Tag Archives: Sony Pictures

Another Reboot on the Badass, All-Female Trio, ‘Charlie’s Angels’ are back Again

https://movietrailers.apple.com/movies/sony_pictures/charlies-angels/charlies-angels-trailer-2_h1080p.mov
new official trailer for “charlie’s angels”

Sony Scraping The Bottom Of The Barrel Of Intellectual Property With “Charlie’s Angels” Reboot

It was over forty years ago on ABC when three dissatisfied police-academy graduates became private detectives for the Charles Townsend Agency, thus becoming Charlie’s Angels and kicking off one of the most popular female-led television series of the 1970s. From TV writer-producer team of Ivan Goff and Ben Roberts, the original “Charlie’s Angels” ran for 110 episodes, garnering a strong cult following in its time. 

Since the original program left TV in 1981 due to diminishing popularity, there have been a couple attempts at reviving the franchise. In the early 2000s, Sony’s Columbia Pictures produced two filmic reboots, the 2000 McG directed “Charlie’s Angels” and its 2003 sequel “Charlie’s Angels: Full Throttle.” With an updated plot and cast, these playful adaptations faired alright at the box-office, but were critically underwhelming, being nothing more than lighthearted rehashes of the bygone original series. In 2011, ABC again tried to refresh the series on television, but immediate low ratings got it canceled after only seven episodes. 

Perhaps you’d expect Sony to take the hint and realize that people are not as nostalgic or invested in “Charlie’s Angels” as they were in 1976. However, in the current state of Hollywood, every major production company is looking for whatever intellectual properties they have in their libraries to capitalize on. Thus, here in 2019, yet another rendition of “Charlie’s Angels” is coming to theaters.

https://movietrailers.apple.com/movies/sony_pictures/charlies-angels/charlies-angels-trailer-1_h1080p.mov
original official trailer for “charlie’s angels”

With Diverse Females Both Behind and In Front of the Camera, Angels Promise to Bring Feminism to the Franchise in Ways the Others Did Not

Kristin StewartElla Balinska, and Naomi Scott play the three title characters in the 2019 “Charlie’s Angles.” Happily, this is a much more diverse version of the angels than we’ve ever seen before on screen—conventionally the angels have all been white excluding Lucy Lui’s character in the 2000 and 2003 movies. 

Furthermore, Elizabeth Banks directs the film and is playing a version of the character Bosley. With a woman behind the camera for the first time, it is likely that the new “Charlie’s Angels” will also shed some of the misogyny and sexualization that defined previous installments in the franchise. If the trailer is any indication, the new movie will keep the original series’ tongue-and-cheek humor, but it will also be a bit self-referential, mocking the past incarnations’ flaws and turning them on their heads to empower the female protagonists. 

Thus, “Charlie’s Angels” one salvation may be the fact that it will be a progressive film, an action-comedy that will defy a whitewashed Hollywood and radiate with crucial feminine energy in the wake of the #MeToo movement.

Despite Creative Innovation, the Franchise has Minimal Chance for Popular Revival

This is all worth celebrating, but from an industry perspective, we have to question whether or not audiences will actually take the time to go see the new “Charlie’s Angels.” Make a reference to the original series, drop the name Bosely or the Charles Townsend Agency to young people at Comic-Con and you will probably receive blank stares. Perhaps older audiences are interested in the “Charlie’s Angels” universe, but they are not the main demographic going to the movies—especially not big-budget action movies like this one.

Elizabeth Banks, who also wrote the screenplay for the new movie, is setting the flick in the same diegesis of the original series, with direct ties to that universe. She is essentially trying to do with “Charlie’s Angels” what JJ Abrams did with “Star Trek.” The difference is that “Star Trek” has one of the most committed fan bases on earth and when Abrams revived it in 2009, there were still millions of people curious to see more of that same universe. “Charlie’s Angels” does not have that same longevity to it. The title is remembered as nothing more than an outdated show from the seventies, and a so-so couple of films from the turn of the millennium. 

