Scorsese’s latest and long awaited big project, titled “Killers Of The Flower Moon,” has been in development under Paramount since early 2019. The Apple Studios film started Production in April 2021 in Osage County, Oklahoma and no release date has yet been announced.
The film is an adaptation of the 2017 book, “Killers of the Flower Moon: The Osage Murders and the Birth of the FBI,” by bestselling author David Grann. The book follows the federal investigation into the series of “accidents” and murders of Osage County Native Americans in 1920s Oklahoma, which later became known as the “Reign of Terror”. It’s a slow burning true story that will lend itself well to Scorsese’s hardboiled, historical take on narrative film.
In a statement announcing the official start of production, Scorsese said:
“To be able to tell this story on the land where these events took place is incredibly important and critical to allowing us to portray an accurate depiction of the time and people. We’re grateful to Apple, the Oklahoma Film and Music Office and The Osage Nation, especially all our Osage consultants and cultural advisors, as we prepare for this shoot. We’re excited to start working with our local cast and crew to bring this story to life on screen and immortalize a time in American history that should not be forgotten.”
–– Martin Scorsese
The all-star cast to includes Leonardo DiCaprio as Ernest Burkhart, Native American actress Lily Gladstone as his wife Mollie Burkhart. Robert De Niro as William Hale and Jesse Plemons as Tom White. In addition, the cast includes: Tantoo Cardinal, Cara Jade Myers, JaNae Collins, Jillian Dion, William Belleau, Jason Isbell, Louis Cancelmi, Scott Shepherd, Sturgill Simpson and many others. The film will include multiple indigenous actors in order to provide a respectable and honest representation relating to the movie’s sensitive subject matter.
Last November, legendary filmmaker Martin Scorsese made his debut into the world of streaming with “The Irishman.” After ViacomCBS deemed the project too costly, Paramount withdrew support from the movie and Netflix picked it up, willing to give Scorsese the creative freedom (and $159 million budget) he needed to see his vision come alive.
Click to buy “Killers of the Flower Moon” and at the same time help Lynxotic and all independent local bookstores. Also on Amazon
Now, it looks as if that recent history already about to repeat itself. Scorsese’s next big project, titled “Killers Of The Flower Moon,” has been in development under Paramount since early 2019. However, its budget has been perpetually increasing, now requiring an estimated $200 million. This is a tall price for any studio to pay for a film, but ViacomCBS in particular is already in a precarious financial situation as it struggles to keep up with conglomerate competitors like Disney, WarnerMedia, and Universal.
Furthermore, Paramount (like all other studios) is currently dealing with the COVID-19 setbacks and economic crashes. Now is not a safe time for anyone to take extravagant risks in the entertainment industry, and a $200 million Scorsese project is far from a conservative investment.
While Paramount has not officially detached itself from the film yet, Scorsese has already started eyeing other production companies, most notably his old pals at Netflix and some new faces at Apple. Last year’s “The Irishman” was one of Netflix’s biggest selling points, especially as the streaming wars started taking off in mid-November. The film set a new standard for Netflix as a company that supports creative and prestigious filmmakers. During awards season, “The Irishman” earned the streaming site an unprecedented 10 Oscar nominations. Sadly, it took home none.
Apple is the New Kid on the Block but with Very Deep Pockets
Apple, on the other hand, would be new territory for Scorsese. The tech company’s new streaming site, Apple TV+, launched just last November, and has focused more on creating quality television series than films. However, the platform recently released its first original movie—“The Banker” starring Samuel L. Jackson—and is allegedly spending big money on a Will Farrel-Ryan Reynolds musical adaptation of “A Christmas Carol” for an upcoming holiday season. Adding the new Scorsese project to the platform’s budding filmography would likely benefit Apple’s rising studio image.
Scorsese reportedly talked with executives at Universal and MGM as well, so there remains a possibility that the film will not end up on a streaming site at all.
Of course, whatever studio or website “Killers Of The Flower Moon” ends up on, the adopting company will have to go through ViacomCBS first. Paramount is not required to sell the film, and it will definitely want compensation for all of the money it has already invested. The way things are going, though, selling will probably be in Paramount’s best interest, for the film is becoming far too expensive to hold on to.
In addition to Paramount, a smaller, independent company called Imperative Entertainment is also attached to the film. Unlike Paramount, though, Imperative will likely continue its attachment, for it bares far less of the financial burden.
“Killers Of The Flower Moon” is meant to come out sometime next year, but with the coronavirus affecting schedules across the board as well as the current studio mix-ups, it very well might take longer to finish.
Book Origin is Intriguing as a Backdrop to a A-List Team Effort
The film is an adaptation of the 2017 book, “Killers of the Flower Moon: The Osage Murders and the Birth of the FBI,” by bestselling author David Grann. The book follows the federal investigation into the murders of Osage County Native Americans in 1920s Oklahoma. It’s a slow burning true story that will lend itself well to Scorsese’s hardboiled, historical take on narrative film.
Scorsese veterans Leonardo DiCaprio and Robert De Niro are meant to star in the movie. Di Niro starred in last year’s “The Irishman” and has appeared in nine Scorsese features since they first collaborated in 1973’s “Mean Streets.” The much younger DiCaprio last worked with Scorsese in 2013’s “The Wolf Of Wall Street” and has done a total of five movies with the auteur since 2002’s “Gangs Of New York.” He is also expected to star in a Theodore Roosevelt biopic, which Scorsese has been developing and hopes to start directing after finishing “Killers of the Flower Moon.”
