Tag Archives: Sci-Fi

The Pristine Future: Why Science Fiction Abandons Oil and Fossil Fuels

The future is clean because all the oil is gone

In the realm of science fiction, visions of the future often gleam with pristine, utopian landscapes and gleaming cities.

One striking commonality among these futuristic portrayals is the conspicuous absence of oil and fossil fuels, the once-dominant energy sources of our present.

But why do sci-fi creators consistently envision a world where such primitive methods have been left behind? The answer lies in the belief that advanced technology and futuristic civilizations would never rely on such archaic energy sources.

The Dawn of Futuristic Energy

In the world of science fiction, the distant future is synonymous with breathtaking technological advancements.

Spacecraft traverse galaxies with ease, cities float in the sky, and robots perform intricate tasks effortlessly. In these fantastical worlds, oil and fossil fuels appear as relics of the past, resigned to the history books of an era long gone.

The driving force behind this visionary shift lies in the very essence of futuristic technology.

Science fiction writers and filmmakers envision advanced civilizations with highly sophisticated energy solutions that surpass the limitations of oil and fossil fuels. The idea is that such primitive methods, while once integral to our world, would be rendered obsolete by superior alternatives.

The Limitations of Oil and Fossil Fuels

Science fiction creators recognize the inherent shortcomings of oil and fossil fuels as energy sources. These resources are finite and subject to depletion, leading to resource wars and geopolitical tensions in our present reality.

They emit greenhouse gases, contributing to climate change and environmental degradation. In contrast, the future they imagine necessitates cleaner, more sustainable energy solutions to ensure the survival and prosperity of advanced civilizations.

Furthermore, the imaginative worlds of science fiction are driven by concepts like interstellar travel and space exploration. These endeavors demand extraordinary amounts of energy, making the reliance on oil and fossil fuels simply impractical.

For the creators of sci-fi, such primitive methods would be incapable of powering the fantastic technological marvels required to explore the cosmos.

The Paradigm Shift: Futuristic Energy Solutions

Science fiction offers a glimpse into the potential of renewable and advanced energy sources.

In these visionary worlds, technologies like antimatter reactors, fusion power, zero-point energy, or even harnessing energy from celestial bodies are imagined as the primary means of powering civilizations.

These theoretical energy sources, while still speculative in our present time, are perceived as the logical progression beyond our current reliance on oil and fossil fuels.

Moreover, as the genre explores themes of progress and evolution, it assumes that futuristic civilizations would have unlocked the secrets of limitless, sustainable energy.

By embracing these advanced energy solutions, the sci-fi future avoids the pitfalls of pollution, environmental degradation, and resource scarcity.

Reflections and Aspirations

Beyond technological feasibility, the futuristic portrayal of clean energy also reflects our collective aspirations for a better world.

Science fiction often serves as a mirror to society, reflecting our hopes and dreams for the future. By depicting advanced civilizations free from the shackles of fossil fuels, sci-fi inspires a collective longing for a more sustainable and harmonious existence.

In essence, science fiction presents a vision of a world where human ingenuity has transcended the limitations of our present reality.

The rejection of oil and fossil fuels in these fictional realms becomes a symbolic representation of our yearning for a cleaner, brighter future—one where technology coexists with nature in harmony.

An urgent meaning for today

While science fiction may currently be a realm of imagination, its vision of a future free from oil and fossil fuels serves as an inspiration and a call to action for our own world.

As we grapple with the challenges of climate change and the urgency to transition to renewable energy, these futuristic dreams remind us that there is a path beyond our dependence on finite resources.

The shift to cleaner energy solutions is not a distant fantasy; it is an attainable reality that requires dedication, innovation, and global cooperation.

By drawing on the visions of science fiction, we can fuel our determination to build a sustainable future—one where the landscapes are pristine, and the energy that powers our world aligns with the marvels of the imagination.

Only then can we take confident steps toward turning the clean energy dreams of science fiction into the breathtaking reality of our own future.

Ridley Scott to Produce ‘The Infinite Machine’ ETH Origin Story from Camila Russo’s Book

The future of Ethereum, DAOs, Defi and Web3 set to become mainstream with movie tracing its history

Ridley Scott’s production company, Scott Free Productions, is slated to produce a feature film based the book, which tells the story of Ethereum, ‘The Infinite Machine‘ written by cryptocurrency crusader and journalist Camila Russo, and has Shyam Madiraju attached as director. Tom MoranVera Meyer, and Alejandro Miranda are also onboard, according to Deadline.

With Ridley Stott’s credits running the gamut from ‘Blade Runner‘, to ‘The Last Duel’, to Alien, to Gladiator, and too many more to count, plus production credits for Scott Free that are no less impressive, the upcoming films appears set to be big.

Ethereum co-founder Vitalik Buterin will play prominently in the story, showing the early and incredible initial launch, inspired by the self-taught 19 year-old, into what is now the world’s second largest cryptocurrency (Ether) and, according to Ethereum.org is a technology that’s home to digital money, global payments, and applications. The current ‘market cap’ for Ethereum is nearly $400 billion.

The story up to the present day is fascinating enough, with the meteoric rise of Ethereum from the founding in 2015 to the announcement of this project. Particularly noteworthy is the connection between the Ethereum blockchain technology and the invention of NFTs (Non-fungible tokens), DeFi (decentralized finance), D.A.O.s (Decentralized autonomous organizations) and more.

