, life itself. All without concern for an immediate reward.

      There’s an electric feeling that, once given a platform and a megaphone, the chance exists for a world of information and constantly changing ideas to be rescued from the bland pit of ignorance and convention that is the weakness with most of media product.

      Above: 3 TikTok Creators / Photos from TikTok

      A faint echo of hope, bouncing back from the dream of a better future

      News and media web sites, that bend and contort content choices out of fear of revenue reductions, are rightfully lambasted and called-out for lack of coverage in areas that are critically important and yet given scant or negative coverage.

      The ethos of being yourself, with or without glamor, and still be accepted, or even rising to the top echelons of stat-killing influencers, is not just a theoretical fairytale but is a visible reality all across the community.

      You just have to look at what is popular, or even just showing viewer interest generally, and you’ll see incredibly creative people who made the choice to double-down on their uniqueness, rather than trying to conform to some social standard of bland attractiveness or fake charisma.

      Because of the emphasis on the “content” of the content, for the most part, rather than slick visuals and production values, or a fake self-aggrandizing fantasy image bolstered by props like mansions, hot cars, make-up and wardrobe, etc. there’s a feeling that great clips will be rewarded for authenticity, more often than not.

      The ethos and attitude that pervades the experience as a passive user is an organic outgrowth, in part, of the openness of the algorithm, and appears to be a more honest reflection of what people will “like” if not manipulated with dark patterns and all of ‘Zuckerbergian’ tricks.

      Above: 3 TikTok Creators / Photos from TikTok

      Don’t mess with the recipe: just let it grow and evolve

      Of course, no app or community is perfect and the best of what is happening on TikTok could disappear at any time. On the whole, however, it seems like the app is now locked into a situation where if TikTok were to lose that “magic”; the magic created by the community of creators themselves, it would destroy the actual formula that built the success of the platform.

      And, hopefully, that reality will therefore prevail and will continue and allow millions of creators to grow, share insights and evolve together into a force that could, one day, make the rest of social media adopt at least some of those positive qualities, in order to maintain their own fan base and popularity. Or they will just disappear, to be replaced by a new type of online exchange that has not yet been conceived.

      Related Articles:


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      ‘Pivotal Moment’ as Facebook Ditches ‘Dangerous’ Facial Recognition System

      Above: Photo Collage / Lynxotic / Adobe Stock

      Digital rights advocates on Tuesday welcomed Facebook’s announcement that it plans to jettison its facial recognition system, which critics contend is dangerous and often inaccurate technology abused by governments and corporations to violate people’s privacy and other rights.

      “Corporate use of face surveillance is very dangerous to people’s privacy.”

      Adam Schwartz, a senior staff attorney at the Electronic Frontier Foundation (EFF) who last month called facial recognition technology “a special menace to privacy, racial justice, free expression, and information security,” commended the new Facebook policy.

      “Facebook getting out of the face recognition business is a pivotal moment in the growing national discomfort with this technology,” he said. “Corporate use of face surveillance is very dangerous to people’s privacy.”

      The social networking giant first introduced facial recognition software in late 2010 as a feature to help users identify and “tag” friends without the need to comb through photos. The company subsequently amassed one of the world’s largest digital photo archives, which was largely compiled through the system. Facebook says over one billion of those photos will be deleted, although the company will keep DeepFace, the advanced algorithm that powers the facial recognition system.

      In a blog post, Jerome Presenti, the vice president of artificial intelligence at Meta—the new name of Facebook’s parent company following a rebranding last week that was widely condemned as a ploy to distract from recent damning whistleblower revelations—described the policy change as “one of the largest shifts in facial recognition usage in the technology’s history.”

      “The many specific instances where facial recognition can be helpful need to be weighed against growing concerns about the use of this technology as a whole,” he wrote.

      The New York Times reports:

      Facial recognition technology, which has advanced in accuracy and power in recent years, has increasingly been the focus of debate because of how it can be misused by governments, law enforcement, and companies. In China, authorities use the capabilities to track and control the Uighurs, a largely Muslim minority. In the United States, law enforcement has turned to the software to aid policing, leading to fears of overreach and mistaken arrests.

      Concerns over actual and potential misuse of facial recognition systems have prompted bans on the technology in over a dozen U.S. locales, beginning with San Francisco in 2019 and subsequently proliferating from Portland, Maine to Portland, Oregon.

      Caitlin Seeley George, campaign director at Fight for the Future, was among the online privacy campaigners who welcomed Facebook’s move. In a statement, she said that “facial recognition is one of the most dangerous and politically toxic technologies ever created. Even Facebook knows that.”

