Tag Archives: National Geographic

These energy innovations could transform how we mitigate climate change, and save money in the process – 5 essential reads

Building solar panels over water sources is one way to both provide power and reduce evaporation in drought-troubled regions. Robin Raj, Citizen Group & Solar Aquagrid

Stacy Morford, The Conversation

To most people, a solar farm or a geothermal plant is an important source of clean energy. Scientists and engineers see that plus far more potential.

They envision offshore wind turbines capturing and storing carbon beneath the sea, and geothermal plants producing essential metals for powering electric vehicles. Electric vehicle batteries, too, can be transformed to power homes, saving their owners money and also reducing transportation emissions.

With scientists worldwide sounding the alarm about the increasing dangers and costs of climate change, let’s explore some cutting-edge ideas that could transform how today’s technologies reduce the effects of global warming, from five recent articles in The Conversation.

1. Solar canals: Power + water protection

What if solar panels did double duty, protecting water supplies while producing more power?

California is developing the United States’ first solar canals, with solar panels built atop some of the state’s water distribution canals. These canals run for thousands of miles through arid environments, where the dry air boosts evaporation in a state frequently troubled by water shortages.

“In a 2021 study, we showed that covering all 4,000 miles of California’s canals with solar panels would save more than 65 billion gallons of water annually by reducing evaporation. That’s enough to irrigate 50,000 acres of farmland or meet the residential water needs of more than 2 million people,” writes engineering professor Roger Bales of the University of California, Merced. They would also expand renewable energy without taking up farmable land.

Research shows that human activities, particularly using fossil fuels for energy and transportation, are unequivocally warming the planet and increasing extreme weather. Increasing renewable energy, currently about 20% of U.S. utility-scale electricity generation, can reduce fossil fuel demand.

Putting solar panels over shaded water can also improve their power output. The cooler water lowers the temperature of the panels by about 10 degrees Fahrenheit (5.5 Celsius), boosting their efficiency, Bales writes.

2. Geothermal power could boost battery supplies

For renewable energy to slash global greenhouse gas emissions, buildings and vehicles have to be able to use it. Batteries are essential, but the industry has a supply chain problem.

Most batteries used in electric vehicles and utility-scale energy storage are lithium-ion batteries, and most lithium used in the U.S. comes from Argentina, Chile, China and Russia. China is the leader in lithium processing.

Geologist and engineers are working on an innovative method that could boost the U.S. lithium supply at home by extracting lithium from geothermal brines in California’s Salton Sea region.

Brines are the liquid leftover in a geothermal plant after heat and steam are used to produce power. That liquid contains lithium and other metals such as manganese, zinc and boron. Normally, it is pumped back underground, but the metals can also be filtered out. https://www.youtube.com/embed/oYtyEVPGEU8?wmode=transparent&start=0 How lithium is extracted during geothermal energy production. Courtesy of Controlled Thermal Resources.

“If test projects now underway prove that battery-grade lithium can be extracted from these brines cost effectively, 11 existing geothermal plants along the Salton Sea alone could have the potential to produce enough lithium metal to provide about 10 times the current U.S. demand,” write geologist Michael McKibben of the University of California, Riverside, and energy policy scholar Bryant Jones of Boise State University.

President Joe Biden invoked the Defense Production Act on March 31, 2022, to provide incentives for U.S. companies to mine and process more critical minerals for batteries.

3. Green hydrogen and other storage ideas

Scientists are working on other ways to boost batteries’ mineral supply chain, too, including recycling lithium and cobalt from old batteries. They’re also developing designs with other materials, explained Kerry Rippy, a researcher with the National Renewable Energy Lab.

Concentrated solar power, for example, stores energy from the sun by heating molten salt and using it to produce steam to drive electric generators, similar to how a coal power plant would generate electricity. It’s expensive, though, and the salts currently used aren’t stable at higher temperature, Rippy writes. The Department of Energy is funding a similar project that is experimenting with heated sand. https://www.youtube.com/embed/fkX-H24Chfw?wmode=transparent&start=0 Hydrogen’s challenges, including its fossil fuel history.

Renewable fuels, such as green hydrogen and ammonia, provide a different type of storage. Since they store energy as liquid, they can be transported and used for shipping or rocket fuel.

