Six years ago a terrorist in Vienna took hundreds of hostages and the rescue attempt was totally botched. Veteran Henry Pelham (played by Chris Pines), a CIA operative learned that one of its agents may be the reason behind the attack via leaking sensitive information. Pelham along with his college Celia Harrison (played by Thandiwe Newton), also former lover are assigned to figure out who the mole is.
The movie is based on the 2015 spy novel by author Olen Steinhauer. Director Janus Metz adapted his screen from the book. In addition to Pines and Newton, the film also features Laurence Fishburne and Jonathan Pryce.
The movie will be released April 8 on the Amazon streaming platform globally and also in select theaters.
What was, what will be, and what is, may yet fall under the Shadow
The new episodes will be based on the best-seller fantasy series of the same name (15 books in total) by author Robert Jordan. His first book came out back in 1990 and longtime fans of series have been excited to finally see the screen-adaptation come to life.
Within the trailer you can hear the opening words that are found in Book # 1 of the series “ The Eye of the World”, which emphasizes the cyclical nature of the world (events circle again and again on the wheel of time with important characters reincarnated/reborn through out different times).
“The Wheel of Time turns and Ages come and pass, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the Age that gave it birth returns again…”
Amazon Prime Video released its official teaser trailer and now there is finally action related to this beloved theme!
In the short video clip, fans are swept into the dangers that await the characters, and we see magic, particularly lots of women (a group named the Aes Sedai) using magic, which is called the ‘One Power’ that helps to keep the world in place.
The Aes Sedai, let by the powerful sorcerer played by Rosamund Pike arrive in a town called Two Rivers where they embark with small group to find the Dragon Reborn, whom is prophesied to be the one who will either save or destroy humanity.
Showrunner Rafe Judkin describes the upcoming series as a the “connective tissue between Lord of the Rings and Game of Thrones”. I think even “Shadow and Bone” kind of vibes as well as I watched.
Also there are rumors circling that Amazon Prime will not likely be the only place where fans will get a taste of “The Wheel of Time” , there are also reports that a movie, or rather set of movies (trilogy) is also in the works called “Age of Legends” and will complement the series as a sort of prequel to the novel saga.
Amazon Prime Video plan is currently for a scheduled release of “The Wheel of Time” on November 19.
There’s a joke somewhere in here but it’s hard to see it through the tears
Woody Allen’s onscreen counterpart, Alvy Singer, complaining about Hollywood Award Shows in “Annie Hall” remarked that a category of award for “Greatest Fascist Dictator” would not surprise him, and that Adolf Hitler would probably win.
Amazon, viewed from some neutral future date or by aliens from another planet would surely win the award for “Greatest Company to Amass Wealth & Power by Intentionally Losing Money” award. Or maybe just “World’s Biggest Ponzi Scheme”.
For now the fawning books and articles on the greatness of “Bezos’ Behmouth” continue to pile up.
An exception to the fawning fan fiction is “Monopolized: Life in the Age of Corporate Power” by David Dayen. The author also commented cogently on the current situation with Amazon and MGM. His thoughts shed much needed light on the simple and yet sadly overlooked truth about Amazon: its core mission is to monopolize not just online sales but all transactions that take place in the economy where a “cut” of those transactions can be extracted.
What’s with all these awards? They’re always giving out awards. Best Fascist Dictator: Adolf Hitler. — Alvy Singer
This viewpoint, it would seem, can be traced back to a rare case where Jeff Bezos let his guard down and accidentally explained a core concept of the Amazon business model.
He said, simply: “Your margin is my opportunity”.
With this seemingly innocuous and widely misinterpreted phrase he unleashed the dogs of hell on the world of commerce. The MGM deal, according to Dayen, who is also editor of The American Prospect, is yet another attempt to gut an industry with techniques designed to use predatory pricing strategies to crush all rivals.
The sub-head from his article states: “The company wants to control pricing on everything, and funnel as many transactions to itself as possible.”
