Tag Archives: Gary Oldman

How to read Mick Herron Books in order: Slough House series

In the event you haven’t heard, the Slough House Thrillers (inspired by the book set) is now an Apple TV+ Original series titled after Book #1: “Slow Horses“. The series stars Gary Oldman and Kristin Scott Thomas.

The British mystery/thriller novelist, Mick Herron is responsible for the 8 book Slough Houses series that tells the story of MI5 “Misfits”. His last book “Bad Actors” is available for pre-order and will be released in May 2022.

As is the case with many television series, inspiration comes from reading a book. If you want to start from the beginning, we have provided the book order to read, I greatly enjoy reading a book first and comparing how stacks up when adapted to the screen. And if you get hooked into the TV series, you have 7 more novels to keep you nice and entertained until Season 2 comes about!

Slow Horses (Deluxe Edition)

Click photo for more on”Slow Horses” on Bookshop.

London, England: Slough House is where washed-up MI5 spies go to while away what’s left of their failed careers. The “slow horses,” as they’re called, have all disgraced themselves in some way to get relegated there. Maybe they botched an Op so badly they can’t be trusted anymore. Maybe they got in the way of an ambitious colleague and had the rug yanked out from under them. Maybe they just got too dependent on the bottle–not unusual in this line of work.

One thing they have in common, though, is they want to be back in the action. And most of them would do anything to get there─even if it means having to collaborate with one another. When a young man is abducted and his kidnappers threaten to broadcast his beheading live on the Internet, the slow horses see an opportunity to redeem themselves. But is the victim really who he appears to be?

Dead Lions

Click photo for more on “Dead Lions” on Bookshop.

The disgruntled agents of Slough House, the MI5 branch where washed-up spies are sent to finish their failed careers on desk duty, are called into action to protect a visiting Russian oligarch whom MI5 hopes to recruit to British intelligence. While two agents are dispatched on that babysitting job, though, an old Cold War-era spy named Dickie Bow is found dead, ostensibly of a heart attack, on a bus outside of Oxford, far from his usual haunts. But the head of Slough House, the irascible Jackson Lamb, is convinced Dickie Bow was murdered.

As the agents dig into their fallen comrade’s circumstances, they uncover a shadowy tangle of ancient Cold War secrets that seem to lead back to a man named Alexander Popov, who is either a Soviet bogeyman or the most dangerous man in the world. How many more people will have to die to keep those secrets buried?

Real Tigers

Click photo for more on “Real Tigers” on Bookshop.

London: Slough House is the MI5 branch where disgraced operatives are reassigned after they’ve messed up too badly to be trusted with real intelligence work. The “Slow Horses,” as the failed spies of Slough House are called, are doomed to spend the rest of their careers pushing paper, but they all want back in on the action. 

When one of their own is kidnapped and held for ransom, the agents of Slough House must defeat the odds, overturning all expectations of their competence, to breach the top-notch security of MI5’s intelligence headquarters, Regent’s Park, and steal valuable intel in exchange for their comrade’s safety. The kidnapping is only the tip of the iceberg, however–the agents uncover a larger web of intrigue that involves not only a group of private mercenaries but the highest authorities in the Secret Service. After years spent as the lowest on the totem pole, the Slow Horses suddenly find themselves caught in the midst of a conspiracy that threatens not only the future of Slough House, but of MI5 itself.

Spook Street

Click photo for more on”Spook Street” on Bookshop.

These are the paranoid concerns of David Cartwright, a Cold War-era operative and one-time head of MI5 who is sliding into dementia, and questions his grandson, River, must figure out answers to now that the spy who raised him has started to forget to wear pants.

But River, himself an agent at Slough House, MI5’s outpost for disgraced spies, has other things to worry about. A bomb has detonated in the middle of a busy shopping center and killed forty innocent civilians. The “slow horses” of Slough House must figure out who is behind this act of terror before the situation escalates.

London Rules

Click photo for more on “London Rules” on Bookshop.

At MI5 headquarters Regent’s Park, First Desk Claude Whelan is learning the ropes the hard way. Tasked with protecting a beleaguered prime minister, he’s facing attack from all directions: from the showboating MP who orchestrated the Brexit vote, and now has his sights set on Number Ten; from the showboat’s wife, a tabloid columnist, who’s crucifying Whelan in print; from the PM’s favorite Muslim, who’s about to be elected mayor of the West Midlands, despite the dark secret he’s hiding; and especially from his own deputy, Lady Di Taverner, who’s alert for Claude’s every stumble.