Camila Russo, author of “The Infinite Machine”, also founded TheDefiant( thedefiant.io ) which “curates, digests, and analyzes all the major developments in decentralized finance, so that you can stay informed and smart about the most cutting-edge and fastest-changing corner of crypto and finance” according to the site itself.

The film project has already started to make waves and accomplish meaningful buzz in a deep layered, totally coherent approach to its creation. Namely, the fact that part of the fundraising for the film is taking place via NFT collections. This bold move has been incredibly well timed and successful, with the first @ETHMovie collection selling out completely within 28 hours and raising $670,000 in the process.

This funding, along with subsequent NFT collections offered are being managed via The Infinite Machine DAO community treasury, along with traditional film financing techniques. The DAO is, itself, the executive producer of the movie.

According to the official site for the film, the NFT collection sales will be equally distributed amongst the 36 intervening artist which will receive 22.5% of the budget. 10% will be sent to a community treasury pool to fund the DAO, and the 67.5% will be used for the movie.

It’s incredibly exciting to have Ridley Scott and the crew at Scott Free produce the movie of The Infinite Machine alongside us. I can’t imagine a better team to turn the riveting story about the people behind the most revolutionary technology since the internet into a feature film that will capture the hearts of our generation.

Camila Russo as per ‘DeaDline’

This groundbreaking funding mechanism, in this case for a movie that is intended to “become a blockbuster movie for the mainstream”, is part and parcel of the radical yet optimistic and hopeful changes that DAOs, NFTs, DeFi all were created to achieve, within the greater context of Web3 and the Ethereum blockchain itself. In other words, making this film is itself proof that the subject matter is alive, kicking and becoming more real (and dangerous, to some) in real time.

Traditional funding and monetary distribution channels, from the creative genesis of an idea (in this case the book) to a fully formed commercially released product and its proceeds, are by comparison, woefully inadequate and generally corrupt and unfair, according to many artists and creators super-pumped for the transition to these new methods made possible by Ethereum, blockchain, and soon, Web3.

So from the story, in both book and movie, to the NFT collections, the the DAO created to executive produce and partially fund the film, there is a thread of real-life proof-of-concept running throughout.

That proof is that, far from being a far flung, possible flash-in-the-pan, the entire saga, beginning with 19-year-old Vitalik Buterin’s idea to expand the potential of block chain, is destined to come to spectacular fruition, and sooner than you might believe.

Culminating the relatively short history of the last 7 years, all the way to the present day explosion of work, massive capital investments and development of Ethereum, along with its various applications and use-cases, we could be inexorably headed toward a moment in the near-future when the film will crash head-on into the realization of the very dream scenario it depicts. Oh boy howdy.

Below, the breakdown of the The Infinite Machine DAO funding plan:

Before the Movie Budget is Covered

Distribution of primary and secondary sales:

  • 22.5% in an equal basis amongst the 36 intervening artists
  • 10.0% to a community treasury pool used to seed The Infinite Machine DAO
  • 67.5% to cover the movie budget up to $16M. That number may be reduced depending on the amount of funds raised via traditional means.

After the Movie budget is covered

Distribution of secondary trading fees and any other revenues from all collections:

  • 22.5% will be received by the artists in this collection 
  • 25.0% will be received by the NFT Collection core team and contributors 
  • 52.5% will be used to fund a community pool to seed The Infinite Machine DAO

Camila Russo spent eight years at Bloomberg covering the Argentine market (bonds, stocks, FX) for 4+ years based in Buenos Aires; she wrote about European stocks with a focus on Southern Europe in Madrid; analyzed macro emerging markets moves for the Markets Live blog in New York; and was one of the most prolific and dedicated cryptocurrency reporters.

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‘Crimes of the Future’ trailer set in a Morbid Dystopia replete with Body Horror and Gore 

This upcoming Horror-slash-Gore-slash Sci-Fi explores a future world where humans live in a more synthetic environment, forcing the body to undergo new mutations and transformations.  And get this, in this world, the body has become so strong, that pain has been eliminated, which, strangely, now the characters experiencing pain through acts of self-mutilation and surgery has become the new “sex” (in other words pleasurable).   Viggo Mortensen plays a performance artist named Saul Tenser, where he showcases the changing displays through the various forms of surgical alterations that his body undergoes.

If you’ve got the stomach for it, or an appetite for scaring yourself silly, this is the railer for you.

*Warning* the trailer is a bit much to watch if you are like most that don’t necessarily enjoy seeing people cut into themselves. 

“Crimes of the Future” stars Viggo Mortensen, Lea Seydoux, as well as Kristen Stewart and Scott Speedman.  When the movie was originally thought up, fun fact, Nicolas Cage was meant to play the lead, however due to the project being shelved for several years, recasting was done with Viggo. 

The film is set for theatrical release this summer on June 3, 2022. 

Those willing to watch the trailer, check it out below: 

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Matrix 4 Resurrections 2nd Official Trailer is out: Watch Now

Digital vs. Post-Apocalyptic, the Matrix Resurrections latest trailer continues with mystery and confusion

The new preview hints at repeating loops (deja vu) and even scenes from previous films from the trilogy.   

The foundations of the Matrix movies always played with the question of what is reality, and that it can be both artificially created and manipulated. 

In a world of two realities – everyday life and what lies behind it – Thomas Anderson will have to choose to follow the white rabbit once more,” reads the movie’s official synopsis. “Choice, while an illusion, is still the only way in or out of the Matrix, which is stronger, more secure, and more dangerous than ever before.”

