Tag Archives: Taylor Swift

The Outrageous Story About the Postal Service Too Many Know Nothing About

Following a 16-year bet Republicans laid down in 2006 to block Postal EVs, DeJoy just told Biden to go screw himself: he’s going to buy fossil-fuel vehicles for 90% of the fleet instead of electric.

The Republicans are about to win a major battle in their war on electric vehicles, this time with the second largest vehicle fleet in America owned by the US Postal Service. It’s an outrageous story that most Americans don’t know a thing about.

Transportation, after all, is the single largest source of global warming emissions from the United States. And the Post Office once thought they could do something about it.

To understand what’s going on with the Post Office right now, you first must know the backstory that, it seems, most media outlets aren’t interested in discussing. It’s an issue that’s hitting millions of Americans right now.

One of our kids, for example, recently became the first member of our family to buy a fully 100% electric car. She was so excited and has loved it driving around Portland…until she had to drive to another state for a conference, when she discovered what a problem America not having an electric charging infrastructure causes.

The way to solve this problem, of course, is to have a substantial and massive increase in electric vehicles and that’s exactly what the Post Office set out to jump-start back in 2006.  

Transportation, after all, is the single largest source of global warming emissions from the United States. And the Post Office once thought they could do something about it.

Things were going well for the Post Office in 2006.

They were making money and had a surplus. They were therefore seriously considering replacing a large part of their fleet—the largest fleet of civilian vehicles in the nation—with electric and hybrid vehicles.

It would be a mighty boost for the electric car, and a huge slap in the face of the fossil fuel barons who had an outsized say in the Republican Party.

On May 17, 2006 Walter O’Tormey, the Post Office’s Vice President, Engineering, unveiled a new hybrid gas/electric mail delivery vehicle in Boston to an audience of “nearly 100 industry representatives, environmentalists, and Postal Service employees,” saying:

“As an agency that delivers mail to 145 million businesses and households six days a week, drives approximately 1.1 billion miles a year, and consumes more than 125 million gallons of motor fuel annually, we are in a unique position to demonstrate to the public and other businesses the growing viability and positive environmental and energy-savings benefits of alternate-fuel technologies.”

In their 2006 annual report the Postal Service openly bragged about their ambition to move away from relying entirely on fossil fuels:

“With more than 216,000 vehicles, the Postal Service has the largest civilian fleet in the United States.  We continue to evaluate various fuel types and alternative fuel vehicles including hybrid trucks, hydrogen fuel cell vans, electric step vans and liquid natural gas delivery vehicles.”

If the Post Office pulled off a massive transition away from fossil fuels, it would jump-start the then-new electric, hybrid and fuel cell technologies, paving the way for wider use, a large national electric “refueling” infrastructure, and a significant reduction in greenhouse gasses.

Americans were excited by the possibility. Speaking on behalf of a coalition of mayors from all parts of the country to the World Congress on Information Technology annual conference in Austin on May 6, 2006, Austin Mayor Will Winn proudly announced:

“Transitioning the Postal fleet to plug-ins would serve as a springboard for the commercial production of delivery vehicles that could be extended to a wide variety of delivery services across America.

“The commercial market would also provide the economic certainty needed by automakers to make the production investments necessary for the mass production of plug-ins.

“The plug-in technology is available right now and represents a realistic near-term solution to the serious problems of over-reliance on foreign oil, out of control gasoline prices, as well as greenhouse emissions.”

Given that postal vehicles typically have a 30-year lifespan, this would produce a huge tilt in the balance of alternative-versus-fossil-fuel vehicles on the road.

But the possibility of that transition happening to the nation’s largest vehicle fleet was, in a word, intolerable to the morbidly rich rightwingers who’d made their fortunes drilling, refining, shipping and selling fossil fuels, particularly oil, diesel and gasoline.

The Post Office had to be stopped, and Republican Congressman John McHugh (NY) was just the man to do it. He’d been a member of the Koch-funded American Legislative Exchange Council (ALEC), and was deeply in the pocket of right-wing interests.

As Wikipedia notes in an exercise of gentle understatement:

“[McHugh] was chairman of the Oversight Committee’s Postal Service Subcommittee for six years and worked to pass legislation to significantly reform the U.S. Postal Service for the first time since it was demoted from a Cabinet-rank department with passage of the Postal Accountability and Enhancement Act (Pub.L. 109–435) in 2006.”

ALEC, which writes corporate-friendly legislation and relies on its membership of Republican lawmakers around the nation to pass that legislation, just happened to have a model 2006 bill known as the Unfunded Pensions Liabilities Act, which called on state governments to account for exactly how they plan to fund future retiree benefits.

Adapting that ALEC concept to the Post Office, McHugh’s bill was passed by a voice vote in a Republican Congress and signed by Republican President George W. Bush. There is no record whatsoever of who voted or how they voted on the legislation. 

It was preceded, however, by a virtual waterfall of op-eds and PR efforts by groups affiliated with the Koch network including the Reason Foundation, the National Taxpayer’s Union, and the CATO Institute.

What the law did was ram a poison pill down the throat of the Post Office.

It required the USPS to pre-fund its Retiree Health Benefits Fund for seventy years into the future, forcing the Post Office to take the money they planned to spend on electric vehicles and set it aside for the health benefits of future retirees who weren’t even born yet (and should be eligible for Medicare, anyway).

It’s an obligation that no other private business or government agency has ever had to comply with before.