Meanwhile, the country’s being rocked by an apparently random string of terror attacks. Over at Slough House, the MI5 satellite office for outcast and demoted spies, the agents are struggling with personal problems: repressed grief, various addictions, retail paralysis, and the nagging suspicion that their newest colleague is a psychopath. Plus someone is trying to kill Roddy Ho. But collectively, they’re about to rediscover their greatest strength–that of making a bad situation much, much worse.

Joe Country

Click photo for more on”Joe Country” on Bookshop.

In Slough House, the London outpost for disgraced MI5 spies, memories are stirring, all of them bad. Catherine Standish is buying booze again, Louisa Guy is raking over the ashes of lost love, and new recruit Lech Wicinski, whose sins make him an outcast even among the slow horses, is determined to discover who destroyed his career, even if he tears his life apart in the process. 

Meanwhile, in Regent’s Park, Diana Taverner’s tenure as First Desk is running into difficulties. If she’s going to make the Service fit for purpose, she might have to make deals with a familiar old devil . . . And with winter taking its grip, Jackson Lamb would sooner be left brooding in peace, but even he can’t ignore the dried blood on his carpets. So when the man responsible for killing a slow horse breaks cover at last, Lamb sends the slow horses out to even the score.

Slough House

Click photo for more on “Slough House” on Bookshop.

At Slough House–MI5’s London depository for demoted spies–Brexit has taken a toll. The “slow horses” have been pushed further into the cold, Slough House has been erased from official records, and its members are dying in unusual circumstances, at an unusual clip. No wonder Jackson Lamb’s crew is feeling paranoid. But are they actually targets? With a new populist movement taking hold of London’s streets and the old order ensuring that everything’s for sale to the highest bidder, the world’s a dangerous place for those deemed surplus. Jackson Lamb and the slow horses are in a fight for their lives as they navigate dizzying layers of lies, power, and death.

Bad Actors

Click photo for more on “Bad Actors” on Bookshop.

In London’s MI5 headquarters a scandal is brewing that could disgrace the entire intelligence community. The Downing Street superforecaster–a specialist who advises the Prime Minister’s office on how policy is likely to be received by the electorate–has disappeared without a trace. Claude Whelan, who was once head of MI5, has been tasked with tracking her down. But the trail leads him straight back to Regent’s Park itself, with First Desk Diana Taverner as chief suspect.

Has Taverner overplayed her hand at last? Meanwhile, her Russian counterpart, Moscow intelligence’s First Desk, has cheekily showed up in London and shaken off his escort. Are the two unfortunate events connected?
Over at Slough House, where Jackson Lamb presides over some of MI5’s most embittered demoted agents, the slow horses are doing what they do best, and adding a little bit of chaos to an already unstable situation . . . There are bad actors everywhere, and they usually get their comeuppance before the credits roll. But politics is a dirty business, and in a world where lying, cheating and backstabbing are the norm, sometimes the good guys can find themselves outgunned.

Watch Trailer for Apple TV+ for “Slow Horses”:

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‘Mank’ gets 6 Globe Nods Including Best Film: Thoughts on ‘Citizen Kane’ and Historic Cinema

A total of 6 nods for “Mank” were announced during the nomination ceremony for the 78th Golden Globe Awards.  The film about “Citizen Kane” available on Netflix is now leading the most nominations for the company, with no other streaming service (Disney+, HBO Max, Amazon Prime or Apple TV+) coming close.   Last year Netflix dominated at the Globes and it appears they will follow the same lead, commanding a total of 42 nominations (22 in the film category and 20 for television series).

Co-writer Herman Mankiewicz landed a nomination for best film (drama). Best actor for Gary Oldman.  Best director for Jack Fincher.  Best supporting actress for Amanda Seyfried.  Best score and best screenplay for Jack Fincher. 

“Despite a stressed pandemic year, there is a comfort of sorts in embracing traditions, perhaps it is a hopeful sign that we will get out of this eventually,” Oldman said in a statement. “The Golden Globes are such a sign of both tradition and normal.” 

The 78th Golden Globe Awards is set to be hosted by comedians Tiny Fey and Amy Poehler on February 28, 2021, and will be telecast live on NBC at 5 p.m. 