Fans gets to see Jada Pinkett Smith’s character Niobe with a drastic transformation.  In addition it appears that Jonathan Groff’s character is playing Agent Smith.

There’s a hint that something special is lurking beneath the entertaining endless action sequences

Both Neo, looking, just like Keanu a lifetime removed and yet the same, and Trinity appear to be aiding the cause by bringing a kind of effortless perfection to the cast – No need to mention John Wick or any intervening saga, this is a continuation, or more aptly, a resurrection of what was so amazing in the time, place spirit of that original film.

A thread like an unbroken through line, connecting the 1999 moment anew, yet absorbing the intervening changes to the fictional worlds of artifice within the films and to a third, that we, the audience, have grown with bringing us to December 22, 2021.

Naturally, some images produce more curiosity and questions than they answer, even when a still frame is isolated and studied. There is a particularly interesting interaction with the rooftop crowd in this case (above) and the image begs the question: will Neo lead uprisings both within the Matrix and the revolutions in the “real” world?

What kinds of mental challenges and trickery will a more mature Neo encounter while in the Matrix? This shot also produces mystery and begs for speculation regarding the script and how the various logical and illogical pathways will be traversed.

Multiple flash frames do confirm that a romantic adventure and escape will extend the story of Neo & Trinity, and that, while perfectly fitting, also appears to be something that could add more interest on a level above the intervening sequels (2 & 3). For all these reasons and many more, it does look like the buzz and building anticipation will start here and just keep growing until we all have a chance to experience the film in its entirety. On December 22, 2021 either in the Theater (best!) or on HBO Max for subscribers.

If anything, it feels like there is a depth and poignancy to the characters, the images and the implied story that extends and deepens the original, as a great sequel should do. For once it’s as if the maturity of the main stars in the cast is not an obstacle to manage or navigate but a built in feature.

As per W.B. press kit: The film also stars Yahya Abdul-Mateen II (“Candyman,” the “Aquaman” franchise) Jessica Henwick (TV’s “Iron Fist,” “Star Wars: Episode VII – The Force Awakens”), Jonathan Groff (“Hamilton,” TV’s “Mindhunter”), Neil Patrick Harris (“Gone Girl”), Priyanka Chopra Jonas (TV’s “Quantico,”), Christina Ricci (TV’s “Escaping the Madhouse: The Nellie Bly Story,” “The Lizzie Borden Chronicles”), Telma Hopkins (TV’s “Dead to Me,”), Eréndira Ibarra (series “Sense8,” “Ingobernable”), Toby Onwumere (TV’s “Empire”), Max Riemelt (series “Sense8”), Brian J. Smith (series “Sense8,” “Treadstone”), and Jada Pinkett Smith (“Angel Has Fallen,” TV’s “Gotham”). 

Lana Wachowski directed from a screenplay by Wachowski & David Mitchell & Aleksander Hemon, based on characters created by The Wachowskis. The film was produced by Grant Hill, James McTeigue and Lana Wachowski. The executive producers were Garrett Grant, Terry Needham, Michael Salven, Jesse Ehrman and Bruce Berman. 

 

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Apple TV+ Kicks off ‘Foundation’ series early: tonight at 6PM Pacific

Enter the Galactic Empire – Foundation:

Apple’s tweet, presumably, to avoid a collision course with the iPhone 13 arrival day (big!) says it all. A sudden, last minute escalation of the time frame for this highly anticipated new series:

From @Foundation_’s epic debut to @TedLasso’s Emmy-winning antics, watch the latest episodes from Apple TV+ three hours earlier this week. Streaming begins Thursday at 9pm EST/6pm PST.

Apple TV tweet

Perhaps a planned sudden breaking news update to the years long scheduling for this big sci-fi event? Hard to say – maybe the iPhone 13 arriving in stores and for some folks arriving by UPS is more of a distraction than expected, in the eyes of the Apple TV+ big-wigs?

Of course, that’d be a good thing since it would mean that the futuristic phone has just too much juice for the venerated classic book series come-to-life as a streaming series on Apple TV+. Hooray for both, I suppose. If you are starting to become enamored with Apple TV+ shows after having fun with Ted Lasso or other recent hits (really a hit, seems so according to the Emmys ) that are perhaps the early beginnings of a trend…

And last, but definitely not least, is the long-awaited sci-fi adaptation of the timeless classic “Foundation” by Isaac Asimov.

click to see “Foundation
and help Lynxotic
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Also available on Amazon.

The first 3 episodes of Apple TV’s “Foundation” will be live tonight (!) and will ultimately have a total of 10 episodes in total when all is said and done.

https://video-lynxotic.akamaized.net/Foundation.MOV

We Aren’t Alone – Invasion: 

That’s not all. Apple TV+ is also bringing us an extraterrestrial extravaganza. On October 22nd (when the first 3 episodes will be released), sci-fi fans can experience what it would be like to live through an alien invasion. Joy!


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Apple TV+ rocks it Dystopian Style w/ Tom Hanks in ‘Finch’, ‘Invasion’ and ‘Foundation’

A string of upcoming dystopian sci-fi will be hitting the streaming platform

What does a post-apocalyptic earth, a robot, a dog and Tom Hanks all have in common? That would be the new Apple TV+ film called “Finch”. This project marks Hank’s 2nd Apple TV+ outing, his first appearance on the streaming platform was “Greyhound” which was met with mucho critical acclaim.

This time around, this family friendly film futuristic cashing into the feel of a mash-up between ‘Wall-E’ and ‘The Martian’ and based on the trailer looks to be an oddball thing: bleak futuristic fun for all ages.