Costing the Post Office $5 billion a year, it succeeded in stopping their plan to electrify their fleet dead in its tracks.

And it set it up more cleanly for eventual privatization, once enough infrastructure like postal drop boxes and million-dollar high-speed sorting machines was destroyed—a process Reagan called “Starve the Beast”—that “customers” were complaining about the service and public opinion finally agreed the Post Office would work better in private hands.

Reagan had tried to do the same thing to Social Security and the IRS, and Trump doubled down on that plan, offering tens of thousands of staffers early retirement to gut both agencies; they’re now so hobbled by underfunding and worker shortages that Social Security disability claims can take two years, and extremely wealthy people are no longer generally audited at all because of the cost and manpower needs determined by their complexity.

Which brings us to Louis DeJoy. 

The Post Office is finally on the verge of getting out from under that $5 billion-a-year prefunding burden so they can now start buying that new fleet they proposed in 2006. 

Postmaster General DeJoy was strongly encouraged by the Biden administration to give the contract to a company that would manufacture electric and electric/hybrid vehicles.

But DeJoy essentially told Biden to go screw himself: he’s going to buy fossil-fuel vehicles for 90% of the fleet instead.  

The Washington Post laid it all out in the open to an article last week titled: Biden Officials Push to Hold Up $11.3 Billion USPS Truck Contract, Citing Climate Damage, noting:

“The Biden administration launched a last-minute push Wednesday to derail the U.S. Postal Service’s plan to spend billions of dollars on a new fleet of gasoline-powered delivery trucks, citing the damage the polluting vehicles could inflict on the climate and Americans’ health.

“The dispute over the Postal Service’s plans to spend up to $11.3 billion on as many as 165,000 new delivery trucks over the next decade has major implications for President Biden’s goal of converting all federal cars and trucks to clean power.”

And it’s not just the White House that’s outraged. CNN reported yesterday:

“Rep. Gerry Connolly, a Virginia Democrat who chairs the House subcommittee that oversees the Postal Service, called for DeJoy’s resignation.

“‘Postmaster General DeJoy’s plan to spend billions on brand new gas-powered vehicles is in direct contradiction to the stated goals of Congress and the President to eliminate emissions from the federal fleet,’ Connolly said in a statement. ‘If Mr. DeJoy won’t resign, the Board of Governors has got to fire him — now.'”

Because Republican senators are holding up confirmation of Biden’s Postal Board of Governors’ appointees, DeJoy can’t be fired by the current Trump-appointee-dominated board, a fact that Senator Sheldon Whitehouse pointed out last week, demanding the Senate move the Democratic nominees forward over GOP objections.

But DeJoy is itching to sign the contract for all those gas and diesel vehicles, and he still has the power to do so.

So, now that the possibility of electrifying the nation’s (now second) largest fleet of vehicles is pretty much dead and they’re planning to go ahead with fossil fuels, Republicans in Congress are fine with eliminating the retirement prefunding dead weight on the Post Office. 

The vote in the House this week was 342-90 to end the prefunding requirement and give DeJoy the money to buy the gas-powered vehicles. Now it goes to the Senate, where the AP noted:

“Sen. Gary Peters, D-Mich., chairman of the Senate Homeland Security and Governmental Affairs Committee, said he expects his chamber to ‘move quickly’ on the measure. Senate Majority Leader Chuck Schumer, D-N.Y., said he’s planning a vote before a recess that starts after next week. The bill has 14 GOP sponsors and, with strong Democratic support expected, seems on track to gain the 60 votes most bills need for Senate passage.”

When asked Wednesday night on MSNBC why Congress had crippled the Post Office with that bizarre prefunding requirement in the first place, Senator Peters—one of the truly good guys in the US Senate—answered that he had no idea.

As is the case with most members of Congress; the pre-funding was essentially slipped into the bill at the behest of the fossil fuel industry and, at the time, got virtually no publicity. Thus, I tweeted him:

It was incomplete on my part to miss the privatization bonus in the tweet, and the vendor will supply gasoline vehicles as well, but you get the point.

Like so many other weirdnesses in American politics, when you pull back the veil you find the hands of a fossil fuel industry that values profits and right wing ideology over the future of our children, our nation and the planet.

This article was first published on The Hartmann Report.

Originally published on Common Dreams by THOM HARTMANN under a  Creative Commons license (CC BY-NC-ND 3.0)


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Billie Eilish Wows again on TikTok: Rehearsal “Slumber Party” (X)

“we r hot” show dance rehearsal with commentary (hilarious sexy fun)

After her wild Ukulele post popped up on her crazy subterranean TikTok account and a couple of random posts since, today Billi Eilish posted what appears to be a impromptu reversal video with some hilarious commentary. Set to the song “Lost Cause” (very hot now).

The account which only has 14 videos since it first popped up and has 35.4 million followers (of course!) and 190.3 millions likes, and the video (below) got a whopping 3.2 million in the first hour and currently has accumulated 80 million views to date. The first full video on the account – other than the Ukulele post mentioned above. That one went live back on November 13, 2020.

It’s pretty clear from the humor, voice over and the attitude that Billie loves the vibe and spontaneity of TikTok and this video and her rogue account style fits right in!

LInk to Video on TikTok

https://www.tiktok.com/@billieeilish/video/6969705648401452293?sender_device=pc&sender_web_id=6967902097740793350&is_from_webapp=v1&is_copy_url=0

Even at the relatively elderly summit of 19 her sultry, dark style along with top of the world presence continues to command loyalty and love for her music and style. Her recent biographical photo book was also a hit and the new songs will likely continue at the top of our summer list. The documentary is great also.