In the best of circumstances, “Charlie’s Angels” will take the route of Jon Favreau’s “Iron Man” and be an unexpected hit based off of a B-rate property. More likely however, it will fall into the ether of glossy Hollywood magic paired with quality talent, but not having enough of an audience for it to gain much momentum.


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Tom Hanks employs Radical Kindness to become Mr. Rogers in ‘A Beautiful Day in the Neighborhood’

https://movietrailers.apple.com/movies/sony/a-beautiful-day-in-the-neighborhood/a-beautiful-day-in-the-neighborhood-trailer-1_h1080p.mov
official trailer for “A Beautiful Day In The Neighborhood”

Nostalgia Gives Birth to a Biopic that Demands a Celestial Talent to Honor his Halo-like Memory

After last year’s Oscar nominated documentary “Won’t You Be My Neighbor?” stirred up nostalgia for the retro children’s show “Mr. Roger’s Neighborhood” and its wholesome host Fred Rogers, it was only a matter of time before we saw the loveable man portrayed in a feature.

In January 2018, Sony’s Tristar Pictures bought the rights to a screenplay titled “Are You My Friend.” Micah Fitzerman-Blue and Noah Harpster wrote the script over six years ago and it earned a place on the 2013 blacklist. Centered on Fred Rogers, the story focuses on his relationship with a skeptical Esquire reporter who finds a transformed outlook on life when he sits down to interview the endearing kids show host. 

The project was retitled “A Beautiful Day In The Neighborhood” and from the earliest stages of development, one question was on everyone’s mind: who could portray the renowned Mr. Rogers on the screen? Being a legendary figure for an entire generation’s childhood and holding an unparalleled demeanor of authenticity, gentility, and kindness, not just anyone could fit Mr. Rogers’ white-laced, sky-blue sneakers. 

Therefore, one of TriStar’s first decisions in pre-production was to cast somebody who could accurately and effectively capture Mr. Rogers’ quasi-celestial star power. The studio also also needed to find somebody who could portray Rogers in his middle ages, as the film takes place in the mid-nineties, towards the end of his career. 

Rather than go for an unknown to play the lead, Sony aimed high and casted the incomparable Tom Hanks, turning the project into an image of an icon playing an icon. 

Make no mistake, Tom Hanks has more than enough talent to play Mr. Rogers. With two Oscar wins and three additional nominations under his belt, the sixty-three year old actor seems up to snuff for any role thrown his way. Over the years he’s been in everything from comedies to dramas to action flicks to musicals. He’s played diverse fictional characters from the dim-witted Forrest Gump to a literal man-child in “Big,” and has portrayed several real figures such as Captain Richard Phillips, Pilot Chesley “Sully” Sullenberger, Ben Bradlee, Walt Disney and more—not to mention his unmistakable voice-acting as Woody in the “Toy Story” franchise.

Icon portrays Icon—The Dilemma of Tom Hanks as Mr. Rogers 

Indeed, nothing seems beyond Tom Hank’s abilities, and his talent is appreciated widely enough that his mere presence on screen is likely to draw an audience. That being said, it is possible that when it comes to playing Fred Rogers, Hanks’ strength may actually be his weakness, and his recognizability may paradoxically end up detrimental to the performance.

As aforementioned, Mr. Rogers is an icon. There can only be one of him. No matter who plays him, audiences will naturally notice inconsistencies between the actor’s portrayal of the man and the man himself. If an unknown actor played Rogers, however, then at least there would be a blank canvas on which the film could project their depiction of him.

With Tom Hanks being an icon as well, audiences will inevitably see him within the character. No matter how well he portrays Rogers, Tom Hanks will always be Tom Hanks to the audience. Thus, viewers may struggle to overlook the actor when aiming to appreciate the character. 