A massive solar flare nearly destroys Earth, Hank, who plays a robotics engineer named Finch and has only survived because he has been living in an underground bunker for the past decade. During his time in a post-apocalyptic Earth he befriends a stray dog which he names Goodyear (shades of Wilson?. Hanks decides to utilize his expertise by building a robot to help take care of Goodyear when he is gone.

“Finch” premieres on Apple TV+ this November 5.

Check out the trailer below:

We Aren’t Alone – Invasion:

That’s not all. Apple TV+ is also bringing us an extraterrestrial extravaganza. On October 22nd (when the first 3 episodes will be released), sci-fi fans can experience what it would be like to live through an alien invasion. Joy!

Enter the Galactic Empire – Foundation:

And last, but definitely not least, is the long-awaited sci-fi adaptation of the timeless classic “Foundation” by Isaac Asimov.

The first 3 episodes of Apple TV’s “Foundation” will be released on September 24 and will ultimately have a total of 10 episodes in total when all is said and done.

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What Time Will Gina Rodriguez’s ‘Awake’ Be on Netflix? Now. Find out what happens

Insomnia plays the #1 villain

https://video.twimg.com/amplify_video/1389977752615464964/vid/1280x720/fp1dMTGeqLjdRsbc.mp4?tag=14

Above: Official Trailer for Awake / Netflix

The next global catastrophe movie is coming to Netflix, its called “Awake” and the premise has quite the spin. This apocalyptic thriller makes surviving even more difficult because the Earth’s population no longer has the ability to sleep, which leads to mass hallucinations, disorientation, and ultimately death.

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“Awake” hopes to garner the same success as the Netflix original film “Bird Box”, which was a watch-at-the-end-of-your-seat apocalyptic horror/thriller where upon one glimpse of something terrifying would drive a person to deadly violence. The Netflix film released back in 2018 starred Sandra Bullock, Sarah Paulson and John Malkovich.

The cast includes: Gina Rodriguez as Jill, Jennifer Jason Leigh, Shamier Anderson, and Ariana Greenblatt as Matilda, the young girl who may hold the key to figuring out the film’s mystery. The film will debut on the Netflix streaming platform starting June 9, 2021.

A strange global event suddenly wipes out all electricity as well as strips humankind’s ability to sleep, which inevitably leads to insanity and chaos. Only Jill (played by Gina Rodriguez), an ex-soldier has a potential solution and key to a cure, her own daughter. What viewers will have to see is the major question, will Jill be able to safely deliver her daughter and save the world before she herself loses her mind from sleep deprivation.

Directed by Mark Raso known for his work on “Kodachrome”.

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‘Made for Love’ HBO Max Sci-Fi hit series for April

Love in an Arid Wasteland of the Absurd

Made for Love, is a new half-hour dramedy series streaming now on HBO Max. The first three episodes were released on April fools day, (not sure if this is significant) and there are seven more episodes that will come out in a subsequent 2 bundles all available as of April 15th.

Although there may be a familiar vibe for those who enjoyed “Palm Springs”, the Hulu production, there are also some meaningful differences. “Made for Love” is mining the rich ground where love and disaster intersect. The united front in the face of chaos is no longer central to the themes.

The twin or triumvirate of themes, all dark yet at times ridiculously amusing are woven well. Those that have an appetite for the dystopia of tech and romance will be right at home and feel an affinity for the tone.

From HBO: Made for Love is a darkly absurd and cynically poignant story of love and divorce. It follows Hazel Green (Cristin Milioti), a thirty-something woman on the run after 10 years in a suffocating marriage to Byron Gogol (Billy Magnussen), a controlling tech billionaire.

Synopsis: “A woman is on the run after 10 years in a suffocating marriage to a tech billionaire, who has implanted a monitoring device in her brain, allowing him to track her, watch her and know her “emotional data” as she tries to regain her independence.”

https://youtu.be/hNrMMLOTdso
https://lynxotic.com/nobody-is-the-logical-next-step-movie-trailer/

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Clooney’s ‘The Midnight Sky’ Netflix release and his thoughts on Hollywood

https://video.twimg.com/amplify_video/1336837127489765376/vid/1280x720/vqC_n9uzqekmrHvR.mp4?tag=13

Academy Award winner George Clooney took on dual roles as producer and star in the now available Netflix movie “The Midnight Sky”. The film is based and adapted off the science fiction novel by Lily Brooks-Dalton called “Good Morning, Midnight”. 

During an interview with the NYT, Clooney talked about the movie, as well as his thoughts on the future of movie theaters and Hollywood. 

Read More: ‘Coup Before Christmas’: Late Show Airs Animated Spoof then Clooney plugs ‘Midnight Sky’

His thoughts on his movie premiering on a streaming service and the future of theaters:

“People want to get out of their house — I got twins, man! And it’s still a great way to ask somebody out. Comedies are great in cinemas, scary movies are great in cinemas. So I don’t see it completely going away.”

How would he know without box office numbers if his movie would be a “success”:

“Look, I’ll be 60 this year, and I get to be on a set with people I adore and work in a profession that I can’t believe I’m lucky enough to do. So I guess that’s sort of the victory in the whole thing. I didn’t have it for the early part of my life — I did jobs I hated and lived for the weekend.”

His character in the movie is a man focused on career versus love and family. Was that ever him? 

