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Dukan Diet Attack Phase food list and the various Keto Alternatives

Above: Photo / Unsplash

Deconstructing “Ketogenic”, “Keto” and “Ketosis”…

The Ketogenic Diet, popularly referred to as simply “Keto”, is on top of the list of many well-known ways in which people have lost weight by eating food low in carbs. The ketogenic diet isn’t actually anything new and has been utilized for centuries, most commonly used to help diabetes. The diet was also introduced in the 1920’s as treatment for epilepsy in children, as well as tested with people who have cancer, polycystic ovary syndrome (POS) and Alzheimer’s. 

Yet, as a popular way to lose weight, Keto can’t take all the credit, since the rise in stature can be largely attributed to The Atkins Diet, which started around the 1970’s and commercialized the low-carb/high protein diet structure. Due to the initial success of The Atkins Diet, many other low carb diets and variations have been put on the map – such as Keto, Paleo, South Beach and The Dukan Diet to name just a few.

The four phases of the Dukan diet:

  1. Attack Phase (1–7 days): You start the diet by eating unlimited lean protein plus 1.5 tablespoons of oat bran per day.
  2. Cruise Phase (1–12 months): Alternate lean protein one day with lean protein and non-starchy veggies the next, plus 2 tablespoons of oat bran every day.
  3. Consolidation Phase (5 days for every pound lost in phases 1 and 2): Unlimited lean protein and veggies, some carbs and fats, one day of lean protein weekly, 2.5 tablespoons of oat bran daily.
  4. Stabilization Phase (indefinite): Follow the Consolidation Phase guidelines but loosen the rules as long as your weight remains stable. Oat bran is increased to 3 tablespoons per day.

The Attack Phase is primarily based on high-protein foods, as well as a few extras that provide low calorie options:

  • Lean beef, veal, venison, bison, and other game
  • Lean pork
  • Poultry without skin
  • Liver, kidney, and tongue
  • Fish and shellfish (all types)
  • Eggs
  • Non-fat dairy products (restricted to 32 ounces or 1 kg per day), such as milk, yogurt, cottage cheese, and ricotta
  • Tofu and tempeh
  • Seitan, a meat substitute made from wheat gluten
  • At least 6.3 cups (1.5 liters) of water per day (mandatory)
  • 1.5 tablespoons (9 grams) of oat bran daily (mandatory)
  • Unlimited artificial sweeteners, shirataki noodles, and diet gelatin
  • Small amounts of lemon juice and pickles
  • 1 teaspoon (5 ml) of oil daily for greasing pans

So what makes Keto different? The Keto diet stands out from the other low-carb diets because you eat a much higher fat content, which accounts for as much as 70-80% of your food intake and usually, in contrast to other low carb diets, involves also eating only a moderate amount of protein.

The general idea is for your eating plan to include more calories derived from proteins and fat and less from carbohydrates.  With a low-carb diet, your body will eventually run out of fuel, usually taken from blood sugar (glucose), which will result in your body starting to break down proteins and fat for energy instead and that will result in weight loss.  This metabolic process, described here in a nut-shell, is called ketosis.  

Whether you want to just dip your feet in the pooland try out some Keto recipes, or go full hog (pun intended), we have provided some book titles on the most popular books relating to Keto.

What to Eat

  • Meat (Fish, Beef, Poultry)
  • Leafy Green Vegetables (Spinach, Kale)
  • Eggs and Diary (Cheese, Cream, Butter)
  • Oils
  • Nuts and Seeds
  • Avocados
  • Broccoli and Cauliflower
  • Berries
  • Water

What NOT to Eat

  • Bread (Flour, Wheat, Rice, Cereal)
  • Pasta
  • Starches (like Potatoes and Yams)
  • Sugar
  • high Fructose Corn Syrup
  • Corn
  • Legumes and Beans
  • Fruit (exception is Berries)
  • Soda
  • Milk (has milk sugar)

Being on a ketogenic diet is meant for the short term, rather than permanent, with the main focus being on losing weight and should not be done as a long-term lifestyle diet. This is because there have been some noted and potentially unhealthy takeaways from the diet; one that the diet heavily relies on red meat and other fat-rich processed, high-salt foods that are not optimum for daily consumption.  In addition, there have not been enough long term studies to conclude if the the short-term results of weight loss will last or if, after resuming carb intake, the pound will be put right back on again. 