A hall of mirrors, not only of reflections on “Kane” and “Mank” but this very moment in time

Seeing “Mank” on netflix, in painstakingly low tech black and white on and ancient 2004 vintage plasma flat screen many coincidences seemed to converge and collide. 

In the final sequences of Mank as the epilogue divulges the Oscar win for best screenplay and indicates that “Citizen Kane” was the final film written by Herman J. Mankiewicz, while as is part of Hollywood history and lore, it was the first by Orsen Wells, as a director and actor. 

And Mank was released a day after it was announced that Warner Bros. would begin releasing all its films (the next 17, at any rate) simultaneously on HBO max and in theaters. For many, particularly those in the movie theater business, this was seen as a possible death knell for live cinema. 

And, taking this thread further, “Mank” also touches on the fact that Citizen Kane, which in many ways marks the birth of modern filmmaking, was only released at all due to legal maneuvering by RKO Radio Pictures, and Orson Wells only had the contract allowing him full autonomy because of his status as a radio star…

Radio, in other words, was present at the inauguration of modern cinema while Streaming attends the death of the movie theater experience, for the time being, at any rate. 

And while these various technical marvels, the luxurious, sensual and powerfully stimulative immersion in a dark theater, on the one hand, and the inconsistent and convenient yet ever evolving systems of today both share, as a prerequisite to all creation the written, spoken and word and the imagination the imbues its invocation.

A movie for the ages and a single man’s creative life that was fulfilled through it’s creation

Adding to the layers of what seems like uncanny timing, “Citizen Kane” inspirational subject in real life, William Randolph Hearst, was at the time of the film’s initial release, rich on the level that would compare to Bill Gates or Jeff Bezos today, but was a newspaper Publisher. Newspaper publishing is yet another storytelling technology that, already at that time was considered on its way out, and in “Mank” there is even a scene where Hearst touts “Talkies”, movies with sound and dialog, as the technology that would captivate the future. 

Implying, inadvertently perhaps, that we are at a similar crossroads of change, and that, while streaming, digital publishing and beyond may be “the future”, the light of good works, and of a great story well told, will shine into eternity, as will “Citizen Kane” and the man who originally conceived it: Mank.


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Legendary John le Carré has passed away: Read his most famous works

Above: Photo Collage / Publisher

Writer defined and brought attention to genre, Cold War Espionage Thrillers 

The acclaimed spy novelist, John le Carré, whose work spans nearly 6 decades, died Dec. 12, at the age of 89.   If you have never read any of his thrillers, we’ve compiled a handful of his most famous works that we recommend. 

Read More: Top 10 Books of 2020

Born David Cornwell, Le Carré worked as a Cold War-era British agent (M15 and M16) for 12 years. When his cover was blown and leaked to the KGB, he left and took to pursuing his writing full-time.

What he left behind, 25 novels, gave readers a taste of espionage, great betrayals, deceptions, the vicarious excitement of his inner world.  His best-known titles sold millions of copies and a handful of them were adapted for film and television. 

The Spy Who Came in From the Cold

Click to see
The Spy Who Came in From the Cold
and help independent bookstores. Also available on Amazon.

The 50th-anniversary edition of the bestselling novel that launched John le Carré’s career worldwide

In the shadow of the newly erected Berlin Wall, Alec Leamas watches as his last agent is shot dead by East German sentries. For Leamas, the head of Berlin Station, the Cold War is over. As he faces the prospect of retirement or worse–a desk job–Control offers him a unique opportunity for revenge. Assuming the guise of an embittered and dissolute ex-agent, Leamas is set up to trap Mundt, the deputy director of the East German Intelligence Service–with himself as the bait. In the background is George Smiley, ready to make the game play out just as Control wants.

Setting a standard that has never been surpassed, The Spy Who Came in from the Cold is a devastating tale of duplicity and espionage. Click to see “The Spy Who Came in From the Cold” and help independent bookstores. Also available on Amazon.

Tinker, Tailor, Soldier, Spy

Click to see
Tinker, Tailor, Soldier, Spy
and help independent bookstores. Also available on Amazon.

The man he knew as Control is dead, and the young Turks who forced him out now run the Circus. But George Smiley isn’t quite ready for retirement–especially when a pretty, would-be defector surfaces with a shocking accusation: a Soviet mole has penetrated the highest level of British Intelligence. Relying only on his wits and a small, loyal cadre, Smiley recognizes the hand of Karla–his Moscow Centre nemesis–and sets a trap to catch the traitor.

