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Grammys 2021: Beyoncé, Taylor Swift, Dua Lipa, Roddy Ricch Dominate with 9/6

Trevor Noah

Big expected news and then… BTS & Fiona Apple

The nominations for the 2021 Grammy Awards were unveiled on Tuesday, November 24, by the N.A.R.A.S. a.k.a. The Recording Academy .

In keeping with the 2020 tradition of “distanced” productions Dua Lipa, Sharon Osbourne, Imogen Heap, Mickey Guyton and Lauren Daigle announced the nominations for the 2021 Grammys  from various remote feed locations with an asset by the academy’s chair and interim president/CEO, Harvey Mason Jr.

Read more: Grammys will be Hosted by Trevor Noah in 2021

BTS, the boy band, has received its first Grammy nomination, making history of becoming the first K-Pop group to break into a major category. The group’s official Twitter account posted a video of some of the members reacting to their historic nomination.

https://twitter.com/BTS_twt/status/1331298544834076672?s=20

Scroll down to see the full list of nominations as they come in, and tune in to the 2021 Grammy Awards on CBS Sunday, January 31, at 8 p.m. ET.

Here Are The Nominations For The 2021 Grammy Awards

Beyoncé leads with nine nominations, while Megan Thee Stallion nabbed her first Grammy nods ever. The two also shared three nominations for their “Savage” remix.

Record of the Year

“Black Parade,” Beyoncé

“Colors,” Black Pumas

“Rockstar,” DaBaby feat. Roddy Ricch

“Say So,” Doja Cat

“Everything I Wanted,” Billie Eilish

“Don’t Start Now,” Dua Lipa

“Circles,” Post Malone

“Savage,” Megan Thee Stallion feat. Beyoncé

Album of the Year

From left: Este Haim, Danielle Haim, and Alana Haim

Chilombo, Jhené Aiko

Black Pumas (Deluxe Edition), Black Pumas

Everyday Life, Coldplay

Djesse Vol. 3, Jacob Collier

Women in Music Pt. III, Haim

Future Nostalgia, Dua Lipa

Hollywood’s Bleeding, Post Malone

Folklore, Taylor Swift

Song of the Year

“Black Parade,” Beyoncé

“The Box,” Roddy Ricch

“Cardigan,” Taylor Swift

“Circles,” Post Malone

“Don’t Start Now,” Dua Lipa

“Everything I Wanted,” Billie Eilish

“I Can’t Breathe,” H.E.R.

“If the World Was Ending,” JP Saxe feat. Julia Michaels

Best New Artist

Ingrid Andress

Phoebe Bridgers

Chika

Noah Cyrus

D Smoke

Doja Cat

Kaytranada

Megan Thee Stallion

Best Pop Solo Performance

“Yummy,” Justin Bieber

“Say So,” Doja Cat

“Everything I Wanted,” Billie Eilish

“Don’t Start Now,” Dua Lipa

“Watermelon Sugar,” Harry Styles

“Cardigan,” Taylor Swift

Best Pop Vocal Album

Changes, Justin Bieber

Chromatica, Lady Gaga

Future Nostalgia, Dua Lipa

Fine Line, Harry Styles

Folklore, Taylor Swift

Best Rap Album

Black Habits, D Smoke

Alfredo, Freddie Gibbs and the Alchemist

A Written Testimony, Jay Electronica

King’s Disease, Nas

The Allegory, Royce da 5’9″

Best Country Album

Lady Like, Ingrid Andress

Your Life Is a Record, Brandy Clark

Wildcard, Miranda Lambert

Nightfall, Little Big Town

Never Will, Ashley McBryde

Best Country Song

From left: Geoff Sprung, Trevor Rosen, Matthew Ramsey, Brad Tursi, and Whit Sellers of Old Dominion.

