Tag Archives: Christopher Nolan

Boffo Barbenheimer: Toy of Triumph and Top Bomb Flick Debut

Summer smash of unlikely pair

Huge box office unexpectedly this weekend for both films: $155 Million, which was the biggest of 2023 so far, for Barbie, while Oppenheimer raked in $80 Million.

The somewhat odd pairing, now known as “Barbenheimer” has become a double feature smash. Countless moviegoers found themselves torn between two strikingly different blockbusters, each boasting a vast ensemble of talent, the visionary touch of auteur directors, and simultaneous release dates.

Instead of choosing one over the other, they chose both. This resulted in “Barbie” and “Oppenheimer” being enjoyed as an unparalleled same-day double bill, transforming the anticipated box office clash into a historic cinematic experience.

What it means, if we ascribe meaning

The respective histories of the Barbie doll and the atomic bomb have continued to intersect and diverge in interesting ways since their inception.

The atomic bomb’s legacy is complex and profound. Its first use in warfare, in the bombings of Hiroshima and Nagasaki in August 1945, brought an end to World War II but at a staggering human cost.

This, combined with the subsequent nuclear arms race during the Cold War, led to the atomic bomb becoming a symbol of destruction and a deterrent against global conflict. However, the technology and knowledge gained also led to advancements in nuclear energy, providing a new, potent source of power.

J. Robert Oppenheimer, despite his pivotal role in the creation of the atomic bomb, became a vocal opponent of nuclear proliferation after witnessing its destructive power.

His life after the Manhattan Project was marked by his advocacy for the control of nuclear power and his regret about the weapon he had helped to create.

On the other hand, Barbie, launched by Ruth Handler in 1959, was initially met with skepticism but soon became a global phenomenon. Barbie was the first doll of its kind to have an adult body, breaking away from the tradition of childlike dolls. This new design was seen as a way for children, particularly girls, to imagine and role-play their futures.

As time went on, Barbie became more than a doll. It became a reflection of the changing social attitudes and norms. Despite facing criticism for promoting unrealistic body standards and perpetuating certain stereotypes, Barbie evolved with the times.

Mattel, the company that produces Barbie, has since made significant strides in inclusivity and representation, producing dolls with varying body types, ethnicities, careers, and backgrounds. Barbie dolls have been astronauts, presidents, and doctors, reflecting society’s changing views on women’s roles.

By 2020, Barbie was seen as a symbol of female empowerment and potential, far from the simplistic toy it was once considered. Its origin as a creation born out of a mother’s desire to provide a sense of normalcy and future for her children in a world overshadowed by war still resonates.

It is fascinating to see how two creations, both born out of the context of World War II, took such different paths. The atomic bomb and Barbie doll each represent contrasting aspects of the human experience – destruction and creation, despair and hope. Their histories serve as poignant reminders of the far-reaching impacts of the decisions and actions taken during tumultuous times.

What the stories accidentally intertwine

In the heart of 1943, the world was clouded in the dust and smoke of World War II. Far from the front lines, in a remote corner of New Mexico, an intense battle of the mind was raging, led by the enigmatic J. Robert Oppenheimer. A theoretical physicist, Oppenheimer was tasked with the mammoth responsibility of heading the Manhattan Project, a clandestine initiative to develop an atom bomb that could end the war.

Across the country, Ruth Handler, a humble young woman in Los Angeles, watched her two children, Barbara and Kenneth, play with makeshift toys. She could hardly escape the feeling of dread permeating the air as the radio hummed in the background with updates about the war. At this moment, an idea sparked in her mind – a vision of a doll, a symbol of hope and normalcy, something to distract and comfort children from the harsh realities of the world.

In Los Alamos, Oppenheimer and his team of brilliant minds worked against the ticking clock, racing to finish their devastating invention. With each passing day, Oppenheimer felt the weight of his actions – a burden as heavy as the nucleus at the heart of the project. He was crafting the potential destroyer of worlds, something so powerful, so irreversible, that the echo of its explosion would forever change the world.

While Oppenheimer grappled with the moral implications of his work, Handler busied herself in the creation of her vision. She was determined to bring her idea to life, a doll with adult features, something girls could dream through and play with, projecting their hopes and aspirations. Her friends and family thought her idea strange, but she pressed on, with a fierce determination in her heart.

Then came July 16, 1945. In the early hours of the morning, as dawn began to break, the world’s first atomic bomb, christened “Trinity,” was detonated in the New Mexico desert. Oppenheimer watched in horrified awe as the desert lit up with an unnatural light, an intense wave of heat followed by a deafening blast. As the mushroom cloud ascended, he quoted a verse from the Bhagavad Gita, “Now I am become Death, the destroyer of worlds.”