As always, whenever choosing a specific elating plan, diet, or weight loss approach, keep in mind that everyone’s body is different and results will vary.  Consulting an expert on the matter, like a registered dietitian or general practitioner, is highly recommended for the best guidance on what is best for you. 

Keto-Evolution: Non Meat Options

Since The Keto Diet has been around for a long time, there’s no shortage of books and cookbooks on the topic. However there are now many new and different ways to incorporate Keto, with an offshoot of systems for non-meat eaters, including vegan and vegetarian options.

This is surprising, since when Keto comes to mind, it is normal first to picture high-protein animal products like meat, eggs and cheese at the forefront of what can be eaten on the diet. Knowing that you can have plant-based alternatives to choose from and incorporate for Keto is refreshing, and just might remove some of the biggest potential drawbacks mentioned above.

Ketotarian includes more than 75 recipes that are vegetarian, vegan, or pescatarian, offering a range of delicious and healthy choices for achieving weight loss, renewed health, robust energy, and better brain function. Dr. Will Cole comes to the rescue with Ketotarian, which has all the fat-burning benefits without the antibiotics and hormones that are packed into most keto diets.


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Watch Video: How to add Covid-Vaccination Card to your Apple Wallet

Finally: the whole package – and a convenient way to prove vaccination status

Now that the iOS 15.1 update is available for the general public featuring the ability to add your proof of vaccination status to the Health app and then create a vaccination ID card in Apple Wallet, it’s time to jump right in and make it happen

Many businesses, venues, restaurants, and more are requiring proof of vaccination for entry. For example California is the first state where proof of COVID vaccination or negative test is mandatory for indoor events over 1,000 people.

The new feature in iOS 15.1 is made possible by the support Smart Health Cards which are valid for California, Louisiana, New York, Virginia, Hawaii, and some Maryland counties, as do Walmart, Sam’s Club, and CVS Health.

Above: ID in iPhone Wallet

Therefore, using this system you would be able to to look up the information in state databases, if you are in any of the states listed above, but if you were vaccinated through at Walmart or CVS it will also be feasible retrieve your data from them to add your information to the Health and Wallet.

Once you have gone to the web site for your state, for example in California it would be found at https://myvaccinerecord.cdph.ca.gov where you can type in personal information such as name and date of birth to get access to your records and status.

Though iOS 15 already had the ability to download the information to your Health app, and you could do that since the official launch of iOS 15, the last step, adding an ID to your wallet from the health app has not been possible until the new upgrade to iOS 15.1.

The record is locked to your name and can only be used by you. There will be a QR code that you will first download to your health app on the iPhone, then, once it is in the health app there will be a prompt to allow you to “add to wallet”. By clicking that link, a vaccination ID card, with the QR code will be generated and added to your wallet. See video above for more detailed, step-by-step explanation.

iOS 15.1 is available under > General > software update in your phone’s Settings app starting today.

  1. Tap the download link on your iPhone or iPod touch.
  2. Tap Add to Health to add the record to the Health app.
  3. Tap Done.

Once the ID is in the health app a button / prompt appears “add to wallet”.

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PhotoShop is Maxxed NFT with “NFT Prep” feature on the way from Adobe

Above: Photo Collage / Lynxotic

The Verge interview with Adobe’s CPO, has mega details

In a new, extensive, Verge interview podcast with Adobe’s CPO, Scott Belsky, a a ‘Prepare as NFT’ system launch for Photoshop was confirmed for the end of the month. 

The idea is to maintain a kind of proof of originality system to help prevent fake NFTs (minting non-fungible tokens) from being minted and sold by imposters. The final choice is in the buyers hands at this stage, but having a way for creators to prove authenticity would be a big step.

Since this week Adobe is also holding its annual conference, called Adobe Max, there are also a bunch of new features arriving for Creative Cloud and a slew of app including Photoshop. 

Intersecting worlds collide with Adobe in them all…

Adobe has been around, amazingly, since 1982, and millions of digital creatives and content creators use their products.

Photoshop is so entrenched that it has long achieved verb status: if you want to enhance a photo, for example to enlarge your backside or smooth out your skin, just “photoshop it”. And over use is derided as a “photoshopped” persona or image. 