Oh, and the WORLD TOUR 2022 starts in February! Kicking off in Smoothie King Center, New Orleans, LA, however, unfortunately tickets for that show has since been SOLD OUT!


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Olivia Rodrigo’s debut song gains unstoppable virality: breaks records for ‘Driver’s License’

Above: Photo Collage / Lynxotic / Olivia Rodrigo

Fastest selling streaming title ever

Olivia Rodrigo, the 17 year old high school senior made major headlines shattering streaming records with the official release of her debut single “Driver’s License”. Best known for her role in Disney+’s “High School Musical: The Series”, however, the newcomer will now be known for her chart-topping song.

The kind of immediate response and millions of streaming requests is not that common for newer artists, its not typical for a singer that isn’t established to so quickly gain traction and quickly reach the top of the charts. Usually this is reserved for well known artists including the likes of Taylor Swift, Katy Perry, BTS, Ariana Grande, ect.

“I truly do think this is just a lightning-in-a-bottle moment that sort of brought together a number of factors in a way that they haven’t really been brought together recently,”

– Becky Bass / Spotify Global Hits lead

In an Apple Music interview, Rodrigo described “”I wrote the bulk of the song literally crying in my living room, and I think that it definitely has that feel to it,” she continued by describing her inspiration for the song, referencing Gracie Abrahm’s song “Minor” was a major inspiration. “I was driving around my neighborhood, actually listening to really sad songs and crying in the car, and I got home and I was like, ‘Maybe I’ll write a song about this, crying in the car.'”

Some of her fans speculated that the song was about Rodrigo’s breakup with co-star Joshua Bassett. 

“Drivers License” broke several Spotify records for the most streams in a single day on Jan 11 for a non-holiday song with 15.17 million global streams. Then in continued its momentum the next day, Jan 12. continuing to beat the previous day, with 17.01 million streams. In addition to Spotify records,  Amazon Music reported that Rodrigo now help the record for the most requested song in one day globally via Alexa.

The young artist had readily admitted she is a Swifty. When the records broke, Taylor swift personally reached out to the artist!

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Taylor Swift’s first ‘Evermore’ video: ‘Willow’, plus her trio of Cats

Above: Photo Collage / Lynxotic

And may it continue, evermore.

Taylor Swift is serving fans holiday gifts left and right.  First, Swift announces a surprise album, “Evermore”, the second one this year and drops it within mere hours and just two days shy of her 31st birthday.  This upcoming album will be Taylor’s 9th album and regarded by singer as “folklore’s sister”.  Followed up with the music video for her first song off the track, “Willow” simultaneously with release. 

Read More: Taylor Swift to release “Evermore” album: Pre-birthday celebration for fans

It’s already obvious Taylor Swift is mega pop star that has garnered multiple Grammy, Billboard, MTV awards and more.  Yet, Taylor being such an animal lover and proclaimed cat lady should also be equally recognized.

December 2020 will be newsworthy for the artist and her holiday card this year puts a proverbial cherry on top. A journalist revealed Taylor’s card and yes it includes the artist’s trio of adorable cats, inspired and named from TV and movie characters: Olivia Benson, Meredith Grey and Benjamin Button.

 As if we need a reason to explain why our pets are held in such high regard, sometimes, more so than our fellow humans.  Especially during the nearly year long pandemic filled with social isolation, our pet(s) appreciate everything we do for them, provide emotional support (even if they don’t know it) and ultimately provide unconditional love. It’s clear why Taylor so proudly put them on display.


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Taylor Swift to release “Evermore” album: Pre-birthday celebration for fans

Above: Photo Collage / Lynxotic / Taylor Swift

The 2nd album of 2020 drops at midnight 

Just as Taylor Swift’s last album, “Folklore” felt like it was released out of thin air, only hours after it was announced, the artist is at it again.  Her next album, which she announced today, titled “Evermore” will be arriving to eager fans with lightning speed, on Friday, December 11.  Swift describes her upcoming album release as “Folklore’s sister record”. 

Read More: Taylor Swift’s surprise concert only on Disney+ – Check out when to watch ‘Folklore: The Long Pond Studio Sessions’

The surprise release will come just shy of Taylor’s 31st birthday on December 13th,  a little pre-birthday gift for her fans,  she said: 

“Ever since I was 13, I’ve been excited about turning 31 because it’s my lucky number backwards, which is why I wanted to surprise you with this now. You’ve all been so caring, supportive and thoughtful on my birthdays and so this time I thought I would give you something!”

-Taylor swift / twitter

The album features Folklore collaborators Justin Vernon of Bon Iver and The National, as well as a song with Haim.  Also at midnight, Taylor will be releasing a music video for her first song on the album titled “Willow”.  

There are 15 tracks to the standard edition of the “Evermore” album, if you get the deluxe physical edition, it will include 2 additional bonus tracks. 

