Coming from Focus Features, “Stillwater” follows an American oil-rig roughneck from Oklahoma who travels to the French city Marseille, to see his daughter, who is now in prison for a murder she said she did not commit.
FIRST LOOK: Matt Damon, Abigail Breslin, Camille Cottin and Lilou Siauvaud in #STILLWATER, a film by Tom McCarthy. In theaters July 30. pic.twitter.com/3FP4CKkAvd
Matt Damon stars as the father, Bill Baker, who at every turn is confronted with obstacles; language barrier, cultural clashes and navigating complicated foreign legal systems. No matter, Baker immerses himself into life on the other side of the world in order to exonerate his daughter.
In an interview with Entertainment Weekly, Director Tom McCarthy explains Damon’s character – “He’s a guy that’s had a difficult life, he’s struggled, but he sort of tried to make amends and do what’s right, I think, when we meet him”.
This dramatic thriller will be in theaters only starting July 30th, 2021. Directed by Tom McCarthy, the Oscar Award winning filmmaker responsible for “Spotlight”. Along with Damon, the film stars Abigail Breslin and Camille Cottin.
Echoes of the Amanda Knox ordeal, as well as “Taken” with Liam Neeson come to mind but neither quite fit, which is a good thing. Not even gonna mention the Bourne Identity connections! Check it out below for yourself and see if it feels derivative or original and if Matt is inhabiting the cowboy-esque character in an interesting way…
Oscar buzz and predictions are building ahead of the Golden Globes, which are traditionally used as a gauge of what will most likely be among the Oscar nominations. The Globes are slated for January 6th, 2020 and the Oscar’s, a.k.a. 91st Academy Awards telecast is on Sunday, 24 February.
Some of the films that are getting the most buzz and are favored to be in the running can be seen by peeking at the trailers (with links to our in depth articles) below:
New Zealand director Taika Waltiti’s movie “Jojo Rabbit” was released October 18th. The critic’s reactions have been positive, and the film won the Toronto Film Festival audience award putting it in line, if past years winners are any indication, for a possible Oscar nod. Waititi was also awarded the Festival’s new Ebert Director Award.
Waltiti is known for directing wacky comedies such as “What We Do In The Shadows,” “Hunt For The Wilderpeople,” and the borderline parody Marvel hit, “Thor: Ragnarok.” His latest film, “Jojo Rabbit” follows this same vein of outrageous, yet charming humor, but there is one key difference… “Jojo Rabbit” focuses on Germany’s Nazi party during World War II, making its hilarity just a touch more complicated.
More specifically, “Jojo Rabbit” is about a young boy in the Hitler Youth. Like many German kids of the time, he aspires to be a Nazi soldier when he grows up. He buys into the party’s ideologies and believes their propaganda. That is until he comes face to face with a Jewish girl and learns, despite what the Nazis have taught him, that she is harmless, pleasant, and appealing.
On the surface, the premise seems like the bones of a complex and sophisticated historical drama. With Waltiti behind the camera, though, such is obviously not the case. Instead of dry historical accuracy, Waltiti makes the Hitler Youth look like a summer camp filled with likable children and goofy leaders. Most boldly perhaps, Waltiti himself plays Adolf Hitler in the movie, but rather than depict him as the brutal dictator that he was, Waltiti makes him out to be the kind-uncle archetype, a socially inept, hilarious motivator and idol for the children in the story.
Quentin Tarantino has had success with his ninth movie, “Once Upon a Time in… Hollywood”. In a slight departure from his stark early 70s styled crime dramas, this time Tarantino pays homage to the late- 60’s genre and his love for his hometown, Los Angeles.
The film takes place in 1969 Hollywood, amidst the chaotic events of that year, including the infamous Manson Murders. Much like The Altamont Free Concert, as chronicled in the film Gimme Shelter (with it’s high profile murder during the show), the gruesome, violent Manson murders are often cited as an historical moment marking the end of the free love 60’s and a pivot towards the darker times in the me decade of the 70’s.
The film stars Leonardo DiCaprio as Rick Dalton, as an actor on a Western television series alongside Brad Pitt as Cliff Booth, Dalton’s stuntman. The two work and live closely together as they carry out their urban cinematic adventures. The characters and their friendship are said to be based on 70’s icon Burt Reynolds and his stuntman Hal Needham.
Even before seeing “Joker” the origin-story from Warner Brothers, there is a sense that this is an epic not easily categorized within the Comic-Book movie genre.
Starring Joaquin Phoenix (Oscar nominee for “Walk the Line”, “The Master” and “Gladiator”), directed and co-written by Todd Phillips (“Borat” and “The Hangover Trilogy”) and with Robert De Niro (as TV host Murray Franklin), the focus on how Arthur Fleck becomes “Joker” screams a muted, uneasy tension, that’s oozing from every pixel revealed so far.
In “Joker”, Batman’s Gotham City is a cesspool of dirt and depravity where Arthur appears doomed to live and die encircled with nothing but depression and humiliation. Mentally Ill and mercilessly tortured by the “sane” members of society all around him, he finds some respite in his chosen career of clown-for-hire and hopeful comedian wannabe by night.
