Tag Archives: Art

Curious Kids: what are NFTs – and why are they so expensive?

What is the purpose of making NFTs and what makes some of them so costly? – Tanvi, aged 16, Delhi, India

An NFT is a technology that proves who the owner of a digital object is. This digital object could be a song, a picture, a video, a tweet – or even a piece of digital land in an online game or virtual world. Recently, pieces of digital land in a forthcoming virtual world called Otherside sold for nearly US$6,000 (£4,791) each. What’s more, people were so keen to buy them that they also paid thousands of dollars in transaction fees.

NFT stands for non-fungible token. If something is non-fungible, this means that it cannot be replaced or exchanged for something of identical value. An example of something fungible is a current coin, such as a one pound coin, because this can be exchanged for another pound coin. It doesn’t matter which of the coins you have – you still have £1.

Something like a painting, though, is non-fungible. That particular painting only exists once. If you bought a painting, you could take that painting and hang it up in your bedroom. It would be yours – no one else would own that exact painting.

Owning something is more tricky for digital objects, because they can be copied. For instance, if you find a picture online that you like, you can right-click it, save it in your computer, and use it as a background if you want. This is where NFTs come in.

If you bought an NFT of a digital painting from the person who made it, a record of your purchase is kept in the blockchain. The blockchain is a giant database maintained by many people in their computers, and it is almost impossible to alter. Once the blockchain keeps a record of a transaction, it’s there forever. Everyone can see that you bought the NFT – and it proves that you are the only owner of the digital painting.

High values

Some digital objects have been bought for large sums of money. For instance, in 2021, the first tweet ever sent was sold for almost US$3 million. But why would someone pay so much money for an NFT?

First of all, most NFTs actually have a low price. We just only get to hear about them whenever there has been a record sale. It is the same with physical art. We hear about it when someone paid millions for a painting by a famous artist like Picasso, and never about all the paintings sold for much less.

Like physical things, the value of digital art or other digital objects depends on how much someone is willing to pay for it – and that can come down to a lot of factors.

The person buying it might think it is very beautiful or important, and so is happy to pay a lot of money for it. The person who bought the first tweet, businessman Sina Estavi, wrote about it on Twitter, saying, “This is not just a tweet! I think years later people will realise the true value of this tweet, like the Mona Lisa painting”.

The Mona Lisa, a painting by the Renaissance artist Leonardo da Vinci, is one of the most famous pieces of art in the world. It hangs in the Louvre gallery in Paris, and millions of people go to see it each year.

As well as the fact that the first tweet is unique and historical, buying it is also a matter of status. Only one person in the world can say that they own the first tweet ever sent.

In a bubble

Another reason NFTs might be so expensive is because of something economists call a bubble. We say that there is a bubble in a market when investors buy things with the main prospect of selling them shortly afterwards at a higher price. This pushes the price up.

Bubbles tend to occur whenever new technology appears. Plenty of investors come with their money after hearing about the astronomical price of a new technology, or about celebrities buying them. They buy them without fully understanding them, just attracted by the money they might be able to make by selling them on. Some people think this is what is happening with NFTs.

This is not to say that NFTs have no value: it is to say that some of the people buying them are doing so solely to obtain a profit, not because they are interested in owning an image.

Another reason NFTs might be so expensive is because of the potential they have to link with the metaverse. The metaverse is a virtual universe in which people would be represented by avatars and own digital space, like the digital land sold in the Otherside virtual world.

In the future, NFTs could be displayed in this digital space, in the same way we might hang a painting up in a physical house. It will probably also be possible to convert some of them into unique avatars that the owner can use to interact in that world. Since Otherside is owned by the same company that created a famous collection called the Bored Ape Yacht Club, maybe there will be a way in future for avatar versions of these apes and other NFTs to move around in the Otherwise metaverse.

Francesc Rodriguez-Tous, Lecturer in Banking, City, University of London

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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Sci-Fi Author Neal Stephenson tackles Global Warming Solutions in ‘Termination Shock’

There’s a Neal Stephenson Renaissance Going on Due to one Single Word

Metaverse. In case you’ve not heard of it, metaverse is the term that was coined by Stephenson in his dystopian novel “Snow Crash” to denote a virtual artificial world of corporate exploitation. In all its ironic glory the name, or a shortened version thereof, “Meta” was appropriated as a re-branding vehicle for that empire of corporate greed and exploitation… Facebook.