Premiere Pro and After Effects, especially the latter, get a lot of pro and semi-pro use for video production. Many, many Pro photographers use Lightroom. The upgrade system for Adobe products and the creative cloud, such as the recent AI and neural engine assisted effects drive change and upgrades at a furious pace. 

With the entire content, image and video creation industry becoming more and more vital to networked human communications, tracing and verifying authorship and authenticity are becoming more and more crucial. 

Adobe is moving, with caution due to the issues that could arise, into the area on multiple fronts. As per the Verge article;

“With what Adobe is calling Content Credentials, creators will be able to link their Adobe ID with their crypto wallet and mint their work with participating NFT marketplaces. The software company says the feature should be compatible with popular NFT marketplaces including OpenSea, KnownOrigin, SuperRare, and Rarible. A ‘verified certificate’ that comes with minting an NFT with Photoshop’s Content Credentials will prove that the source of the art is authentic.”

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Young PR and Ad Professionals Demand Industry Ditch Fossil Fuel Clients

Photo Credit/ Ehimetalor Akhere Unuabona / Unsplash

“You had a future, and so should we.”

That’s the first line of an open letter released Tuesday by 71 young professionals and students in the advertising and public relations industry calling for an end to contracts with fossil fuel companies, given their significant contributions to the climate emergency.

“The biggest threat to our future is climate change,” they write. “The world’s 20 biggest polluters are fossil fuel companies, with the entire energy sector responsible for creating 75% of carbon emissions. They are blocking necessary and urgently needed climate action.”

“And our industry is helping them do it,” the young professionals continue. “We’re angry. We’re afraid. And we refuse to sit back and watch it happen.”

The letter is clear in its demand:

“We, tomorrow’s leaders, call on all agencies, from the holding companies to the independent shops, to stop working with fossil fuel clients. This means oil giants as well as the alphabet soup of trade associations and front groups.”

– 71 Young Professionals

“No more marketing climate denial and disinformation” or “setting up fake front groups,” the letter adds, further calling for an end to “amplifying lies about how action will hurt the economy” and “greenwashing oil, gas, and coal companies, aiding them in their attempts to dodge pollution safeguards and block meaningful change.”

The signatories urge everyone in the industry—especially agency heads, founders, and leadership teams—to take a stand against continuing to work with polluters, emphasizing that the climate emergency is already taking a toll.

“We won’t be able to reduce, reuse, recycle our way out of tomorrow’s catastrophe—because it is already happening today,” says the letter, which is open for new signatories through the end of the week. “Over the last few years, we’ve seen the devastating impacts of climate-related disasters, like record-breaking wildfires, droughts, heatwaves, and hurricanes. Bold action is needed, at all levels and segments of society. The time has come for our industry to do its part.”

Fires are devouring swaths of the Western United States, forcing evacuations and shutting down every national forest in California. On Sunday, Hurricane Ida, a “poster child for a climate change-driven disaster,” slammed into the Gulf Coast as a Category 4 storm, killing at least four people, leaving more than a million without power amid widespread destruction, and sparking calls for President Joe Biden to declare a climate emergency.

“At some point in the recent past, climate change was something that was happening in some distant future, and maybe of little concern to most people. Well, that distant future is now today—everyone will experience climate change as a series of horrific front-page photos and videos until they themselves are taking those photos and videos. It’s no longer some abstract threat,” letter leader Joe Cole toldCommon Dreams.

Cole is strategist working with Clean Creatives, a campaign supported by Fossil Free Media that pressures ad and PR agencies to drop fossil fuel accounts.

The letter comes as the New York Times is under fire for allowing fossil fuel industry advertising, thanks to a new campaign and reporting by climate journalist Emily Atkin in her newsletter HEATED.

As Atkin reported Monday:

[A] new activist campaign to pressure the Times to stop creating and running fossil fuel ads is launching today. Called Ads Not Fit to Print, the campaign argues that fossil fuel advertisements endanger Times readers’ health in the same way now-banned cigarette ads did—and likely, even more.

“What the Times is doing right now is shameful,” said Genevieve Guenther, whose group End Climate Silence is spearheading the campaign. “On one hand, they’re trying to seem like part of the reality-based community who acknowledges the climate crisis and wants to solve it. On the other, they’re doing everything they can to keep the fossil fuel economy going because it is one of the sources of their own power and they believe in it.”