Yeah, but I hadn’t found the person that filled everything up for me, that would have made me fully in love. I dated a lot of really terrific women, but Amal showed up and suddenly it was like, “Well, this is different on every level for me.” I don’t think I was actively saying, “I’m just going to work on my career and I’m not going to have a wife.” That was the story that got told about me, but it wasn’t really the reality.

“The Midnight Sky” has already been delivered as a crowdpleaser among those that have viewed the film and has garnered talks that Clooney is in line for multiple Oscar category nominations; for best director and picture.  Clooney’s fellow cast include:  Felicity Jones and David Oyelowo.

Read More: ‘Coup Before Christmas’: Late Show Airs Animated Spoof then Clooney plugs ‘Midnight Sky’

The film is a post-apocalyptic story about an astronomer named Augustine, played by Clooney.  Set in a remote outpost in the Arctic, he receives news of a catastrophic event, forcing him and his fellow scientists to evacuate.  After refusing to leave his post, he come across a mysterious child, Iris, played by newcomer actor Caoilinn Springall.  Together they race to contact a group of astronauts who are making their return home from a mission to Jupiter in order to avoid the global catastrophe. 

Check out “The Midnight Sky” is now available to stream on Netflix. 


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George Clooney’s ‘The Midnight Sky’ puts Netflix in Oscar Race: Critics Rave

Above: Photo / Netflix

Academy Award winner George Clooney has taken on the ambitious task of both producing and starring in the Netflix movie “The Midnight Sky”. The film is based and adapted off the science fiction novel by Lily Brooks-Dalton called “Good Morning, Midnight”. 

Read More: Damn! ‘History of Swear Words’ brings Nicolas Cage to host new Netflix docu-series

The movie, which has already been delivered as a crowdpleaser among those that viewed the film early, has garnered talks that Clooney is in line for multiple Oscar category nominations; for best director and picture.  Clooney’s fellow cast include:  Felicity Jones and David Oyelowo.

The film is a post-apocalyptic story about an astronomer named Augustine, played by Clooney.  Set in a remote outpost in the Arctic, he receives news of a catastrophic event, forcing him and his fellow scientists to evacuate.  After refusing to leave his post, he come across a mysterious child, Iris, played by newcomer actor Caoilinn Springall.  Together they race to contact a group of astronauts who are making their return home from a mission to Jupiter in order to avoid the global catastrophe. 

Check out “The Midnight Sky” which will be released on the streaming platform Netflix come December 23. 


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Aliens and “Galactic Federation” reported on by Major News Outlets as if ‘Real’

Above: Photo Collage / Lynxotic

NBC News,  Forbes and others all picked up a story relating to Alien confirmation by head of Israel’s security space program 

Professor Haim Eshed served from 1981 to 2010 as the head of Israel’s security space program, as well as having rank as a former Israeli Defense force general.  Eshed, an 87 year old with vast experience within the space program and reputable publications in academia broke news at an extraterrestrial level.  

According to the professor’s claims, aliens are real, they have made contact with some humans and are in fact working alongside various governments, and lastly, they (meaning the aliens) will not reveal themselves to the general public until they have decided that we (humans) are ready.  All this, based on an interview with The Jerusalem Post, along with another recent interview for the Tel Aviv newspaper Yediot Aharonot.

NBC, among more than a dozen news outlets that picked up the story, stuck to the facts, which is to say; the fact that these statements were made and what the detail was in the various claims. Only at the end of the article titled: Former Israeli space security chief says extraterrestrials exist, and Trump knows about it was any sort of pushback or questioning of the statements mentioned.

The equivocating comments were from Nick Pope, who, according to NBC, used to investigate UFOs for the British Ministry of Defense, described Eshed’s remarks as “extraordinary.” They also quoted him as saying “Either this is some sort of practical joke or publicity stunt to help sell his book, perhaps with something having been lost in translation, or someone in the know is breaking ranks,”

The implication is, either NBC and others are in tune with the idea that all of this (including Trump being in talks with aliens) is at least possible, if not likely, or they are writing entire articles, as if they are “The Onion“; from a perspective of total suspension of disbelief. Like a news story that is actually making fun of itself. Third option is aliens are definitely real, in contact with human governments and we need to just get used to it.

“There’s an agreement between the U.S. government and the aliens. They signed a contract with us to do experiments here. They, too, are researching and trying to understand the whole fabric of the universe, and they want us as helpers.”

Professor Haim Eshed, former head of Israel’s security space program

As if this year couldn’t get even stranger, in the last month of 2020, here comes bizarre news of the existence of aliens.  What is even harder to believe is big news outlets are covering this story not to debunk or fact check, instead, seeming to acknowledge there could very well be intelligent lifeforms beyond humans and Earth. Which, of course, there could be.

This comes after other news regarding mysterious monoliths appearing in strange locations, including: Utah, California, UK and even Romania, which begun the spark of the conspiracy they were planted by aliens. Apparently in that case human “art lovers” are more likely the source.

There has been a long history of people claiming they witnessed Unidentified flying objects (UFOs). Yet a UFO doesn’t necessarily mean aliens, just that they cannot be identified, with some sitings attributed to phenomena like astroids and meteors, etc. Yet it is not out of the realm of scientific plausibility that aliens can exist, thus the ongoing coverage. 

What sounds even more far-fetched than an alien- human alliance is that Eshed alleged that Trump was made aware of the aliens. According to Eshed, Trump was going to disclose their existence but the “Galactic Federation” told him to wait until humanity is further evolved and is more ready to absorb the information.  If you wren’t aware, the Galactic Federation is the alien formed organization with an underground base built on Mars.

