Tag Archives: 2013

Jake Gyllenhall is a One-Man-Show in ‘The Guilty’: Netflix’s new Psychological Thriller

Above: Photo / Netflix

Remake of the Danish Award winning hit will surely translate to big-time US success

Back in 2018, during the Sundance film festival, Jack Gyllenhaal watched a Danish film “Den Skyldige” (The Guilty). Immediately after experiencing the psychological thriller he knew it could be a hit in English. 

The actor then quickly acquired the rights, and now he stars in the remake of “The Guilty“, which will get its premiere on Netflix October 1st, 2021. 

During the time that production was initially set to begin for the film, suddenly covid-19 happened, and, as we all know, that put a halt to productions across the entertainment industry.

Yet this film, if it follows the original, is almost uniquely perfect for filming during a pandemic. The movie is primarily centered around one man in one location (everyone else is mainly heard over the phone) – thus the movie was ultimately produced by way of social distance, FaceTime and zoom chats by director and producers. (which is not to say he, at least, phoned-it-in, by any means).

Gyllenhaal plays a demoted police office that now works as a 911 dispatch operator named Joe Bayler. He receives a call from someone in danger, but throughout the call, which takes place in a single morning, nothing is as it seems.

Check out the trailer for the original 2018 version with English sub-titles, of course. The 2021 version set for the Netflix streaming platform does not, as of yet, have a trailer available. Aside from Gyllenhall, additional cast will mainly be comprised of voice performances by the likes of: Ethan Hawke, Peter Sarsgaard, Riley Keough, Paul Dano, Byron Bowers, Da’Vine Joy Randolph, David Castaneda, Christina Vidal, Adrian Martinez. Bill Burr, Beau Knapp, and Edi Patterson.


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Updated iMac with Ultra Large Screen in the works at Apple: Credible Source

Above: fantasy take Lynxotic Credit: Apple

Possible Pro Display XDR-like Screen Real estate up to 32”

Well known and previously credible Apple leak-meister l0vetodream added credence to the wildly rumored concept that a high-end newly designed iMac will feature a “really big” screen, larger than the current max for iMac of 27 inches (5k).

With the iMac Pro already out of production and only the “standard” 21.5 inch and 27 inch models remaining an update, definitely this year, is an obvious prediction.

However, since the iMac Pro itself never had an option for a larger higher resolution screen, and in the mean time the $5 to $6 thousand 32 inch 6k Pro Display XDR setting the standard for ultra large high quality screen design it is also not unlikely that some of the technology of that product could trickle down into a high end iMac without adding the cost of such a colossus.

Above: 6k Pro Display XDR Credit: Apple

Further, there’s a slightly less credible but interesting rumor out regarding a new iPhone design based on the “cheese grater” style of the new Mac Pro and Pro Display. Though a bit mind-blowing to imagine, a matching set of gear with cheese grater styling for my iPhone 13 Pro, and a new high end iMac is a bizarre pleasant (but perhaps a bit macho) daydream.

Image Credit: YouTube / PocketNow

It’s not likely that this new machine would surface as soon as WWDC 2021 but, it is not entirely off the table either (nothing is out of the question with Apple’s secrecy history)

Since the iMac outward design has not had a total makeover since 2012 (!) the possibility (probability?) of a new, higher end, iMac with new styling (perhaps with bezels and edge styling like the iPad pro of late), faster, upgraded performance (M2?) and a bigger and better screen than the current 27 inch model would be just fine, thank you.


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Epic Battle over News Content Payments is Moving Next to Europe

Possible WW3 over Digital Ads with Zuck & Google Vs MSFT & Apple

Sometimes, in order to tackle a complicated subject it is necessary, first, to take a step back. For example, before tech and the internet became the dominant economic force it is today there were hundreds, even thousands of companies that had important roles to play in the economy.

Not they other companies are unimportant today, but the sheer scale of trillion dollar (and growing) tech companies such as Google, Facebook who combined represent a near monopoly in digital advertising, and Apple and Microsoft, each also with strangleholds in some markets, but on the outside in the war over digital ad income.