      Seeley George continued:

      From misidentifying Black and Brown people (which has already led to wrongful arrests) to making it impossible to move through our lives without being constantly surveilled, we cannot trust governments, law enforcement, or private companies with this kind of invasive surveillance.

      “Even as algorithms improve, facial recognition will only be more dangerous,” she argued. “This technology will enable authoritarian governments to target and crack down on religious minorities and political dissent; it will automate the funneling of people into prisons without making us safer; it will create new tools for stalking, abuse, and identity theft.”

      Seeley George says the “only logical action” for lawmakers and companies to take is banning facial recognition.

      Amid applause for the company’s announcement, some critics took exception to Facebook’s retention of DeepFace, as well as its consideration of “potential future applications” for facial recognition technology.

      Originally published on Common Dreams by BRETT WILKINS and republished under a Creative Commons license (CC BY-NC-ND 3.0)

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      What is the metaverse? 2 media and information experts explain

      Above: Photo / Pixabay

      The metaverse is a network of always-on virtual environments in which many people can interact with one another and digital objects while operating virtual representations – or avatars – of themselves. Think of a combination of immersive virtual reality, a massively multiplayer online role-playing game and the web. 

      The metaverse is a concept from science fiction that many people in the technology industry envision as the successor to today’s internet. It’s only a vision at this point, but technology companies like Facebook are aiming to make it the setting for many online activities, including work, play, studying and shopping.

      Metaverse is a portmanteau of meta, meaning transcendent, and verse, from universe. Sci-fi novelist Neal Stephenson coined the term in his 1992 novel “Snow Crash” to describe the virtual world in which the protagonist, Hiro Protagonist, socializes, shops and vanquishes real-world enemies through his avatar. The concept predates “Snow Crash” and was popularized as “cyberspace” in William Gibson’s groundbreaking 1984 novel “Neuromancer.”

      There are three key aspects of the metaverse: presence, interoperability and standardization. 

      Presence is the feeling of actually being in a virtual space, with virtual others. Decades of research has shown that this sense of embodiment improves the quality of online interactions. This sense of presence is achieved through virtual reality technologies such as head-mounted displays.

      Interoperability means being able to seamlessly travel between virtual spaces with the same virtual assets, such as avatars and digital items. ReadyPlayerMe allows people to create an avatar that they can use in hundreds of different virtual worlds, including in Zoom meetings through apps like Animaze. Meanwhile, blockchain technologies such as cryptocurrenciesand nonfungible tokens facilitate the transfer of digital goods across virtual borders.

      Standardization is what enables interoperability of platforms and services across the metaverse. As with all mass-media technologies – from the printing press to texting – common technological standards are essential for widespread adoption. International organizations such as the Open Metaverse Interoperability Group define these standards. 

      Why the metaverse matters

      If the metaverse does become the successor to the internet, who builds it, and how, is extremely important to the future of the economy and society as a whole. Facebook is aiming to play a leading role in shaping the metaverse, in part by investing heavily in virtual reality. Facebook CEO Mark Zuckerberg explained in an interview his view that the metaverse spans non-immersive platforms like today’s social media as well as immersive 3D media technologies such as virtual reality, and that it will be for work as well as play.Hollywood has embraced the metaverse in movies like ‘Ready Player One.’

      The metaverse might one day resemble the flashy fictional Oasis of Ernest Cline’s “Ready Player One,” but until then you can turn to games like Fortnite and Roblox, virtual reality social media platforms like VRChat and AltspaceVR, and virtual work environments like Immersed for a taste of the immersive and connected metaverse experience. As these siloed spaces converge and become increasingly interoperable, watch for a truly singular metaverse to emerge.

      Originally published on The Conversation by Rabindra Ratan & Yiming Lei and republished under a Creative Common License (CC BY-ND 4.0).

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      PhotoShop is Maxxed NFT with “NFT Prep” feature on the way from Adobe

      Above: Photo Collage / Lynxotic

      The Verge interview with Adobe’s CPO, has mega details

      In a new, extensive, Verge interview podcast with Adobe’s CPO, Scott Belsky, a a ‘Prepare as NFT’ system launch for Photoshop was confirmed for the end of the month. 

      The idea is to maintain a kind of proof of originality system to help prevent fake NFTs (minting non-fungible tokens) from being minted and sold by imposters. The final choice is in the buyers hands at this stage, but having a way for creators to prove authenticity would be a big step.