Based on Trump’s inability to censor or filter any of his thoughts, let alone something as huge as ALIENS, it is hard to believe he won’t be tempted to tweet out the revelation.  

“The UFOs have asked not to publish that they are here, humanity is not ready yet. Trump was on the verge of revealing, but the aliens in the Galactic Federation are saying: ‘Wait, let people calm down first.’ They don’t want to start mass hysteria. They want to first make us sane and understanding.”

PROFESSOR HAIM ESHED, FORMER HEAD OF ISRAEL’S SECURITY SPACE PROGRAM

Naturally, the retired professor and former general isn’t the first high profile individual to make claims about aliens.  Canada’s former defense minister, Paul Hellyer made public back in 2013 he believes E.T.s are present on earth and have seen a UFO. Even Edgar Mitchell, the Apollo 14 astronaut and sixth man to walk on the moon  spoke out about Roswell and aliens in 2015. Many astronomers are confident there is life beyond Earth, but the actual proof or search for intelligent life, continues to be unsuccessful so far. 

So the big questions still posed, “are we alone?” and “where are they?”


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Daisy Ridley and Tom Holland star in the new trailer for the upcoming sci-fi thriller, ‘Chaos Walking’

https://video.twimg.com/amplify_video/1329217450055852035/vid/1280x720/LelLKjhJBezxZvW8.mp4?tag=13

Above: Official Trailer for “Chaos Walking / Lionsgate

Early test of 2021 Box-office likely from this Star-filled $100 million Sci-fi Thriller

The 1st official trailer for the upcoming sci-fi action-thriller, starring Daisy Ridley and Tom Holland, “Chaos Walking”, was just released. The Doug Liman directed YA movie is a Lionsgate production and  is currently scheduled for release on Jan. 22, 2021. 

Read More: Justice League releases brand new Black and White Trailer for upcoming HBO Max 2021 movie release

“Release” these days can have a lot of meanings. The upcoming Wonder Woman 1984 dual theatrical / HBO Max release has all eyes on it, for a possible formula to succeed at the box office in this radically changed environment. 

Click to see “The Knife of Never Letting Go
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If WW84 does boffo @ holiday / Christmas, using this novel approach, Chaos Walking could be a follow-up trend-extender, so stay tuned for release details closer to the official date.

The film is inspired by the 2008 book “The Knife of Never Letting Go” by Patrick Ness, the first of his Chaos Walking series.  Set in the future, Daisy Ridley plays character Viola, who crash lands on another planet, a planet in which all the women have disappeared.  All the men have been infected with “the Noise” germ, that put their thoughts on display.  Viola teams up with Tom Hollands character, Todd Hewitt and vows to protect her, all the while learning to channel “his own inner power and unlock the planet’s dark secrets,” per Lionsgate’s description.

Chaos Walking began filming back in the beautiful, pre-pandemic days of 2017, for the originally planned March 2019 release.  Because the two stars were also juggling other movies, Tom Holland filming Spider-Man and Daisy Ridley busy filming Star Wars, it was difficult to get the leads to finalize all production until 2020.  

Along with Ridley and Holland, Chaos Walking boasts a stacked cast that also includes Nick Jonas, Mads Mikkelsen, Cynthia Erivo, David Oyelowo, Kurt Sutter, and Demián Bichir.


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Wildly Optimistic Assumptions for a Post-Pandemic Future: Sci-Fi Doomsday or Utopian Dream?

https://movietrailers.apple.com/movies/wb/real-player-one/ready-player-one-trailer-4_h1080p.mov
Original teaser trailer for “Ready Player One” – Warner Brothers

Plenty of reasons for Pessimism but Huge Sudden Changes are where we’ll find the greatest Opportunities

The film clip above, featuring the Steven Spielberg directed film based on the sci-fi book by Ernest Clines, is built on a fairly familiar and, lately, believable premise. In the year 2045 (or sooner from the looks of things) all our human foibles and follies have devastated the world landscape, both physically and economically. Global warming has taken a toll and disasters we now know so well, such as pandemic outbreaks and economic catastrophes, are recent history and shape the reality at hand.

The story takes place in the world of young virtual reality explorers. And from there the plot is a pretty standard fantasy exploration of the potentials and drama that this backdrop produces.

This and other dystopian works of fiction are suddenly ringing true in a new way, and on different levels, since the world has been on lock-down as we battle the novel coronavirus. There is a feeling of a world on the verge of collapse, with an unknown and very uncertain future, and talk of an economic malaise with almost no historical precedent about to unfold, if you accept worst case scenarios.

Yet, using wild flights of imagination and optimism there are hidden bright spots and silver linings that might arise, not accounted for in this film or other works of dystopian art.

“Ready Player One” promo still image / Warner Bros.

An Idea so Big and Radical it is Hard to Wrap our Heads Around it no matter how hard we try

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What if the twin terrors of the covid-19 Pandemic and the possible economic collapse that may follow are actually a kind of gift to the world and humanity? What if this is the mother of all opportunities, like some wildly fantastic movie plot, where the wake up call from the cosmos comes at exactly the perfect moment to, well, wake us all up?

It’s easy to forget that, before we all became consumed in pandemic survival mode, there were already enormous changes and challenges afoot, a they were not small potatoes.

Global warming and climate related disasters were beginning to take center stage in political and social thought. Greta Thunberg was Time’s Person of the Year, and, for the first time, climate deniers (generally paid shills for the oil industry) were no longer being taken seriously.

