Tag Archives: David Fincher

‘Mank’ gets 6 Globe Nods Including Best Film: Thoughts on ‘Citizen Kane’ and Historic Cinema

A total of 6 nods for “Mank” were announced during the nomination ceremony for the 78th Golden Globe Awards.  The film about “Citizen Kane” available on Netflix is now leading the most nominations for the company, with no other streaming service (Disney+, HBO Max, Amazon Prime or Apple TV+) coming close.   Last year Netflix dominated at the Globes and it appears they will follow the same lead, commanding a total of 42 nominations (22 in the film category and 20 for television series).

Co-writer Herman Mankiewicz landed a nomination for best film (drama). Best actor for Gary Oldman.  Best director for Jack Fincher.  Best supporting actress for Amanda Seyfried.  Best score and best screenplay for Jack Fincher. 

“Despite a stressed pandemic year, there is a comfort of sorts in embracing traditions, perhaps it is a hopeful sign that we will get out of this eventually,” Oldman said in a statement. “The Golden Globes are such a sign of both tradition and normal.” 

The 78th Golden Globe Awards is set to be hosted by comedians Tiny Fey and Amy Poehler on February 28, 2021, and will be telecast live on NBC at 5 p.m. 

A hall of mirrors, not only of reflections on “Kane” and “Mank” but this very moment in time

Seeing “Mank” on netflix, in painstakingly low tech black and white on and ancient 2004 vintage plasma flat screen many coincidences seemed to converge and collide. 

In the final sequences of Mank as the epilogue divulges the Oscar win for best screenplay and indicates that “Citizen Kane” was the final film written by Herman J. Mankiewicz, while as is part of Hollywood history and lore, it was the first by Orsen Wells, as a director and actor. 

And Mank was released a day after it was announced that Warner Bros. would begin releasing all its films (the next 17, at any rate) simultaneously on HBO max and in theaters. For many, particularly those in the movie theater business, this was seen as a possible death knell for live cinema. 

And, taking this thread further, “Mank” also touches on the fact that Citizen Kane, which in many ways marks the birth of modern filmmaking, was only released at all due to legal maneuvering by RKO Radio Pictures, and Orson Wells only had the contract allowing him full autonomy because of his status as a radio star…

Radio, in other words, was present at the inauguration of modern cinema while Streaming attends the death of the movie theater experience, for the time being, at any rate. 

And while these various technical marvels, the luxurious, sensual and powerfully stimulative immersion in a dark theater, on the one hand, and the inconsistent and convenient yet ever evolving systems of today both share, as a prerequisite to all creation the written, spoken and word and the imagination the imbues its invocation.

A movie for the ages and a single man’s creative life that was fulfilled through it’s creation

Adding to the layers of what seems like uncanny timing, “Citizen Kane” inspirational subject in real life, William Randolph Hearst, was at the time of the film’s initial release, rich on the level that would compare to Bill Gates or Jeff Bezos today, but was a newspaper Publisher. Newspaper publishing is yet another storytelling technology that, already at that time was considered on its way out, and in “Mank” there is even a scene where Hearst touts “Talkies”, movies with sound and dialog, as the technology that would captivate the future. 

Implying, inadvertently perhaps, that we are at a similar crossroads of change, and that, while streaming, digital publishing and beyond may be “the future”, the light of good works, and of a great story well told, will shine into eternity, as will “Citizen Kane” and the man who originally conceived it: Mank.


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Reflections on ‘Citizen Kane’, ‘Mank’ and the Demise of Live Cinema

A hall of mirrors, not only of reflections on “Kane” and “Mank” but this very moment in time

Seeing “Mank” on netflix, in painstakingly low tech black and white on and ancient 2004 vintage plasma flat screen many coincidences seemed to converge and collide. 

In the final sequences of Mank as the epilogue divulges the Oscar win for best screenplay and indicates that “Citizen Kane” was the final film written by Herman J. Mankiewicz, while as is part of Hollywood history and lore, it was the first by Orsen Wells, as a director and actor. 

Read more: ENTERTAINMENTHBO Max / Warner Bros. news Cast a Shadow over the Future of Live Cinema

And Mank was released a dat after it was announced that Warner Bros. would begin releasing all its films (the next 17, at any rate) simultaneously on HBO max and in theaters. For many, particularly those in the movie theater business, this was seen as a possible death knell for live cinema. 