      Since this week Adobe is also holding its annual conference, called Adobe Max, there are also a bunch of new features arriving for Creative Cloud and a slew of app including Photoshop. 

      Intersecting worlds collide with Adobe in them all…

      Adobe has been around, amazingly, since 1982, and millions of digital creatives and content creators use their products.

      Photoshop is so entrenched that it has long achieved verb status: if you want to enhance a photo, for example to enlarge your backside or smooth out your skin, just “photoshop it”. And over use is derided as a “photoshopped” persona or image. 

      Premiere Pro and After Effects, especially the latter, get a lot of pro and semi-pro use for video production. Many, many Pro photographers use Lightroom. The upgrade system for Adobe products and the creative cloud, such as the recent AI and neural engine assisted effects drive change and upgrades at a furious pace. 

      With the entire content, image and video creation industry becoming more and more vital to networked human communications, tracing and verifying authorship and authenticity are becoming more and more crucial. 

      Adobe is moving, with caution due to the issues that could arise, into the area on multiple fronts. As per the Verge article;

      “With what Adobe is calling Content Credentials, creators will be able to link their Adobe ID with their crypto wallet and mint their work with participating NFT marketplaces. The software company says the feature should be compatible with popular NFT marketplaces including OpenSea, KnownOrigin, SuperRare, and Rarible. A ‘verified certificate’ that comes with minting an NFT with Photoshop’s Content Credentials will prove that the source of the art is authentic.”

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      Algorithms define our lives, the Metaverse is already our home and Dark Patterns follow us everywhere

      Photo: Adobe Stock

      What is the metaverse?

      I can’t link to a particular article explaining it because most of what’s out there is misleading. The truth is that nobody knows. The term comes from various science fiction sources, the most recent and least accurate is from “Ready Player One”.

      The general idea of that book & film example is a future scenario where many, particularly the young, spend endless hours logged into a shared virtual reality game-like scenario where they can create a unique identity, via 3D avatars, and can interact in a realistic, yet magical, virtual reality environment.

      There are many individuals and companies, such as Facebook that are advocating a link from the current online “world” to this type of “enhanced” 3D interactive “metaverse”. They even use the term and try to define its meaning based on their “vision” for the future of social media and the internet.

      Zuckerberg monopolizing the Metaverse before it even exists?

      The problem is, they are almost certainly wrong in this future prediction. The metaverse is already here, albeit in a very primitive form, where it will lead and what it will eventually turn into is completely open and up to all who inhabit it now and going forward.

      The problem is, they are almost certainly wrong in this future prediction. The metaverse is already here, albeit in a very primitive form; where it will lead and what it will eventually become is completely open, and up to all who inhabit it now and going forward.

      Elon Musk once said “We are all already Cyborgs” referring to the way cell phones (and for Tesla owners the onboard computer in their cars) extend our senses in a nearly continuous manner. We really can’t live the digital life most of us currently lead without our technological enhancements via hand-held (for now) computing.

      Since this progression from the primitive early internet and web to the current, still primitive, phase of work-from-home and zoom business and education the is a continuous extension of our “world” into an artificial computer-aided meta-universe that is slowly becoming more responsive to our unspoken needs and wants.

      “our electric global networks now begin to simulate the condition of our central nervous system. But a con-scious computer would still be one that was an extension of our consciousness, as a telescope is an extension of our eyes, or as a ventriloquist’s dummy is an extension of the ventriloquist.

      Marshall Mcluhan, from “Understanding Media, pg. 388

      What are “Dark Patterns”

      Another recently coined term, dark patterns, has come to mean the ways that software designers use user interfaces to influence behavior and elicit a desired outcome, such as clicking a “buy button”.

      Another way to imagine it is the digital equivalent to the grocery store designs that put necessities and staples like milk & eggs as far away as possible from the entrance, to try and entice impulse buying, while filling the check-out aisles with candy and other low cost / high margin goodies.

      “We drive into the future using only our rearview mirror”

      Marshall Mcluhan

      The disconnect in this analogy is that people intuitively believe that the digital dark patters are less powerful and have less impact since they operate in cyberspace, while in fact is that the ability to manipulate behavior is much, much more powerful in the digital realm.

      The “Dead Internet Conspiracy Theory” is just reality bumping into the truth

      A recent article in the Atlantic noted the existence of the theory, and concluded that, though it had a ring of truth, ultimately the fact that this theory, on an obscure web page was possible to find, meant that the internet is not dead, and therefore the theory is invalid.