The potential for the story to transcend the genre of Comic book heroes and villains is hinted at in the placard with the words “we are all clowns” scrawled on it, that can be seen in a flash, about halfway through the new trailer (above).
Followed by scenes showing mobs of clown-mask-wearing demonstrators / rioters (shades of anonymous, Guy Fawkes, Antifa and Hong Kong), there’s an implication that an anti-social movement is growing up around, and identifying with, the anger and twisted humor of the emerging “Joker” super-villain character.
The real life parallels to the fictional world of Gotham City and the way many could relate, after having suffered similar fates to those that produced the madness into which Arthur descends, are scary, already in previews, and could portend a film that is not only horrifically entertaining, but thought provoking, when seen in the shadows of current events and today’s zeitgeist.
In the wake of so many “uplifting” but heavily computer assisted films where Comic book superheroes battle cartoon villains (and each other) the emphasis on live action grit and human emotions and failings is, at first look, refreshing and terrifying (in an interesting way), and that seems to have hit a nerve with the general public, judging from the $1 billion plus bos office take so far.
From “Logan” and “Walk The Line” director James Mangold, “Ford v Ferrari” follows the true story of American engineer Carroll Shelby who is solicited by Henry Ford II to build a car that can beat Ferrari at the 1966 Le Mans World Championship in France. Shelby, determined to complete Ford’s ambitious task, insists on putting the wild and loose British driver Ken Miles behind the wheel. What ensues is the fast-playing tale of a couple eccentric and erratic people infiltrating a world filled with professional industrialists to take on the impossible.
Matt Damon plays Shelby in the film and Christian Bale as Miles. Rather than one being the lead and the other being a supporting role, both actors are co-leading the film, making them both eligible for Best Actor in a Leading Role nominations at the Oscars come February.
Money, Cars, Engineering, Sexy Racing scenes, what could go wrong?
From “Logan” and “Walk The Line” director James Mangold, “Ford v Ferrari” follows the true story of American engineer Carroll Shelby who is solicited by Henry Ford II to build a car that can beat Ferrari at the 1966 Le Mans World Championship in France. Shelby, determined to complete Ford’s ambitious task, insists on putting the wild and loose British driver Ken Miles behind the wheel. What ensues is the fast-playing tale of a couple eccentric and erratic people infiltrating a world filled with professional industrialists to take on the impossible.
Matt Damon will play Shelby in the film and Christian Bale will play Miles. Rather than one being the lead and the other being a supporting role, both actors are co-leading the film, making them both eligible for Best Actor in a Leading Role nominations at the Oscars come February.
With Two Top Tier Hollywood Veterans Co-Leading, Will this mean “Damon v Bale” at the Oscars?
Neither Damon nor Bale is a stranger to the Academy Awards. They each have a trophy and several nominations under their belts. Bale won Best Supporting Actor for his performance in 2010’s “The Fighter.” He was nominated in that same category for his 2015 performance in “The Big Short,” and has two Best Leading Actor nominations for 2013’s “American Hustle” and 2018’s “Vice.”
Damon on the other hand has never won an Oscar for acting. His only win was for 1997’s “Good Will Hunting” in the Best Original Screenplay category. That same year, however, he was nominated for Best Actor in “Good Will Hunting” and received the same nomination eight years later for his role in “The Martian.” He also earned a Best Supporting Actor nomination for his performance in 2009’s “Invictus” and a best picture nomination for producing “Manchester By The Sea” in 2016.
Both actors are evidently prestigious and immensely talented. At the same time, though, it is safe to assume that they are also both hungry for that Best Leading Actor award. If they both deliver in “Ford v Ferrari,” then it could become Damon v Bale at the Oscars.
June Release pushed back and now will fight Streaming Wars for Audience Attention
“Ford v Ferrari” debuted at the Telluride Film Festival earlier this year and played again at the Toronto Film Festival. The film received favorable reviews following both festivals. In particular, critics praised the movie for its race-like rhythm and the performances from its two stars. Additionally, while Mangold’s previous work has been generally dark in tone, “Ford v Ferrari” has an upbeat energy and a good sense of humor.
Under the banner of 20th Century Fox, the movie was originally scheduled to come out on June 28th. However, after the merger between Fox and Disney, the release date was pushed back to put it closer to Hollywood’s awards season. It’s new November 15th release date does not give it much rivalry for opening weekend at the box office. However, it is sandwiched between the release of “Doctor Sleep” the week before and “Frozen 2” the week after. Likewise, Disney+ comes out on the 12th, which could very well keep people away from the theaters for a few days. Thus, when it comes to “Ford v Ferrari,” the key word may be competition. It is a movie about the clash between two automobile tycoons, focusing on the strained relationship between a radical engineer and a hostile driver. Furthermore, upon release, “Ford v Ferrari” will have to prove itself against other forms of entertainment coming out in November, and come award season, we may see Damon and Bale taking the stage against each other for their two performances in the same film.
![STILLWATER - Official Trailer [HD] - In Theaters July 30](https://i.ytimg.com/vi/9cq1lPPeMUY/hqdefault.jpg)