Meanwhile, somehow, this statement is finally being generally understood in its real context.
Yet what is astounding is that this is not a supposition or an accusation, but rather is a stated fact, and how this company has behaved and operated for decades.
Putting 2+2 together, the common interpretation that there is an “innocent” pro-customer meaning possible, is finally being seen for the absurdity that it is.
Simple, Effective and Disgusting: Selling below cost or at a loss to harm competition
We’ve seen how that goes. In this case, since Amazon does not make any data available on the profitability of various business segments, using nearly $9 billion to enhance its “free with Prime” business creates yet another loss-leader opportunity to destroy the margins of all other streaming platforms, who, like other businesses actually have to make a profit or at least break even, unlike Amazon due to its cross-subsidization of products and services.
Amazon wants to control all economic activity in the United States and the world. It wants a cut of every transaction. — D. Dayen
Amazon as “cross-subsidized content devourer” is how Dayen described the inevitable outcome of the deal in his article.
He also succinctly argues that by using its virtually unlimited power and resources to devour an ever larger share of the market, ultimately the result will be to drive up costs for competitors (for I.P., production and star power) and achieve the goal of squeezing the already slim margins for those poor schmucks (or rich schmucks like Disney, HBO, Netflix, etc.) that don’t have an unlimited budget for intentional losses.
The playbook is so obvious and familiar that it’s almost laughable. That is, if not for the death and destruction that always follow in the next chapters of this plot schema.
They pick on an established industry where no one will have sympathy for the rich victims – did anyone feel sorry for Borders or other large book retailers? Does anyone cry over the loss of Diapers.com or Quidisi? When Birkenstock complains does anyone listen?
How can gutting the streaming industry or unassailable giants like Disney and HBO be bad? Isn’t it just capitalism at its finest? Should we start preparing the award now for “Greatest Consolidator of Content in History”?
But what about the “loss leader” system? What about the ultimate outcome of less competition and higher prices overall, an obvious harm to consumers, regardless of how stupid and convoluted the route is to get there?
By moving the market in a way that will make streaming a terrible business for any company that has to compete with this, “oughta be illegal” script, margins will, if the gambit succeeds, face a similar fate to the one that anyone who used to be in the retail book industry, or any of the other entire industries that Amazon has received kudos for destroying, knows all too well.
Dayen also makes the point that, once this thinly veiled ploy is seen for what it is, the harm, not only to Amazon’s competitors but to the general public, should be obvious and impossible to ignore.
Citing the similarities with the recently brought antitrust action by the Washington, DC attorney general, it is exactly this kind of pernicious practice, that Amazon has not only gotten away with for decades, but Bezos has been lionized for “inventing”.
That lawsuit, which deals with an Amazon clause in 3rd party marketplace terms and conditions (since altered to disguise its true intent) that 3rd party sellers must sell anywhere outside Amazon’s marketplace at the same or higher price that they have listed on Amazon, is a sign of a gradual shift toward seeing the real meaning of Amazon’s behavior.
Since there are massive, exorbitant fees added to every transaction for all 3rd party sellers, the only way for them to make any profit at all is to tack on the cost of those fees, meaning artificially higher prices.
Amazon has ways to retaliate through “dark patterns” of its own special stripe, by manipulating buyers behaviors on its web site, making sure that sellers that don’t toe the line will get, essentially, zero sales.
For Amazon this kind of bullying and blackmail is a “win-win-win”. They see and have tattooed into their DNA all pain, suffering and loss for anyone other than the company (AMZN) as a gain for them.
3rd party sellers caught in hell trying to survive while paying fees up to 43% or more without recourse to try and recoup by selling anywhere else at lower prices?
Amazon congratulates themselves. Sellers undercutting each other, in spite of those fees in an effort to behave like a “mini-Amazon” and getting into a race to the bottom death match with each other? Yippee! Great for Amazon, when they are dead, there are always new victims waiting in line to enter the cage.