  1. “Willow”
  2.  “Champagne Problems”
  3.  “Gold Rush”
  4.  “‘Tis The Damn Season”
  5. “Tolerate It”
  6. “No Body, No Crime” Feat. Haim
  7.  “Happiness”
  8. “Dorothea”
  9.  “Coney Island” Feat. The National
  10.  “Ivy”
  11. “Cowboy Like Me”
  12.  “Long Story Short”
  13.  “Marjorie”
  14.  “Closure”
  15.  “Evermore” Feat. Bon Iver
  16.  “Right Where You Left Me” (bonus track)
  17. “It’s Time To Go” (bonus track)

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Ryan Reynold’s Match.com Ad perfectly encapsulates the hellish year that is 2020

https://video.twimg.com/amplify_video/1333906027390017536/vid/1280x720/pXyW4W2irOGCbDLl.mp4?tag=13

A “Match Made in Hell”  

2020 has been a hard one, almost everyone can easily say, they were affected negatively one way or another by the raging pandemic, whether reasons be economic, physical or even our personal relationships. 

Actor and director Ryan Reynolds and his production company, Maximum Effort, hilariously delivered to viewers just how crazy this year has been in an extremely entertaining video ad for the online dating service Match.com

Reynolds, who is known for his quirky sense of humor described the commercial as a “A Love Story for the ages. Or at least this age”. 

The devil himself, Satan is seen swiping on the doing app and matches with a woman with the user name “2020”. We see Satan and 2020 go on a series of date, including working out at a socially distanced gym, starting a dumpster fire, stealing armfuls of toilet paper, and eating scorching hot chili peppers at an empty sporting stadium. The two break all the rules and jokingly references in some form or another exaggerations on some of the struggles, limitations and restrictions set for covid-19.

The ad ends with the couple, in love, watching what looks like the end of the world, an apocalyptic backdrop with asteroids destroying buildings and the city around them. With the truly devilish end comment “ I just don’t want this year to end”. Although, unquestionably we all can’t wait for 2021 and better times to come. This ad brings much levity to the seriousness brought on this year.

The cherry on top is, we get to hear Taylor Swift’s romantic ballad and 2008 smash hit “Love Story” play in the background. Swift who is in the process of re-recording her songs due to battling with Scooter Braun, gave Reynolds a sneak peak for the advert. 


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Grammys 2021: Beyoncé, Taylor Swift, Dua Lipa, Roddy Ricch Dominate with 9/6

Big expected news and then… BTS & Fiona Apple

The nominations for the 2021 Grammy Awards were unveiled on Tuesday, November 24, by the N.A.R.A.S. a.k.a. The Recording Academy .

In keeping with the 2020 tradition of “distanced” productions Dua Lipa, Sharon Osbourne, Imogen Heap, Mickey Guyton and Lauren Daigle announced the nominations for the 2021 Grammys  from various remote feed locations with an asset by the academy’s chair and interim president/CEO, Harvey Mason Jr.

Read more: Grammys will be Hosted by Trevor Noah in 2021

BTS, the boy band, has received its first Grammy nomination, making history of becoming the first K-Pop group to break into a major category. The group’s official Twitter account posted a video of some of the members reacting to their historic nomination.

https://twitter.com/BTS_twt/status/1331298544834076672?s=20

Scroll down to see the full list of nominations as they come in, and tune in to the 2021 Grammy Awards on CBS Sunday, January 31, at 8 p.m. ET.

Here Are The Nominations For The 2021 Grammy Awards

Beyoncé leads with nine nominations, while Megan Thee Stallion nabbed her first Grammy nods ever. The two also shared three nominations for their “Savage” remix.

Record of the Year

“Black Parade,” Beyoncé

“Colors,” Black Pumas

“Rockstar,” DaBaby feat. Roddy Ricch

“Say So,” Doja Cat

“Everything I Wanted,” Billie Eilish

“Don’t Start Now,” Dua Lipa

“Circles,” Post Malone

“Savage,” Megan Thee Stallion feat. Beyoncé

Album of the Year

From left: Este Haim, Danielle Haim, and Alana Haim

Chilombo, Jhené Aiko

Black Pumas (Deluxe Edition), Black Pumas

Everyday Life, Coldplay

Djesse Vol. 3, Jacob Collier

Women in Music Pt. III, Haim

Future Nostalgia, Dua Lipa

Hollywood’s Bleeding, Post Malone

Folklore, Taylor Swift

Song of the Year

“Black Parade,” Beyoncé

“The Box,” Roddy Ricch

“Cardigan,” Taylor Swift

“Circles,” Post Malone

“Don’t Start Now,” Dua Lipa

“Everything I Wanted,” Billie Eilish

“I Can’t Breathe,” H.E.R.

“If the World Was Ending,” JP Saxe feat. Julia Michaels

Best New Artist

Ingrid Andress

Phoebe Bridgers

Chika

Noah Cyrus

D Smoke

Doja Cat

Kaytranada

Megan Thee Stallion

Best Pop Solo Performance

“Yummy,” Justin Bieber

“Say So,” Doja Cat

“Everything I Wanted,” Billie Eilish

“Don’t Start Now,” Dua Lipa

“Watermelon Sugar,” Harry Styles

“Cardigan,” Taylor Swift

Best Pop Vocal Album

Changes, Justin Bieber

Chromatica, Lady Gaga

Future Nostalgia, Dua Lipa

Fine Line, Harry Styles

Folklore, Taylor Swift

Best Rap Album

Black Habits, D Smoke

Alfredo, Freddie Gibbs and the Alchemist

A Written Testimony, Jay Electronica

King’s Disease, Nas

The Allegory, Royce da 5’9″

Best Country Album

Lady Like, Ingrid Andress

Your Life Is a Record, Brandy Clark

Wildcard, Miranda Lambert

Nightfall, Little Big Town

Never Will, Ashley McBryde

Best Country Song

From left: Geoff Sprung, Trevor Rosen, Matthew Ramsey, Brad Tursi, and Whit Sellers of Old Dominion.