This disparity and imbalance is so massive as to be nearly unprecedented in history. And, now, as the first blind hero worship phase has ended, we are entering a phase where the nearly ubiquitous influence and dominance over lives and fortunes are finally being questioned.

Next up: The war erupting as a result of the extreme correlation between the entrenched and overwhelming dominance of Facebook and Google in digital ads, the income source of media producers, and the near demise of that industry.

The situation has finally become so critical and lopsided that governments are finally stepping in to enforce changes that could never happen while one side, the “dominant digital platforms” holds all the cards and power.

One new axiom that has emerged with the rise of big tech monsters is that only a monster can hope to prevail in a war with another monster. Enter Kong vs Godzilla.

In this emerging world war it is more complicated still; on one side are the parallel duo of Facebook and Google, with similarities in the way they dominate digital advertising, but also in that they share a “surveillance” based business model using private user data to control markets and traffic.

On the other side are Apple, which has staked a claim to user privacy as a means to clearly differentiate a positive product and service based model, Microsoft, that appears to simply want to play the underdog as a search engine alternative to google and a “smaller” player in the digital ad space.

And then, in a corner of distinction above all others, lies the power of world governments.

World governments are playing a pivotal role as a kind of referee – finally stepping in, as the dangers and damage caused already by the duo of Facebook and Google, have awakened the possible regulatory, anti-trust actions that only they can enforce.

First was the rumble down under, now, on to Europe and North America

Even as a kind of truce has erupted in Australia, with the government making specific alterations to the News Media Bargaining Code that, apparently, appeased Facebook enough to withdraw its universal ban on hosting Australian news product.

According to AP News: Google and Facebook, take a combined 81% of online advertising in Australia and initially condemned the code as unworkable.

That has rapidly changed, and the stand-off has come to at least a temporary end.

Also likely, is that the massive demand for an app offering direct access to some of the exact stories that Facebook banned sent a strong enough message that competition for viewers is only one click away.

Motivating the two sides to come to terms and for Facebook to back down from its draconian stance vis-à-vis the new law.

Even as the Aussie skirmish fades a new front in Europe is emerging

Microsoft announced on February 22nd that is was joining a coalition of European Publishers to promote an “Aussie style” code for digital platforms to remunerate news content producers.

In addition to Microsoft, groups involved include the European Publishers Council (EPC), News Media Europe (NME), European Newspaper Publishers’ Association (ENPA), and European Magazine Media Association (EMMA).

Previously, Microsoft had already Earlier this month, Microsoft was lobbying in support of other countries following Australia’s lead in creating legislation mandating that news outlets to be paid for articles published on the platforms in the United States, Canada, the European Union, and other countries.

“We welcome Microsoft’s recognition of the value that our content brings to the core businesses of search engines and social networks because this is where Google and Facebook generate the vast majority of their revenues.

It is crucial that our regulators recognise this key point, and don’t get misled into thinking that side deals on the basis of a stand-alone product are the same thing, because they are not at all and undermine the neighbouring rights that we have been granted. All publishers should get an agreement – no one should be left out”.

-CHRISTIAN VAN THILLO, CHAIRMAN OF THE EUROPEAN PUBLISHERS COUNCIL

EPC, NME, ENPA, EMMA, and Microsoft call for arbitration to be implemented in European or national law that requires search engines and media platforms that aggregate news pay for content based on the Publisher‘s Right set out in Directive 2019/790.

Pandora’s Box is open and spilling all over the highway

Interestingly, Microsoft is, in a roundabout and equally self-severing way (according to critics) is now the second trillion dollar tech monster to take a direct stance against Facebook and Google and the monopoly strangle hold the enjoy over the financial life-blood of advertising that is essential for journalism and news production to survive, let alone flourish.

Source: StatCounter Global Stats – Search Engine Market Share

Critics will point out that Microsoft’s Bing search engine with a tiny market share compared to Google (in chart above the ridiculous 90% plus monopoly can be seen) has nothing to lose and everything to gain by supporting government efforts to even the playing field. And Apple? Facebook has already declared war and alleged all sorts of evil motivations for the privacy controls being built into its operating systems.