How about sellers that obtain goods illegally, counterfeit, illegal imports, stolen products, remainders and aftermarket overstock? They are GREAT for Amazon because they put even more pressure on the individual, honest sellers to immolate themselves trying to survive (and eventually die via pricing suicide) while Amazon can claim to be offering lower prices!
Oh, and when they “do their best” to stop all those illegal sellers, albeit at a snails pace, they are bailed out by section 230 and can point to their “partners in crime”, the counterfeiters, the knockoffs from China, the illegal imports and the stolen and aftermarket goods and say: “We tried our best, these are just a few bad apples” laughing all the way through every board meeting.
“Your margin is my opportunity”, indeed.
Above: Photo Collage by Lynxotic
There are no mitigating factors here. There is no “good guy” or customer obsessed hero. Just evil and the dead or dying. Wake the fuck up, America.
The praise and adulation continues, even as the $400 million yacht is being prepared for its maiden voyage
It’s as if Bezos is given award after award for the “genius” of selling 1$ bills for .75 cents. Championed for using a strategy that masquerades short term margin destruction as “customer obsession”, pretending that the dumping levels of pricing won’t in the long run flip into price gouging and the destruction of competition.
Somehow the massive detriment to consumers and the society at large is overlooked amid all the parties celebrating the “genius”.
But have the chickens finally come home to roost? Is anyone seeing a pattern of systematic use of the same tactics over and over, applied to each and every sector that Amazon chooses to “disrupt”? They didn’t get the nickname “grim reaper” for nothing. The problem is that it was meant as a compliment.
It is a sea change in the antitrust orientation, a sea change that is desperately needed, and with Lina Kahn and Columbia Law School professor Tim Wu, it might be just over the horizon. Could even have a chance to come about.
That change, so long overdue, could finally begin the process of dismantling the damage wrought and and still to come, if there is no interdiction.
The worm will eventually turn. When? After decades of obvious abuse and criminal behavior, completely and willfully ignored (too complicated to see).
Will there eventually be so many victims that they will outnumber the duped and the sycophants? Stay tuned.
This is a world where four major banks control most of our money, four airlines shuttle most of us around the country, and four major cell phone providers connect most of our communications. If you are sick you can go to one of three main pharmacies to fill your prescription, and if you end up in a hospital almost every accessory to heal you comes from one of a handful of large medical suppliers.
Over the last forty years our choices have narrowed, our opportunities have shrunk, and our lives have become governed by a handful of very large and very powerful corporations.
Today, practically everything we buy, everywhere we shop, and every service we secure comes from a heavily concentrated market.
Dayen, the editor of the American Prospect and author of the acclaimed Chain of Title, provides a riveting account of what it means to live in this new age of monopoly and how we might resist this corporate hegemony.
Through vignettes and vivid case studies Dayen shows how these monopolies have transformed us, inverted us, and truly changed our lives, at the same time providing readers with the raw material to make monopoly a consequential issue in American life and revive a long-dormant antitrust movement.
When you just want to find the best without sorting trough all the rest
With all various streaming platforms so readily accessible, it can be a real struggle to figure out what to watch on any given day. Aside from new releases, there are often a handful of recent or classic movies and Amazon originals you may have overlooked. Amazon Prime videos can also be tricky to navigate as you can search practically any TV show or movie, but that doesn’t always mean it will be free to watch for subscribers. It can be a real let-down to finally find the movie you want to watch and realize it’s going to cost you $, sometimes mega $ if it is a current release.
Unlike Netflix, where the same movies keep circulating within various sub-categories of curated recommendations, the problem with Amazon is that there are virtually unlimited choices but the sections featuring the “included with Prime” options are, similar to Netflix, confusing to navigate at times. It’s almost as if they want to make it appear as if there are many more available than is actually the case, even as you stumble on the same titles again and again in a different mixture.