So then, what better backdrop for the new novel to launch, and with a potentially even more timely theme, could there be other than, namely, the looming destruction our planet faces due to climate change and excessive carbon emissions. Moreover, the lack of human cooperation needed to overcome greed and stupidity in order to resume ourselves.

If this particular perspective on a fictional, but perhaps, soon, all too real, set of circumstances, is not spot on, there is nevertheless a great need for these questions to be addressed.

After all it is ultimately the cooperation and consensus of the entire planet that will be necessary to find, and more importantly, implement a solution that will prevent armageddon.

Perhaps the newly intensified focus on the future – fantasies, but also concerns and disaster aversion planning, is just what is needed. Perhaps authors, artists, engineers and even an average citizen can begin today and find the thread of change in thinking, and ultimately, living that’s needed for all our survival.

From Bookshop.org:

One man – visionary billionaire restaurant chain magnate T. R. Schmidt, Ph.D. – has a Big Idea for reversing global warming, a master plan perhaps best described as “elemental.” But will it work? And just as important, what are the consequences for the planet and all of humanity should it be applied?

Ranging from the Texas heartland to the Dutch royal palace in the Hague, from the snow-capped peaks of the Himalayas to the sunbaked Chihuahuan Desert, Termination Shock brings together a disparate group of characters from different cultures and continents who grapple with the real-life repercussions of global warming. Ultimately, it asks the question: Might the cure be worse than the disease? 

Epic in scope while heartbreakingly human in perspective, Termination Shock sounds a clarion alarm, ponders potential solutions and dire risks, and wraps it all together in an exhilarating, witty, mind-expanding speculative adventure.

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PhotoShop is Maxxed NFT with “NFT Prep” feature on the way from Adobe

Above: Photo Collage / Lynxotic

The Verge interview with Adobe’s CPO, has mega details

In a new, extensive, Verge interview podcast with Adobe’s CPO, Scott Belsky, a a ‘Prepare as NFT’ system launch for Photoshop was confirmed for the end of the month. 

The idea is to maintain a kind of proof of originality system to help prevent fake NFTs (minting non-fungible tokens) from being minted and sold by imposters. The final choice is in the buyers hands at this stage, but having a way for creators to prove authenticity would be a big step.

Since this week Adobe is also holding its annual conference, called Adobe Max, there are also a bunch of new features arriving for Creative Cloud and a slew of app including Photoshop. 

Intersecting worlds collide with Adobe in them all…

Adobe has been around, amazingly, since 1982, and millions of digital creatives and content creators use their products.

Photoshop is so entrenched that it has long achieved verb status: if you want to enhance a photo, for example to enlarge your backside or smooth out your skin, just “photoshop it”. And over use is derided as a “photoshopped” persona or image. 

Premiere Pro and After Effects, especially the latter, get a lot of pro and semi-pro use for video production. Many, many Pro photographers use Lightroom. The upgrade system for Adobe products and the creative cloud, such as the recent AI and neural engine assisted effects drive change and upgrades at a furious pace. 

With the entire content, image and video creation industry becoming more and more vital to networked human communications, tracing and verifying authorship and authenticity are becoming more and more crucial. 

Adobe is moving, with caution due to the issues that could arise, into the area on multiple fronts. As per the Verge article;

“With what Adobe is calling Content Credentials, creators will be able to link their Adobe ID with their crypto wallet and mint their work with participating NFT marketplaces. The software company says the feature should be compatible with popular NFT marketplaces including OpenSea, KnownOrigin, SuperRare, and Rarible. A ‘verified certificate’ that comes with minting an NFT with Photoshop’s Content Credentials will prove that the source of the art is authentic.”

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Adobe introduces document collaboration for Docs to Photoshop, Illustrator and Fresco

Easily share access and see version history on mac and iOS 

According to Adobe, in its blog post, shared about the collaboration: 

“Starting today, we make collaborating with others when working together on Photoshop and Illustrator documents much easier with the new Invite to Edit feature. This is a huge time saver for teams working on shared projects. Plus, we introduce Preset Sync in Photoshop.”

Read More: Books on Adobe Premiere, Final Cut Pro X and DaVinci Resolve for content creators

The new update to Adobe using its invitation to Edit feature within Photoshop, Illustrator and Fresco, will allow users to edit unsynchronized edits among various platforms: desktop, iPhone, and iPhone (Fresco).  That also means, collaborative work can more easily be edited as a shared cloud document, one at a time.  