The Oscar-nominated feature film adaptation of Tinker Tailor Soldier Spy is directed by Tomas Alfredson (Let the Right One In) and features Gary Oldman as Smiley, Academy Award winner Colin Firth (The King’s Speech), and Tom Hardy (Inception).  Click to see “Tinker, Tailor, Soldier, Spy” and help independent bookstores. Also available on Amazon.

The Little Drummer Girl 

Click to see
The Little Drummer Girl
and help independent bookstores. Also available on Amazon.

You want to catch the lion, first you tether the goat.

On holiday in Mykonos, Charlie wants only sunny days and a brief escape from England’s bourgeois dreariness. Then a handsome stranger lures the aspiring actress away from her pals–but his intentions are far from romantic. Joseph is an Israeli intelligence officer, and Charlie has been wooed to flush out the leader of a Palestinian terrorist group responsible for a string of deadly bombings. Still uncertain of her own allegiances, she debuts in the role of a lifetime as a double agent in the “theatre of the real.”

Haunting and deeply atmospheric, John le Carr ‘s The Little Drummer Girl is a virtuoso performance and a powerful examination of morality and justice. Click to see ” The Little Drummer Girl” and help independent bookstores. Also available on Amazon.

The Constant Gardener 

Click to see
The Constant Gardener
and help independent bookstores. Also available on Amazon.

The novel opens in northern Kenya with the gruesome murder of Tessa Quayle — young, beautiful, and dearly beloved to husband Justin. When Justin sets out on a personal odyssey to uncover the mystery of her death, what he finds could make him not only a suspect among his own colleagues, but a target for Tessa’s killers as well.

A master chronicler of the betrayals of ordinary people caught in political conflict, John le Carré portrays the dark side of unbridled capitalism as only he can. In The Constant Gardener he tells a compelling, complex story of a man elevated through tragedy, as Justin Quayle — amateur gardener, aging widower, and ineffectual bureaucrat — discovers his own natural resources and the extraordinary courage of the woman he barely had time to love. Click to see “The Constant Gardener” and help independent bookstores. Also available on Amazon.

A Perfect Spy 

Click to see
A Perfect Spy” and help independent bookstores. Also available on Amazon.

Over the course of his seemingly irreproachable life, Magnus Pym has been all things to all people: a devoted family man, a trusted colleague, a loyal friend–and the perfect spy. But in the wake of his estranged father’s death, Magnus vanishes, and the British Secret Service is up in arms. Is it grief, or is the reason for his disappearance more sinister? And who is the mysterious man with the sad moustache who also seems to be looking for Magnus?

In A Perfect Spy, John le Carré has crafted one of his crowning masterpieces, interweaving a moving and unusual coming-of-age story with a morally tangled chronicle of modern espionage. Click to see “A Perfect Spy” and help independent bookstores. Also available on Amazon.


Subscribe to our newsletter for all the latest updates directly to your inBox.

Find books on Music, Movies & Entertainment and many other topics at our sister site: Cherrybooks on Bookshop.org

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Lynxotic may receive a small commission based on any purchases made by following links from this page.

Reflections on ‘Citizen Kane’, ‘Mank’ and the Demise of Live Cinema

A hall of mirrors, not only of reflections on “Kane” and “Mank” but this very moment in time

Seeing “Mank” on netflix, in painstakingly low tech black and white on and ancient 2004 vintage plasma flat screen many coincidences seemed to converge and collide. 

In the final sequences of Mank as the epilogue divulges the Oscar win for best screenplay and indicates that “Citizen Kane” was the final film written by Herman J. Mankiewicz, while as is part of Hollywood history and lore, it was the first by Orsen Wells, as a director and actor. 

Read more: ENTERTAINMENTHBO Max / Warner Bros. news Cast a Shadow over the Future of Live Cinema

And Mank was released a dat after it was announced that Warner Bros. would begin releasing all its films (the next 17, at any rate) simultaneously on HBO max and in theaters. For many, particularly those in the movie theater business, this was seen as a possible death knell for live cinema. 