“Bluebird,” Miranda Lambert

“The Bones,” Maren Morris

“Crowded Table,” the Highwomen

“More Hearts Than Mine,” Ingrid Andress

“Some People Do,” Old Dominion

Best R&B Performance

“Lightning & Thunder,” Jhené Aiko feat. John Legend

“Black Parade,” Beyoncé

“All I Need,” Jacob Collier feat. Mahalia and Ty Dolla $ign

“Goat Head,” Brittany Howard

“See Me,” Emily King

Best Rap Song

“The Bigger Picture,” Lil Baby

“The Box,” Roddy Ricch

“Laugh Now, Cry Later,” Drake feat. Lil Durk

“Rockstar,” DaBaby feat. Roddy Ricch

“Savage,” Megan Thee Stallion feat. Beyoncé

Best Rock Performance

“Shameika,” Fiona Apple

“Not,” Big Thief

“Kyoto,” Phoebe Bridgers

“The Steps,” Haim

“Stay High,” Brittany Howard

“Daylight,” Grace Potter

Best Progressive R&B Album

Chilombo, Jhené Aiko

Ungodly Hour, Chloe X Halle

Free Nationals, Free Nationals

Fuck Yo Feelings, Robert Glasper

It Is What It Is, Thundercat

Best Alternative Album

Fetch the Bolt Cutters, Fiona Apple

Hyperspace, Beck

Punisher, Phoebe Bridgers

Jaime, Brittany Howard

The Slow Rush, Tame Impala

Best Pop Duo/Group Performance

“Un Dia (One Day),” J Balvin, Dua Lipa, Bad Bunny, and Tainy

“Intentions,” Justin Bieber feat. Quavo

“Dynamite,” BTS

“Rain on Me,” Lady Gaga with Ariana Grande

“Exile,” Taylor Swift feat. Bon Iver

Best Latin Pop or Urban Album

YHLQMDLG, Bad Bunny

Por Primera Vez, Camilo

Mesa Para Dos, Kany García

Pausa, Ricky Martin

3:33, Debi Nova

The full list of nominees can be found here

Record of the Year

  • “Black Parade,” Beyoncé
  • “Colors,” Black Pumas
  • “Rockstar,” DaBaby featuring Roddy Rich
  • “Say So,” Doja Cat
  • “Everything I Wanted,” Billie Eilish
  • “Don’t Start Now,” Dua Lipa
  • “Circles,” Post Malone
  • “Savage,” Megan Thee Stallion featuring Beyoncé

Album of the Year

  • Chilombo, Jhené Aiko
  • Black Pumas (Deluxe Edition), Black Pumas
  • Everyday Life, Coldplay
  • Djesse Vol. 3, Jacob Collier
  • Women in Music Pt. III, Haim
  • Future Nostalgia, Dua Lipa
  • Hollywood’s Bleeding, Post Malone
  • Folklore, Taylor Swift

Best Pop Duo/Group Performance

  • “Un Dia (One Day),” J Balvin, Dua Lipa, Bad Bunny & Tainy
  • “Intentions,” Justin Bieber featuring Quavo
  • “Dynamite,” BTS
  • “Rain on Me,” Lady Gaga with Ariana Grande
  • “Exile,” Taylor Swift featuring Bon Iver

Best Alternative Music Album

  • Fetch the Bolt Cutters, Fiona Apple
  • Hyperspace, Beck
  • Punisher, Phoebe Bridgers
  • Jaime, Brittany Howard
  • The Slow Rush, Tame Impala

Song of the Year

  • “Black Parade,” Denisia Andrews, Beyoncé, Stephen Bray, Shawn Carter, Brittany Coney, Derek James Dixie, Akil King, Kim “Kaydence” Krysiuk & Rickie “Caso” Tice, songwriters (Beyoncé)
  • “The Box,” Samuel Gloade & Rodrick Moore, songwriters (Roddy Ricch)
  • “Cardigan,” Aaron Dessner & Taylor Swift, songwriters (Taylor Swift)
  • “Circles,” Louis Bell, Adam Feeney, Kaan Gunesberk, Austin Post & Billy Walsh, songwriters (Post Malone)
  • “Don’t Start Now,” Caroline Ailin, Ian Kirkpatrick, Dua Lipa & Emily Warren, songwriters (Dua Lipa)
  • “Everything I Wanted,” Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish)
  • “I Can’t Breathe,” Dernst Emile II, H.E.R. & Tiara Thomas, songwriters (H.E.R.)
  • “If the World Was Ending,” Julia Michaels & JP Saxe, songwriters (JP Saxe featuring Julia Michaels)

Best Pop Solo Performance

  • “Yummy,” Justin Bieber
  • “Say So,” Doja Cat
  • “Everything I Wanted,” Billie Eilish
  • “Don’t Start Now,” Dua Lipa
  • “Watermelon Sugar,” Harry Styles
  • “Cardigan,” Taylor Swift

Best Pop Vocal Album

  • Changes, Justin Bieber
  • Chromatica, Lady Gaga
  • Future Nostalgia, Dua Lipa
  • Fine Line, Harry Styles
  • Folklore, Taylor Swift

Best Rock Album

  • A Hero’s Death, Fontaines D.C.
  • Kiwanuka, Michael Kiwanuka
  • Daylight, Grace Potter
  • Sound & Fury, Sturgill Simpson
  • The New Abnormal, The Strokes