This project will be the twenty-sixth feature in Martin Scorsese illustrious directorial career, which has lasted over half a century now. Leonardo DiCaprio and Robert De Niro are two of his most loyal collaborators, and their creative relationships with the director have been quite fruitful from artistic and financial perspectives. Both actors are Oscar winning leads, yet “Killers Of The Flower Moon” will be the first time they share the screen in a feature since 1996’s “Marvin’s Room.”
Regardless of where it ends up studio-wise, “Killers Of The Flower Moon” is bound to be a cinematic spectacle and a much talked about movie in the coming years. Whoever ends up getting their hands on the film will be lucky. That being said, it comes at a hefty ($200+ million) price, which is a sizable gamble even in the most normal of circumstances.
New Trailer is a hit on YouTube and Fans are Talking Oscars…
First, there was a Standing Ovation that clocked-in, reportedly, at over eight minutes. Now, critics at the Venice Film Festival, where the world premiere took place last night, have had nothing but raves for the film, it’s director and star. It appears that the promise that could clearly be seen in the two trailers released so far (see above and below) has carried over, with a big bang, into the reaction to the full length film.
As one surveys the two trailers, so far released for the upcoming “Joker” origin-story from Warner Brothers, there is a sense that this is an epic not easily categorized within the Comic-Book movie genre.
Starring Joaquin Phoenix (Oscar nominee for “Walk the Line”, “The Master” and “Gladiator”), directed and co-written by Todd Phillips (“Borat” and “The Hangover Trilogy”) and with Robert De Niro (as TV host Murray Franklin), the focus on how Arthur Fleck becomes “Joker” screams a muted, uneasy tension, that’s oozing from every pixel revealed so far.
In “Joker”, Batman’s Gotham City is a cesspool of dirt and depravity where Arthur appears doomed to live and die encircled with nothing but depression and humiliation. Mentally Ill and mercilessly tortured by the “sane” members of society all around him, he finds some respite in his chosen career of clown-for-hire and hopeful comedian wannabe by night.
We are all Clowns, Echoes of Antifa and Guy Fawkes
The potential for the story to transcend the genre of Comic book heroes and villains is hinted at in the placard with the words “we are all clowns” scrawled on it, that can be seen in a flash, about halfway through the new trailer (above).
Followed by scenes showing mobs of clown-mask-wearing demonstrators / rioters (shades of anonymous, Guy Fawkes, Antifa and Hong Kong), there’s an implication that an anti-social movement is growing up around, and identifying with, the anger and twisted humor of the emerging “Joker” super-villain character.
The real life parallels in the fictional world of Gotham City and the way many could relate, after having suffered similar fates to those that produced the madness into which Arthur descends, are scary, already in previews, and could portend a film that is, not only horrifically entertaining, but thought provoking when seen in the shadows of current events and today’s zeitgeist.
In the wake of so many “uplifting” but heavily computer assisted films where Comic book superheroes battle cartoon villains (and each other) the emphasis on live action grit and human emotions and failings is, at first look, refreshing and terrifying (in an interesting way), an that seems to have hit a nerve with the general public, well before the first public screening of the film.
Once the reviews flood out this weekend, after the Venice Film Festival World Premiere, the question of, to what degree the full length feature will live up to the promise encapsulated in these first two trailers, will have at least a provisional answer.
In the meantime we can just watch and re-watch these tender tidbits and prepare for October 4, 2019, when the film will see wide release across the USA.
New Trailer is a hit on YouTube and Fans are Talking Oscars…
As one surveys the two trailers so far released for the upcoming “Joker” origin story from Warner Brothers, there is a sense that this is an epic not easily categorized within the Comic-Book movie genre. Starring Joaquin Phoenix (Oscar nominee for “Walk the Line”, “The Master” and “Gladiator”) and directed and co-written by Todd Phillips (“Borat” and “The Hangover Trilogy”) with Robert De Niro, the focus on how Arthur Fleck becomes “Joker” screams a muted, uneasy tension, that’s oozing from every pixel revealed so far.
In “Joker”, Batman’s Gotham City is a cesspool of dirt and depravity where Arthur appears doomed to live and die encircled with nothing but depression and humiliation. Mentally Ill and mercilessly tortured by the “sane” members of society all around him, he finds some respite in his chosen career of clown-for-hire and hopeful comedian wannabe by night.
We are all Clowns, Echoes of Antifa and Guy Fawkes
The potential for the story to transcend the genre of Comic book heroes and villains is hinted at in the placard with the words “we are all clowns” scrawled on it, that can be seen in a flash, about halfway through the new trailer (above).
Followed by scenes showing mobs of clown-mask-wearing demonstrators / rioters (shades of anonymous, Guy Fawkes, Antifa and Hong Kong), there’s an implication that an anti-social movement is growing up around, and identifying with, the anger and twisted humor of the emerging “Joker” super-villain character.
The real life parallels in the fictional world of Gotham City and the way many could relate, after having suffered similar fates to those that produced the madness into which Arthur descends, are scary, already in previews, and could portend a film that is, not only horrifically entertaining, but thought provoking when seen in the shadows of current events and today’s zeitgeist.
In the wake of so many “uplifting” but heavily computer assisted films where Comic book superheroes battle cartoon villains (and each other) the emphasis on live action grit and human emotions and failings is, at first look, refreshing and terrifying (in an interesting way), an that seems to have hit a nerve with the general public, well before the first public screening of the film.
Once the reviews flood out this weekend, after the Venice Film Festival World Premiere, the question of, to what degree the full length feature will live up to the promise encapsulated in these first two trailers, will have at least a provisional answer.
In the meantime we can just watch and re-watch these tender tidbits and prepare for October 4, 2019, when the film will see wide release across the USA.
