Tag Archives: Alec Baldwin

Breaking News, Entertainment, Politics

Billie Eilish, Lil John, Johnny Depp, Jack Black and more Say “Hell No” to Trump Train

Above: Photo Collage / Lynxotic

Trump’s attempt to enlist entertainers for taxpayer funded propaganda program fails spectacularly

Lately, the Trump Administration has been looking for a celebrity to be the face of its new COVID-19 PSA campaign. Well, kind of. While the $265 million taxpayer-funded ad campaign is supposed to raise coronavirus awareness, the White House has unsubtly been twisting it into an explicit Trump promotion.

Read More: All Americans need to watch “Totally Under Control” – available to stream for free until Election day

According to U.S. Heath and Human Services Secretary Michael Caputo, the theoretically non-partisan campaign’s message is “Helping The President Will Help The Country.” Interestingly, this whole fiasco arrives just days before the 2020 Presidential Election, where Trump is behind in the polls.

Regardless of the hidden meaning behind the campaign—or perhaps directly because of it—the Administration has had trouble finding a suitable face for the ads. According to documents that Democratic lawmakers revealed to the Washington Post, the Administration went down a list of 247 celebs considered for the PSAs, but hardly any of them fit the bill.

Notes from the documents suggest a strict pro-Republican criteria for the job. Behavior that disqualified celebrities included if they had ever been critical of Trump, if they ever expressed support for Barak Obama, and if they ever supported gay marriage or LBGTQ+ rights. Unsurprisingly, these stipulations left options rather thin.

Names on the list included comedians Judd Apatow and George Lopez (both disqualified for expressing anti-Trump sentiments); singers Christina Aguilera, Adam Levine and Justin Timberlake (all ruled out for endorsing Obama and championing gay rights); actress Jennifer Lopez (eliminated for her so-called radical Super Bowl halftime show); and actors Johnny Depp and Jack Black (both excluded for simply aligning with the American left).

The name on the list that met the most scathing response was probably singer/songwriter Billie Eilish. Notes on the eighteen-year old celebrity recount that she “Made a political statement on gun control in 2019; will be a first time voter in 2020; not a Trump supporter, stated he ‘is destroying our country and everything we care about.'”

Read More: I want my Apple Music TV— Apple launches twenty-four hour music video streaming channel in the U.S.

Of the 247 names initially listed, only ten survived the President’s elimination process— Dennis Quaid, Marc Anthony, Enrique Iglesias, Billy Ray Cyrus, Miranda Lambert, Garth Brooks, Dwyane Wade, Dr. Mehmet Oz, CeCe Winans, and Shulem Lemmer. 

There are also a number of celebrities listed as “pending” or “declined.” Among the latter are Dwayne Johnson, Selena Gomez, and Sandra Oh. 

Trump Train about to Derail or will Celebs like Lil Wayne & Kanye come to the Rescue

These slim pickings show that Trump does not garner the strongest support (or any) from American entertainers. In addition to all of the listed names considered and rejected for this campaign, there are many more celebrities who have publically denounced the POTUS, several of whom were formerly apolitical or even republicans (Clint Eastwood and Arnold Schwarzenegger) before the current term.

Not all celebrities are steadfastly anti-Trump, though. The President has actually found support in some unlikely places. Because of Trump’s recent Platinum Plan to assist black Americans, he has created seemingly positive relations with rappers such as Lil Wayne, Ice Cube, 50 Cent, and Lil Pump. It’s unclear if any of these recognizable names actually endorse Trump, but they’ve all shown degrees of support via social media. 

Trump doesn’t have all rappers on board, though. Kanye West retracted his longstanding support for the President when he decided to run for the office himself this year. Meanwhile, when rapper Lil John was solicited to support Trump on Twitter, he responded bluntly:

Evidently, while there are some exceptions, few recognizable entertainers fully support the President. Ironically, Donald Trump himself has a strong background in entertainment— perhaps boasting the most show business-savvy resume of any President since Reagan.

