Tag Archives: 20th Century Fox

“Spies In Disguise”: Will Smith and Tom Holland get crazy Cartoony in New Disney Release

https://movietrailers.apple.com/movies/fox/spies-in-disguise/spies-in-disguise-trailer-2_h1080p.mov
Official trailer for “Spies in disguise”

Blue Sky Studios has made a mix of movies over the years. Being the animation subsidiary of 20th Century Fox, Blue Sky hasn’t become a household name quite like Pixar, DreamWorks, Illumination, or even Sony. The studio found initial success with “Ice Age” in 2002, which sparked a five movie, fourteen-year franchise that still remains very popular overseas. In between these Pleistocene Epoch-themed successes, they have also produced movies such as “Robots,” “Rio,” “The Peanuts Movie,” and “Ferdinand.”

There is nothing wrong with any of these movies. Some of them even managed to fare well at the box office. Critically, however, none of them have really made an enormous splash, and they tend to fall behind films made by Blue Sky’s competitors.

As of this past March, though, 20th Century Fox has been under Walt Disney Studios’ control, making Blue Sky a Disney property. Therefore, Blue Sky’s next project will be the studio’s first to be released under Disney’s watch.

That next release is titled “Spies In Disguise,” and despite getting its release date perpetually pushed back since January, the film will finally hit theaters on December 25th.

Although “Spies In Disguise” will be Blue Sky’s first release under Disney, the project entered into development back in 2017—long before the Fox acquisition. Likewise, production predominantly took place in 2018. Thus, Disney really didn’t have much oversight in the making of the movie.

The film is partially based off of a 2009 animated short titled “Pigeon: Impossible,” directed by Lucas Martell. This feature adaptation will be the directorial debuts for Nick Bruno and Troy Quane, both of whom have worked in the animation and art departments on previous Blue Sky productions. Meanwhile, Brad Copeland (“Ferdinand”) and Lloyd Taylor (“The Wild”) wrote the screenplay.

The first personnel that Blue Sky signed onto the project, however, were actually the two star voice actors: Will Smith and Tom Holland, both recognizable faces with fairly familiar voices (especially the former). The studio casted these two as the leads way back in 2017 during development.

In the film, Will Smith plays superspy Lance Serling, a suave hero who continually saves the world from destruction—the cartoon character design even looks a little like Smith. Holland, on the other hand, plays Walter Beckett, Serling’s tech officer who invents gadgets to aid the spy on his missions. The plot takes off when Serling ingests Beckett’s latest creation—a “biodynamic concealment”—which zanily turns him into a talking pigeon.

Humbled by this change in species, Serling must team up with the nerdy Beckett to save the world from archvillain Tristan McFord, who is voiced by Ben Mendelsohn. Along the way, the two protagonists learn the perks of being a pigeon when it comes to spying, creating many quirky, action-packed, and humorous instances in the process.

There is no telling what critics might say about “Spies in Disguise.” The animation looks good (it is computer animated with sharp edges and caricature-esque figures in a similar style to “The Incredibles”). Simultaneously, the casting is on point and the story seems funny enough. However, with “Frozen II” still being in theaters and family-friendly sensational blockbusters like “Star Wars: Rise of Skywalker” also coming out in December, “Spies In Disguise” will have a lot to compete with, and will most likely fall to the wayside for most moviegoers.


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5 Trailers of Oscar Contenders: Check out the films that Insiders are Predicting to Win

https://movietrailers.apple.com/movies/universal/1917/1917-trailer-2_h1080p.mov
Official Trailer for “1917”

1917

Oscar buzz and predictions are building ahead of the Golden Globes, which are traditionally used as a gauge of what will most likely be among the Oscar nominations. The Globes are slated for January 6th, 2020 and the Oscar’s, a.k.a. 91st Academy Awards telecast is on Sunday, 24 February.