Below are the top 10 movies we recommend to watch on Amazon Prime video ( including both the best new releases along with some not-so-new quality classics):
On one incredible night in 1964, four icons of sports, music, and activism gathered to celebrate one of the biggest upsets in boxing history. When underdog Cassius Clay, soon to be called Muhammad Ali, (Eli Goree), defeats heavy weight champion Sonny Liston at the Miami Convention Hall, Clay memorialized the event with three of his friends: Malcolm X (Kingsley Ben-Adir), Sam Cooke (Leslie Odom Jr.) and Jim Brown (Aldis Hodge).Based on the award-winning play of the same name, and directed by Regina King, One Night In Miami… is a fictional account inspired by the historic night these four formidable figures spent together. It looks at the struggles these men faced and the vital role they each played in the civil rights movement and cultural upheaval of the 1960s. More than 40 years later, their conversations on racial injustice, religion, and personal responsibility still resonate.
Sylvie’s Love / 2020
Sylvie has a summer romance with a saxophonist who takes a summer job at her father’s record store in Harlem. When they reconnect years later, they discover that their feelings for each other have not faded with the years.
Acclaimed writer and director Rian Johnson (Brick, Looper, Star Wars: The Last Jedi) pays tribute to mystery mastermind Agatha Christie in KNIVES OUT, a fresh, modern-day murder mystery where everyone is a suspect. When renowned crime novelist Harlan Thrombey (Christopher Plummer) is found dead at his estate just after his 85th birthday, the inquisitive and debonair Detective Benoit Blanc (Daniel Craig) is mysteriously enlisted to investigate. From Harlan’s dysfunctional family to his devoted staff, Blanc sifts through a web of red herrings and self-serving lies to uncover the truth behind Harlan’s untimely death. With an all-star ensemble cast including Chris Evans, Ana de Armas, Jamie Lee Curtis, Toni Collette, Don Johnson, Michael Shannon, LaKeith Stanfield, Katherine Langford and Jaeden Martell, KNIVES OUT is a fun, witty and stylish whodunit guaranteed to keep audiences guessing until the very end.
Sound of Metal / 2019
During a series of adrenaline-fueled one-night gigs, itinerant punk-metal drummer Ruben (Riz Ahmed) begins to experience intermittent hearing loss. When a specialist tells him his condition will rapidly worsen, he thinks his music career — and with it his life — is over. His bandmate and girlfriend Lou (Olivia Cooke) checks the recovering heroin addict into a secluded sober house for the deaf in hopes it will prevent a relapse and help him learn to adapt to his new situation. But after being welcomed into a community that accepts him just as he is, Ruben has to choose between his equilibrium and the drive to reclaim the life he once knew. Utilizing startling, innovative sound design techniques, director Darius Marder takes audiences inside Ruben’s experience to vividly recreate his journey into a rarely examined world.
From a screenplay by Shia LaBeouf, based on his own experiences, award-winning filmmaker Alma Har’el brings to life a young actor’s stormy childhood and early adult years as he struggles to reconcile with his father and deal with his mental health. Fictionalizing his ascent to stardom, and subsequent crash-landing into rehab and recovery, Har’el casts Noah Jupe and Lucas Hedges as Otis Lort, navigating different stages in a frenetic career. LaBeouf takes on the therapeutic challenge of playing a version of his own father, an ex-rodeo clown and a felon. Dancer-singer FKA twigs plays a neighbor and kindred spirit to the younger Otis. Har’el’s feature narrative debut is a one-of-a-kind collaboration between filmmaker and subject, exploring art as medicine and imagination as hope through the life and times of a talented, traumatized performer who dares to go in search of himself.
You Were never Really Here / 2018
A traumatized veteran, unafraid of violence, tracks down missing girls for a living. When a job spins out of control, Joe’s nightmares overtake him as a conspiracy is uncovered leading to what may be his death trip or his awakening.