Hydrogen gets a lot of attention, but not all hydrogen is green. Most hydrogen used today is actually produced with natural gas – a fossil fuel. Green hydrogen, in contrast, could be produced using renewable energy to power electrolysis, which splits water molecules into hydrogen and oxygen, but again, it’s expensive.

“The key challenge is optimizing the process to make it efficient and economical,” Rippy writes. “The potential payoff is enormous: inexhaustible, completely renewable energy.”

4. Using your EV to power your home

Batteries could also soon turn your electric vehicle into a giant, mobile battery capable of powering your home.

Only a few vehicles are currently designed for vehicle-to-home charging, or V2H, but that’s changing, writes energy economist Seth Blumsack of Penn State University. Ford, for example, says its new F-150 Lightning pickup truck will be able to power an average house for three days on a single charge.

How bidirectional charging allows EVs to power homes.

Blumsack explores the technical challenges as V2H grows and its potential to change how people manage energy use and how utilities store power.

For example, he writes, “some homeowners might hope to use their vehicle for what utility planners call ‘peak shaving’ – drawing household power from their EV during the day instead of relying on the grid, thus reducing their electricity purchases during peak demand hours.”

5. Capturing carbon from air and locking it away

Another emerging technology is more controversial.

Humans have put so much carbon dioxide into the atmosphere over the past two centuries that just stopping fossil fuel use won’t be enough to quickly stabilize the climate. Most scenarios, including in recent Intergovernmental Panel on Climate Change reports, show the world will have to remove carbon dioxide from the atmosphere, as well.

The technology to capture carbon dioxide from the air exists – it’s called direct air capture – but it’s expensive.

Engineers and geophysicists like David Goldberg of Columbia University are exploring ways to cut those costs by combining direct air capture technology with renewable energy production and carbon storage, like offshore wind turbines built above undersea rock formations where captured carbon could be locked away.

The world’s largest direct air capture plant, launched in 2021 in Iceland, uses geothermal energy to power its equipment. The captured carbon dioxide is mixed with water and pumped into volcanic basalt formations underground. Chemical reactions with the basalt turn it into a hard carbonate.

Goldberg, who helped developed the mineralization process used in Iceland, sees similar potential for future U.S. offshore wind farms. Wind turbines often produce more energy than their customers need at any given time, making excess energy available.

“Built together, these technologies could reduce the energy costs of carbon capture and minimize the need for onshore pipelines, reducing impacts on the environment,” Goldberg writes.

Editor’s note: This story is a roundup of articles from The Conversation’s archives.

Stacy Morford, Environment + Climate Editor, The Conversation

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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Peterson Field Guides make Perfect Companions for Bird and Animal Watching

With spring now finally in full swing and pretty much all of us looking forward to getting out of our winter caves, taking to the wilds, in whatever part of the country we are in. Hiking while bird and animal watching can be an incredible treat to add more to the pleasure of the outdoors. Rather than relying on our trusty smart phones and a voice assistant or google search, why not go the tried and true route using a vinyl reinforced guide book with the photos and information right at your fingertips? If you do this right there won’t be cellular data reception anyway! Peterson just happens to have a fantastic assortment of guides for just this purpose, so, no matter what part of the US you find yourself in, or which species or category of living creature you expect to encounter check out the guides people as a perfect companion for your journey!

Peterson Field Guide to Birds of Eastern and Central North America, 6th Edition

Guide to birds of eastern and central north america guides a unique identification system, which has been called the greatest invention since binoculars.

This guide is illustrated with drawings and photographs in color and black and white and all provide up to date range information and the most useful descriptions, pinpoints key field marks for quick recognition and easy comparison of species. 

This guide will feature updated text and range maps, and art updated to reflect current knowledge in ornithology. This is the most popular book for the area of the US that has the absolute highest number and greatest diversity of bird watching opportunities.

Peterson Field Guide to Bird Sounds of Western North America

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A comprehensive field guide that uses an innovative Sound Index to allow readers to quickly identify unfamiliar songs and calls of birds in western North America.

Bird songs and calls are at least as important as visual field marks in identifying birds. Yet short of memorizing each bird’s repertoire, it’s difficult to sort through them all. Now, with the western edition of this groundbreaking book, it’s possible to visually distinguish bird sounds and identify birds using a field-guide format. 