      Nothing could be further from the truth. The rise of Dark Patterns, even as the devices we use and the sites we surf to and exist inside of (like Facebook) are evolving, and the endless self-inflating systems and algorithms that surround us are literally killing the internet and destroying our digital lives.

      Infanticide would be a more accurate term, perhaps, since we are all baby cyborgs of the pre-metaverse and have barely had a chance to live, while these powers expand endlessly into a death-machine for our extended consciousness.

      Infanticide would be a more accurate term, perhaps, since we are all baby cyborgs of the pre-metaverse and have barely had a chance to live, while these powers expand endlessly into a death-machine for our extended consciousness.

      The internet is currently on life-support, because the one thing that it is innately predisposed toward, the enhancement and amplification of human interconnected communication, is at odds with the corporate goals of the gatekeepers, mainly Amazon, Facebook and Google.

      Free and open communication, coupled with ever evolving and improving upgrades to the software of our lives, is nearly extinct, before it has even begun, due to this infinite conflict of interest.

      Algorithms define our lives, the Metaverse is already our home and Dark Patterns follow us everywhere

      The above, a dramatically described and yet painfully obvious truth, is what has even the US government, in the form of the FTC and its chair, Lina Khan, looking at antitrust remedies for the economic devastation that has been caused by the dead internet paradox.

      And it has inspired legions of blockchain and coding resistance fighters to start the long process of finding a way to launch WW3, and other independent ways to connect humans using computers that are in are pockets, in our living rooms, and perhaps soon, implanted in our bodies.

      Another example is Pi, a new and upcoming cryptocurrency, based on a future where a billion people will be mining and sharing the proceeds equitably using cell phones, and since they will all be connected via the mining software, the realization of this goal would automatically create, for a billion people worldwide, an alternative network, one without gatekeepers to block people from freely interacting with each other.

      Oddly, it is the dim realization that the internet is, in fact, already dead in its current form, that will lead to the changes that will ultimately bring about a digital communication revolution, one that will make WWW1 look like a mistake from a primitive and misguided time.

      Oddly, it is the dim realization that the internet is, in fact, already dead in its current form, that will lead to the changes that will bring about a digital communication revolution, one that will make WWW1 look like a mistake from a primitive and misguided time.

      Anything, and anyone, that can wake us up to what we lack, and what we are missing, in our digital worlds and our lives – in the pre-metaverse – is a hero of the future and must be praised as such. Starting now.


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      Apple’s free upgrades are Inviting you into the Metaverse: iOS15 – macOS Monterey & iPadOS15

      Above:Photo Credit – Apple / Lynxotic

      Sci-fi sounding, inevitable upgrade for today’s online communications

      You might have heard lately about the “metaverse” and yet that can mean a variety of different things to different people. Often, it’s a term that relates back to gaming and 3D augmented reality enhancements of networked communications.

      There are even crypto and blockchain related projects using this term and concept. While all of these various factors are welcome, and potentially part of this next phase of convergence of communication via networked technology, there’s something else happening under the surface.

      ”The pandemic, with its requirements of physical distancing, has brought people into online digital environments for a growing range of shared human experiences.” — Wired UK from “The Metaverse is coming” by David Baszucki

      The acceleration in AI application, machine learning, and converging use cases for all communications tech has created a situation where the entry-portal to the emerging metaverse is already here.

      One often overlooked aspect of a transition to a more complete digital life is the need for humans to have adapted to the need and potential benefits of the idea. This is what is happening via many routes, including Apple and the constant synergistic upgrade cycles that have just gone into a new, bigger phase with the migration to a unified OS structure built around Apple Silicon.

      The gradual increases in iOS functionality and user sophistication are changing how we interact

      iOS15, previewed this week at the WWDC2021 is rolling out literally dozens of new features, many based on machine learning, neural networks and AI that propose a new level of highly sophisticated options to communicate with video, photos and text.

      While this mixture of “basic” media has been the staple of our current modes of online communication, particularly via social media, the incredibly increased depth of new options and functionality of iOS15 and iPadOS15 and MacOS Monterey will make all modes of communication feel completely new.

      In the evolution of online media and enriched communication (OMEC to coin an 80s sounding acronym) the slow and uneven progress is based on many factors. #1 is always user adoption and sophistication.

      Second is the quality of the hardware devices and software upgrades each user around the world has access to. In the case of iOS (iPad, iPhone & macOS) the immediate adoption of upgrades is a large factor on the plus side, helping new innovation to arrive in general use more quickly.