Based on author David Grann’s nonfiction bestseller, “The Lost City of Z” tells the incredible true story of British explorer Percy Fawcett (Charlie Hunnam), who journeys into the Amazon at the dawn of the 20th century and discovers evidence of a previously unknown, advanced civilization that may have once inhabited the region. Despite being ridiculed by the scientific establishment who regard indigenous populations as “savages,” the determined Fawcett—supported by his devoted wife (Sienna Miller), son (Tom Holland) and aide-de-camp (Robert Pattinson)—returns time and again to his beloved jungle in an attempt to prove his case, culminating in his mysterious disappearance in 1925. An epically scaled tale of courage and passion, told in writer/director James Gray’s classic filmmaking style, “The Lost City of Z” is a stirring tribute to the exploratory spirit and a conflicted adventurer driven to the verge of obsession.
The Big Sick / 2017
Based on the real-life courtship between Kumail Nanjiani and Emily V. Gordon, THE BIG SICK tells the story of Pakistan-born aspiring comedian Kumail (Nanjiani), who connects with grad student Emily (Kazan) after one of his standup sets. However, what they thought would be just a one-night stand blossoms into the real thing, which complicates the life that is expected of Kumail by his traditional Muslim parents. When Emily is beset with a mystery illness, it forces Kumail to navigate the medical crisis with her parents, Beth and Terry (Holly Hunter and Ray Romano) who he’s never met, while dealing with the emotional tug-of-war between his family and his heart.
Trying to reverse a family curse, brothers Jimmy (Channing Tatum) and Clyde Logan (Adam Driver) set out to execute an elaborate robbery during the legendary Coca-Cola 600 race at Charlotte Motor Speedway.
Manchester by the Sea / 2016
After the death of his older brother Joe (Kyle Chandler), Lee Chandler (Casey Affleck) is shocked to learn that Joe has made him sole guardian of his nephew Patrick (Lucas Hedges). Taking leave of his job, Lee reluctantly returns to Manchester-by- the-Sea to care for Patrick, a spirited15-year- old, and is forced to deal with a past that separated him from his wife Randi (MichelleWilliams) and the community where he was born and raised. Bonded by the man who held their family together, Lee and Patrick struggle to adjust to a world without him.
Christmas day will give millions a nice dose of the much-needed entertainment most of us crave. Fortunately there’s a whole bucket of highly-anticipated blockbuster releases. There will be many options on where to stream, with almost every major streaming service set to release a major film on December 25th including movie theaters.
We’ve created a comprehensive list below of movies plus trailers of all you can watch!
“Wonder Woman: 1984”: Theater release and HBO Max:
Most noteworthy, as its release date has been pushed and pushed for what seems like years, will be the Xmas release of “Wonder Woman: 1984” to both theaters and a 30 day streaming period on HBO Max. Patty Jenkins’ follow-up to the 2017 “Wonder Woman” has generated so much buzz, DC Comic fans can rejoice the film will finally be available to watch. Based on the fan reaction from the early showings, there is no secret that this is a must see movie, starring Gal Gadot, Chris Pine, Kristen Wiig, and Pedro Pascal.
“Soul” / Disney+:
This Pixar movie has also been riddled with issues relating to a final release date. Instead of the traditionally theatrical release, “Soul” will be premiering exclusively on the Disney+. This will mark the first Pixar film to bypass a theater release altogether and instead offer it solely on the streaming platform This animated production boasts a star-studded cast including Jamie Fox, Tina Fey, Questlove, Phylicia Rashad, Angela Basset and long-time Pixar alum John Ratzenbrerger.
“News of the World” / Theaters:
A Western drama that follows a widowed Civil War veteran, Jefferson Kyle Kidd, who comes across a young girl taken by the Kiowa people. Jefferson played by Tom Hanks must take a long and perilous journey to return the girl to her family. Taken place within the harsh and unforgiving plains of Texas, the two encounter many dangers and must fight for survival. Based on the historical novel by Paulette Jiles. The movie will reportedly be released through Netflix internationally, however there is no clear release date for U.S. viewing on the streaming platform at this time.