Activists aren’t the only ones taking issue with this practice, either. In conversations with HEATED over the last week, several current and former Times newsroom employees expressed concerns about the paper’s practice of creating and running fossil fuel ads. Their concerns ranged from undermining the Times‘ own climate reporting, to harming Times readers’ health, to aiding industry attempts to mislead the public about the deadly effects of fossil fuels.

Cole highlighted energy giants’ contributions to planet-heating pollution and told Common Dreams that “these clients are represented by some of the most storied ad agencies in the world like BBDO, Edelman, Ogilvy, and WundermanThompson.”

“These ads go on to be featured in some of the most prominent real estate around the world, from billboards to the NYT,” he said. “Although the tobacco industry was and is responsible for a personal health crisis, the fossil fuel industry is killing the entire planet.”

Praising Times journalists’ work on the climate emergency, Fossil Free Media director Jamie Henn tweeted that “the paper should stop doing them—and all of us—a disservice by continuing to make and run ads for fossil fuel corporations.”

In a statement about the letter Tuesday, Cole said that “any time our industry starts to change for the better, it is through a combination of outside and internal pressure. I believe in the power of young professionals in our industry—the leaders of tomorrow—to hasten the necessary transition away from fossil fuel clients.”

The strategist pointed to recent findings that July 2021 was the hottest month ever recorded and asserted that “it’s no longer acceptable for agency executives to ignore the damage their work with fossil fuel clients is doing to the planet.”

He argued that “even a single contract with a client like BP, Shell, or Exxon can wipe out the impact of an agency’s sustainability pledge. If agencies are serious about not only protecting the future of their young staff, but recruiting them in the first place they need to begin by transitioning away from fossil fuel work and rejecting new contracts.”

“The people signing this letter truly are the leaders of tomorrow,” Cole added, “and if agencies want to remain relevant, and attractive places to work for top young talent, they need to end their work for the worst polluters on the planet.”

Originally published by JESSICA CORBETT on Common Dreams via Creative Commons

This post has been updated with additional comment from Joe Cole.

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Apple Video showcases creative simplicity to capture incredible portraits using an iPhone 12

Above:Photo / Apple / Mark Clennon

How to take an iPhone camera and make the most of it using taste and talent

Apple offers “Today at Apple” to inspire and educate iPhone users to help them learn and be creative with their devices. The online videos range from music to photography and are centered around Apple’s latest technologies.

This most recent video teaches users how to get the most out of the iPhone in portrait mode, but really using all to the various power features that are already in the iPhone 12 and even 11.

For example, 3 lenses allow ultra-wide, X1 and X2 (tele) shots at any time just by flipping between each preset. And once a group of photos exists, simple creative cropping and framing has a huge potential to bring out the most attractive and interesting features of each shot, and can be immediately saves as a separate image.

Of course, with such a high resolution image capture in the first place, cropping retains enough image-data that even an ultra-close crop can retain beautiful depth and detail.

Learning how to use all the tools, and most of all a photographer’s eye

The five minute video features self-taught New York City photographer Mark Clennon. In the clip he shows and explains how he sets up, shoots and edits his images, mainly in-camera (that is to say “in-iphone-camera”) to capture his most powerful portraits.

With iOS 15 (released in public beta) and soon with the iPhone 13 (or what the actual name turns out to be) both expected to be revealed in early September, the potential for portrait mode will be added also, potentially, to video in addition to photos and many other upgrades and improvements are on deck.

Free and extensive software upgrades, along with the not free and not inexpensive new hardware are a yearly ritual with Apple since the very first iPhone was released in 2007. Recently, with Apple Silicon and the gradual merging of the functionality to MacOS, iOS and iPad OS the upgrades seem to be in overdrive.

We have cataloged some of the more interesting changes in stand alone articles but still have more to come as this years upgrades and changes are particularly extensive.

