All posts by Lynxotic News Staff

Andrew McGowan, Jennifer Slotnick, Hoa Tran, Eric Cho, Kat Lee, Madison Santel and Danny Leeds

‘Jojo Rabbit’ wins top Award at Toronto Film Fest: Audience Award, Precursor to Oscar Nomination

https://movietrailers.apple.com/movies/fox_searchlight/jojo-rabbit/jojo-rabbit-trailer-2_h1080p.mov
2nd Official preview trailer of “Jojo Rabbit“

New Zealand director Taika Waltiti’s new movie “Jojo Rabbit”will not be widely released until October 18th but a few lucky patrons were able to catch an early screening at the Toronto Film Festival. Their reactions were positive, and the film won the audience award putting it in line, if past years winners are any indication, for a possible Oscar nod. Waititi was also awarded the Festival’s new Ebert Director Award.

Waltiti is known for directing wacky comedies such as “What We Do In The Shadows,” “Hunt For The Wilderpeople,” and the borderline parody Marvel hit, “Thor: Ragnarok.” His latest film, “Jojo Rabbit” follows this same vein of outrageous, yet charming humor, but there is one key difference… “Jojo Rabbit” focuses on Germany’s Nazi party during World War II, making its hilarity just a touch more complicated.

More specifically, “Jojo Rabbit” is about a young boy in the Hitler Youth. Like many German kids of the time, he aspires to be a Nazi soldier when he grows up. He buys into the party’s ideologies and believes their propaganda. That is until he comes face to face with a Jewish girl and learns, despite what the Nazis have taught him, that she is harmless, pleasant, and appealing.

On the surface, the premise seems like the bones of a complex and sophisticated historical drama. With Waltiti behind the camera, though, such is obviously not the case. Instead of dry historical accuracy, Waltiti makes the Hitler Youth look like a summer camp filled with likable children and goofy leaders. Most boldly perhaps, Waltiti himself plays Adolf Hitler in the movie, but rather than depict him as the brutal dictator that he was, Waltiti makes him out to be the kind-uncle archetype, a socially inept, hilarious motivator and idol for the children in the story.

https://movietrailers.apple.com/movies/fox_searchlight/jojo-rabbit/jojo-rabbit-trailer-1_h1080p.mov
Original Official preview trailer of “Jojo Rabbit“

Artful Comedy of a Bygone Era

Of course, radical World War II and Nazi-themed comedies have existed in the past. From Quinten Tarantino’s “Inglorious Bastards” all the way back to Charlie Chaplin’s 1940 “The Great Dictator,” filmmakers have mocked the Nazi party through satire for generations. “Jojo Rabbit” will be no different in that regard. Obviously, given the current political climate in America and the world, a movie about the buffoonery and absurdity surrounding Nazi ideologies is somewhat timely. It will probably be impossible to watch this movie from an apolitical perspective while retaining a clear conscious.

At the same time, though, “Jojo Rabbit” is not a Nazi satire or comedy quite like we’ve seen before. Despite the heavy subject matter, the movie doesn’t look particularly dark. In fact, it looks incredibly playful, almost like a children’s movie. In many ways, it seems reminiscent of Wes Anderson’s “Moonrise Kingdom,” which essentially turned a kids summer camp story into an artistic film for adults. “Jojo Rabbit” looks like it will do the same thing, but then go the extra subversive mile by putting that summer camp in Germany circa 1939.

The trailer effectively presents this by including German versions of heartwarming American songs like The Monkees’ “I’m A Believer,”and by showing examples of slapstick comedy and cute gags around the relationships between our young protagonists. The characters—even those playing Nazis—all seem to have endearing qualities to them. It looks heartfelt, and almost kid friendly, as the children banter, grow up, and learn about the world all before the harrowing and bizarre backdrop of World War II Europe.

So where do we place “Jojo Rabbit”? Is it a movie about friendship? A romance? A historical piece? A coming-of-age-comedy? A feel-good movie? Who is its target audience and what is its intended message? Is it a social commentary? If so, then for who and on what? All of these questions are impossible to answer in any general sense right now, for the movie looks of no particular genre and is unique on so many levels.

Photo / Fox Searchlight Pictures

The only thing that seems predictable about “Jojo Rabbit” is that it will make us laugh and that it will make us think

There is no guarantee that it will leave us feeling any better or worse about the world, that we will necessarily learn anything from it, or if we will exit the theater any less confused than we are right now. All we know is that we don’t know what to expect, and we are all excited to see what Taika Waltiti has in stores… excited, but with a hint of respectful, perhaps even nervous, reservation.


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The Goldfinch: From a Pulitzer Prize Winning Novel, with an Esteemed Director, Cast and Crew

https://movietrailers.apple.com/movies/wb/the-goldfinch/the-goldfinch-trailer-2_h1080p.mov
2nd Official Trailer for “The Goldfinch” Still image: BOYD GAINES as Mr. Barbour, OAKES FEGLEY as Young Theo Decker and NICOLE KIDMAN as Mrs. Barbour in Warner Bros. Pictures’ and Amazon Studios’ drama, THE GOLDFINCH, a Warner Bros. Pictures release.