 By saving your Photoshop (.PSD) or Illustrator files (.AI) as cloud documents, you can send invitations for others to edit.  Also possible, you can edit filed that have been shared with you.  Cloud documents can be accessible via assets.adobe.com as well as on the Creative Cloud desktop application. 

In addition, you can now Preset sync in Photoshop 

According to Adobe

Now you can sync your Photoshop presets wherever you use Photoshop. This includes brushes, swatches, gradients, patterns, styles and shapes. Preset Sync is shipping today in the desktop version on Mac and Windows, and synced brushes will be coming soon on the iPad version. You are now able to turn preset syncing on and off, and your preferences — the folder structure, the grouping and order of your presets are retained across devices. Any management you have done will be synced — set it and forget it!


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Important New Books on WWII, fascism and threats to Democracy

Now more than Ever Democracy needs an Informed Populace to Survive

After the recent alleged murder of a police officer by a “Boogaloo Boy, the indictments in a conspiracy plot to kidnap and murder the Governor of Michigan (Gretchen Whitmer) and with Trump “inciting the Proud Boys” during the Presidential debate saying, “Stand back and Stand By” (rather than condemning them and telling them to stand down), many of us are very wary of the possible dangers to Democracy swirling around the 2020 election. 

Read More: Five New Books about how We can Change the Direction of the USA in November and Beyond

These threats, although likely impotent, are still very real. So now would be the perfect time to consult history, and those who are experts on history, in order to know more about the potential dangers of fascism and wannabe dictators to democracy and the democratic rule of law. 

 Book burning is impossible Today but the Truth is still being Attacked from all sides

Just as Trump cries and whines daily about “fake news” a term originally coined to describe his penchant for constantly lying, Hitler wanted to banish history from the minds of his German subjects by exhorting them to set libraries ablaze in bonfires meant to banish all but his mandated “truth”. Those bonfires are, to this day, a symbol of absolute evil, no less so than concentration camps and mass murder.

Fortunately there are recent classic as well as new, important titles coming out at this critical time. While many in the masses might be easily fooled into admiring those that primp and preen and bluster like Mussolini once did, or attack a designated “other” group like Hitler (the Jews) and Trump (Mexican immigrants and other asylum seekers as well as the imaginary threat of ‘antifa’) anyone who has studied history, and in particular these books, will know that the path to freedom, justice and real democracy lies and the exact opposite direction. Always.  

Origins of Totalitarianism

Click here to see “Origins of Totalitarianism
and help independent bookstores.
Also available on Amazon.

The Origins of Totalitarianism begins with the rise of anti-Semitism in central and western Europe in the 1800s and continues with an examination of European colonial imperialism from 1884 to the outbreak of World War I.

Arendt explores the institutions and operations of totalitarian movements, focusing on the two genuine forms of totalitarian government in our time–Nazi Germany and Stalinist Russia–which she adroitly recognizes were two sides of the same coin, rather than opposing philosophies of Right and Left.

From this vantage point, she discusses the evolution of classes into masses, the role of propaganda in dealing with the nontotalitarian world, the use of terror, and the nature of isolation and loneliness as preconditions for total domination. Click here to see “Origins of Totalitarianism” and help independent bookstores. Also available on Amazon.

Rigged: America, Russia, and One Hundred Years of Covert Electoral Interference

Click here to see “Rigged
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Also available on Amazon.

Russia’s interference in 2016 marked only the latest chapter of a hidden and revelatory history. In Rigged, David Shimer tells the sweeping story of covert electoral interference past and present. He exposes decades of secret operations–by the KGB, the CIA, and Vladimir Putin’s Russia–to shape electoral outcomes, melding deep historical research with groundbreaking interviews with more than 130 key players, from leading officials in both the Trump and Obama administrations, to CIA and NSA directors, to a former KGB general. 

What Americans should make of Russia’s attack in 2016 is still hotly debated, even after the Mueller report and years of media coverage. Shimer shows that Putin’s operation was, in fact, a continuation of an ongoing struggle, using familiar weapons radically enhanced by new technology. Throughout history and in 2016, both Russian and American operations achieved their greatest success by influencing the way voters think, rather than tampering with actual vote tallies. Click here to see “Rigged” and help independent bookstores. Also available on Amazon.