And, taking this thread further, “Mank” also touches on the fact that Citizen Kane, which in many ways marks the birth of modern filmmaking, was only released at all due to legal maneuvering by RKO Radio Pictures, and Orson Wells only had the contract allowing him full autonomy because of his status as a radio star…

Radio, in other words, was present at the inauguration of modern cinema while Streaming attends the death of the movie theater experience, for the time being, at any rate. 

Read more: Will Movie Theaters Disappear?

And while these various technical marvels, the luxurious, sensual and powerfully stimulative immersion in a dark theater, on the one hand, and the inconsistent and convenient yet ever evolving systems of today both share, as a prerequisite to all creation the written, spoken and word and the imagination the imbues its invocation.

A movie for the ages and a single man’s creative life that was fulfilled through it’s creation

Adding to the layers of what seems like uncanny timing, “Citizen Kane” inspirational subject in real life, William Randolph Hearst, was at the time of the film’s initial release, rich on the level that would compare to Bill Gates or Jeff Bezos today, but was a newspaper Publisher. Newspaper publishing is yet another storytelling technology that, already at that time was considered on its way out, and in “Mank” there is even a scene where Hearst touts “Talkies”, movies with sound and dialog, as the technology that would captivate the future. 

Implying, inadvertently perhaps, that we are at a similar crossroads of change, and that, while streaming, digital publishing and beyond may be “the future”, the light of good works, and of a great story well told, will shine into eternity, as will “Citizen Kane” and the man who originally conceived it: Mank.


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Find books on ScreenwritingSustainable EnergyRacial Equality & Justice and many other topics at our sister site: Cherrybooks on Bookshop.org

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Lynxotic may receive a small commission based on any purchases made by following links from this page

Netflix: 5 best new shows to check out

Two huge and highly awaited projects are live this weekend and offer a varied experience. They also have nearly nothing directly to do with each other, or the holidays. Perhaps that’s a plus as we still have weeks before the full-on holiday festivities hit a peak.

Another two are also non-holiday but each of these projects has something special, perhaps for a different audience, and are also each highly anticipated, by the appropriate group of fans, nonetheless. 

Alien Worlds (Season 1) is here for anyone that imagines humanity as a Multi-planetary species (looking at you, Elon)

Applying the laws of life on Earth to the rest of the galaxy, this series blends science fact and fiction to imagine alien life on other planets. The 4-episodes of this docuseries approaches each episode like a separate chapter focusing on a different world a.k.a. exoplanet and explores the likelihood of life being present on any of them. 

This explorative and visually stunning exercise in “what if” takes on the idea that, with at least thousands if not millions of planets in the universe potentially harboring some form of life, what form might that life take? Taking this leap of faith into the question of, not only are there aliens somewhere in the universe, but positing the follow-on query; “where are they and what might they be like and even look like”.

This may not be a journey everyone is ready to take. But if you enjoy stimulation for your imagination and want to join in the speculative scientific thought experiment, maybe this series if perfect for you!

Selena continuation digs into the drama of a superstar destined to shine only briefly, but who will never be forgotten

The first is, of course, Selena: The Series, which has been in the works for an incredible two years.  Fans of season one have been looking forward to this, of course. The possibility for new fans to watch both seasons is also a tantalizing binge option as well.

The continuation of the story Selena Quintanilla, and in particular her rise to music-super-stardom is being played by Christian Serratos – yes,  The Walking Dead star (who is also a Twilight cast member extraordinaire).  

Mank: The movie behind the making of the greatest movie ever made

Second huge release is the Mank which is directed by David Fincher of  Social Network and Fight Club fame. It’s hard to imagine awards shows passing up the chance to laud this legendary director taking on a story about, well the most legendary film production and film script ever: Citizen Kane. 

Herman “Mank” Mankiewicz,  played by Oscar-winner Gary Oldman, is a journalist-turned-screenwriter and as the titular character we see how the tortured genius behind Citizen Kane grappled with the drama of filmmaking during Hollywood’s golden age. The project gives Fincher a chance to make a movie inside another and reference what’s been called the greatest film in the history of cinema. 

New series debuts today: Detention (Season 1) 

On Saturday, December 5 we’ll be able to see a first glimpse of this high school horror drama, based on the eponymously titled videogame.

Made by Netflix in collaboration with the Taiwanese broadcaster Public Television Service, Detention is the first Mandarin series that Netflix has collaborated on and will be aired first on an episodic basis by PTS before streaming live on Netflix.