Best Latin Pop or Urban Album

  • YHLQMDLG, Bad Bunny
  • Por Primera Vez, Camilo
  • Mesa Para Dos, Kany García
  • Pausa, Ricky Martin
  • 3:33, Debi Nova

Best Comedy Album

  • Black Mitzvah, Tiffany Haddish
  • I Love Everything, Patton Oswalt
  • The Pale Tourist, Jim Gaffigan
  • Paper Tiger, Bill Burr
  • 23 Hours to Kill, Jerry Seinfeld

Best Musical Theater Album

  • Amélie
  • American Utopia on Broadway
  • Jagged Little Pill
  • Little Shop of Horrors
  • The Prince of Egypt
  • Soft Power

Best Compilation Soundtrack for Visual Media

  • A Beautiful Day in the Neighborhood
  • Bill & Ted Face the Music
  • Eurovision Song Contest: The Story of Fire Saga
  • Frozen 2
  • Jojo Rabbit

Best Score Soundtrack for Visual Media

  • Ad Astra
  • Becoming
  • Joker
  • 1917
  • Star Wars: The Rise of Skywalker

Producer of the Year, Non-Classical

  • Jack Antonoff
  • Dan Auerbach
  • Dave Cobb
  • Flying Lotus
  • Andrew Watt

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Taylor Swift’s surprise concert only on Disney+ – Check out when to watch ‘Folklore: The Long Pond Studio Sessions’

https://video.twimg.com/amplify_video/1331212637657509889/vid/1280x720/lejySbCdGVu5o_YF.mp4?tag=13

Above: Photo Collage / Lynxotic

Sleuthing Swifties discover surprise Easter egg on social media

Taylor Swift delighted fans everywhere with a seemingly out of the blue announcement of her latest project. The concert film will be available exclusively on Disney+ streaming platform. 

Taylor took to her social media to send a cryptic message, her notorious easter egg “Not a lot going on at the moment”. Fans  quickly figured out that the artist used the same caption when she was working on the album ‘Folklore’ and knew that big news was brewing.  

The news comes after even more good news for the 10-time Grammy Award winner;  at the 2020 American Music Awards, Taylor took home three awards: Artist of the Year, Favorite Music Video of the Year (for her No. 1 song “Cardigan) and Favorite Female Artist in Pop/Rock category. 

The film was shot in September 2020 at the upstate New York studio, ‘The Long Pond’ alongside Swift’s co-producers Aaron Dessner (The National) and Jack Antonoff (Bleachers).  Justin Vernon of Bon Iver made a guest appearance purportedly to perform in a duet for the song “Exile” (her upcoming single). 

“There’s something about the complete and total uncertainty of life. If we’re going to have to recalibrate everything, we should start with what we love the most first,” Swift says. “It’s an album that allows you to feel your feelings and it’s a product of isolation.”

The three musicians secretly filmed the performances using a robotic camera in order to adhere to covid-19 guidelines. 

The intimate “Folklore: The Long Pond Studio Sessions” will premiere on Disney+ on Wednesday, Nov. 15 at midnight. 


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Beyoncé, Taylor Swift, Billie Eilish and more all condemn Trump’s incendiary tweet and Racism

Beyoncé, Taylor Swift, Billie Eilish, Justin Bieber, Cardi B, LeBron James, Kim Kardashian West and more were online yesterday expressing shock and dismay at the brutal murder of George Floyd. Notably Taylor Swift was so outraged that she vowed to be a part of a movement to vote Trump out of office.

Derek Chauvin was finally arrested on 3rd-degree murder and manslaughter charges after the widely seen video showing him kneeling on the neck of George Floyd before his death sparked massive protests around the country. Some of the protests turned violent and the precinct where Chauvin had been stationed was set ablaze. The celebrity reaction shows that this is about more than the horrific criminal act that took the life of another innocent “alleged” detainee. The systemic racism in the US and, in particular, the police brutality that goes unchecked have reached a boiling point for the entire country.

https://lynxotic.com/wp-content/uploads/2020/05/Beyonce-BLM.mp4
VIDEO POSTED BY BEYONCÉ ON INSTAGRAM

Taylor Swift had been criticized in the past for not supporting Hillary Clinton in 2016 – at a time when her massive following could have potentially saved the country form 4 years of Trump’s antics and dangerous policies. This time, however, she vows it will be a completely different story and basically guarantees a loss for the current White House resident on November 3rd. “After stoking the fires of white supremacy and racism your entire presidency, you have the nerve to feign moral superiority before threatening violence? ‘When the looting starts the shooting starts’??? We will vote you out in November. @realdonaldtrump.”

“After stoking the fires of white supremacy and racism your entire presidency, you have the nerve to feign moral superiority before threatening violence? ‘When the looting starts the shooting starts’??? We will vote you out in November. @realdonaldtrump.”

Tweet by Taylor Swift

Billie Eilish did non mince words in this passionate indictment of a racist culture seemingly unchecked by reason or intelligence:

As follows various quotes from tweets and instagram posts by other famous names:

LeBron James post on Instagram was unequivocal:

https://twitter.com/ArianaGrande/status/1265839622904479749?s=20

“Enough is enough! What will it take ? A civil war ? A new president? Violent riots ? It’s tired ! I’m tired ! The country is tired !You don’t put fear in people when you do this you just show {what a} coward YOU ARE! And how America is really not the land of the free!”