On September 13th, director John Crowley releases his sixth feature film, a Warner Brothers and Amazon Studios adaptation of Donna Tartt’s 2014 Pulitzer Prize winning novel, “The Goldfinch”. The film, which goes by the same title as the book, will be Crowley’s first film since his 2015 indie hit “Brooklyn” and it will star an impressive cast including Ansel Elgort, Nicole Kidman, Finn Wolfhard, and Luke Wilson.

In addition to all of this talent on screen, there is a lot to be excited about behind the camera as well. The film’s two trailers show off a uniquely warm aesthetic through production design and costumes.

It is therefore no surprise that the film has some very exceptional individuals working in those departments. K.K. Barret, who received an Oscar nomination for creating the intricate world of Spike Jonez’s “Her”, is spearheading production design on “The Goldfinch”, and Kasia Walicka-Maimone, whose wardrobe work appeared prevalently in “Moonrise Kingdom” and “Ready Player One”, is leading costume design.

On top of these two astounding professionals creating the look of “The Goldfinch”, their work will be captured on camera by none other than Roger Deakins, the Oscar winning cinematographer behind “Blade Runner 2049”, “Skyfall”, and “No Country For Old Men”. All narrative aside, it is safe to assume that “The Goldfinch” will be a spectacular visual experience.

However, narrative cannot go un-noted when it comes to cinema, especially when the film in question is an adaptation of a renowned book. The two trailers seem to offer different versions of the same story about a boy who loses his mother in a museum explosion and grows up in the grieving shadow of this event.

https://movietrailers.apple.com/movies/wb/the-goldfinch/the-goldfinch-trailer-1_h1080p.mov
Original Official Trailer for “The GOldfinch”. Still photo caption: (L-r) ANSEL ELGORT as Theo Decker and ANEURIN BARNARD as Boris in Warner Bros. Pictures’ and Amazon Studios’ drama, THE GOLDFINCH, a Warner Bros. Pictures release.

 The first trailer depicts the story as a straightforward coming-of-age family-drama, but the second trailer throws in hints of suspense, with scenes of the main character being questioned by authorities and withholding secrets about what is presumably a stolen piece of art.

Obviously, the movie is not trying to be any particular drama, and given that the screenplay comes from “Tinker Taylor Soldier Spy”, “The Snowman”, and “Frank” screenwriter Peter Straughan, “The Goldfinch” is bound to be narratively distinctive.

It thus feels like no risk to preemptively label “The Goldfinch” an art film. Although it was made on a somewhat lofty $40 million budget and has had more marketing than most indie flicks, it is far from a guaranteed blockbuster. If anything, it could be deemed Oscar-bait, but let’s not jump to Academy-anchored conclusions just yet.

Just because the film is based off of a revered novel and has emotionally charged trailers does not mean that it will find immense critical acclaim. It runs the risk of not living up to its source material, and also must beware of becoming emotionally overcharged or sappy. Consider films such as “Extremely Loud and Incredibly Close” or “Cloud Atlas”, both of which seemed like promising adaptations of acclaimed books with stellar casts and crew.

The outcomes, however, were somewhat underwhelming for a number of reasons—emotional and artistic over-saturation being just a couple of them. In total, Warner Brothers and Amazon Studios are taking in a big, juicy, tender bite by adapting “The Goldfinch”, hopefully they have the teeth to chew it and the stomach to handle it in a satisfying way.

Photo / WARNER BROS.

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This Week in Apple: iPhone 11 Pro, Apple TV+ Release and More…


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As It Was: Oasis Frontman Triumphs in Survival and Redemption via Song

https://movietrailers.apple.com/movies/independent/liam-gallagher-as-it-was/liam-gallagher-as-it-was-trailer-1_h1080p.mov
New – Official trailer for “as it was”

Liam Gallagher Comeback-Rockumentary Light on Noel and Oasis, but Heavy on Personal Career and Music…

Oasis was the biggest rock band to come out of Britain in the 1990s. Formed in Manchester during the year 1991, brothers Liam Gallagher and Noel Gallagher stood at the band’s center, writing songs that they would eventually perform around the world. Hits such as Wonderwall, Don’t Look Back In Anger and Champagne Supernova still play on the radio (and in our heads) to this day.

Sadly, in 2009, the brotherly dynamic duo broke up, and they did not do so quietly. Ever since then, the Gallaghers’ relationship has been soured and fans have been praying for the two to set aside their differences and reunite on stage. 

Ten years after the band’s separation, the odds of Liam and Noel getting back together do not seem any more promising than they ever were. As far as fans know, the brothers’ relationship is muddier than ever, and their time in Oasis has become somewhat of a wistful legend in the world of rock n’ roll, a short-lived story of two haughty English brothers who were worldwide sensations and then, at their height, unexpectedly fell out of each other’s graces. 

While 2019 cannot promise Oasis’ return in any way, shape, or form, it is offering a unique chance to look back at the band and learn about one of its members recent attempt at returning to the world of music. Coming out this week, directors Gavin Fitzgerald and Charlie Lightening will be releasing “Liam Gallagher: As It Was“, a documentary bio-pic that follows Liam Gallagher, his present life and work, and perhaps most interestingly, his time in Oasis the dynamic bond he had with his brother. 

As It Was will be Fitzgerald and Lightening’s first collaboration together. Both are up-and-coming directors, with filmographies that only go back to 2010, but both have excelled in music-themed documentaries. In 2013, Lightening directed 12-12-12 about the Hurricane Sandy relief concert, and in 2017 Fitzgerald did the short The Truth About Irish Hip Hop.