The synopsis for Detention has been provided by Netflix:

Detention: The Series starts at Greenwood High School in the 1990s. Yunxiang Liu (played by Lingwei Lee), a transfer student, steps into the forbidden area on the campus by accident, where she encounters the ghost of Ruixin Fang (Ning Han). Fang later unveils the hidden history and trauma over the past 30 years, and how a group of young students and teachers were persecuted as they fought for freedom in the era of censorship. Their stories keep coming back to the school like haunting nightmares, waiting to be told and revealed.

The series will be available to stream on a weekly basis each episode becoming available shortly after the original airing on PTS.

EpisodePTS Broadcast DateNetflix Release Date
105/12/202005/12/2020
212/12/202012/12/2020
319/12/202019/12/2020
426/12/202026/12/2020
502/01/202102/01/2021
609/01/202109/01/2021
716/01/202116/01/2021
823/01/202123/01/2021

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We are All Search Hostages until the Internet is Free of the Big Three: How they Block Your Life

Photo Collage / Lynxotic / Adobe Stock

This is a tiny snippet from an upcoming exposé of the inner workings of the nightmare produced by Facebook, Google and Amazon

Isn’t it funny that the so called bursting of the dot-com bubble in 2000 which resulted in a nearly 75% drop in the tech heavy NASDAQ index by March, 2000. Ultimately, among survivors and upstarts, the winner-takes-all saga led to no less than three trillion dollar companies.

If the internet is, or at lest was, a dead end for any company trying to profit, how could these few have profited so obscenely in such a short time?

Most of the answers to that question attempted for the last two decades have been blatant hero worship and “to the victors go the spoils” nonsense with hardly any media attention paid (at least until around 2016) to the deeper, and darker, story that explains this regrettable paradox.

While the truth, particularly when it comes to tech and the internet, is often maddeningly complex, hiding behind a veil of complexity is a standard technique for anyone wants to keep their billion dollar golden geese a secret, shell companies, offshore banking, derivatives and “CDOs” and the like all benefit from being opaque and complex.

And while the absolute details would take mountains of pages to explain, mainly to explain away all the contradictions, the base issues are at the same time, in many ways, insanely simple.

Fraud, Ponzi schemes, illegal monopolistic behavior, all the usual suspects are not only present but rampant and rancid like a planet sized pile of moldy cheese.

And those are the larger threads, the ones that fit into a framework of past anti-trust cases and prior greed fueled crime sprees.

The devil as they say, is always in the details. Here are a few, some general and others much more specific, that point to how we could have gotten to this absurd destination.

Google and the “hiding engine” from hell

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While it is lovely that Google “allows” us to find out Lucille Ball’s birthday with a single click – or the capital of Afghanistan just as easily, what if you are looking for something a little less obvious? What if the information you need is worth something? What if you need fair, honest advice or even wisdom?

You’re out of luck. Since the entire basis for this business to to charge you (or somebody, regardless) for information that is, in reality, publicly available (the internet is public after all and the information on it does not belong to google), the primary function of Google’s vaunted trillion dollar algorithm is to hide any information of value from you until they have extracted a price.

Since they are known as a “search engine” this is counterintuitive but it will make more sense as we delve into the other two “winners” of the dot-com era. Each of these three companies share this one thing in common. They are all build to exclude, hide and criminally manipulate essentially public information for the benefit of a private enterprise. k?

Facebook and the lure of “exclusive membership”

As has been well documented, to the extent of having been memorialized in a feature length hollywood film, the fast start in membership that Facebook achieved was based on two “triggers” related to exclusivity and “hiding” of information. The first was, during the initial launch at harvard and for a period of time at various other colleges and universities, a requirement for membership was “proof” that you were a student in the form of an “edu” suffixed email. This added popularity to the site as those joining felt they had not only potential access to others where they went to school, but also would not be associating with non-students, or in the extreme initial example, not socializing with non-harvard people.


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While this seems innocuous enough and a great marketing ploy, indeed it was heralded as genius by hundreds of sycophantic scribes, the next bit is where the system that exists to this day became an engine for corporate greed at the expense of virtually the entire world population.

Once you join Facebook, you are “allowed” to have contact only with “friends” that authorize you to do so. But the recommendations for “friending” those people, other than from your own laborious manual searching, are controlled by Facebooks algorithms.