This video is an example of how it’s possible to take even one feature, designed to assist in one form of photographic expression, and dig deeper into it with talent and intelligent use of experience and take the resulting images to a whole other level:

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FaceTime gets Portrait Mode in iOS 15 to give the look of DSLR prime lens systems

The “Pro-Vlogger” look popularized on YouTube now available to all…

Above: The stunning Portrait mode from the Camera app is now optimized for video calls in FaceTime.
Photo Credit / Apple

If you are a prolific FaceTime user or if you don’t use it as much as you would if the aesthetics were a bit better (read: more flattering selfie styles) you are in luck. In a twist which takes advantage of tech that was initially created to make portrait mode a reality in the iPhone camera app is now coming to FaceTime on iPhone and also on iPad.

The maturation of features across platforms is paying big dividends

Portrait mode was added to the camera app as a way to get a DSLR style “prime lens” look with “bokeh” which is a Japanese term for the beautiful background out of focus blur that a long lens focused on the subject in the foreground will produce.

The computational fireworks required to produce this effect are nothing short of…. well check out Apple’s description:

” It’s a depth-guided, people-focused segmentation mask generated from a proprietary Apple neural network trained to detect people. It separates an individual in the foreground from whatever is in the background, with greater detail and clarity than with the depth map alone. It achieves this clarity in part because the matte image has higher resolution than the depth map.”


So this effect, which has been in the iPhone camera app since iOS 12 is now, likely due to the ever beefier potentials of the proprietary Apple neural network can now, starting with iOS 15 and iPadOS 15 be applied to video. Live.

New features in FaceTime help users look and sound their best. – credit: Apple

This, like so many other upgrades revealed today at the WWDC2021, is a great idea. High end YouTube videographers know it’s a great idea which is why they buy special DSLR camera with prime lenses just to get the very beautiful and flattering effect of a sharp subject in the foreground and a compressed, blurred “bokeh” effect in the background.

New features in FaceTime help users look and sound their best.

Not only visual but also audio upgrades are coming

They are also adding another obviously useful feature “spatial audio”, which creates the effect of having the perceived source location of each speaker match where they appear on the screen.

This is combined with “new microphone modes” which can reduce background noises and audio interference when in a chaotic sound environment and, alternatively when appropriate pickup an entire soundscape all at once.

All in all these improvements to both the visual experience, and the audio are a much needed change from the often ugly reality of bad-webcam zoom style meetings we all endured during 2020.

And with the front facing camera, lighting and software beautifications constantly getting better, we can, at least those with great internet and high end devices, look forward to a much more sensually pleasing level of FaceTime interactions.

Additional new upgraded features for FaceTime include, but are not limited to:

A new grid view that makes it possible to do a “zoom” like stack of equal size boxes.

SharePlay which is a somewhat odd sounding option to share “Apple Music, watching a TV show or movie in sync, or sharing their screen to view apps together”. Additionally, sharing can include anyone using an iPhone, iPad or Mac and if shared playback controls are active any of the parties that are sharing can play, pause or jump ahead.

Users can now share experiences with SharePlay while connecting with friends on FaceTime, including listening to songs together with Apple Music, watching a TV show or movie in sync, or sharing their screen to view apps together. SharePlay works across iPhone, iPad, and Mac, and with shared playback controls, anyone in a SharePlay session can play, pause, or jump ahead.

There’s an expanding list of sources that can be used, including, of course, Apple TV, but also third party services that opt in, and currently, according to Apple the list already includes: Disney+, ESPN+, HBO Max, Hulu, MasterClass, Paramount+, Pluto TV, TikTok, Twitch, and many others

https://www.apple.com/newsroom/videos/apple-ios15-shareplay-music/large_2x.mp4

FaceTime calls that use all of these new features will continue to be end-to-end encrypted, so privacy is not compromised.


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Why Web Scraping Is Vital to Democracy

Photo Credit / Fabio / Unsplash

Journalists have used scrapers to collect data that rooted out extremist cops, tracked lobbyists, and uncovered an underground market for adopted children

By: The Markup Staff

The fruits of web scraping—using code to harvest data and information from websites—are all around us.

People build scrapers that can find every Applebee’s on the planet or collect congressional legislation and votes or track fancy watches for sale on fan websites. Businesses use scrapers to manage their online retail inventory and monitor competitors’ prices. Lots of well-known sites use scrapers to do things like track airline ticket prices and job listings. Google is essentially a giant, crawling web scraper.

Scrapers are also the tools of watchdogs and journalists, which is why The Markup filed an amicus brief in a case before the U.S. Supreme Court this week that threatens to make scraping illegal.