“Bluebird,” Miranda Lambert

“The Bones,” Maren Morris

“Crowded Table,” the Highwomen

“More Hearts Than Mine,” Ingrid Andress

“Some People Do,” Old Dominion

Best R&B Performance

“Lightning & Thunder,” Jhené Aiko feat. John Legend

“Black Parade,” Beyoncé

“All I Need,” Jacob Collier feat. Mahalia and Ty Dolla $ign

“Goat Head,” Brittany Howard

“See Me,” Emily King

Best Rap Song

“The Bigger Picture,” Lil Baby

“The Box,” Roddy Ricch

“Laugh Now, Cry Later,” Drake feat. Lil Durk

“Rockstar,” DaBaby feat. Roddy Ricch

“Savage,” Megan Thee Stallion feat. Beyoncé

Best Rock Performance

“Shameika,” Fiona Apple

“Not,” Big Thief

“Kyoto,” Phoebe Bridgers

“The Steps,” Haim

“Stay High,” Brittany Howard

“Daylight,” Grace Potter

Best Progressive R&B Album

Chilombo, Jhené Aiko

Ungodly Hour, Chloe X Halle

Free Nationals, Free Nationals

Fuck Yo Feelings, Robert Glasper

It Is What It Is, Thundercat

Best Alternative Album

Fetch the Bolt Cutters, Fiona Apple

Hyperspace, Beck

Punisher, Phoebe Bridgers

Jaime, Brittany Howard

The Slow Rush, Tame Impala

Best Pop Duo/Group Performance

“Un Dia (One Day),” J Balvin, Dua Lipa, Bad Bunny, and Tainy

“Intentions,” Justin Bieber feat. Quavo

“Dynamite,” BTS

“Rain on Me,” Lady Gaga with Ariana Grande

“Exile,” Taylor Swift feat. Bon Iver

Best Latin Pop or Urban Album

YHLQMDLG, Bad Bunny

Por Primera Vez, Camilo

Mesa Para Dos, Kany García

Pausa, Ricky Martin

3:33, Debi Nova

The full list of nominees can be found here

Record of the Year

  • “Black Parade,” Beyoncé
  • “Colors,” Black Pumas
  • “Rockstar,” DaBaby featuring Roddy Rich
  • “Say So,” Doja Cat
  • “Everything I Wanted,” Billie Eilish
  • “Don’t Start Now,” Dua Lipa
  • “Circles,” Post Malone
  • “Savage,” Megan Thee Stallion featuring Beyoncé

Album of the Year

  • Chilombo, Jhené Aiko
  • Black Pumas (Deluxe Edition), Black Pumas
  • Everyday Life, Coldplay
  • Djesse Vol. 3, Jacob Collier
  • Women in Music Pt. III, Haim
  • Future Nostalgia, Dua Lipa
  • Hollywood’s Bleeding, Post Malone
  • Folklore, Taylor Swift

Best Pop Duo/Group Performance

  • “Un Dia (One Day),” J Balvin, Dua Lipa, Bad Bunny & Tainy
  • “Intentions,” Justin Bieber featuring Quavo
  • “Dynamite,” BTS
  • “Rain on Me,” Lady Gaga with Ariana Grande
  • “Exile,” Taylor Swift featuring Bon Iver

Best Alternative Music Album

  • Fetch the Bolt Cutters, Fiona Apple
  • Hyperspace, Beck
  • Punisher, Phoebe Bridgers
  • Jaime, Brittany Howard
  • The Slow Rush, Tame Impala

Song of the Year

  • “Black Parade,” Denisia Andrews, Beyoncé, Stephen Bray, Shawn Carter, Brittany Coney, Derek James Dixie, Akil King, Kim “Kaydence” Krysiuk & Rickie “Caso” Tice, songwriters (Beyoncé)
  • “The Box,” Samuel Gloade & Rodrick Moore, songwriters (Roddy Ricch)
  • “Cardigan,” Aaron Dessner & Taylor Swift, songwriters (Taylor Swift)
  • “Circles,” Louis Bell, Adam Feeney, Kaan Gunesberk, Austin Post & Billy Walsh, songwriters (Post Malone)
  • “Don’t Start Now,” Caroline Ailin, Ian Kirkpatrick, Dua Lipa & Emily Warren, songwriters (Dua Lipa)
  • “Everything I Wanted,” Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish)
  • “I Can’t Breathe,” Dernst Emile II, H.E.R. & Tiara Thomas, songwriters (H.E.R.)
  • “If the World Was Ending,” Julia Michaels & JP Saxe, songwriters (JP Saxe featuring Julia Michaels)

Best Pop Solo Performance

  • “Yummy,” Justin Bieber
  • “Say So,” Doja Cat
  • “Everything I Wanted,” Billie Eilish
  • “Don’t Start Now,” Dua Lipa
  • “Watermelon Sugar,” Harry Styles
  • “Cardigan,” Taylor Swift

Best Pop Vocal Album

  • Changes, Justin Bieber
  • Chromatica, Lady Gaga
  • Future Nostalgia, Dua Lipa
  • Fine Line, Harry Styles
  • Folklore, Taylor Swift

Best Rock Album

  • A Hero’s Death, Fontaines D.C.
  • Kiwanuka, Michael Kiwanuka
  • Daylight, Grace Potter
  • Sound & Fury, Sturgill Simpson
  • The New Abnormal, The Strokes