The Road to Unfreedom: Russia, Europe, America

Click here to see “The Road to Unfreedom
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Also available on Amazon.

With the end of the Cold War, the victory of liberal democracy seemed final. Observers declared the end of history, confident in a peaceful, globalized future. This faith was misplaced. Authoritarianism returned to Russia, as Putin found fascist ideas that could be used to justify rule by the wealthy. In the 2010s, it has spread from east to west, aided by Russian warfare in Ukraine and cyberwar in Europe and the United States. 

Russia found allies among nationalists, oligarchs, and radicals everywhere, and its drive to dissolve Western institutions, states, and values found resonance within the West itself. The rise of populism, the British vote against the EU, and the election of Donald Trump were all Russian goals, but their achievement reveals the vulnerability of Western societies. Click here to see “The Road to Unfreedom” and help independent bookstores. Also available on Amazon.

Fascism: A Warning

Click here to see “Fascism
and help independent bookstores.
Also available on Amazon.

A Fascist, observes Madeleine Albright, “is someone who claims to speak for a whole nation or group, is utterly unconcerned with the rights of others, and is willing to use violence and whatever other means are necessary to achieve the goals he or she might have.” 

The twentieth century was defined by the clash between democracy and Fascism, a struggle that created uncertainty about the survival of human freedom and left millions dead. Given the horrors of that experience, one might expect the world to reject the spiritual successors to Hitler and Mussolini should they arise in our era. In Fascism: A Warning, Madeleine Albright draws on her experiences as a child in war-torn Europe and her distinguished career as a diplomat to question that assumption. Click here to see “Fascism” and help independent bookstores. Also available on Amazon.

Democracy in Chains: The Deep History of the Radical Right’s Stealth Plan for America

Click here to see “Democracy in Chains
and help independent bookstores.
Also available on Amazon.

An explosive exposé of the right’s relentless campaign to eliminate unions, suppress voting, privatize public education, stop action on climate change, and alter the Constitution. 

Behind today’s headlines of billionaires taking over our government is a secretive political establishment with long, deep, and troubling roots. The capitalist radical right has been working not simply to change who rules, but to fundamentally alter the rules of democratic governance.

But billionaires did not launch this movement; a white intellectual in the embattled Jim Crow South did. Democracy in Chains names its true architect–the Nobel Prize-winning political economist James McGill Buchanan–and dissects the operation he and his colleagues designed over six decades to alter every branch of government to disempower the majority. Click here to see “Democracy in Chains” and help independent bookstores. Also available on Amazon.

How Democracies Die

Click here to see “How Democracies Die
and help independent bookstores.
Also available on Amazon.

Donald Trump’s presidency has raised a question that many of us never thought we’d be asking: Is our democracy in danger? Harvard professors Steven Levitsky and Daniel Ziblatt have spent more than twenty years studying the breakdown of democracies in Europe and Latin America, and they believe the answer is yes. Democracy no longer ends with a bang–in a revolution or military coup–but with a whimper: the slow, steady weakening of critical institutions, such as the judiciary and the press, and the gradual erosion of long-standing political norms. The good news is that there are several exit ramps on the road to authoritarianism. The bad news is that, by electing Trump, we have already passed the first one. 

Drawing on decades of research and a wide range of historical and global examples, from 1930s Europe to contemporary Hungary, Turkey, and Venezuela, to the American South during Jim Crow, Levitsky and Ziblatt show how democracies die–and how ours can be saved. Click here to see “How Democracies Die” and help independent bookstores. Also available on Amazon.


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Photographic Images of Vicarious Enlightenment

Food for eyes, mind and soul

Occasionally we find a video post that we can feature and highly recommend for your viewing. “Between the Lines” is certainly one. This is a cinematic story following the photographic journey of Sacha Specker. It’s an intricate and rewarding relationship between man and the sea that evokes food for thought.

We all stare at the same ocean, however some of us choose to read between the lines.

– Jason Hearn

Produced, directed and shot by Jason Hearn, a highly regarded Director of Photography, born in South Africa, now operating out of London, viewing this short film one has a very strong sense that his heart and soul was put into the ideas, and moreover, the exquisite execution.

We’ve also included his Adventure Sport and Lifestyle Showreel where some of his professional work highlights can be seen.

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Read More: Summer Books to Mark a Most Unusual Adventure and Unexpected Circumstance


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