Cardi B on Instagram

More protests are scheduled for today across the nation and the reaction is in honor of George Floyd but also addresses many more deep seated issues that have been building for more than 4 years. Trump may feel that he scores a political point every time a store is looted but the vast majority has had enough of gaslighting and mind games, not to mention disgustingly racist rhetoric and “dog whistle” innuendo. The steep climb to a November redemption appears to have started.

Read More: 2020 Pulitzer Picks: “The Nickel Boys” Makes History

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New Trailers: Trolls World Tour, Bluebird, The Way Back, Citizen K and more…

A bunch of new trailers came out this week, and here are a few for you to check out right now:

‘Trolls World Tour’

https://movietrailers.apple.com/movies/universal/trolls-world-tour/trolls-world-tour-trailer-2_h1080p.mov
new official trailer for “trolls world tour”

Poppy and Branch discover that there are six different troll tribes scattered over six different lands. Each tribe is also devoted to six different kinds of music — funk, country, techno, classical, pop and rock. When rockers Queen Barb and King Thrash set out to destroy the other music, Poppy and Branch embark on a daring mission to unite the trolls and save the diverse melodies from becoming extinct.

‘Citizen K’

https://movietrailers.apple.com/movies/independent/citizen-k/citizen-k-trailer-1_h1080p.mov
original official trailer for “citizen k”

Citizen K is a 2019 documentary film about Mikhail Khodorkovsky, written and directed by Alex Gibney. It is a film about post-Soviet Russia. Mikhail Khodorkovsky, a wealthy man in Russia, rocketed to prosperity in the 1990s and became an unlikely martyr for the anti-Putin movement. It had its world premiere at Venice Film Festival.

‘The Way Back’

https://movietrailers.apple.com/movies/wb/the-way-back/the-way-back-trailer-1_h1080p.mov
new official trailer for “the way back”

The Way Back stars Ben Affleck. A widowed, former basketball all-star lost family foundation in a struggle with addiction and attempts to comeback by becoming the coach of a disparate, ethnically mixed high school basketball team at his alma mater.

‘Bluebird’

https://movietrailers.apple.com/movies/independent/bluebird/bluebird-trailer-1_h1080p.mov
original official trailer for “bluebird”

Some of today’s biggest singers/songwriters — including Garth Brooks, Vince Gill and Taylor Swift — discuss their memories of performing at the Bluebird Cafe in Nashville, Tenn.

‘Beyond the Law’

https://movietrailers.apple.com/movies/independent/beyond-the-law/beyond-the-law-trailer-1_h1080p.mov
official original trailer for “beyond the law”

Police officer Daniel Saxon (Charlie Sheen) goes undercover in an effort to topple a motorcycle gang whose members deal in illegal weapons and drugs. To prove himself to the gang’s leader, a thug called “Blood” (Michael Madsen), Saxon engages in a series of dangerous acts. Though he takes solace in his burgeoning romance with Renee (Linda Fiorentino), a photographer chronicling the gang’s lifestyle, Saxon finds the line between police work and criminal behavior increasingly blurry.

‘I See You’

https://movietrailers.apple.com/movies/independent/i-see-you/i-see-you-trailer-1b_h1080p.mov
new official trailer for “i see you”

I See You is about strange occurrences plague a small-town detective and his family as he investigates the disappearance of a boy.


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Cats: Taylor Swift, Idris Elba, Judi Dench inspire Piling On across the Twitter-verse

https://movietrailers.apple.com/movies/universal/cats/cats-trailer-2_h1080p.mov
NEW OFFICIAL TRAILER FOR “CATS”

About a month ahead of its release this December, Universal dropped a new trailer for its anthropomorphic “Cats” spectacle and social media users have responded in new and amusing variations. The newest trailer comes after the original trailer was released four months ago in July.

Universal’s “Cats” is a musical fantasy film adaptation of Andrew Lloyd Webber’s iconic musical of the same name, which was based on T.S. Eliot’s poetry collection from 1939 “Old Possum’s Book of Practical Cats.”

The director of the notorious 2012 “Les Misérables” musical film adaptation Tom Hooper is directing the film with a screenplay co-written by him and British playwright and screenwriter Lee Hall, who wrote the screenplay for the 2005 film adaptation of Jane Austen’s “Pride and Prejudice.”

https://movietrailers.apple.com/movies/universal/cats/cats-trailer-1-us_h1080p.mov
Original Official Trailer for “Cats”

The main subject of the public internet’s fixation and fascination with “Cats” is witnessing the strange-looking, computer-animated cat versions of its star-studded cast, which includes Taylor Swift, James Corden, Jennifer Hudson, Jason Derulo, Rebel Wilson, Ian McKellan, Judi Dench, and Idris Elba.