However, while Reagan was an accomplished actor and later President of the Screen Actor’s Guild, Trump was more of a crude businessman slapped before the camera for a reality TV paycheck. 

Entertainers carry a lot of influence. Unfortunately, Trump has struggled to win the hearts of such influencers. In fact, many of them are now using that very influence against him.

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Entertainment, Movies

‘Motherless Brooklyn’: Edward Norton in triple-threat tour-de-force

Video
https://movietrailers.apple.com/movies/wb/motherless-brooklyn/motherless-brooklyn-trailer-1_h1080p.mov
Official Trailer for ‘Motherless Brooklyn’

Edward Norton Returns to Director’s Chair for 1950s Detective Drama

The last time Edward Norton directed, it was nineteen years ago for a forgotten Ben Stiller romantic comedy called “Keeping the Faith.” Since then, the three time Oscar nominated actor has remained primarily in front of the camera, starring in several iconic movies across the twentieth century and only occasionally dabbling in producing, cinematography, or editing.

On November 1st, however, Norton returns to the director’s chair once again, this time for a gritty, 1950s detective drama based off of a screenplay he wrote. The film is called “Motherless Brooklyn.” It is an adaptation of a 1999 National Book Critics Circle Award-winning novel by Jonathan Lethem. Norton’s screenplay of the story will go down as his first writing credit.

Starring a Detective with a Disability, Never-Before-Seen on the Silver Screen

“Motherless Brooklyn” is about a private investigator working in mid-twentieth century New York City—Brooklyn, obviously. Played by Norton himself, the private eye is named Lionel Essrog, and despite his daring profession, he is an estranged and lonely man who suffers from Tourette’s Syndrome. 

Stuttering, twitchy, and seemingly nervous all the time, Essrog is not your everyday Hollywood protagonist. He is vulnerable and smitten with anxiety, as the movie will show by telling the story from his point of view. Essrog is a new kind of character for Norton as well, for the actor usually plays the serious, smart, but oftentimes devilish lead. Not since “Primal Fear”, where he played a schizophrenic murder suspect, with a severe stutter, has he dabbled in this type of over-the-top character portrayal. That performance was his career debut, and breakthrough, earning a Golden Globe supporting actor win and an Oscar nomination for same.

In the film, Essrog’s only friend is Frank Minna, his mentor played by Bruce Willis. After Minna is murdered, the crux of the story centers on Essrog trying to figure out who done it. Using his condition not as a disability, but as a resource for understanding and analyzing situations, Essrog employs his Tourette’s to his advantage, and they aid him in cracking the case.

Classic Oscar Bait Elements, perhaps, but Will it Play in 2020?

It is a classic detective story with an original twist. Everything about “Motherless Brooklyn” fits in with the bygone noir genre, but instead of having the leading character be overly hard-boiled, he is highly susceptible and must navigate a corrupt urban world while also dealing with his own inner-turmoil.

Alongside Norton and Willis, Alec Baldwin and Willem Dafoe also star in the film, making the cast pretty star studded. On top of disability, the movie’s themes will also include power, its limits, its ethics, and the layers of depravity that surround it. While the conventional noir genre may be dead in the twenty-first century, those themes have proven themselves timeless. Like any good noir film, “Motherless Brooklyn” is labyrinth-like in its structure and bound to throw a couple of unexpected narrative turns our way.

Although film noir may not be on the brink of a revival, “Motherless Brooklyn” could still be a stimulating project. The movie has clear talent and thematic relevance on its side, and the script is based off of popular source material that feels both familiar and fresh. 

Given its 1950s setting and retro noir aspects, “Motherless Brooklyn” is not exactly doing anything to combat a whitewashed Hollywood. However, assuming that the movie handles it with appropriate sensitivity, we applaud Norton for bringing matters of disability to the big screen. Let’s hope that he plays the part with the grace it deserves, does right by the misunderstood trope, and perhaps even demystifies a few assumptions about the condition in the process.

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