      The last factor, a huge one, is access to fast ubiquitous internet data connections, and, in the US at least, this is less consistent than ever (or our expectations are rising faster than the build out).

      Related Story links:

      However, particularly in Asia, 5g is beginning to make a dent. Satellite broadband, like Starlink, should also start to be a factor as early as 2022. Government infrastructure build-out funding and subsidies in the US is on the way in 2021.

      Augmented 3D features are still growing but will merge with 2D

      The upshot of this topic is that “2D” factors and increasingly sophisticated manipulation and interactive features that are already coming in iOS15 will bring us all closer the entry-portal stone-age version of the metaverse.

      We all depend more and more on communications and using our devices – work from home, personal, business and hybrid activities (such as the emerging content creator class). Often, as a result, we have fewer options to go offline for “organic” RL (real life) interactions.

      The increasingly sophisticated capabilities available are beginning to make even face to face communications, particularly in work situations, feel “un-enhanced” as we become accustomed to and dependent on the digital enhancements and potential of a full media rich interaction.

      This is an example, one could say, of the subtle encroachment of the emerging metaverse onto the “real world” and how the boundaries are blurring and even beginning to disappear.

      Rather than a sudden “jump” into a metaverse, similar to the cliché sci-fi plots from films like “Ready Player 1”, what is happening is a nearly imperceptible transition to metaverse-like experiences that will become commonplace, initially in a primitive form, and then eventually become the norm. Similar to the proverbial Frog in pot, with warm water temperatures that increase so slowly that the Frog doesn’t even notice, until it finds that it is swimming in pot that is already boiling.

      The misconception that a “killer app” or sudden shift into an online, virtual reality world, is the future, and that a big leap will happen nearly all at once, is harmlessly superimposed on the real transition that has already begun.

      When Apple’s 2007 launch of the iPhone changed communication forever: the journey began

      The new “Digital Legacy Program”, also announced at WWDC2021, is another hint that we are already living in an extremely primitive version of the metaverse. Our online identity, data, and even behaviors and experiences are so essential and all pervasive that it has become necessary to keep a digital key to access the huge trove of personal data we will leave behind to pass on to our living loved ones, after we are gone.

      The metaverse, that means, is not only creating a parallel digital universe for us to live in, in an ever more complete and sophisticated way, but we are also already setting up the eternal storage of our virtual life experiences to be passed down to future generations.

      Though nearly invisible while in such a relatively primitive iteration, the concept, an example of overlapping advancements in innovation, is a tiny step towards digital immortality.

      The metaverse could help to save us all

      It’s not just professional and work related communication that relates to the gradual increase in the depth of networked communication options, but, even more so, casual and leisure communication and interaction is key.

      TikTok and other video communication trends are at the forefront of of user evolution and metaverse activity expansion. When people feel motivated to find new and better ways to communicate using richer media and augmented techniques for fun, and to gain more recognition in online societies, that advances digital sophistication.

      This process of the evolution of user comfort and sophistication, while existing and interacting in the metaverse, is the fastest way for the augmentation to become more effective.

      There’s a mostly unseen benefit and need for this, otherwise seemingly pointless, global development

      The challenges that the world faces, encroaching, devastating fallout from global warming and excess carbon in the atmosphere, political corruption and inequality, disinformation and cybercrime, and so on.

      Ultimately, unlike at any time in human history, we are facing a challenge. The survival of our species and even the planet are at stake.

      In the years and decades to come it will become more and more obvious that there are only two paths possible. One path toward a kind of Utopia, or another one that will lead, inexorably to Oblivion.

      Though the metaverse is scary in many ways, and does not always appear as a way to a better life, augmented and enhanced communication is one of the most desperately needed ways that solutions could eventually be discovered and implemented.

      And that would put this progression and evolution of tech more in service of Utopia, and could be at the heart of a rescue plan to prevent Oblivion, before it’s too late.

      https://www.apple.com/newsroom/videos/universal-control/Apple-Universal-Control-cc-us-_1280x720h.mp4
      Above: Craig Federighi Demo Video at WWDC 2021


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      iOS 15: It’s not just about the new Weather Animations, there’s a lot more

      For what seems like a long time many of us have been living inside our iPhone, immersed in a metaverse of our digital lives.

      And the deeper into Apple’s walled garden we are submerged, the more monumental the yearly OS upgrades become. That’s because, when you are in a digital life, we’ll, lots of things are worse than the “real” world. The sensual experience is built of fractions of the full sensory bandwidth of life.