And, taking this thread further, “Mank” also touches on the fact that Citizen Kane, which in many ways marks the birth of modern filmmaking, was only released at all due to legal maneuvering by RKO Radio Pictures, and Orson Wells only had the contract allowing him full autonomy because of his status as a radio star…

Radio, in other words, was present at the inauguration of modern cinema while Streaming attends the death of the movie theater experience, for the time being, at any rate. 

Read more: Will Movie Theaters Disappear?

And while these various technical marvels, the luxurious, sensual and powerfully stimulative immersion in a dark theater, on the one hand, and the inconsistent and convenient yet ever evolving systems of today both share, as a prerequisite to all creation the written, spoken and word and the imagination the imbues its invocation.

A movie for the ages and a single man’s creative life that was fulfilled through it’s creation

Adding to the layers of what seems like uncanny timing, “Citizen Kane” inspirational subject in real life, William Randolph Hearst, was at the time of the film’s initial release, rich on the level that would compare to Bill Gates or Jeff Bezos today, but was a newspaper Publisher. Newspaper publishing is yet another storytelling technology that, already at that time was considered on its way out, and in “Mank” there is even a scene where Hearst touts “Talkies”, movies with sound and dialog, as the technology that would captivate the future. 

Implying, inadvertently perhaps, that we are at a similar crossroads of change, and that, while streaming, digital publishing and beyond may be “the future”, the light of good works, and of a great story well told, will shine into eternity, as will “Citizen Kane” and the man who originally conceived it: Mank.


Subscribe to our newsletter for all the latest updates directly to your inBox.

Find books on ScreenwritingSustainable EnergyRacial Equality & Justice and many other topics at our sister site: Cherrybooks on Bookshop.org

Enjoy Lynxotic at Apple News on your iPhone, iPad or Mac.

Lynxotic may receive a small commission based on any purchases made by following links from this page

‘Mary’: Gary Oldman stars in High Seas Horror Movie

https://movietrailers.apple.com/movies/independent/mary/mary-trailer-1_h1080p.mov
official trailer for “mary”

Norman Rockwell Harmony Voyage leads to Dangers from Within

The trailer for director Michael Goi and writer Anthony Jaswinski’s new film “Mary,” starts out feeling quite wholesome, as a father played by Gary Oldman buys an old sailboat from a shipyard with the intention of getting into the charter-boat business. First, however, he takes his family on a bonding voyage across the sea. Initially, looks like a hopeful, albeit a little sappy, family drama that will leave you feeling inspired and optimistic. 

Once the ship is out at sea, though, and the family is alone on open waters, things start to get strange. The family’s youngest daughter named Mary starts talking to an imaginary friend aboard the ship, and soon enough, this imaginary relationship leads her to do sadistic things. The young girl becomes a threat to the family as they realize that the old ship is cursed and that everyone who has sailed it before has ended up engulfed in tragedy. 

So no, “Mary” is not the pleasant melodrama that we might have been expecting or even hoping for. Instead it is yet another horror movie, and while the ship setting looks somewhat original, the possessed little girl trope and the cursed old relic convention cannot help but render the film a little clichéd.

The cursed ship in “Mary” is not an ocean liner or even a yacht. It is a small, manual sailboat that probably has no more than a single room beneath the deck. This setting gives the film a terrifically claustrophobic feel, which could further the horror aspect, but we have to question how much can actually be done within such a small setting.

After a while, it is very possible that the confined space will lose its suspense. The film really seems to be banking on the ship setting as its most distinguishing aspect, as even the trailer heavily explicates the fact that there is nowhere to run on a ship. Meanwhile, Gary Oldman’s character, the captain and family patriarch, must consider weather he should keep sailing forward or turn around, creating an internal struggle between ambition and safety that could lead to madness or strife—yet another horror movie cliché

Can we really blame the writers or the Oscar winning Gary Oldman for what “Mary” is, though? For everything it does that has been done before, it at least makes an effort to be original in how it scares and intrigues its audience. However, the horror genre right now requires more than just scariness. Unless it is a Jordan Peele kind of social commentary or something deeply nostalgia like “It: Chapter Two,” it is very difficult for a horror film to stand out.

So if you want a fun-house horror movie to get you in the Halloween spirit with jump scares and general creepiness, “Mary” will probably do the trick. But, if you are looking for something that will garner critical acclaim or immense originality, you may want to take your money elsewhere, perhaps away from horror altogether and over to whatever movie follows through on that gripping family melodrama exposition. 


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