The case itself—Van Buren v. United States—is not about scraping but rather a legal question regarding the prosecution of a Georgia police officer, Nathan Van Buren, who was bribed to look up confidential information in a law enforcement database. Van Buren was prosecuted under the Computer Fraud and Abuse Act (CFAA), which prohibits unauthorized access to a computer network such as computer hacking, where someone breaks into a system to steal information (or, as dramatized in the 1980s classic movie “WarGames,” potentially start World War III).

In Van Buren’s case, since he was allowed to access the database for work, the question is whether the court will broadly define his troubling activities as “exceeding authorized access” to extract data, which is what would make it a crime under the CFAA. And it’s that definition that could affect journalists.

Or, as Justice Neil Gorsuch put it during Monday’s oral arguments, lead in the direction of “perhaps making a federal criminal of us all.”

Investigative journalists and other watchdogs often use scrapers to illuminate issues big and small, from tracking the influence of lobbyists in Peru by harvesting the digital visitor logs for government buildings to monitoring and collecting political ads on Facebook. In both of those instances, the pages and data scraped are publicly available on the internet—no hacking necessary—but sites involved could easily change the fine print on their terms of service to label the aggregation of that information “unauthorized.” And the U.S. Supreme Court, depending on how it rules, could decide that violating those terms of service is a crime under the CFAA.

“A statute that allows powerful forces like the government or wealthy corporate actors to unilaterally criminalize newsgathering activities by blocking these efforts through the terms of service for their websites would violate the First Amendment,” The Markup wrote in our brief.

What sort of work is at risk? Here’s a roundup of some recent journalism made possible by web scraping:

  • The COVID tracking project, from The Atlantic, collects and aggregates data from around the country on a daily basis, serving as a means of monitoring where testing is happening, where the pandemic is growing, and the racial disparities in who’s contracting and dying from the virus.
  • This project, from Reveal, scraped extremist Facebook groups and compared their membership rolls to those of law enforcement groups on Facebook—and found a lot of overlap.
  • Reveal also used scrapers to find that hundreds of millions of dollars in property taxes should have never been charged to Detroit residents who then lost their homes through foreclosure.
  • The Markup’s recent investigation into Google’s search results found that it consistently favors its own products, leaving some websites from which the web giant itself scrapes information struggling for visitors and, therefore, ad revenue. The U.S. Department of Justice cited the issue in an antitrust lawsuit against the company. 
  • In Copy, Paste, Legislate, USA Today found a pattern of cookie-cutter laws, pushed by special interest groups, circulating in legislatures around the country.
  • Reuters scraped social media and message boards to find an underground market for adopted children whose parents, who had usually adopted the children from abroad, decided the children were too much for them. A couple featured in the piece was later convicted of kidnapping as a result of the investigation.
  • Gizmodo was able to use similar tools to find the probable locations of tens of thousands of Ring surveillance cameras.
  • The Trace and The Verge, using scrapers, found people using an online market to sell guns without a license and without performing background checks.

This article was originally published on The Markup and was republished under the Creative Commons Attribution-NonCommercial-NoDerivatives license.

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Taylor Swift’s first ‘Evermore’ video: ‘Willow’, plus her trio of Cats

Above: Photo Collage / Lynxotic

And may it continue, evermore.

Taylor Swift is serving fans holiday gifts left and right.  First, Swift announces a surprise album, “Evermore”, the second one this year and drops it within mere hours and just two days shy of her 31st birthday.  This upcoming album will be Taylor’s 9th album and regarded by singer as “folklore’s sister”.  Followed up with the music video for her first song off the track, “Willow” simultaneously with release. 

Read More: Taylor Swift to release “Evermore” album: Pre-birthday celebration for fans

It’s already obvious Taylor Swift is mega pop star that has garnered multiple Grammy, Billboard, MTV awards and more.  Yet, Taylor being such an animal lover and proclaimed cat lady should also be equally recognized.

December 2020 will be newsworthy for the artist and her holiday card this year puts a proverbial cherry on top. A journalist revealed Taylor’s card and yes it includes the artist’s trio of adorable cats, inspired and named from TV and movie characters: Olivia Benson, Meredith Grey and Benjamin Button.