Nevertheless, this upcoming Liam Gallagher pic —set to be released today— will probably be both directors’ most ambitious project yet. There have been many rockumentaries and concert videos centered around Oasis since the turn of the millennium, but few have approached the topic on such a personal level since the breakup. As It Was, however, is not meant to be an Oasis picture per-se, but a specific, in-depth look at Liam Gallagher’s past and present.  

https://movietrailers.apple.com/movies/independent/liam-gallagher-as-it-was/liam-gallagher-as-it-was-trailer-1_h1080p.mov
First – OFFICIAL TRAILER FOR “AS IT WAS”

In many ways, this Liam-centric focus provides a number of challenges for As It Was. Foremost, the film cannot rely as much on a backlog of historic stories from Oasis’ rise and fall, for it instead focuses on Liam’s unsteady career since the breakup and his slow (but ultimately successful) return to music with an upcoming solo album. 

https://movietrailers.apple.com/movies/independent/liam-gallagher-as-it-was/liam-gallagher-clip-second-chance_h1080p.mov
Official Teaser CLip from “As it was”

Similarly, because Liam and Noel’s relationship is still rocky, the latter brother did not want to be involved in the film, so the directors had to tell the story without his cooperation. They were restricted in how much old Noel footage they could use and were even deprived the right to include Oasis songs in their soundtrack without getting into a legal battle. 

In a movie about triumph and bouncing back, it is perhaps only logical that the filmmakers would have to overcome a few obstacles behind the camera as well. Liam Gallagher spent lots of time in the shadows after his fall from stardom, but as the film will chronicle, he rose from his ashes, regained a following, and created the album Why Me? Why Not, which will be released on the September 20th.

When it comes to As It Was, let’s hope that Fitzgerald and Lightening have done as good a job as Gallagher has in hurdling the roadblocks towards creating their art, and that audiences will appreciate the inspiring story they aim to tell. 

Film Poster for “As It Was” – Photo / Screen Media

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Terminator: Dark Fate – Can Linda Hamilton, Arnold Schwarzenegger, and James Cameron Save the Fate of the Franchise?

https://movietrailers.apple.com/movies/paramount/terminator-dark-fate/terminator-dark-fate-trailer-2_h1080p.mov
New OFFICIAL TEASER TRAILER FOR “TERMINATOR: DARK FATE”

New Trailer Fleshes Out the Return of Sarah Connor

Earlier this week, Paramount Pictures released a second trailer for “Terminator: Dark Fate”, the latest installment to the Terminator franchise that began nearly thirty-five years ago. The sixth movie in the series, “Terminator: Dark Fate” appears to be trying achieve a critical rebound. While the franchise’s last film, “Terminator Genisys” fared well at the box office, it met less than ideal reviews. In fact, Dark Fate is coming on the heels of several critically underwhelming Terminator flicks.

Given that James Cameron’s initial 1984 “The Terminator” and his 1991 sequel “Terminator 2: Judgment Day” are hailed as a couple of the greatest action movies ever created, no Terminator movie has managed fill such big shoes since.

From 2003’s “Terminator 3: Rise of the Machines”, to 2009’s “Terminator Salvation”, all the way up to 2015’s Genisys, the Terminator sequels have missed the mark in one way or another.

While it may be unreasonable to expect that Dark Fate will live up to the first two films’ standards, the trailer suggests that the new film has a couple promising tricks up its sleeve that may make the movie rise above other attempts at rehashing the series.

https://movietrailers.apple.com/movies/paramount/terminator-dark-fate/terminator-dark-fate-trailer-1_h1080p.mov
OFFICIAL TEASER TRAILER FOR “TERMINATOR: DARK FATE”

Perhaps the biggest bump that Dark Fate promises its audience is the return of Linda Hamilton as Sarah Connor. Sarah Connor has become somewhat of a pop-cultural icon since her first appearances in “The Terminator” and “Terminator 2”.

She is a hardcore female protagonist, the mother of mankind’s future resistance leader, dead-set on killing cyborgs and saving the fate of humanity. While the character appeared in “Terminator Genisys”, she was recast in that film and played by the young Emilia Clarke. While Clarke held her own in the role, Sarah Connor and Linda Hamilton are inextricable in many fans’ minds. Thus, having the original actress reprise the iconic role is likely to draw greater interest.

Stars reprising old roles to play aged protagonists has been a successful trend in many blockbuster films lately. Given the large number of late sequels and additions to franchises to come out in the past few years, many actors and actresses have been returning to characters that they have not touched in decades.

Flash-forward for Stars of Yesteryear

Harrison Ford came back for “Blade Runner 2049” and “Star Wars: Episode VII- The Force Awakens”; Jeff Goldblum appeared in “Independence Day: Resurgence” and “Jurassic World: Fallen Kingdom”; even Bill Murray made a brief cameo in the 2016 “Ghostbusters” reboot. Not to mention that Sylvester Stallone will be returning as Rambo this year, and 2020 will see a leather-jacketed Tom Cruise flying again in “Top Gun: Maverick”.

Evidently, Linda Hamilton’s return as Sarah Connor is not something entirely unexpected, but it is still alluring to see the actress back on the big screen playing her most recognizable character.