At the core of this guide is the spectrogram, a visual graph of sound. With a brief introduction to five key aspects–speed, repetition, pauses, pitch pattern, and tone quality–readers can translate what they hear into visual recognition, without any musical training or auditory memorization.

Peterson Field Guide to Mammals of North America

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This fourth edition has been completely rewritten, with all-new range maps and illustrations for all species

A Field Guide to Mammals of North America The most comprehensive, in-depth, and current guide to North American mammals, this book covers all the mammals found in North America north of Mexico, including those that live in near-shore waters.

The only guide to include paintings and photographs of the animals as well as photographs of mammal skulls, it has 80 color plates, plus 46 additional color illustrations and black-and-white drawings, nearly 400 range maps, and more than 100 color photographs.

With global warming on the horizon it’s more important than ever to learn about and appreciate the incredible mammals that exist on our planet.

A Peterson Field Guide to Insects: America North of Mexico

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Detailed descriptions of insect orders, families, and many individual species are illustrated with 1,200 drawings and 142 superb color paintings.

Illustrations – which use the unique Peterson Identification System to distinguish one insect from another – include size lines to show the actual length of each insect.

A helpful glossary explains the technical terms of insect anatomy.

Donald J. Borror has worked as a professor of entomology at Ohio State University. With Dwight M. DeLong, he is coauthor of An Introduction to the Study of Insects, a widely used textbook. Dr. Borror recorded The Songs of Insects, one of the Sounds of Nature disks in the Cornell Laboratory of Ornithology series, with Richard D. Alexander. 

Peterson Field Guide to Reptiles and Amphibians of Eastern and Central North America

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A completely updated edition, including 122 newly recognized or recently established non-native species of reptiles and amphibians.The new edition of this definitive guide reflects 25 years’ worth of changes in our knowledge of reptiles and amphibians.

It includes descriptions of 122 newly recognized or recently established non-native species, updated maps, and new figures and photos. Color illustrations and drawings show key details for accurate identification. More than 100 color photographs and 322 color distribution maps accompany the species descriptions.

Clear and concise species accounts provide key characteristics, similar species, habitats, and ranges, as well as subspecies, voice descriptions, and conservation status. This edition will be a crucial resource for professional and amateur herpetologists, naturalists, outdoor enthusiasts, and students.

Peterson Field Guide to Freshwater Fishes, Second Edition

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There are nearly 1,000 species of freshwater fishes in North America alone, and identifying them can sometimes be a daunting task. In fact, in just the twenty years since publication of the first edition of the Peterson Field Guide to Freshwater Fishes, the number of species has risen by almost 150, including 19 marine invaders and 16 newly established nonnative species.

This second edition incorporates all of these new species, plus all-new maps and a collection of new and revised plates. Some of the species can be told apart only by minute differences in coloration or shape, and these beautifully illustrated plates reveal exactly how to distinguish each species. 

The guide includes detailed maps and information showing where to locate each species of fish–whether that species can be found in miles-long stretches of river or small pools that cover only dozens of square feet. The ichthyologic world of the twenty-first century is not the same as it was in the twentieth, and this brand-new edition of the definitive field guide to freshwater fishes reflects these many changes.

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Discover bright spots in Climate with ‘The Year Earth Changed’: live for EarthDay

Above: ‘The Year Earth Changed’ Credit: Apple

Apple TV+ announces new original documentary special

As a way to take some of the doom and gloom away from reporting and documenting climate change and global warming, and to celebrate Earth Day 2021, Apple will showcase three new earth related programs. 

First, ‘The Year Earth Changed’ narrated by Emmy and BAFTA Award-winning broadcaster David Attenborough will go live on April 16th. In addition, both documentary series “Tiny World” and “Earth At Night In Color” will return for second seasons. 

The hour long documentary special release will focus on the way a world-wide crisis, in this case the global pandemic of 2020, can impact human behavior, travel restrictions, closed beaches and lock-downs, which then in turn, surprisingly in this case, led to positive adaptations by wildlife around the globe. 

“During this most difficult year, many people have reappraised the value and beauty of the natural world and taken great comfort from it,” said Attenborough. “But the lockdown also created a unique experiment that has thrown light on the impact we have on the natural world. The stories of how wildlife responded have shown that making even small changes to what we do can make a big difference.”