This is a familiar tune. The real purpose of this structure was not to give you exclusivity or for you to benefit from the “wisdom” of the algorithm, but to block private and, in particular, business entities from coming in contact with you without first paying Facebook. In other words, using its log-in membership system and proprietary software labyrinth as a private, separate internet sphere, it was able to build the largest network of phantom tool booths the world has ever seen and now collects hundreds of billions simply because “the public” has opted-in and has no idea what an open alternative would look like or the damage that has been done by this harmless seeming “social platform”.

The real potential of networked human communications, a.k.a. the internet, is almost totally lost to history, with the surviving structure entirely based on the systems that these three giants have constructed with a view to nothing more than private, personal enrichment.

While this opinion may seem harsh, looking at the inner workings of the software and who financially benefits vs. who loses (a.k.a. everybody else) will, in time expose one of the greatest swindles ever perpetrated on the public, in this case the entire world population, or at least the population of internet users across the globe.

Amazon and the alleged layers of deceit and corruption beyond all imaginings

It is fairly common these days to hear criticism of Amazon and “worlds richest man” Bezos, which is understandable since the operation is so massive and, like any huge concern, likely to step on a few toes here and there, regardless.

Naturally there is also plenty of hero worship, particularly the insane love of “Bezonomics” and a cult of personality toward the founder and CEO for, well, stepping on the most faces of any human, other than perhaps Genghis Kahn.

Again, the real devil is in the details. It is easy to defend any criticism of the company by pointing out the “good” that it has done or continues to do and to create a “straw man” argument that the company should somehow get “credit” for those things and that they somehow offset any valid critique.

That is like saying someone who succeeded in getting elected president by bribing millions of voters should therefore be allowed to wage war or imprison anyone he likes since he has earned “credit” by doing right by those who were bribed.

There a little story, told to us by an anonymous source, who’s stories have all checked out before, that illustrates the system at work when you step onto the private property of Amazon’s web site.

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Again search is at the center of the story, as is the requirement to log in and agree to terms and conditions. This is tantamount to agreeing that you are leaving the public sphere and are agreeing to abide by the rules and be subject to the whims of the private entity on whose “sole property” you are now “standing” / shopping.

In that private world Amazon, and by extension Bezos, not only play god, they are god.

To illustrate this fact let’s say you have a 7 year-old child that loves a certain children’s character and you want to buy a book that has “pop-up” cut-outs to entertain and delight. And this exact item can be found via “search”.

Naturally, you type in the name of the book or character and perhaps add “pop-up”. What shows up in the “search” results is exactly what you are looking for. It’s the precise item and it looks exactly as you had hoped. Then you look at the price. $50. Hmmm that’s a little high you think. With a little further research you find out that the “MSRP” for this item, a.k.a. the list price is $30 which seems a bit odd.

You keep trying to search and click any link on the site that will lead you to the same item at a more reasonable price – but that is only available “used” and you will not purchase a used item for your child!

In the end you rationalize, it must be a very rare item to have such a high price, and since the Amazon search results “must be scientific” there are apparently no lower priced copies available. So you buy it.

This scenario was repeated hundreds if not thousands of times for this one product over a period of several months. And likely was repeated millions of times over a period of years across thousand, if not millions of items. So what?

The search is rigged, that’s what. How do I know? The person that related this story was the seller, in 2014, of over 1000 copies of the item at $50. He did not create this fraud, merely piggybacked on what Amazon itself had set up. Only they have control of the search results.

What’s the big deal you say, after all there were no cheaper units available so it is just “surge pricing”; supply and demand, right?

Wrong. There was, after all, another listing of the same item, expertly hidden by Amazon, where only a hacker or software expert could find it. On that listing, for those that Amazon chose not to swindle, was the exact same item for the standard, heavily discounted, price of $16 or nearly 50% off the list or MSRP. You see, the result is, regardless of who is selling the item, Amazon earns triple (triple the fees) when the price is higher, as in this example.

This is not an isolated “mistake”. Many who have experience working inside the Amazon system have seen literally thousands of similar examples all tied to this “malfunctioning” search engine.

What’s more a calculation of the possible financial benefits during the time in question amounted to nearly the entire reported net profit of the entire company. It was common knowledge that the company was reporting little or no net profit during many years, even as it remained a darling of stockholders.

And if any one would bring such a specific case to Amazon’s attention? Naturally they would blame the seller, software issues, the moon and the stars, anything but admit that they use every inch of their private real estate for one purpose and one purpose only, to maximize the amount of money that ends us in their accounts.

And many who are reading this still don’t get it. “Why not?” It’s capitalism after all! To the victor go the spoils! Hail Ceasar! Heil Hitler. It’s your internet. Not theirs.


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