Hamilton is not the only Terminator veteran to return in Dark Fate, though. The face of the franchise and the original Terminator himself, Arnold Schwarzenegger will also be in the movie.

While Dark Fate’s initial trailer only showed a single shot of Schwarzenegger’s face, the second trailer offers a bit more exposure. We see Connor unsuccessfully try to kill Schwarzenegger’s character with a shotgun, and then, in a different scene, we hear him ask her “do you believe in fate, Sarah?” We also see a brief sequence of Schwarzenegger in action, firing machine-gun rounds into what is presumably an antagonist Terminator’s face.

https://movietrailers.apple.com/movies/paramount/terminator-dark-fate/terminator-featurette-1_h1080p.mov
“Featurette” Official Teaser Trailer for “Terminator: Dark Fate”

Subsequently, at the trailer’s very end, Connor tells him matter-of-factly, “when we’re done, I am going to kill you.” In response, Schwarzenegger simply shrugs. It is most likely that Schwarzenegger is reprising his role as the T-1000, the Terminator model that has appeared throughout the franchise as both an antagonist and protagonist. However, given the character’s aged appearance and the various timelines in the franchise, we cannot confirm anything.

Nonetheless, it seems pretty certain that Schwarzenegger will be on the heroes’ side in Dark Fate, which happily paves the way for some quality humor.

Cameron’s Back, with Mojo?

That being said, the movie looks like it will maintain an overarchingly darker tone, one reminiscent of the first couple films in the franchise. Unlike Salvation and Genisys, which watered themselves down to PG-13 ratings, Dark Fate has promised an R rating, and the trailer’s sinister tone suggest that it will return to the uncompromising action-packed energy of James Cameron’s original installments. After all, the trailer boldly states “Producer James Cameron Returns.”

While Cameron will not be directing Dark Fate—that responsibility has been handed off to Tim Miller—his involvement in the project is a promising advantage over the previous sequels. Not only is he one of the producers, but he is also credited as a writer, implying that the film will be following his vision more so than other additions to his franchise.

Another text-card in the trailer perhaps confirms this, reading, “Witness the new chapter, in the original Terminator saga.” This diction is somewhat curious. Defining Dark Fate as part of the original Terminator saga suggests that other additions to the franchise may not have been part of the same storyline. If this is the case, does that make them outside of the canon?

If so, which parts of the story are real and which aren’t? Because all of the movies play with time travel to different degrees, the saga has the ability to create various narrative timelines, but because of that, lingering questions now remain regarding what has and has not actually occurred in the franchise’s diegesis.

“Terminator: Dark Fate” will come out on November 1st. Only then will we be able to tell if Linda Hamilton, once again fighting alongside Arnold Schwarzenegger in the visionary world of James Cameron, will be enough to save the franchise’s fate, and whether or not the “original” saga is part of a timeline audiences still want to continue moving across.

Photo / Paramount Pictures

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Tech This Week: 3 Stories You May Have Missed

Perhaps not noticed due to the Mueller Mania, and with so much going on in Tech, here are a few stories that you might have missed. The first is tied to an antitrust inquiry announced by the Department of Justice on Tuesday and later commented on by the Treasury Seecretary. Two Apple stories follow and both are good news, first, a serious commitment to 5G development for iPhones, and second, a more focused lineup for Macbooks

Apple Acquires Intel’s Smartphone Modem Unit to Accelerate Huge 5G Push

MacBook Air and Pro Upgrades Harken Back to Steve Jobs Heroically Simplifying Apple Line Up in 1997


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Tired of Spin, Hype and Lies? Read the full text of Mueller’s Statement

***If you want to know what he actually said, and you are interested in the future of the country, please read the full text here:

“Two years ago, the Acting Attorney General asked me to serve as Special Counsel, and he created the Special Counsel’s Office. The appointment order directed the office to investigate Russian interference in the 2016 presidential election. This included investigating any links or coordination between the Russian government and individuals associated with the Trump campaign.


I have not spoken publicly during our investigation. I am speaking today because our investigation is complete. The Attorney General has made the report on our investigation largely public. And we are formally closing the Special Counsel’s Office. As well, I am resigning from the Department of Justice and returning to private life.


I’ll make a few remarks about the results of our work. But beyond these few remarks, it is important that the office’s written work speak for itself.


Let me begin where the appointment order begins: and that is interference in the 2016 presidential election.


As alleged by the grand jury in an indictment, Russian intelligence officers who were part of the Russian military launched a concerted attack on our political system.

The indictment alleges that they used sophisticated cyber techniques to hack into computers and networks used by the Clinton campaign.

They stole private information, and then released that information through fake online identities and through the organization WikiLeaks. The releases were designed and timed to interfere with our election and to damage a presidential candidate.

And at the same time, as the grand jury alleged in a separate indictment, a private Russian entity engaged in a social media operation where Russian citizens posed as Americans in order to interfere in the election. These indictments contain allegations.

And we are not commenting on the guilt or innocence of any specific defendant. Every defendant is presumed innocent unless and until proven guilty in court.

The indictments allege, and the other activities in our report describe, efforts to interfere in our political system. They needed to be investigated and understood.

That is among the reasons why the Department of Justice established our office. That is also a reason we investigated efforts to obstruct the investigation.

The matters we investigated were of paramount importance. It was critical for us to obtain full and accurate information from every person we questioned.