David Attenborough

All three productions also highlight the commitment of Apple TV+ & the respective production units (BBC Studios Natural History Unit, along with director Tom Beard for The Year the earth Changed) to the highest quality visuals and using the uplifting images to inspire through the beauty of the natural world. 

It is being called “a love letter to planet Earth, highlighting the ways nature bouncing back can give us hope for the future” in Apple’s words.

Above: Original Trailer for ‘The Year Earth Changed’

In an educational and entertainment corollary to other green initiatives Apple is using its resources to influence positive change

Season two of “Tiny World”, which was narrated and executive produced by Paul Rudd (“Ant-Man”), used high-end macro filming techniques to capture 3,160 hours of rarely seen “ant’s eye views” of over 200 species. The resulting final edit gives the viewer entry into a fascinating miniature natural world that is otherwise unseen all around us. 

Paul Rudd’s participation is not without note, since he is literally known as “Ant-Man” and therefore in a unique position to narrate and executive produce “an illuminating the ingenuity and resilience of the planet’s smallest creatures”. 

Above: Original “Behind the Scenes” Trailer for ‘Tiny World’

As per Apple: “Returning for season two, “Tiny World,” narrated and executive produced by Paul Rudd, grants viewers a unique perspective into the natural world, illuminating the ingenuity and resilience of the planet’s smallest creatures. With over 200 species filmed and 3,160 hours of footage, the six-episode docuseries shares surprising stories and spectacular cinematography that spotlight small creatures and the extraordinary things they do to survive.”

Above: “earth At Night In Color” Credit: Apple

“Earth At Night In Color” is also returning for a second season with six all-new episodes narrated by Tom Hiddleston (“Avengers”). 

Once again, the production values are designed to wow and elicit awe, “with the use of cutting-edge cameras and a revolutionary post-production process, “ the series seeks to reveal  “nature’s nocturnal wonders with striking new clarity.”

Further, as per Apple;

“Some never-before-seen behaviors of animals after dark, captured using low-light cameras and light from a full moon, include elephants battling hyenas around starlit waterholes and kangaroos embracing under the cover of darkness to find a mate.”

Other animals in the new season include pumas, polar bears, manta rays, and tiny planktonic life at night in the ocean. “Earth At Night In Color” is produced by Offspring Films. The series is executive produced by Alex Williamson and series produced by Sam Hodgson.


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New on Netflix: ‘The Dig’ and ‘Below Zero’ Drop on Friday

Promising content continues to go live each week in 2021

Netflix announced earlier this year, they will be rolling out some major content each week and will premier a brand new movie every week of 2021. With the upcoming price hike for another $1 for the standard account and $2 for the premium subscription,  it seems like the streaming platform is giving viewers a bang for their buck..

Read More: Netflix excites with 71 Movies to be released during 2021

New movie releases will have all the various genres covered! (action, sequels, dramas, musicals and more).  Below are the movie releases for January, 29, 2021.

The Dig / January 29

https://video.twimg.com/amplify_video/1334286373054939138/vid/1280x720/8lWqK7SWbYQrtonX.mp4?tag=13

This British, period piece, based on real life events, casts Ralph Fiennes, Carey Mulligan and Lily James. The movies tells the story: on the eve of World World II, a British widow hires a self-taught archaeologist  and embarks on the historically important excavation of Sutton Hoo in 1938. Digging up a mysterious formation on her land, leads to a staggering find.  

Below Zero / January 29

A Spanish gritty action thriller movie (Bajocero) that has English voice-over features  is set when a prisoner transfer van is attacked. The cop, Martin, who is in charge must fight those inside and outside while dealing with a silent foe: surviving the icy temperatures.


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Trend in Good News Surges: the Search for Optimism as Counterweight to Gloom & Doom

Photo / John Krasinski

You Want It? You Got It! Bringing the Audience what it Needs Now

Despite journalistic objectivity, many news outlets have tendencies to focus on the negative. Crimes, controversies, disasters, and crises simply make more pressing stories than most good news in the world. This is all the more prevalent now as climate change, stock market crashes, and a global pandemic dominate the headlines.