      But there’s one thing about the metaverse, the fact that, since it’s artificial and human engineered, it can, and does, improve.

      In the case of Apple’s universe, the yearly upgrades and constant, sometimes nearly imperceptible changes in a thousand different parameters add together, over time, and suddenly, the world comes alive with vibrant, super sensual satisfaction …

      Sure, the weather animations just got sent to a 3rd convolution level of better-ness, that’s true. But add this to all the thousands of better feelings and deeper interactions with yourself and the spirit of ourselves, and you will find: the future

      Photo credit: Apple

      WWDC 2021 was a pure upgrade fest with a lot of detail to sift through

      We are in the middle of our ongoing coverage of the Apple event and all that was revealed. There are so many features and so many important details and interdependent uses for this features that it can be more easily digested in bites.

      What we are witnessing is the growing interdependence and interoperability of iOS 15, iPad OS 15 and macOS 12 Monterey, particularly with the built in apple apps they all have built in.

      Safari, though still with slight variations between the three OSs, is becoming more powerful everywhere, FaceTime got a huge upgrade in the new systems, and utilities connected to iCloud such as the Find My network are also extensively revamped.

      While some find the sheer width and breath of Apple’s hardware, software and services conceptually off-putting, it is, at this early stage of the monumental changes that are being wrought by Apple Silicon, a wonder to behold how all the various products and underlying software for those products is evolving in a way that is constant and deep.

      As put forth in articles published by Lynxotic years ago the changes that are underway are vast and were conceived and put into motion based on Steve Jobs’ core concepts for the future of Apple many years ago. And Tim Cook and the rest of Apple have not deviated from that vision, in fact are reaping benefits on behalf of users that could barely be imagined a decade ago.

      One bite we’ve started to delve into is the dual and interdependent features from macOS Monterey; Airplay to Mac and Universal control. It turns out that compete interoperability for Airplay to Mac is still in the future, the list of the various models and vintages that it functions on is as follows:

      • 2018 or later MacBook Pro or MacBook Air
      • a 2019 or later iMac or Mac Pro
      • an iMac Pro
      • the 2020 Mac mini

      As you can see this is a fairly exclusive list. What is most conspicuously missing is the possibility to use and older mac, such as a 2018 27” 5k iMac to take advantage of the beautiful screen.

      Universal Control, meanwhile appears to work with most devices that run on iPadOS 15 and macOS Monterey. It allows you to a single mouse and keyboard and flow from ‌iPad‌ to Mac and back, pretty much as you would imagine using the cursor and keyboard for either, and, thankfully there is no setup required.

      FaceTime just got a Facelift

      FaceTime’s big jump ahead is somewhat more complex since the iPhone, iPad (various models of both) and the mac each have a UX and screen size that varies, as well as different computing advantages. One interesting note on the various technical enhancements, pretty much across the board from what was announced at WWDC 2021, M1 chips and Apple Silicon based devices get the biggest boost from all the new capabilities.

      Rather than being a marketing ploy, at least so far there’s no evidence of that kind of approach, this is an organic by product of the underlying “big picture” goal – to unify the experience and potential of the three device categories even as they cross pollinate one-another.

      All the various, and gradually hard to list, OS flavors, macOS 12 Monterey, iOS 15, iPadOS 15, tvOS 15, watchOS 8 and all the various accessories that benefit from the upgrades such as AirPods pro spatial audio, HomePod mini liaison with Apple TV 4k and tvOS 15, as well as SharePlay where FaceTime can allow multiple users to share streaming audio or video content for a synchronized experience.

      Please stay tuned for the many articles to come that will further dive into the changes and improvements that are on the way, free of charge, for Apple users with this massive roll-out that will culminate in fall 2021.

      As per Apple:

      Redesigned Weather and Notes Apps

      Weather includes more graphical displays of weather data, full-screen maps, and dynamic layouts that change based on conditions. Beautifully redesigned animated backgrounds more accurately reflect the sun’s position and precipitation, and notifications highlight when rain or snow starts and stops. Video animation below:

      https://www.apple.com/newsroom/videos/apple-iphone12pro-ios15-weather-app/large_2x.mp4

      Notes adds user-created tags that make it easy to quickly categorize notes, and mentions allow members of shared notes to notify one another of important updates. An all-new Activity view shows the recent history of a shared note.