When a subject of an investigation obstructs that investigation or lies to investigators, it strikes at the core of the government’s effort to find the truth and hold wrongdoers accountable.


Let me say a word about the report.

The report has two parts addressing the two main issues we were asked to investigate. The first volume of the report details numerous efforts emanating from Russia to influence the election.

This volume includes a discussion of the Trump campaign’s response to this activity, as well as our conclusion that there was insufficient evidence to charge a broader conspiracy.

And in the second volume, the report describes the results and analysis of our obstruction of justice investigation involving the President.


The order appointing me Special Counsel authorized us to investigate actions that could obstruct the investigation. We conducted that investigation and we kept the office of the Acting Attorney General apprised of the progress of our work.

As set forth in our report, after that investigation, if we had confidence that the President clearly did not commit a crime, we would have said that.

We did not, however, make a determination as to whether the President did commit a crime.

The introduction to volume two of our report explains that decision. It explains that under long-standing Department policy, a President cannot be charged with a federal crime while he is in office. That is unconstitutional.

Even if the charge is kept under seal and hidden from public view, that too is prohibited. The Special Counsel’s Office is part of the Department of Justice and, by regulation, it was bound by that Department policy.

Charging the President with a crime was therefore not an option we could consider.

The Department’s written opinion explaining the policy against charging a President makes several important points that further informed our handling of the obstruction investigation. Those points are summarized in our report.

And I will describe two of them:


First, the opinion explicitly permits the investigation of a sitting President because it is important to preserve evidence while memories are fresh and documents are available. Among other things, that evidence could be used if there were co-conspirators who could now be charged.

And second, the opinion says that the Constitution requires a process other than the criminal justice system to formally accuse a sitting President of wrongdoing.

And beyond Department policy, we were guided by principles of fairness. It would be unfair to potentially accuse somebody of a crime when there can be no court resolution of an actual charge.

So that was the Justice Department policy and those were the principles under which we operated. From them we concluded that we would not reach a determination – one way or the other – about whether the President committed a crime.


That is the office’s final position and we will not comment on any other conclusions or hypotheticals about the President.
We conducted an independent criminal investigation and reported the results to the Attorney General – as required by Department regulations. The Attorney General then concluded that it was appropriate to provide our report to Congress and the American people.

At one point in time I requested that certain portions of the report be released. The Attorney General preferred to make the entire report public all at once. We appreciate that the Attorney General made the report largely public. I do not question the Attorney General’s good faith in that decision.

I hope and expect this to be the only time that I will speak about this matter. I am making that decision myself – no one has told me whether I can or should testify or speak further about this matter. There has been discussion about an appearance before Congress.

Any testimony from this office would not go beyond our report. It contains our findings and analysis, and the reasons for the decisions we made. We chose those words carefully, and the work speaks for itself.

The report is my testimony. I would not provide information beyond that which is already public in any appearance before Congress. In addition, access to our underlying work product is being decided in a process that does not involve our office.


So beyond what I have said here today and what is contained in our written work, I do not believe it is appropriate for me to speak further about the investigation or to comment on the actions of the Justice Department or Congress.

It is for that reason that I will not take questions here today.

Before I step away, I want to thank the attorneys, the FBI agents, the analysts, and the professional staff who helped us conduct this investigation in a fair and independent manner.


These individuals, who spent nearly two years with the Special Counsel’s Office, were of the highest integrity.

I will close by reiterating the central allegation of our indictments – that there were multiple, systematic efforts to interfere in our election.

That allegation deserves the attention of every American. Thank you”

– Special Counsel Robert Mueller

Read More: Five New Books about how We can Change the Direction of the USA in November and Beyond


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Warren’s Facebook Ad Calling For Breakup Is Removed, Then Restored

Egg On Face Of Facebook, Again.

Presidential candidate Elizabeth Warren recently made a point, and then proved that point with the “help” of Facebook. The Massachusetts Senator posted an ad calling for the “break up” of tech giants Facebook, Google and Amazon. The video advertisement was removed by Facebook. Their reasoning for the removal was that the ad was in breach of Facebook’s advertising and copyright policy (the Facebook logo was used in the ad). The removal was reversed by Facebook based on a stated policy of wanting to allow a “robust debate”. The ad wasn’t expensive. It was only $100, but proved in the end to make an invaluable point.

The ensuing bru-ha-ha was worth many times the original sum by bringing more attention and focus to the very issue the ad was meant to highlight:

Read More: Facebook Acquires Giphy while Congress steps in with Antitrust Suspicions

The Democrat Senator served as Barack Obama’s Director of Consumer Financial Protection Bureau. She’s also an aggressive opponent of “big banks” and unlawful practices committed by Wall Street. Warren’s argument was contextualized by antitrust law violations by Microsoft in the 90’s. Warren also explained how these laws lead to the opportunity for websites and tech companies to flourish. Yet, these (aforementioned) tech giants aren’t playing by the rules. 

Opposing Monopolists: a rising trend among Democrats

Warren acknowledged the invaluable place that these companies play in our lives, during her speech at SXSW. She also affirmed that they need to be “broken up” in order to promote innovation

“Facebook, Amazon, and Google. We all use them. But in their rise to power, they’ve bulldozed competition, used our private information for profit, and tilted the playing field in their favor.