With all of the doom and gloom currently dripping from the wounds of the world, people have become famished for something more up-lifting. Luckily, outlets for such good news exist, and they have been witnessing a thermal (viral?) runaway in popularity during the COVID-19 shutdowns.

Read More: Renewable Energy Economy is Now Essential to Rescue Economy and Planet: Earth Day 2020

Sources emphasizing good news were around long before the coronavirus rendered the world thirsty for positivity. Websites like Good Good Good and The Global Positive News Network have been active for years, but have noticed increases in traffic over the past month.

The same goes for social media accounts such as Instagram’s @TanksGoodNews, @GoodNews_Movement, and @The_Happy_Broadcast. All of these pages have seen spikes in followers since March as they continue to seek out and report optimistic content throughout the pandemic.

Perhaps the most uproarious of good news outlets to come about in the past few weeks, however, is actor John Krasinski’s “Some Good News” YouTube broadcast. From the comfort of his home, Krasinski has produced and hosted four videos where he reports all of the good going on in the world. Riddled with humor, acts of charity, guest appearances via Zoom from Robert De Niro, Brad Pitt, David Ortiz, Steve Carrel, Chance The Rapper, and Rain Wilson as well as remote performances from The Jonas Brothers and the entire “Hamilton” cast, “Some Good News” is both hilarious and heartfelt, and the videos have all received millions of views.

Once the “Human Interest” Kitten Beat, Now a Focus on Ways to Offset the Worst of Reality Reporting

Even more established newspapers, networks, and trades have tried to appease readers in search of cheerful stories. The Washington Post pumped up its weekly uplifting newsletter The Optimist into a biweekly occurrence, and started The Daily Break section to emphasize a feel-good story everyday. National Geographic also began Your Weekly Escape, a newsletter that is free of any coronavirus related content.

Clearly, these outlets have noticed the amplified demand for good news and are matching it with an increased supply. Of course, the bulk of the headlines remain somewhat gloomy nowadays, but rather than fixate on them, these good news alternatives offer positive twists. This is not to say that readers ignore world’s struggles, but rather that they want to see how people are reacting to the crises in healthy, wholesome, and genuinely helpful ways.

Read More: World Reading Marathon Underway- Streaming and Binge-watching still huge but Books are Next

This embrace of good news, especially for the established publications, is an obvious spin to assuage readers. However, while spins in the media are usually traced back to politics, money, or hostility, this one is currently fueled by a desire to see kindness and generosity. Conventional “spins” are getting replaced by cartwheels or joy running up and down whatever good news stories are out there, laser-focusing on the glass half-full.

To make matters all the more soothing, many of these good news outlets are not-for-profit. While The Washington Post or National Geographic are still advertising alongside their uplifting stories, many of the Instagram accounts as well as John Krasinski’s broadcasts, are done entirely for free, making them in and of themselves, examples of good nature and good news.

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The Streaming Wars are about to Erupt and TV will never be the same again

https://www.apple.com/105/media/us/apple-tv-plus/2019/ca7883f2_885a_42c7_b0cc_529b287c1925/films/for-all-mankind/apple-tv-plus-for-all-mankind-tpl-cc-us-2019_1920x1080h.mp4
Official Trailer: “For All Mankind” from APple TV+

Everything You Need to Know before the Launch of Full Throttle Entertainment Competition

Over the past ten years, online streaming has changed the course of television history. Services like Netflix and Amazon Prime have transformed the way that we consume media, taking the physical TV out of TV and replacing it with laptops and handheld devices. In the upcoming months, however, history is about to take another enormous leap forwards, as the addition of several new streaming services will take entertainment to entirely new, competitive, and corporately segregated levels.

Enter the New Players: Every Other Major & Minor Studio

While Netflix, Amazon Prime, and Hulu have more or less reigned supreme as the premiere streaming services since they launched, they will soon meet a new lineup of fierce rivals on the battlefield. Over the next few months, Disney, AT&T’s WarnerMedia, Apple, and NCBUniversal will all be entering the streaming world, respectively with the launches of Disney+HBO Max, Apple+, and Peacock… and that is just a handful of them.

For the most part, each of these new streaming platforms will feature all of the content owned and created by their respective parent companies. With a Disney+ subscription, one can watch everything from Marvel movies to Star Wars to “Snow White and the Seven Dwarves.” HBO Max will offer every episode of “Game Of Thrones” and “Friends.” Peacock will give you every episode of “Saturday Night Live” and “The Office.” And so on.