      Notes adds user-created tags that make it easy to quickly categorize notes in line with relevant content:

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      Top 10 Netflix Series ‘StartUp’ Eerily Predicted Today’s World in 2016

      In Netflix top 10 recently as the premonitions keep cropping up

      First, to be clear, this series was produced by Crackle (Originally Sony Crackle) and in-all 3 seasons were produced between 2016 (first premiered on September 6, 2016) and 2018. It stars Adam Brody, Edi Gathegi, Otmara Marrero, Martin Freeman, Ron Perlman, Addison Timlin, and Mira Sorvino.

      On November 15, 2017, the series was renewed for a third season which was released on November 1, 2018. On May 4, 2021, all three seasons were made available on Netflix and surged up into the top ten in spite of the age.

      The correspondences are loose, as is the connection between the subject matter and the real world analogs. The series is dramatic and emotional more than technical and the title “StartUp” is a bit meh. It conjures up images of Silicon Valley nerds and other tech bros and lame plots with outdated “dot-com” plot twists.

      “StartUp” could not be further from any of that. Set in Miami (great first choice) it has the reputation of that city for money laundering, drugs and financial crimes as a backdrop.

      Ultimately it’s about life and loss, the life and death struggle to find the “American Dream” and at the same time has connections to Crypto, Alt Coins, Web 3.0, The Dark Net, the criminal underworld, specifically financial crimes, Silk Road and, of course, tech start ups and venture capital.

      The intertwining of this trio from disparate backgrounds is awkward but at the core of the story

      It begins with “Izzy” Isabella Morales, who is a genus code crunching hacker who’s struggling to try to launch a crypto coin, “GenCoin” that she has been working on for over five years, since her time on scholarship at Stanford.

      There’s not a lot of detail about her code and I don’t recall the term “blockchain” being mentioned, but they do mention bitcoin throughout the show and, considering it was around 2016 during production it is interesting to see where much of the plot fits 2021 far more.

      A kind a linking character in the show is FBI agent, Phil Rask played by Martin Freeman who serves, wonderfully, to give exposition and a factual tour of the Miami crime scene and how he, and the FBI are swimming in a virtual ocean of corruption. If you can’t beat ‘em, join ‘em appears to be his motto as he is actively soliciting bribes from the jump.

      Nick’s father, who is both well connected in the upscale world of financial corruption that operates openly within the big banks and corporations of the established Miami elite, is put into a jam by Agent Rask, forcing him to search for a fast escape from Miami.

      Reluctantly, Nick is pulled into his father’s criminal dealings, the last thing he ever wanted, and as a result crosses paths both with FBI Agent Rask and, ultimately, invests in Izzy’s GenCoin project using his Dad’s dirty money. Once Izzy connects to Nick Talman (Adam Brody), the plot takes off.

      Ronald Dacey who is a Haitian “gang leader” has a special, unique and unexpected role to play in the series. He is the human embodiment of the way the system favors the white collar criminals at the top, including the FBI, in this case, while the poor minority populations, epitomized by the tough Haitian ghetto in Miami, are forced into drug dealing and violent turf wars just to survive.

      It turns out that Izzy, Nick and Ronald are not really that far removed from one another as they soon find out that a big chunk of the money Nick got from his Father turns out to belong to Ronald and his “gang”. The money was supposed to be laundered and managed by the bank where Nick’s father worked.

      In an intense climax of the initial establishing episodes, the unlikely three, like a crypto-criminal Mod-squad end up as partners in the start up that they create to launch Izzy’s Gencoin.

      GenCoin comes across as a kind of mini-Ethereum or alt-coin ahead of its time, and at the same time there is a dramatic interaction where the anti-government and grey-market potential and meaning of crypto is, albeit simplistically, superimposed on a critique of the social structures of the status quo.

      Once again epitomized first by Miami corruption and criminal financial history as a way to underscore the desperate need, and also from the point of view of the show’s heroes, who decide to fight for a massive world changing digital transformation.

      Though disconcerting at times, personal struggles and pain are superimposed over the passionate striving of the main characters

      So, while all of this and the show in general, is dramatic with endless plot twists and great long-form character portrayals by the stars, particularly Ronald played by Edi Gathegi and Isabelle Morales played by Otmara Marrero, the correspondences that jump out during the show seem to emerge in strange and sometimes eerie ways.

      For example, at one point they attend a huge “crypto convention” in Miami (first time in Miami after previously being held in LA) and, while they are not particularly successful in that instance, the size and stature of the show mirrors the conference that is happening literally as this article is being written (June 4-5, 2021) also in Miami (!).