It’s time to break up these big companies so they don’t have so much power over everyone else.

Presidential Candidate Elizabeth Warren

The Senator isn’t the only high profile Democrat taking big tech companies to task, Alexandria Ocasio-Cortez was a voice of opposition in the recent Amazon HQ to Queens deal.

Read More: Big Tech headed for a Storm of Changes once the Novel Coronavirus Fades from Center Stage


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SuperBloom 2019; Beauty Meets Barbarism with a Digital Twist

Unexpected Flower Explosion Leads to Traffic Jams for Instagram

photo / Monique Ly

After two years of unusually plentiful rain, even areas such as Ansa-Borrego Desert State Park, Death Valley and Lake Elsinore, CA are enjoying an exceptional phenomenon called the “Super Bloom”. This year’s model is bigger and better than 2017’s version, and it’s coming 8 years ahead of schedule since once in a decade is the historical norm.

Photo / Monique Ly

Our climate is changing, and often, especially lately, it’s alarming. But, occasionally, we are also privy to unique and exceptional displays of beauty, caused by an out-of-whack Mother Nature.

photo / Monique Ly

This is a super charge of flowers blooming due to increased rain that has ignited dormant desert seeds into a beautiful bouquet of primrose, desert Lillies, poppies, Sand Verbena, and Bigelow’s Monkeyflower. 

Photo / Monique Ly

What was once a desert is now an array and an eruption of flowers, and the wildlife that feed on these flowers.

photo / Monique Ly

The SuperBloom 2019 has been spectacular to behold. But, in true 21st-century human fashion, the opportunity was nearly stomped out by the overzealous. Instagrammers and hikers from far and wide bombarded Walker Canyon (near Lake Elsinore, CA) with massive automotive and foot traffic.

photo / Monique Ly

Reports of selfie-sticks doubling as trekking poles, and people stumbling and falling through flower patches, became the norm. All for the glory of “the ‘gram”.

An event that started with affectionate terms like “Poppypalooza” and “Poppy Mania” quickly sprouted the hashtags #poppynightmares  and #isitoveryet.


photo / Danny Leeds

The phenomenon caused an estimated 66,000 people to flood the small California town (doubling its usual 60,000 population in one weekend). The normally sleepy metropolis couldn’t handle the congestion, which forced Elsinore police to “close everything”. 

photo / Monique Ly

Local residents began to yell at people directing traffic, an exploring dog was bitten by a rattlesnake, and the gridlock became a safety issue (one hit-and-run was reported). The canyon is known for steep hills and the hillsides aren’t meant to have hikers.

photo / Monique Ly

Reports of photo-shoots in areas designated off-limits to tourists, and hikers in heels were common.  Reports of selfie-sticks doubling as trekking poles, and people stumbling and falling through flower patches, became the norm. All for the glory of “the ‘gram”.

The Lake Elsinore website provided an email to make “complaints and suggestions”

The beauty, as captured in part by our photography crew above, remains, thankfully, and 2019 will likely be remembered as the year of the Great SuperBloom of Southern California.


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Apple Spruces Up Old Favorites

Performance Upgrades Galore Released Ahead of Streaming TV Launch

Updated AirPods are out – AirPods 2 is the catchy name for this iteration. They’re now powered by an Apple designed H1 chip. This chip was designed specifically for the new AirPods. The H1 is built to deliver higher performance, faster connect times, and more talk time. And, the new AirPods will be available with a wireless charging case (which also works with older AirPod models). 

Read More: Tech Week in Review: Streaming Wars, Disney+ & AppleTV+, Zuckerberg’s 5th Estate, AirPods Pro, Tesla and more

Shortly after the AirPod 2s were announced, new versions of the iMac All-in-one desktop computer also hit the street. As shown in the graphic below, 5 new variants, two 21.5 inch and three 27 inch Macs, each with slightly different feature upgrades are now available. The computers also have a new set of chips that will deliver twice the graphical and computational power.

All five models have intel processors and AMD Radeon Pro GPU’s. Users can expect to see up to 50 percent improved performance working with Photoshop projects, or the ability to create up to two times the amount of virtual instruments in Logic Pro X, or view up to 16 simultaneous multi-cam streams compared to the previous seven in Final Cut Pro X.

Read More: Big Tech headed for a Storm of Changes once the Novel Coronavirus Fades from Center Stage

The lower end models keep their 4K Retina display. The bigger models feature the usual 5K screen.  The computers range from $1300-$5000+ depending on size, specs and optional upgrades.

Apple hasn’t changed the iMac‘s iconic aluminum chassis or glass screen. They’ll have the same screen sizes and resolution, same brightness and wide (P3) color gamut, and same ports (two Thunderbolt USB-C, four USB 3, SDXC, Gigabit Ethernet, and headphone jack).

iPad Air is back and iPad mini too, with pencil. Both with a spec bump. Although the items are not “financially important” in terms of Apple’s overall bottom line, they serve as introductory Apple products. Popular gift items that can acclimate new users into Apple culture.

These new versions of established products are welcome news as the specs and value have improved.

Hardcore aficionados however, will be anticipating major upgrade news, such as the refreshed Mac Pro (not upgraded since 2013!) or iPhone 11, possibly in June and October, respectively.


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Fireworks! Cohen Dumps Docs On Trump.