News of the atomic bomb’s successful testing spread like wildfire. People reacted with a cocktail of emotions – awe, fear, relief, and horror. Amidst this chaos, Ruth saw an opportunity. In the aftermath of this massive creation, she saw room for a smaller one – a beacon of hope.

In 1945, as the world started to piece itself together following the cessation of the worst war in human history, Handler went to work. She labored day and night, combining, crafting, refining, until finally, in 1959, Barbie was born – the doll Ruth had envisioned all those years ago. With its adult physique, fashionable clothes, and endless possibility for play, the doll was an instant success.

Barbie and the atom bomb, two creations born from the same era but of diametrically opposed intentions. One, a symbol of destruction, crafted in the shadows by a team of the world’s brightest scientists, and the other, a beacon of hope and innocence, created by a mother yearning for normalcy amidst chaos.

As the years passed, the legacy of both creations evolved. Barbie became a symbol of empowerment and possibilities for millions of girls worldwide. And as for the atom bomb, its terrifying power also paved the way for peaceful nuclear energy, highlighting the dual aspects of scientific advancement.

The narrative of Barbie and the atom bomb reflects the dual nature of human capability: our power to destroy and our ability to create hope in the shadow of devastation. It serves as a reminder of the choices we make and the impacts they have, for years and generations to come.

New Trailer for Chris Nolan’s “Tenet”: WB stays true to Original Release Despite Coronavirus

https://movietrailers.apple.com/movies/wb/tenet/tenet-trailer-2_h1080p.mov

Is July 17th too soon for Theatrical Release?

With movie theaters shut down around the globe and many films either getting delayed releases or siphoned off to streaming services, Warner Brothers has been anomalously adamant about keeping its highly anticipated Christopher Nolan directed “Tenet” on schedule for a July 17th theatrical release. It recently reaffirmed this plan by releasing a new trailer.

“Tenet” is a sci-fi action spy film, but like most Chris Nolan projects, details about the (presumably intricate) plot have been kept under tight wraps. We don’t even know the names of the characters and from the trailers, all we can decipher is that it will have to do with time travel/inversion to prevent World War III and “something worse” than nuclear holocaust. Overall, it looks very twisty and complex… classic Nolan.

Perhaps the reason Warner Brothers has been so steadfast about a theatrical release for “Tenet” is that Chris Nolan is a highly cinematic filmmaker. The director of “Inception,” “Interstellar,” and “The Dark Knight,” Nolan frequently shoots in IMAX and his final products are visual feasts best served on the big screen. He blends practical and visual effects in a manner that few other directors can pull off nowadays and is considered one of the few remaining auteurs in the business, able to rake in blockbuster revenue and hype without relying on franchise or studio labels.

https://movietrailers.apple.com/movies/wb/tenet/tenet-trailer-1_h1080p.mov

Visual feast could be vicarious travel replacement for fans

For “Tenet,” Nolan shot the film on location across seven countries, working with cinematographer Hoyte van Hoytema and an all-star cast including John David Washington, Robert Pattinson, Kenneth Branagh, Michael Kane, and other recognizable faces (including Indian stars Dimple Kapadia and Denzil Smith). Behind the camera, Nolan also teamed up with editor Jennifer Lame, VFX supervisor Andrew Jackson, SFX supervisor Ludwig Göransson, and executive producer Thomas Hayslip. Nolan being a Brit himself, “Tenet” is an acutely international production.

Right now, a few theaters are opening back up, so maybe come July, “Tenet” will be able to deliver on its high box office expectations. However, most intended summer blockbusters have been pushed back to November at the earliest. If the pool of open theaters is not large enough by the intended release date, perhaps “Tenet” will follow suit.

Until then, we will have to wait with bated breath, theorizing what the movie could be about, what weight its palindrome of a title carries, and when we will actually get to see it. One thing’s for sure, though, the film will definitely throw us for unexpected loops and keep us on the edge of our seats. After all, this is the director who most recently gave us the Oscar-nominated WWII epic “Dunkirk,” started his career with the chronologically warped “Momento” and came into the spotlight by transforming the superhero genre with his thrilling reimagining of Batman over a decade ago.

We can’t wait to find out what this modern master of suspense has up his sleeve this time around.


Find books on Big TechSustainable EnergyEconomics and many other topics at our sister site: Cherrybooks on Bookshop.org

Enjoy Lynxotic at Apple News on your iPhone, iPad or Mac and subscribe to our newsletter.

Lynxotic may receive a small commission based on any purchases made by following links from this page.