All that now seems like a distant memory, but what has changed? A lot and also nothing. The threat of global warming and the urgency to stop carbon emissions and begin a transition to sustainable energy is no less pressing, regardless of our current preoccupation with stopping the pandemic.

Skys around the world have turned blue and clear while traffic is a fraction of the previous norm

Though many have warned the pollution and carbon burning will resume with a vengeance, once the quarantines are lifted, there is nevertheless a psychological effect of seeing and experiencing the beauty of clean air and reduced traffic that is fascinating. Eerily similar to scenes in the film 12 Monkeys, wild animals roam freely in urban centers.

Like a good omen or an invitation to positive change, the idea that nature can bounce back so quickly could be seen as a clarion call to change. Of course, a year from now we could see a world where fossil fuels are even more entrenched, due to economic desperation, where societies take great strides backwards in the ability to communicate and all the problems from the past and present accelerate into a final snowball bound for hell.

But what if something else happens?

What if the drastic measures, like the world wide lock-downs, and the economic stimulus actions attempting to stave off the potential economic catastrophe, indicate the potential for entire nations and even the entire world to work together in times of great need?

Virtual and Enhanced Communication as Tool for Crisis Adaptation

One of the interesting and unforgettable earmarks of the current crisis lifestyle is the switch in our lives from “real” lives to internet lives and virtual meetings and events. TV shows are staging networked broadcasts using FaceTime and Zoom, with the various actors and talking heads streaming from their private quarantine stations. We communicate with each other privately using the same technologies and non-contact methods.

What if this foreshadows a revolutionary change in how we use technology to improve our lives, accelerate communication, increase productivity and prevent the future from being an ecological disaster of biblical proportions?

What if all of us learning to adapt to a life with less unnecessary travel, while at the same time studying and inventing solutions for those problems is exactly what we need to be doing? What if we all need to collaborate on ways to stop the spread of disease, certainly, but also need to find ways to seamlessly transition to solving the bigger underlying pre-existing issues in order to save ourselves and our planet?

What if we were all forced to stay inside and use our computers to communicate. And what if we were forced to learn new “jobs” and ways to survive financially? And what if we could engage people around the world to work from home solving the real problems facing humanity, instead of flying and driving around, burning carbon, chasing the latest greed-driven suicide gold rush?

Ideas like universal basic income will not be optional when 50% of the world is unemployed. But if the income generated by the robots and the energy produced by solar, wind and other clean, sustainable energy sources are available and not in the hands of corrupt politicians, Bezos and Zuckerberg, and the fossil fuel companies, then why not?

These kinds of “radical” solutions will have all sorts of political and greed-driven opposition, of that you can be sure. But, as with the coronavirus, when faced with an insurmountable obstacle, like a rapidly spreading deadly virus that does not spare victims just because they have money or power, things change fast. Really fast.

I have always said, climate change deniers will stop trying to convince people it’s a hoax once Miami and New York are underwater. In a different way, we are already there. What we are living through is like a test run and a wake up call that can help us to prepare for the real and necessary changes to come.

Having the Future Thrust Upon you is not as bad If you Look Forward to Change

So why not make the most of it? Many people are. Reading books, particularly serious books for learning new ideas and thinking outside the box, are having an online sales boom. People are using the time and freedom to set their own schedule and goals, and considering career paths and constructive engagement in ways they might have never otherwise even considered.

In this scene from the original “Matrix” film the writers
sub-consciously show us the horrors of the future
– but instead what they show is a symbolic representation
of the present and the past. Humans are imprisoned
for life in “farms” and live only to produce energy
– the food fed to babies locked in pods
is a sticky black goop said to be the liquified remains
of the dead, but is, clearly just a very familiar substance
already enslaving us all: crude oil.

Perhaps, looking back from a better future made possible by this pandemic, we can see a reality where the greatest obstacles to change were the addiction to failed behaviors, failed infrastructures and suicidal greed that was considered “normal” in a dying world. If a larger force makes those things impossible or less viable then it should be welcomed with open arms.

There is an existing world infrastructure based on fossil fuels and greed that has been artificially propped up by political and economic forces for far too long. Now that entire system is collapsing on itself. The coronavirus is just a pin prick to the bubble of stupidity and greed that has been there all along.

Those of us that can see and imagine a future, not built around and based on that failed system, will have the opportunity to use our computers and virtual communication systems, primitive as they are at this stage, to communicate with one another and discuss ways to find a new beginning. That new beginning is already starting with blue skys and clean air across the world. Leaders not motivated by greed and yet wielding power like Elon Musk are putting enormous energy into solving the carbon burning dilemma and replacing it as quickly as possible with sustainable energy.

The economic upheaval to come must be seen as an opportunity to replace the old structures with new and better solutions. The recent extreme acts of the government show at least a willingness to try things never before attempted. Many will not work. Meanwhile, enormous, radical change is no longer a science fiction dream but an unavoidable reality.

Let’s embrace the dream and face the future with the wildly optimistic idea that changes for the future do not have to be dystopian. They can be Utopian. Why should we settle for anything less?

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Read more: World Reading Marathon Underway- Streaming and Binge-watching still huge but Books are Next

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Isolation Inspirations: Rita Wilson shares Rap & Read while Tom Hanks hovers Stage-left

https://movietrailers.apple.com/movies/summit/endersgame/endersgame-tlr2-58w33_h1080p.mov
Official Teaser Trailer for “Ender’s Game

Rita Wilson calls it Quarantine Stir Crazy – which is far nicer than turning into a Homicidal Maniac… but then she’s a nice and talented lady who happens to be married to Tom Hanks. While Idris Elba is writing his own Sci-fi script, while, along with all the rest of us, concurrently living it –

“Like: ‘Hey, hey, hey – you are kicking me and what you’re doing is not good, so we will get rid of you.’ “As any organism would do, (the world) is trying to get rid of an infection, and maybe this is it for the world.”“As any organism would do, (the world) is trying to get rid of an infection, and maybe this is it for the world.”