Former Trump “Fixer” Michael Cohen testifies before Oversight Committee

photo D. Leeds / CBS

Michael Cohen (President Donald Trump’s former personal lawyer) sat before a House Of Representatives committee on Wednesday. Cohen has also been referred to as Trump’s “fixer”. Today he served as an informer, and allowed us access behind the Trump scenes. 

photo D. Leeds / CBS

Read More: Owes or Owed: Either Way Trump’s Dealings with Bank of China are Questionable

In an opening statement, Cohen minced no words, he characterized his former high profile client as “…a racist. He is a conman. He is a cheat.’ He also proclaimed “Donald Trump is a man who ran for office to make his brand great, not to make our country great.”

“…a Racist. He is a Conman. He is a Cheat.’

Cohen arrived willing to talk, and was poised. He provided detailed documents, and even provided checks signed by President Trump. One of the most stunning documents was a manipulated record of President Trump’s assets. According to Cohen, this document was used to rank higher on a Forbes magazine net worth list. This same document was also used as a bid to buy the Buffalo NFL team the Bills. The document was orchestrated using inflated property value, by the square foot. On aside, he also explained how he coordinated rigging online polls for Trump.

photo D. Leeds / CBS

Mr. Cohen also explained how they secured a $130,000 hush money pay-off to Stephanie Clifford aka Stormy Daniels. Clifford signed a Non Disclosure Deal to keep an affair with President Trump private. Cohen also explained how the “Catch & Kill” technique works.  Former lawyer, Cohen explained how he used the “Catch & Kill” maneuver to secure an exclusive “life story rights agreement” with Karen McDougal and then shelving the story. Cohen also explained how Trump hid his reimbursed payments. Cohen also took the opportunity to apologize to First Lady Melania Trump earlier in the hearing. Later, Cohen even recollected an incident where President Trump put Cohen on the phone to lie to The First Lady. 

The hearing was the first comprised of a Democrat led House, with Rep. Elijah Cummings presiding. Cummings also stated “The days of this committee protecting the president at all costs are over. They’re over,”

“The days of this committee protecting the president at all costs are over. They’re over,”

Rep. Elijah Cummings

Read more: Dark Towers tells Deutsche Bank Story of Trump, post Bankruptcy yet Swimming in Loans

https://lynxotic.com/wp-content/uploads/2019/02/Sader-Business-Cards.mov

Republican congress members were hostile, and aggressive. Ranking member Jim Jordan attacked Cohen’s credibility.

Cohen pleaded guilty last November for lying to congress, in their first meeting. His lies were allegedly done on behalf of the President, and to protect the Trump Organization. 


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Aid Vs. Aide : National Emergencies in the Age of Trump

Is Trump’s “Emergency” really an outlier?

President Trump declared the emergency on Friday to reroute billions of dollars to fund the creation of his long promised border wall. This, after Congress passed a bill that allocated $1.375 billion for its construction. With this emergency, Trump plans to allocate $8 billion to the wall, as well as $3.6 billion in military construction funds, and taking an additional $2.5 billion from the Department of Defense. 

Presidents who claim National Emergencies rely on various moves and powers provided by Congress. Congress has long been the core source of emergency authority for the executive branch. Congress can pass laws to give the president wiggle room during military, economic, health, and labor issues. 

In 1976, The National Emergencies Act was passed. It basically ended all previous national emergencies, and formally bestowed emergency powers to the president. 

The White House has contended that the maneuver is a commonplace one and needed to skirt gridlock . According to the Brennan Center for Justice, presidents have declared national emergencies 60 times, including Trump.

The common National Emergency consists of these elements:

  • prohibiting unlawful trade and exporting
  • regulating/blocking/isolating bad actors
  • Emergency aid 

Read More: Trump attacks Planet: Cuts Fuel Efficiency Standards, hoping to Rescue Putin and MBS

Sixteen states have filed a lawsuit in a Northern California federal court against President Trump’s declaration of a national emergency, in it, contending that the executive power to fund a border wall unconstitutional.

These 16 states argue that the Emergency Act is unconstitutional because it’s separating money and power from the states. In a recent widely covered speech, Trump acknowledged this legal hurdle with his sing-song break down:

https://www.youtube.com/watch?v=p4mBk-K93JE

Read More: Five New Books about how We can Change the Direction of the USA in November and Beyond

This scenario is unique due to a National Emergency being linked to a  rallying cry, and campaign promise. 

Is it unconstitutional? 

All roads lead to the Supreme Court—where the party line suits Trump.


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Stock Market Outlook 2019

Consensus Views Or Contrary Swans

Funny thing about consensus vs. contrary views – they are often identical if you believe what you read. “Wall of worry” and “Slope of Hope”: it’s all irrelevant if you are wearing blinders and have no mooring, or any basis for what the facts are.

Add to all that the fact that most opinions are paid advertisements, mainly for sell-side firms, and it’s tough to wade through the B.S. As per usual, according to a survey from CNBC, the S&P 500 will reach 3000 by the end of 2019.

According to my own non-scientific survey this is the 20th consecutive year that such surveys predict a gain in the market. A prediction for the coming or current year is almost always positive. The negative predictions are saved for “next year” (in other words later in 2020 as seen from in early 2019). Then, of course, the predictions change, and turn positive, just before the year turns.