Some of the films that are getting the most buzz and are favored to be in the running can be seen by peeking at the trailers (with links to our in depth articles) below:

https://movietrailers.apple.com/movies/fox_searchlight/jojo-rabbit/jojo-rabbit-trailer-2_h1080p.mov
Official Trailer for “Jojo Rabbit”

Jojo Rabbit

New Zealand director Taika Waltiti’s movie “Jojo Rabbit” was released October 18th. The critic’s reactions have been positive, and the film won the Toronto Film Festival audience award putting it in line, if past years winners are any indication, for a possible Oscar nod. Waititi was also awarded the Festival’s new Ebert Director Award.

Waltiti is known for directing wacky comedies such as “What We Do In The Shadows,” “Hunt For The Wilderpeople,” and the borderline parody Marvel hit, “Thor: Ragnarok.” His latest film, “Jojo Rabbit” follows this same vein of outrageous, yet charming humor, but there is one key difference… “Jojo Rabbit” focuses on Germany’s Nazi party during World War II, making its hilarity just a touch more complicated.

More specifically, “Jojo Rabbit” is about a young boy in the Hitler Youth. Like many German kids of the time, he aspires to be a Nazi soldier when he grows up. He buys into the party’s ideologies and believes their propaganda. That is until he comes face to face with a Jewish girl and learns, despite what the Nazis have taught him, that she is harmless, pleasant, and appealing.

On the surface, the premise seems like the bones of a complex and sophisticated historical drama. With Waltiti behind the camera, though, such is obviously not the case. Instead of dry historical accuracy, Waltiti makes the Hitler Youth look like a summer camp filled with likable children and goofy leaders. Most boldly perhaps, Waltiti himself plays Adolf Hitler in the movie, but rather than depict him as the brutal dictator that he was, Waltiti makes him out to be the kind-uncle archetype, a socially inept, hilarious motivator and idol for the children in the story.

https://movietrailers.apple.com/movies/sony_pictures/once-upon-a-time-in-hollywood/once-upon-a-time-in-hollywood-trailer-1_h1080p.mov
Official Trailer for Once Upon A Time… In Hollywood

Once Upon A Time… In Hollywood

Quentin Tarantino has had success with his ninth movie, “Once Upon a Time in… Hollywood”. In a slight departure from his stark early 70s styled crime dramas, this time Tarantino pays homage to the late- 60’s genre and his love for his hometown, Los Angeles.

The film takes place in 1969 Hollywood, amidst the chaotic events of that year, including the infamous Manson Murders. Much like The Altamont Free Concert, as chronicled in the film Gimme Shelter (with it’s high profile murder during the show), the gruesome, violent Manson murders are often cited as an historical moment marking the end of the free love 60’s and a pivot towards the darker times in the me decade of the 70’s.

The film stars Leonardo DiCaprio as Rick Dalton, as an actor on a Western television series alongside Brad Pitt as Cliff Booth, Dalton’s stuntman. The two work and live closely together as they carry out their urban cinematic adventures. The characters and their friendship are said to be based on 70’s icon Burt Reynolds and his stuntman Hal Needham.

https://movietrailers.apple.com/movies/wb/joker/joker-trailer-2_h1080p.mov
Official Trailer for “Joker”

Joker

Even before seeing “Joker” the origin-story from Warner Brothers, there is a sense that this is an epic not easily categorized within the Comic-Book movie genre.

Starring Joaquin Phoenix (Oscar nominee for “Walk the Line”, “The Master” and “Gladiator”), directed and co-written by Todd Phillips (“Borat” and “The Hangover Trilogy”) and with Robert De Niro (as TV host Murray Franklin), the focus on how Arthur Fleck becomes “Joker” screams a muted, uneasy tension, that’s oozing from every pixel revealed so far.

In “Joker”, Batman’s Gotham City is a cesspool of dirt and depravity where Arthur appears doomed to live and die encircled with nothing but depression and humiliation. Mentally Ill and mercilessly tortured by the “sane” members of society all around him, he finds some respite in his chosen career of clown-for-hire and hopeful comedian wannabe by night.

The potential for the story to transcend the genre of Comic book heroes and villains is hinted at in the placard with the words “we are all clowns” scrawled on it, that can be seen in a flash, about halfway through the new trailer (above).

Followed by scenes showing mobs of clown-mask-wearing demonstrators / rioters (shades of anonymous, Guy Fawkes, Antifa and Hong Kong), there’s an implication that an anti-social movement is growing up around, and identifying with, the anger and twisted humor of the emerging “Joker” super-villain character.