– Idris Elba. while face-timing from Quarantine with Oprah

While perhaps slightly less creative and mind-bending – seeing Rita rapping to Naughty by Nature – “hip hop hooray” straight off an Ender’s Game sci-fi reading session could conceivably qualify as BSC or at least stir-crazy:

Enders Game, is a great Sci-fi book and series and, of course film. The choices show a hunger for distraction, diversion, stimulation and overall entertainment. After witnessing the cute yet vaguely disturbing image of the reading / rap hybrid video by this celebrity shut in, somehow our common plight begins to get real.

Rita joins Naughty by Nature for an instagram re-make of the classic: “Hip Hop Hooray

It’s as if we have all reached, or are reaching, stage two or maybe in this epic yet unwelcome journey and are all trying to search within ourselves for the creativity to turn it positive. Once again, Idris Elba deserves the final word for today with hit thoughtful take on how we might all actually benefit from the bizarre and challenging state of the world in the time of the coronavirus:

“One of the upsides of this whole drama is that we are forced to think together as a race.

“Our world has been taking a kicking. We have damaged our world and it’s no surprise that our world is reacting to the human race.

 “One of the upsides of this whole drama is that we are forced to think together as a race. Our world has been taking a kicking. We have damaged our world and it’s no surprise that our world is reacting to the human race. It is no surprise that a virus has been created that is going to slow us down, and ultimately make us think differently about our world and ourselves.

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“Ad Astra” will play with our Minds and Hearts, can it live up to Astronomical Expectations?

https://movietrailers.apple.com/movies/fox/ad-astra/ad-astra-trailer-2_h1080p.mov
Above: Official Trailer 2 for “Ad Astra”

Director James Gray has certainly made some interesting movies in his career, but none have been as star-studded and hyped as the upcoming “Ad Astra.” Set to be released September 20th, “Ad Astra” is an original science fiction odyssey based on the screenplay written by Ethan Gross alongside Gray himself, and starring Brad Pitt, Tommy Lee Jones, and Liv Tyler.

The plot looks complex and enthralling, as an astronaut played by Pitt crosses the solar system in search of answers about his deceased father. In a movie market where superheroes and fantasy tend to dominate the science fiction genre, “Ad Astra” looks like it will be a refreshing return to hard sci-fi, where the science is realistic and integral to the story. 

Of course, that does not mean that the film will be a two-hour Neil Degrasse Tyson lecture. The trailer promises a high degree of action and emotion along with some great performances. Most notably, having Brad Pitt as the movie’s main protagonist comes at a good time, as Pitt’s recent performance in Quentin Tarantino’s Once Upon A Time In Hollywood has earned the actor a late resurgence in popularity and buzz.

https://movietrailers.apple.com/movies/fox/ad-astra/ad-astra-moon-rover_h1080p.mov
Official Moon rover sneak peek clip from “ad Astra”

Perhaps just as captivating as the talent on screen, though, is the talent behind the camera. After all, a movie that takes place in space is only going to get so far without strong visual effects and cinematography. In “Ad Astra,” Brian Adler of “Avengers: Endgame” is helming the position of visual effects artist, and Academy Award nominee Hoyte Van Hoytema — best known for movies like “Interstellar,” “Dunkirk,” and “Her” — is director of photography.  This, along with a compelling score from composer Max Richter, is bound to make “Ad Astra” a treat for all senses.

In more ways than just Van Hoytema’s cinematography, “Ad Astra” looks quite reminiscent of Christopher Nolan’s “Interstellar.” They are both examples of indie directors gaining enough of a reputation to piece together their own big-budget science fiction movie, and then using that opportunity to create something remarkably original and compelling within the genre. 

At the same time, however, James Gray never had a groundbreaking studio Batman franchise to launch him into the spotlight. While “Ad Astra” may be getting more marketing and attention than any of Gray’s previous films, it is not guaranteed that it will rake in anything close to the $677 million that “Interstellar” earned in 2014. Then again, “Ad Astra” was made on an $80 million budget. While this is a far greater budget than any of Gray’s previous projects, it is hardly half of what it cost to create “Interstellar.”

We should not get caught up in the numbers, though. After all, even if “Ad Astra” looks similar to “Interstellar,” there is no assurance of them being comparable as final products. For all of the potential and prestige that “Ad Astra” touts, there is the risk that it will turn out less like the renowned “Interstellar” and more like the lackluster “Passengers”—the star-studded original sci-fi movie that managed to flop at the box office despite looking like a guaranteed success on paper.

https://movietrailers.apple.com/movies/fox/ad-astra/ad-astra-trailer-1_h1080p.mov
Original official trailer for “Ad Astra”

Like deep-space itself, “Ad Astra” will likely deal with dark matter and other mysterious phenomena that it is not willing to reveal until the film hits theaters. The movie is destined to play with our minds as well as our hearts, but how it will do so in terms of narrative remains justifiably clouded. Lets hope that the film delivers on its cosmological story, makes the most of its talent, and maybe even launches James Gray to a new directorial status, allowing him to create more original movies with the budget to back them.


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