How will Disney Juggle their Family-Oriented Brand with their Monolithic IP Collection?

Of course, there are a few exceptions to this rule. For example, Disney plans to keep its streaming service relatively family-friendly, and therefore will not be offering some of its more mature properties—i.e. 20th Century Fox content such as “Deadpool” or Miramax titles such as “Pulp Fiction,” all of which are technically under the wing of Disney, but do not fit their wholesome brand. 

Owning intellectual properties from Fox, Pixar, Marvel, Lucasfilm, National Geographic and beyond, Disney+ is bound to be the biggest juggernaut in this oncoming streaming war. The service also comes at the most affordable price, costing only $7 a month as opposed to HBO’s estimated $15/month or Netflix’s current $12/month. 

The Walt Disney Company is not underestimating the significance of Disney+’s launch. CEO Bob Iger has frequently mentioned that it is Disney’s most important development in the fifteen years that he has led the company—and this is the man who spearheaded the Pixar, Marvel, and Lucasfilm acquisitions. As a testament to its importance, Disney has also dropped over a billion dollars into marketing for Disney+, recently even releasing a 3-hour long trailer showing a taste of everything the service will offer.

Corporate Segregation and the IP Divide Demands Consumer Loyalties

Disney is doing all this because they know that they will have to compete with some very skilled rivals. While Disney may have a wide breadth of content in their libraries, they are limited to their own intellectual properties. If someone is a fan of DC over Marvel, then they may take their money over to Warner’s HBO Max. Likewise, if someone is a die hard Trekkie rather than a Star Wars enthusiast, they may opt to subscribe to CBS All Access so they can watch the new episodes “Star Trek: Discovery” and “Piccard.”

This is where the corporate segregation becomes a limitation for streaming. When it was just Netflix, Amazon, and Hulu in the ring, these services would license out content from larger film studios. Netflix, for example, could write a check to Warner Brothers to have their movies and TV shows on their site. Because of multiple deals like this, subscribing to a streaming service used to mean getting access to a wide-range of content made by many different companies. 

Now that the larger companies are creating services exclusively for their own libraries, taste and target audiences will play a larger role in the world of streaming. The streaming playing field is not just about to get far more competitive, but it is also about to get far more divisive. Rather than subscribe to a seemingly arbitrary collection of movies and shows via Netflix or Amazon, subscribers will have to chose based on the company whose work they prefer the most. 

Will Content Variety that Consumers Crave Disappear?

Unfortunately, this means that if someone is a fan of both Harry Potter and Star Wars, they are out of luck and will have to pay for two different services to get them both. This could even lead to an issue of oversaturation, as people are unlikely to pay for five different services just so they can get the variety they desire. If that is the case, they might as well go back to paying their cable bill.

Thus, the future may lie in mergers and bundles between the services. For small additional prices, subscribers could get extra content or access to more than one streaming platform at a time. Disney has already started offering bundle plans with Hulu, which will give subscribers access to some of those less wholesome titles excluded from Disney+. This may be the only way to keep streaming sustainable and affordable in such a corporately stratified landscape.

Who’s going to be the Winner? Bet on Creativity to come out on top, every time

What will really determine who gets out of this streaming war alive, however, will be original content. Regardless of how good Disney’s library is, viewers can only rewatch the Marvel and Star Wars movies so many times before they desire something new to keep them subscribing. Therefore, original shows and films will be the key to keeping audiences invested. Netflix and Amazon have already been slowly transitioning towards this, focusing more on their own productions of lately as the licensing model fizzles out.

Likewise, Disney+ is promoting itself in part with new movies and shows—among them a live action “Lady and the Tramp” remake, a Marvel series focused on Tom Hiddleson’s Loki, and Star Wars’ “The Mandalorian.” Meanwhile, HBO Max is promising a “Game of Thrones” prequel series. It is products like this that will be available exclusively through the streaming platforms that will keep certain companies’ services afloat over others. 

All in all, each company best saddle up with their best writers, directors, casts, and crews, because creativity will be the most powerful weapon in the streaming war. Whoever wields it best is most likely to stand triumphant in the end.


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