The real life parallels to the fictional world of Gotham City and the way many could relate, after having suffered similar fates to those that produced the madness into which Arthur descends, are scary, already in previews, and could portend a film that is not only horrifically entertaining, but thought provoking, when seen in the shadows of current events and today’s zeitgeist.

In the wake of so many “uplifting” but heavily computer assisted films where Comic book superheroes battle cartoon villains (and each other) the emphasis on live action grit and human emotions and failings is, at first look, refreshing and terrifying (in an interesting way), and that seems to have hit a nerve with the general public, judging from the $1 billion plus bos office take so far.

https://movietrailers.apple.com/movies/fox/ford-v-ferrari/ford-v-ferrari-trailer-1_h1080p.mov
Official trailer for “Ford v FerRari”

Ford v Ferarri

From “Logan” and “Walk The Line” director James Mangold, “Ford v Ferrari” follows the true story of American engineer Carroll Shelby who is solicited by Henry Ford II to build a car that can beat Ferrari at the 1966 Le Mans World Championship in France. Shelby, determined to complete Ford’s ambitious task, insists on putting the wild and loose British driver Ken Miles behind the wheel. What ensues is the fast-playing tale of a couple eccentric and erratic people infiltrating a world filled with professional industrialists to take on the impossible.

Matt Damon plays Shelby in the film and Christian Bale as Miles. Rather than one being the lead and the other being a supporting role, both actors are co-leading the film, making them both eligible for Best Actor in a Leading Role nominations at the Oscars come February.


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“D’oh!”—Disney+ Modifies ‘The Simpsons’ to 16:9 Aspect Ratio at the Expense of Series’ Trademark Humor

Graphic Collage / Lynxotic

Disney+ reels Subscribers in with Massive, Nostalgia-Inducing Hoard, such as 30 Seasons of “The Simpsons”!

Disney+ is here, and for the most part, it is living up to astronomical expectations. The streaming service has everything it promised under the Walt Disney Studios banner, from Marvel, to Pixar, to Star Wars, to Disney Animation vault material, to originals and more. The service allows its 10 million patrons to re-watch childhood classics and also discover something new, all for the affordable price of $7 per month.

One of the most appealing pieces of content available on Disney+ is all 30 seasons of “The Simpsons,” which Disney acquired when it purchased 20th Century Fox earlier this year. “The Simpsons” has been on the air since 1989, making it the longest running scripted television series. Its characters are household names and its humor has transcended generations.

Visual Humor is Extremely Delicate, and the Aspect Ratio makes can make a Huge Difference

Naturally, many people were eager to watch their favorite episodes of “The Simpsons” when Disney+ launched last Tuesday. Given that “The Simpsons” golden years are often considered between seasons 3 and 8, most users flocked to these chapters in the show’s history. 

However, when fans finally selected the episodes and pressed play, they may have found themselves confused and disappointed to see that the show looks different than it did in their memory, and that it is missing a few jokes as a result.

This is not a case of people misremembering something as better than it actually is—“The Simpsons” is undoubtedly a hilarious show. The reality is that Disney adjusted the show’s aspect ratio for seasons 1-19 when adding it to the streaming service. While seasons 1-19 originally aired in a primitive 4:3 aspect ratio, Disney+ edited the episodes to fall in line with its contemporary widescreen 16:9 ratio. 

A Funny Case in which Opting for a “modern upgrade” Backfires

This change could maybe be forgiven or perhaps even go unnoticed if it weren’t for the fact that the adjusted ratio comes at the expense of some of show’s humor. With the adapted framing, shots are cut off at unnatural edges. Therefore, some of the visual jokes in “The Simpsons” end up entirely out of frame.

Sometimes these graphic gags are subtle, but other times they are the focus of the entire scene or episode. Either way, many users consider this change insulting to both “The Simpsons” fandom and its creators. Viewers want to watch “The Simpsons” how they fondly remember it, in its original form.