“We Can Be Heroes” / Netflix:
A follow-up or homage of sorts to the 2005 “The Adventures of Sharkboy and Lavagirl” done by Robert Rodriguez is another fun film to be released. This time around, a group of children of superheroes must team up to save their parents after being kidnapped by aliens. Taylor Dooley reprises her role as Lavagirl. “We Can Be Heroes”stars Priyanka Chopra, Pedro Pascal, Christian Slater, Christopher McDonald and more.
“Promising Young Woman” / Theaters:
A dark comedy/thriller follows Cassandra Thomas, who goes by “Cassie” played by Carey Mulligan. Nothing is what it seems in Cassie’s life, with an unexpected encounter, she is given the chance to take charge of her life. Moviegoers will watch as this “Promising Young Woman” takes revenge against the men who have treated her wrong in the past. Emerald Fennell makes her directorial debut along with a support cast that include: Bo Burnham, Alison Brie, Clancy Brown, Laverne Cox and Alfred Molina.
“Sylvie’s Love” / Amazon Prime Video:
Set in the late 1950’s Harlem, a young woman named Sylvie played by Tessa Thompson has a whirlwind summer romance with a saxophonist that takes a job at her father’s record store. Years later, the two reconnect and soon discover that their feelings have not faded.
“One Night in Miami”/ Theaters:
This film centers around the fictional tale of a meeting between Malcolm X, Muhammad Ali, Sam Cooke and Jim Brown. Set in the aftermath of Ali’s (Cassius Clay) 1964 boxing match against Sonny Liston. Together the 4 iconic black men meet up in a Miami hotel room to change the course of history in the segregated South. Based on the play written by Kemp Powers. Regina King directs this period drama with cast including: Kingsley Ben-Adir, Eli Goree, Aldis Hodge and Leslie Odom Jr. This movie is available to watch in Theaters on Christmas day, however it won’t be available to stream on Amazon Prime Video until January 15.
“Pinocchio” / Theaters:
This retelling of the classic animated Disney version gets a live-action reboot with Roberto Benigni playing as Geppetto and Federico Lelapi as Pinocchio. The film has already been released in Italy, the movie is set to be released in theaters for the U.S. on Christmas day.
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Everything You Need to Know before the Launch of Full Throttle Entertainment Competition
Over the past ten years, online streaming has changed the course of television history. Services like Netflix and Amazon Prime have transformed the way that we consume media, taking the physical TV out of TV and replacing it with laptops and handheld devices. In the upcoming months, however, history is about to take another enormous leap forwards, as the addition of several new streaming services will take entertainment to entirely new, competitive, and corporately segregated levels.
Enter the New Players: Every Other Major & Minor Studio
While Netflix, Amazon Prime, and Hulu have more or less reigned supreme as the premiere streaming services since they launched, they will soon meet a new lineup of fierce rivals on the battlefield. Over the next few months, Disney, AT&T’s WarnerMedia, Apple, and NCBUniversal will all be entering the streaming world, respectively with the launches of Disney+, HBO Max, Apple+, and Peacock… and that is just a handful of them.
For the most part, each of these new streaming platforms will feature all of the content owned and created by their respective parent companies. With a Disney+ subscription, one can watch everything from Marvel movies to Star Wars to “Snow White and the Seven Dwarves.” HBO Max will offer every episode of “Game Of Thrones” and “Friends.” Peacock will give you every episode of “Saturday Night Live” and “The Office.” And so on.
How will Disney Juggle their Family-Oriented Brand with their Monolithic IP Collection?
Of course, there are a few exceptions to this rule. For example, Disney plans to keep its streaming service relatively family-friendly, and therefore will not be offering some of its more mature properties—i.e. 20th Century Fox content such as “Deadpool” or Miramax titles such as “Pulp Fiction,” all of which are technically under the wing of Disney, but do not fit their wholesome brand.