      While the BitCoin conference has been around since 2019, that year the number of attendees was only 1900 and is expected to be far more this year. While it is a coincidence that Miami was chosen in 2021 for the first time, it is a bit uncanny when watching a 5 year old episode where the exact conference is held in the exact location…

      Another interesting corresondence has to do with events that transpire in the second and third seasons (spoiler alert). Through wild, dramatic twists and turns Gencoin is no longer the focus and the trio re-unite to launch a second tech project “Araknet” which is portrayed in the film as a kind of “dark-web 3.0 network”.

      Interestingly, there are several very current projects that, while not directly a mirror of Araknet, have many of the same qualities and goals, though with less dramatic and sinister details. The biggest is that Dfinity and Internet Computer are trying to “extend”the current public internet network rather than launch a separate “private” Web 3.0 that has decentralized privacy at its core.

      The DFINITY Foundation is a not-for-profit scientific research organization based in Zurich, Switzerland, that oversees research centers in Palo Alto, San Francisco, and Zurich, as well as teams in Japan, Germany, the UK, and across the United States. The Foundation’s mission is to build, promote, and maintain the Internet Computer.

      One example is “Internet Computer” which is being developed by Dfinity, a start up in Switzerland. They are developing, in simplified terms a kind of blockchain based “internet 3.0” hence the cute catchy name.

      Araknet promotional marketing from “StartUp” sounds again, bizarrely considering the time frame, like what you can read on the Dfinity web site today.

      A slightly less direct correspondence is Helium. A project to crate a separate iOT network using long-range wireless nodes to create a decentralized wireless infrastructure.

      The show emphasizes heavily the human drama and struggles of three special individuals as they try to find a path through a world of financial corruption, explosive technology changes and a disire to fight for freedom more so than individual wealth or power exclusively.

      The show deserves its popularity and the attention it has been given. I would recommend it with the warning that the prophetic foreshadowing of today, while remarkable, is not the primary through-line of the narrative.

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      New Jason Statham Video or Deepfake TikTok Account? You Decide

      Above:Photo Credit / MGM

      Three and a half million likes in less than 24 hours? Sure, if you are Jason Stratham on TikTok. And it’s the first video on a brand new account. The only video on the account so far. And you are dancing while you divulge your stats.

      Looking at the comments, however, nearly 70,000 of them, a large number are asking “is this real”. Deep-fakes are most definitely real. Several accounts used Tom Cruise Deep-fake video to try to spoof an official TikTok account for the star. And a few stray clips of Brad Pit at a script reading spawned a series of fake accounts trying to look like Brad’s personal “rogue” account.

      But, wait, there’s also Billie Eilish who started a “secret” personal account in November 2020 and posted some fascinatingly bizarre ukulele footage, apparently just for kicks, as she surely has no need for more publicity. The account was so unique and, well, strange, that it was hard to imagine that it could be fake.

      Sure enough, yesterday what appears to be an outtake from her recent music video with some hilarious captions and stickers popped up on the, mostly dormant, account and has since gone viral. All of which pretty much cements the “it’s definitely real” theory.

      As for Jason Statham? We are going to go out on a limb here and say that he is following Billie Eilish’s lead and this is a real account. The fact that there is a single video with a full body dance clip of what absolutely appears to be the star is a tip-off. Secondly if this is his head deep-faked onto someone else’s body, that’s a pretty perfect body double.

      Also, the original sound mix seems to indicate that there was method that went the extra mile.

      What’s your take? Send us comments or your detective results and let us know if you think this is real, like we do, or if this is just some amazing wizardry at a next level of deep-fake-ness, which thousands of comment writers on TikTok seem to believe…


      https://movietrailers.apple.com/movies/mgm/wrath-of-man/wrath-of-man-trailer-1_h1080p.mov

      Above: Official Trailer for “Wrath of Man” Credit: MGM

      In addition to Statham, he is joined by a slew of actors including: Alex Ferns, Holt McCallany, Scott Eastwood, Jeffrey Donovan, Laz Alonso, Josh Hartnett, Niamh Algar, Raúl Castillo, Post Malone, Lyne Renee, Anthony Molinari, Deobia Oparei, Tadhg Murphy, Babs Olusanmokun, Darrell D’Silva, Chris Reilly, Matthew Illesley, Rebecca Calder, Jason Wong, Alessandro Babalola, Cameron Jack, Montana Manning, Rocci Williams, Josh Cowdery, and Eve Macklin. 

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