Disney+ Responds Timely to Criticism Handling an American Television Staple

Seasons 20-30 of “The Simpsons” have gone untouched on Disney+ simply because these episodes were already made in 16:9 ratio. Disney+ wanted to create consistency amongst the series so it went for the latest, most often seen ratio. Unfortunately, it is the show’s development over time and that very inconsistency that enriches “The Simpsons’” as the series is watched in its original form, one can see its evolution over the years and better appreciate its long run as a staple of American television.

Disney has responded to complaints about the change, stating that it will soon release seasons 1-19 in their rightful 4:3 aspect ratios. This will happen in early 2020, at which time users will have the choice of how they want to watch “The Simpsons.” Nevertheless, it will keep the 16:9 ratio available for the sake of oncoming Disney+ features and unspecified digital viewing innovations. 


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Matt Damon and Christian Bale recreate Le Mans circa 1966 in ‘Ford v Ferrari’

https://movietrailers.apple.com/movies/fox/ford-v-ferrari/ford-v-ferrari-trailer-1_h1080p.mov
Official Trailer for “Ford v Ferrari”

Money, Cars, Engineering, Sexy Racing scenes, what could go wrong?

From “Logan” and “Walk The Line” director James Mangold, “Ford v Ferrari” follows the true story of American engineer Carroll Shelby who is solicited by Henry Ford II to build a car that can beat Ferrari at the 1966 Le Mans World Championship in France. Shelby, determined to complete Ford’s ambitious task, insists on putting the wild and loose British driver Ken Miles behind the wheel. What ensues is the fast-playing tale of a couple eccentric and erratic people infiltrating a world filled with professional industrialists to take on the impossible.

Matt Damon will play Shelby in the film and Christian Bale will play Miles. Rather than one being the lead and the other being a supporting role, both actors are co-leading the film, making them both eligible for Best Actor in a Leading Role nominations at the Oscars come February. 

With Two Top Tier Hollywood Veterans Co-Leading, Will this mean “Damon v Bale” at the Oscars?

Neither Damon nor Bale is a stranger to the Academy Awards. They each have a trophy and several nominations under their belts. Bale won Best Supporting Actor for his performance in 2010’s “The Fighter.” He was nominated in that same category for his 2015 performance in “The Big Short,” and has two Best Leading Actor nominations for 2013’s “American Hustle” and 2018’s “Vice.”

Damon on the other hand has never won an Oscar for acting. His only win was for 1997’s “Good Will Hunting” in the Best Original Screenplay category. That same year, however, he was nominated for Best Actor in “Good Will Hunting” and received the same nomination eight years later for his role in “The Martian.” He also earned a Best Supporting Actor nomination for his performance in 2009’s “Invictus” and a best picture nomination for producing “Manchester By The Sea” in 2016.

Both actors are evidently prestigious and immensely talented. At the same time, though, it is safe to assume that they are also both hungry for that Best Leading Actor award. If they both deliver in “Ford v Ferrari,” then it could become Damon v Bale at the Oscars.

June Release pushed back and now will fight Streaming Wars for Audience Attention

“Ford v Ferrari” debuted at the Telluride Film Festival earlier this year and played again at the Toronto Film Festival. The film received favorable reviews following both festivals. In particular, critics praised the movie for its race-like rhythm and the performances from its two stars. Additionally, while Mangold’s previous work has been generally dark in tone, “Ford v Ferrari” has an upbeat energy and a good sense of humor.

Under the banner of 20th Century Fox, the movie was originally scheduled to come out on June 28th. However, after the merger between Fox and Disney, the release date was pushed back to put it closer to Hollywood’s awards season. It’s new November 15th release date does not give it much rivalry for opening weekend at the box office. However, it is sandwiched between the release of “Doctor Sleep” the week before and “Frozen 2” the week after. Likewise, Disney+ comes out on the 12th, which could very well keep people away from the theaters for a few days. Thus, when it comes to “Ford v Ferrari,” the key word may be competition. It is a movie about the clash between two automobile tycoons, focusing on the strained relationship between a radical engineer and a hostile driver. Furthermore, upon release, “Ford v Ferrari” will have to prove itself against other forms of entertainment coming out in November, and come award season, we may see Damon and Bale taking the stage against each other for their two performances in the same film.


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