This is already somewhat evidenced in the film’s trailer. While Hanks seems to be doing a good job playing the lead character, there is one noticeably uncanny element—his voice. Both Hanks and Rogers have recognizable voices, but they are very different in tone. When Hanks tries to impersonate Rogers’ light, gentle voice, we cannot help but hear traces of the actor’s signature deep drawl underneath. This is just one manifestation of the dilemma that comes with Hanks as Rogers.

None of this is to say that Tom Hanks will not be able to pull the role off. Stranger casting choices have surprised us in the past, and “A Beautiful Day In The Neighborhood” already received positive acclaim following its premiere at the Toronto Film Festival. We are just noting that despite the star power that Hanks brings to the project, there is a cost to that star power in a role like this. The actor will have to deliver something truly above and beyond to convince us that he is the real Fred Rogers and not just Tom Hanks sporting a red-sweater, white shirt, tie, and khakis, singing along in the Land of Make-Believe.


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2 Bonafide Blockbusters and a Clip Creates a Viral Vent-a-thon: Movies

In the case of the Jungle Cat, a boffo box office was always expected, yet, after critics panned it for having a storyline that was identical to the original animated version, perhaps the magnitude of the success was somewhat surprising. Also, with Spider-man: Far From Home being a sequel long down the line, over $1 billion in ticket sales worldwide (so far), also seems like a less than obvious outcome. Cats? well, see for yourself, if you haven’t already, this is a trailer that gives everyone inspiration to sound off – 

Spider-Man: Far From Home Beats the Box Office -Projected to Reach Over $800 Million Worldwide

Lion King’s Monarchy Reigns Supreme

New Cats Trailer Out and The Timing, and a lot of Other Stuff, Feels Weird


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Asian Box Office Portends a Strong Holiday for SPIDER-MAN: Far From Home

https://lynxotic.com/wp-content/uploads/2019/07/spider-man.mp4
Sony pictures / official trailer

In the second biggest initial release totals so far this year, China’s early release of the superhero appears headed skyward. At 46% above “Spider-man: Homecoming” this could be a strong sign for the Stateside release. However, “Homecoming” was released a week after the US, in contrast to “Far From Home’s” advance release in Asia’s largest market.

Spider-Man: Far From Home is the latest installment in the MCU (Marvel Cinematic Universe). It will presumably have box-office juice coming hot on the heels of Avengers: End Game (currently, the second highest grossing film of all time, recently surpassing Titanic and only behind James Cameron’s Avatar at 2.8 billion).

Peter Parker takes a little sabbatical from his Queens, NYC Spidey-life and embarks on a European trip with his friends. Somewhere along the way, Nick Fury commissions Spider-Man to uncover mysterious elemental creatures creating havoc across the continent. But, it looks like Mysterio (Jake Gyllenhaal) is on the case!

As an unassuming tourist in Italy. – Photo / Sony Pictures

Spider-Man: Far From Home preview hints at a travelogue format: Europe and the Marvel Universe

Poster showing Venice, Italy – Photo / Sony Pictures

Spider-Man fans will also rejoice in the fun little ‘easter eggs’ planted within the film. For example, Parker is seen wearing shades and an upgraded Spidey suit designed by fellow Marvel superhero, Tony Stark.

Stark Designed Stealth-Black Outfit. – Photo / Sony Pictures

New York’s best-known superhero is seen scaling a European wall, in a black makeshift costume. Not quite the black “symbiote” outfit that hatched Venom, but we’ll take it.

In front of the “Brandenburg Gate” in Berlin. – Photo / Sony Pictures

Spider-Man: Far From Home: directed by Jon Watts (Spider-Man: Homecoming) and stars Tom Holland, Jake Gyllenhaal, Zendaya, Marisa Tomei, and Samuel L. Jackson.

Jon Favreau reprises his role as Parker’s mentor, Stark’s bodyguard and chauffeur, Harold “Happy” Hogan.

The film swings into theaters Tuesday July 2nd.


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