Best Latin Pop or Urban Album

  • YHLQMDLG, Bad Bunny
  • Por Primera Vez, Camilo
  • Mesa Para Dos, Kany García
  • Pausa, Ricky Martin
  • 3:33, Debi Nova

Best Comedy Album

  • Black Mitzvah, Tiffany Haddish
  • I Love Everything, Patton Oswalt
  • The Pale Tourist, Jim Gaffigan
  • Paper Tiger, Bill Burr
  • 23 Hours to Kill, Jerry Seinfeld

Best Musical Theater Album

  • Amélie
  • American Utopia on Broadway
  • Jagged Little Pill
  • Little Shop of Horrors
  • The Prince of Egypt
  • Soft Power

Best Compilation Soundtrack for Visual Media

  • A Beautiful Day in the Neighborhood
  • Bill & Ted Face the Music
  • Eurovision Song Contest: The Story of Fire Saga
  • Frozen 2
  • Jojo Rabbit

Best Score Soundtrack for Visual Media

  • Ad Astra
  • Becoming
  • Joker
  • 1917
  • Star Wars: The Rise of Skywalker

Producer of the Year, Non-Classical

  • Jack Antonoff
  • Dan Auerbach
  • Dave Cobb
  • Flying Lotus
  • Andrew Watt

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I want my Apple Music TV— Apple launches twenty-four hour music video streaming channel in the U.S.

Apple will revive and improve the past with non-stop music

In the 1980s and 90s, MTV and VH1 dominated television sets, bringing the novel concept of music videos to new heights. Today, those channels have gone in different directions, shifting their attentions towards reality television to near-humorous degrees. Meanwhile, like many forms of entertainment in the twenty-first century, music videos have been siphoned off to the Internet, finding homes on YouTube, Vevo, and Facebook.

Read More: Apple iPhone 12 Pro Models are Coming Immediately and There’s More

Now Apple is trying to get in on and rekindle the music video action with a new project that feels both retro and advanced all at the same time.

Apple Music TV launched in the United States on October 19th, offering a twenty-four hour live stream of music videos and other music related content such as interviews, concert footage, and more. This is far from Apple’s first leap into the music industry, as it launched Apple Music and Apple Music 1 (formerly Beats 1) in 2015— not to mention that the tech company was once synonymous with iTunes and the iPod. However, Apple Music TV is the company’s first deep dive into music videos.

In many ways, Apple Music TV emulates old school outlets like MTV and VH1, as it streams content constantly like a visual radio station. Unlike its ancestral predecessors, though, it does not have advertisements (for now) and its accessibility is not tethered to a cable subscription. Instead, users access Apple Music TV through the AppleTV app, which already comes with most smart TVs. 

Given the declining popularity of music videos over the past few decades, one must question whether or not Apple Music TV is a worthwhile investment for the company. Apple has recently put a lot of its eggs into the streaming basket, launching Apple TV+ in 2019 and emphasizing its new status as an entertainment conglomerate with the AppleOne bundle. The company has also gotten experimental on the streaming front with innovations like the Apple Fitness+ exercise app.

Exclusive video premieres, music documentaries and much more in store for Apple Music

In today’s age, a music video-focused channel is yet another daring outing for Apple. As aforementioned, though, Apple has some deep roots in music, and therefore goes into this world with a bit of preexisting infrastructure.

For example, Apple Music produces its own music, which Apple Music TV can help promote. The same concept applies to Apple’s radio stations like Apple Music 1, Apple Music Country, and Apple Music Hits. They can all work in tandem to raise Apple’s bar across all musical platforms.

Furthermore, although music television has been around for decades, the industry is ongoing. Apple Music TV aims to find new ways to celebrate and cover it. On Fridays, for example, the channel will focus on new releases, airing never-before-seen videos. This week, it will debut the music videos for Joji’s “777” and Saint Jhn’s “Gorgeous.”

Likewise, on Thursday, the channel will narrow in on Bruce Springsteen, playing videos both old and new, plus interviews and fan events, to promote The Boss’ new album “Letters To You.” These are the kind of special events that the channel will celebrate and distinguish itself through.

Such is the win-win nature of Apple Music TV— for every piece of new content, there is a backlog of old material; and for everything that is outmoded, there is always something cutting edge on the horizon. Evidently, even in today’s age, there is more than enough material to keep a music-streaming channel fresh and relevant. 

Luckily, Apple also has enough name brand recognition to televise events and promote content for some highly influential artists. This reputation for quality and appeal might be Apple Music TV’s greatest tool in trying to resurrect a bygone kind of television.


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