Such nonsense goes even deeper while pundits and hacks will cite “pervasive pessimism” in the face of almost total bullishness to claim to have a “contrary” view while in reality herding like Spanish bulls in springtime.

“It’s tough to make predictions, especially about the future”

Yogi Berra

Using actual data such as the Put-Call Ratio, VIX, AAII Sentiment Survey, or, for example, levels of margin debt and mutual fund money flows, can at least give a picture of the state against which one intends to be contrary.


Then, once in a while, in full-on Black Swan fashion, the prevailing “wisdom” blows up and everyone declares shock that such a thing could happen. A recent example of this was the disastrous collapse of the “short vol” trade in February of 2018.

A one-eyed man in the land of the blind can see a bit more than the rest. A first step is to be aware of the hype and see past the herd. In the last 100 years, Bull markets have tended to last longer than Bear markets (which move faster) and that alone leads to a bias toward a false idea that investing in stocks can lead to a steady, constant gain profile.

To sum up our outlook for 2019 in terms of end of year projections, the word “grim” comes to mind. Bear Markets follow Bull Markets, Raising Rates pop bubbles, the 2008 excess was never dealt with, and on and on and on. Clearly, the most bullish possible prediction anyone looking at facts could possibly make is that the next down phase in the market might come a bit later (2020 anyone?) rather than sooner.

Naturally, that is exactly what the “pessimistic” pundits are predicting. Far from pessimistic in reality, this is the most wildly optimistic, bullish possible take on the current juncture imaginable. Perfect for the true contrarian outlook which points toward a real Bear Market, sooner rather than later.

This is not to say that it looks like all gloom and doom for the coming year(s). There are exciting changes afoot, particularly in media and digital communication, and, as with all times of great change, the aftermath of the coming storm points toward a cleansing and realignment of world economies and cultures. Bring it on…….


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New Memoji Videos Released In Time For 2019 Grammy Awards

Apple Produces More Singing Heads

3 new Apple Memoji videos hit the street today, and, like previous Animoji clips are basically Karaoke Music Videos. Timed to coincide with the 2019 Grammy Awards, today’s batch feature heads crafted to look like the original artists themselves, as a way to emphasize the “me” in Memoji.

In previous “Animoji” video clips Apple used anonymous people that were carefully chosen to match pre-set characters, such as the Cat or Unicorn. Generally, the entire Animoji project appears to be a fringe benefit from the face ID security system, and as a gift from the Steve Jobs Pixar legacy. Ok, true or not, in any case, they look like Toy Story style characters.

It’s a mystery why the talking heads always sway from side to side. Perhaps this is meant to show off the head tracking response, for example, but by now one would think that’s a given.

Although extremely cute and more responsive and adaptable all the time, it looks like third-party apps will have to fill the void, if virtual actors with more range are to emerge.

Read More: Disney, Universal and Pixar Films available to Stream in advance of original VOD release date

It would be great to see a talking avatar that has more realism or at least a personality that goes beyond “cute” and “super cute”.

When this concept finally goes beyond fun, games and Karaoke, a wide variety of potential uses could become possible. Just ask Max Headroom.

All the angst over AI taking over service and manufacturing jobs notwithstanding, by now you’d think someone would have created an automated Megyn Kelly. The 69 million pay-out she received when she was fired could have recouped any prior outlay for research and development. And, hey, at least the animated anchor would have stayed on script.

In November of last year the world’s first AI news anchor started working in China. The Chinese-English speaking bot “…can read texts as naturally as a professional news anchor”, the state-run Xinhua news agency that created the bot, claimed in a statement. Judge for yourself:

If you know of any third party apps trying to graduate from cute when it comes to Memoji recording, please contact our video department. Here at Lynxotic News we could definitely use a few new spokes-bots.


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New York City Views

Capturing New York City – Behind the Timelapse by
Michael Shainblum

video excerpt / Michael Shainblum

Every once in a while we come across a really exceptional clip that deserves a wider audience. Michael Shainblum’s Capturing New York City is one such clip.

Read More: iPhone 11 Pro Max and iPhone Photography Award Series Highlights

You can watch the full timelapse video here:

As they say on YouTube, be sure and subscribe.


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Polar Vortex Slams Airports

Photo © Adobe Stock

Across huge swaths of the USA the so-called “Polar Vortex” is wreaking havoc as sub-freezing temps hit hard. Thousands of flights were cancelled, with over 1200 cancelled in the Chicago area alone. Blizzard warnings in Michigan, multi-car crashes, all the usual winter storm occurrences, only more so.

Closed schools, ice and snow covered roads, even the Super Bowl travel outlook appears sketchy and daunting. Of course, in Atlanta the game will go on, and, one way or another the fans will find a way to get there.

Although many, such as the POTUS, are prone to see any cold weather as a counter argument to Global Warming / Climate Change, science easily refutes this simplistic stance.

Measuring the temperature on a given day or even season is not enough to sway results culled from extensive research. Data points such as daily temperature anomalies, which measure variations from a long standing baseline, continue to show overall warming at an alarming rate.

So, not only is it C-O-L-D, but we have to expect extremes of heat, flooding, storm events, and then all the rest to boot. Even as our heartland freezes there is a massive heat wave in Australia (where it Summer, of course).

Some meteorologists are predicting that the Vortex may linger this time. For not too long, let’s hope , just in time for that little football match this weekend.


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