Hundreds of tweets surged following the new trailer, with cat jokes and memes, many a meme surrounding how freaky it is to see a human playing a cat and how equally terrifying it is to see their furry “naked” cat characters played by well known celebrities. 

https://twitter.com/itgetsbedder/status/1196823382660132864

Here’s a snippet of some of the new memes that spawned from the new trailer ahead of its upcoming release during this Christmas season:

https://twitter.com/repudrama/status/1196830282936176640
U gotta look close at this one to see the funny part
Is that the guy from saturday night live?
https://twitter.com/goodjobliz/status/1196830594816258048
no words can describe this
https://twitter.com/scottEweinberg/status/1196898976278175745?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1196898976278175745%7Ctwgr%5E363937393b70726f64756374696f6e&ref_url=https%3A%2F%2Fpublish.twitter.com%2F%3Fquery%3Dhttps%253A%252F%252Ftwitter.com%252FscottEweinberg%252Fstatus%252F1196898976278175745%26widget%3DTweet
now it all makes sense

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Alibaba does $38.3 Billion in 24 hours with the help of Taylor Swift, Mariah Carey and Kim Kardashian

https://f1.media.brightcove.com/12/5392214352001/5392214352001_5860365713001_5860365339001.mp4
MARIAH CAREY AT GLOBAL SHOPPING FESTIVAL 2019

Alibaba Group Holding Limited’s annual Singles’ Day sales event is held on the 11th of November. The origin of Singles’ Day comes from the event’s date, 11/11 or “double eleven,” which references the number one as it relates to being single and not in a relationship (one is the loneliest number after all). When it first occurred in 2009, it was a kind of anti-Valentine’s Day when single people could splurge and purchase gifts for themselves. In its more recent years, Singles’ Day has welcomed all, regardless of their relationship status, and has turned into a major online shopping event where consumers across the globe can buy name brand items at discounted prices. Because of its worldwide popularity, this ‘single’-day sales event was eventually rebranded into the Global Shopping Festival in 2015 as it became more like a “holiday season celebrated by merchants and consumers worldwide.”

This year immediately yielded huge numbers, with the company reporting $17 billion dollars (120.7 billion yuan) in just the first hour and a half alone. The first nine hours has yielded $22 billion dollars (158.31 billion yuan) and many project the sales to beat 2018, which brought Alibaba approximately $30 billion dollars worth of sales from Singles’ Day.

At the moment the clock hit 24 hours and $38.3 billion in GMV

Although it’s often dubbed as China’s equivalent to Black Friday and Cyber Monday, Singles’ Day is much bigger. This year, within the first 68 seconds of the event, Alibaba Group achieved their first $1 billion in sales, and at the half hour mark, they recorded their first $10 billion in sales. After their first 24 hours, they surpassed the previous year’s record of $30.7 billion in sales with approximately $38.4 billion. In comparison, last year’s Black Friday grabbed just under $25 billion in total sales over a five-day period, while Cyber Monday, for example, had less than $8 billion.

Over 200,000 brands are participating, one million new products are on offer and more than 500 million users are expected to participate in this year’s festival – about 100 million more than last year. Estimated consumer savings from brand and platform promotions and coupons are around RMB 50 billion.

global shopping festival 2019 / alibaba group

Although Alibaba is a Chinese e-commerce site, nearly half a billion shoppers participate around the world as they bolster their global reach through their multiple websites dedicated to handling sales between China and specific global regions, with Hong Kong, US, Australia, UK, and Japan accounting for some of the international buyers that take part. 

“This year, both buyers and merchants have more than doubled and we’ve already seen a series of record-breaking moments. We’re looking forward to sharing even more good news.”

Yin Jing, Co-President of Lazada, a Subsidiary of Alibaba Group

The event’s launch included a countdown celebration gala that was broadcasted from the Shanghai Mercedes-Benz Arena. Musical performances from Jackson Yee, G.E.M. and Taylor Swift, along with a live stream with Kim Kardashian, helped to promote sales further on the evening before the big day. Also, something noteworthy about this year’s event is that co-founder and former chairman Jack Ma was not present as he recently resigned in September of this year, which coincidentally lined up with the company’s 20th anniversary since it was first established. 

Alibaba’s CTO Jeff Zhange described the event as an

“Airplane flying at turbo speed.”

Jeff Zhang, CTO of Alibaba

Additionally, he attributed this speed to the company’s biggest focus of making this “airplane” more efficient.

The 2019 event is particularly significant in regards to the continued US and China trade war, with many Chinese companies riddled with uncertainty about the future of their businesses, yet according to what Richard Wong, Head of ICT for APAC, stated to Bloomberg TV, “Alibaba will probably be the one that will be able to circumvent and come out from the trade war in better shape”.


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New Cats Trailer Out and The Timing, and a lot of Other Stuff, Feels Weird

https://movietrailers.apple.com/movies/universal/cats/cats-trailer-1-us_h1080p.mov

The “Cats” Trailer with Tylor Swift and the Gang is getting a lot of attention today. Not sure if it will build into a crescendo of adulation by the December release, but at least we are not ignoring it, and there’s a lot here to be entertained by. 

First, there’s the “digital fur”. This makes it look like Simba had a human stuffed into his digital fur (and digital everything) and then, instead of just singing and acting like and animal he starts dancing like he’s on Broadway. 

Watch Taylor Swift, James Corden, Judi Dench, Idris Elba, Jason Derulo, Rebel Wilson, Ian McKellen and Jennifer Hudson prance through the trailer and display catlike reflexes, replete with digital fur…

– Kat

And, what about the Lion King tie in? Obviously it can’t be an accident that this weekend, of all weekends, is the one that they decide to drop this clip for a movie coming out at Christmas. 

So, what, we are supposed to have a subliminal aching to see more digital cat fur once we have seen The Lion King a few times and then, right around the end of the year, suddenly remember, hey let’s go to that Cats movie?!

I have a strange hankering for watching some more digital fur! And hear songs and dance and see cats with hands and hats and some of them wearing clothes.

Oy. Great stars in this one. “Old Possum’s Book of Practical Cats” by T.S. Eliot, has come a long way from ink on paper. Here are the tweets:

https://twitter.com/nsilverberg/status/1151970028310474753

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