 As if we need a reason to explain why our pets are held in such high regard, sometimes, more so than our fellow humans.  Especially during the nearly year long pandemic filled with social isolation, our pet(s) appreciate everything we do for them, provide emotional support (even if they don’t know it) and ultimately provide unconditional love. It’s clear why Taylor so proudly put them on display.


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AI, Machine Learning and Neural Filters Astound in Photoshop 2021

Above: Photo Collage / Lynxotic / Adobe

Adobe has added some significant updates to Photoshop in the last 6 months. As a daily user in a digital publishing environment, we have been able to test and use many of the new features in a real-world setting. 

By way of some general background. I was a user of the CS4 bundle up until 2013 when the Creative Cloud system first launched. At first the idea of paying a monthly subscription fee rather than upgrading only when “absolutely necessary” was not immediately a comforting proposition.

However, over time the improvements, along with the huge list of including software, in addition to Photoshop, won me over. 

Adobe does face steep competition from Affinity Photo, which continues to have the “buy once-use-forever” model and also has free updates quite often.

We also use Affinity Photo and it is in many ways more user friendly than Photoshop – particularly if you are not already deep into the Adobe software UX.

At the same time, it appears that the competition has only done what competition is supposed to do: made both products better. 

The world changed when the 99% of the labor disappeared from replacing photo backgrounds 

That same competitive marketplace may even be the reason that, during the last year, Adobe’s upgrades have accelerated and become more than just ho-hum superficial changes: they are now mind-blowing, and that on a regular basis. 

Read more: Books on Adobe Premiere, Final Cut Pro X and DaVinci Resolve for content creators

In our shop, it really started to get interesting with the upgrade to the “quick selection tool” in June 2020. A new button was added: “select subject” removed the need to painstakingly manually select a subject (such as a person or object) and the new “select and mask” option opens a fine adjustment window to fine tune the mask.

Very often no further adjustments are needed to separate a subject from the background and then begin background layering and various other typical uses for these features. Once again, the time of this upgrade seemed to coincide with competition: a web based platform (that also built a photoshop plug-in) called Remove BG gained some popularity in late 2019, apparently prompting Adobe to fight back.

“Beginning with Photoshop 21.2 (June 2020 release), Select Subject is now content-aware and applies new custom algorithms when it detects a person is in the image. When creating a selection on portrait images, treatment around hair area has been vastly improved to create a detailed selection of hair.”

— Adobe Support

And fight back they did. The new automated “select subject” system was pretty usable at first release. But the upgrades since then have been nothing less than astounding. Sometimes it seems like the performance of this new system gets better daily, as if stealth over-the-air upgrades are happening outside of the official ones. Probably not but the bottom line is this really reduces the time and effort to nearly zero. 

Naturally, for complex or difficult photos, or for situations where an absolutely perfect high resolution separation (of, say, a very fluffy haired top model for a huge ad campaign etc.) the old, time consuming and labor intensive techniques would be required. 

But for everyday digital news style creative collage applications and any situation where it just have to look realistic (or create a fantasy tableau) it is lightening fast and very very usable. 

Neural and AI based updates have begun and will accelerate big-time in 2021

In October, 2020 Adobe introduced 8 new neural filters to the platform. In the video above you can see the general state of the filters around the time of the release. Without getting into granular detail in text, you can see the highlights and the carious methods of use in the video. 

What I want to emphasize beyond the existence and fascinating implications for these new tools is the fact that they represent just a tiny hint at the potential for these and many more totally new functions and applications that are going to explode on the scene in 2021.

These kinds of new capabilities for photo manipulation software are likely to take years to be absorbed in to the workflow and toolkit of the millions of users across the globe. And, even as we “struggle” to learn how to benefit from the lack of expertise needed to achieve results heretofore either impossible or only realized with many hours of painstaking profession work, new even more mind-blowing upgrades are coming. 

Some examples can be seen in the video below. Additionally there will be a new version of Photoshop available in 2021 to take advantage of the Apple Mac M1 chips and mac OS11 Big Sur.

These will accelerate even more the image manipulation and automated creation options within Photoshop and creative cloud. Honestly, it is now the user, with minimal effort, who will be using imagination and creativity, nearly in isolation, to create previous unimaginable images. Think = do. That’s where this is headed. 


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