But that kind of talk is a bit late and weak now that the ultimate tech monster showdown has already begun. The first crack in a flawed and destructive business model, one shared to a great degree by both Facebook and Google has seen its first failure. Many more are yet to come.

And, last but not least, Microsoft and Apple are positioning themselves as the “good guys” and siding with governments and the News production organizations, partly, in order to be seen in a more positive light in case various anti-trust and regularity battles loom between either of them and the governments that are, currently, also investigating all of the giants.

By the way, seen any of Amazon’s recent “we are good guys, despite what you might have heard, seen or experienced” commercials? Small tip: if you have to spend millions on commercials trying to convince people you are not an evil greed-obsessed avaricious crap-ass company then you probably are exactly that.

The horses are out of the barn so grab your popcorn and get ready for this to get strange soon. After Europe Canada and then the US is coming into the ring.


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‘Homefront’: James Franco, Jason Statham Action film at #2 on Netflix

Sometimes visiting 2013 is a cozier watch

https://movietrailers.apple.com/movies/independent/homefront/homefront-tlr1_h1080p.mov

More and more these days a search for something to enjoy on Netflix leads the the top 10 list and what others are watching and, recommending to their friends. Cause, after all, how does a movie from three, five or even eight years ago get into the top 10 or even the top 5?

Read More: Why Netflix’s ‘Lupin’ was a Smash and Millions are waiting for the next batch in the series

You’d think it’d be not only people randomly landing on a slightly older film and checking it out for kicks, but also, after watching that they’d pass the idea along in social media or to friends “at the water cooler” that no longer exists, right?

Whatever the mysterious way that it happens, the result at the moment is this credible, decent romantic action film with James Franco and Jason Statham has ascended to nearly the top spot, at #2 as of this writing.

See More: MonsterVerse ‘Godzilla vs. Kong’: See New Trailer

That’s pretty incredible, considering it was released in around 2013. I suppose it goes to show that they just don’t make ’em like they used to. Check out the trailer and see what you think.


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Northern Lights Visible Tonight from U.S.: Where and When to Watch

Above: Photo / Unsplash

Potential Spectacular light show will wow from some locales

If you always wanted to see the aurora borealis, a.k.a. the northern lights but didn’t have time to take a voyage to Iceland, Alaska or the North Pole, tonight will be your chance. 

December 2020 is shaping up to be a celestial bonanza. On the 23rd we will get the “Great Conjunction” also known as the Christmas Star, while the 14th there will be a solar eclipse. And as above, tonight we get the light show of a lifetime, conditions permitting. Not to mention the best meteor shower of the year.

Read More: Christmas Star: alignment of Jupiter and Saturn will be closest in 800 years

The Space Weather Prediction Center (SWPC), issued, for the nights of Wednesday, December 9, and Thursday, December 10, G1, G2, and G3 geomagnetic storm watches which indicate the possibility of the aurora borealis being visible. If these solar activity surges are as predicted, folks could have  a view as far south as parts of northern Illinois and Indiana, along withPennsylvania, as well as various other locations across the nation. 

In the best case scenario which is a G3 magnetic event, some light may be visible in northern Idaho, a small portion of Northern Illinois and Indiana, northern Iowa, Maine, Michigan, Minnesota, Montana, New Hampshire, northern Nebraska, New York, North Dakota, South Dakota, Vermont, Washington, Wisconsin, and Wyoming, in addition to all of Alaska and Canada. No surprise on the Canada and Alaska part.

In the case that the event only reaches G1 magnitude, the list would be similar but not nearly as long. 

The SWPC data corresponds to a G1-3 alert with a possible event beginning at 5 pm ET on the evening of December 9, with possible continuation until 5 am on December 10. It is safe to view with the naked eye and photograph.

The disclaimer is that these are only predictions and, naturally you would need to be in a cloud free weather setting for the lights to manifest to your view brightly enough to be seen. 


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