Owning intellectual properties from Fox, Pixar, Marvel, Lucasfilm, National Geographic and beyond, Disney+ is bound to be the biggest juggernaut in this oncoming streaming war. The service also comes at the most affordable price, costing only $7 a month as opposed to HBO’s estimated $15/month or Netflix’s current $12/month.
The Walt Disney Company is not underestimating the significance of Disney+’s launch. CEO Bob Iger has frequently mentioned that it is Disney’s most important development in the fifteen years that he has led the company—and this is the man who spearheaded the Pixar, Marvel, and Lucasfilm acquisitions. As a testament to its importance, Disney has also dropped over a billion dollars into marketing for Disney+, recently even releasing a 3-hour long trailer showing a taste of everything the service will offer.
Corporate Segregation and the IP Divide Demands Consumer Loyalties
Disney is doing all this because they know that they will have to compete with some very skilled rivals. While Disney may have a wide breadth of content in their libraries, they are limited to their own intellectual properties. If someone is a fan of DC over Marvel, then they may take their money over to Warner’s HBO Max. Likewise, if someone is a die hard Trekkie rather than a Star Wars enthusiast, they may opt to subscribe to CBS All Access so they can watch the new episodes “Star Trek: Discovery” and “Piccard.”
This is where the corporate segregation becomes a limitation for streaming. When it was just Netflix, Amazon, and Hulu in the ring, these services would license out content from larger film studios. Netflix, for example, could write a check to Warner Brothers to have their movies and TV shows on their site. Because of multiple deals like this, subscribing to a streaming service used to mean getting access to a wide-range of content made by many different companies.
Now that the larger companies are creating services exclusively for their own libraries, taste and target audiences will play a larger role in the world of streaming. The streaming playing field is not just about to get far more competitive, but it is also about to get far more divisive. Rather than subscribe to a seemingly arbitrary collection of movies and shows via Netflix or Amazon, subscribers will have to chose based on the company whose work they prefer the most.
Will Content Variety that Consumers Crave Disappear?
Unfortunately, this means that if someone is a fan of both Harry Potter and Star Wars, they are out of luck and will have to pay for two different services to get them both. This could even lead to an issue of oversaturation, as people are unlikely to pay for five different services just so they can get the variety they desire. If that is the case, they might as well go back to paying their cable bill.
Thus, the future may lie in mergers and bundles between the services. For small additional prices, subscribers could get extra content or access to more than one streaming platform at a time. Disney has already started offering bundle plans with Hulu, which will give subscribers access to some of those less wholesome titles excluded from Disney+. This may be the only way to keep streaming sustainable and affordable in such a corporately stratified landscape.
Who’s going to be the Winner? Bet on Creativity to come out on top, every time
What will really determine who gets out of this streaming war alive, however, will be original content. Regardless of how good Disney’s library is, viewers can only rewatch the Marvel and Star Wars movies so many times before they desire something new to keep them subscribing. Therefore, original shows and films will be the key to keeping audiences invested. Netflix and Amazon have already been slowly transitioning towards this, focusing more on their own productions of lately as the licensing model fizzles out.
Likewise, Disney+ is promoting itself in part with new movies and shows—among them a live action “Lady and the Tramp” remake, a Marvel series focused on Tom Hiddleson’s Loki, and Star Wars’ “The Mandalorian.” Meanwhile, HBO Max is promising a “Game of Thrones” prequel series. It is products like this that will be available exclusively through the streaming platforms that will keep certain companies’ services afloat over others.
All in all, each company best saddle up with their best writers, directors, casts, and crews, because creativity will be the most powerful weapon in the streaming war. Whoever wields it best is most likely to stand triumphant in the end.
![PROMISING YOUNG WOMAN - Official Trailer [HD] - This Christmas](https://i.ytimg.com/vi/7i5kiFDunk8/hqdefault.jpg)
