Category Archives: Movies

Disney, Universal and Pixar Films available to Stream in advance of original VOD release date

https://movietrailers.apple.com/movies/universal/the-invisible-man/the-invisible-man-trailer-2_h1080p.mov
Official Teaser Trailer for “The Invisible MAn

Streaming was Growing and Expanding before the Pandemic and now it’s in Overdrive

The last time that a pandemic gripped the planet, the film industry was in its mere infancy. Nickelodeon theaters played silent motion pictures for middle class audiences and studios were hardly the global conglomerates that they are today. Thus, the contemporary COVID-19 outbreak poses an unprecedented threat to the entertainment sphere, as theaters for the first time in history, are being forced to close their doors for the greater good.

This novel situation is causing studios to be creative in how they will persevere without theatrical releases. A number of movies have already been postponed such as MGM’s “No Time To Die,” Paramount’s “A Quiet Place Part II,” Disney’s “Black Widow,” Universal’s “F9” and many, many more.

Likewise, the coronavirus has also brought production to a halt, as work on several shows and movies are being put on pause. Among them are Warner Brothers’ “Fantastic Beasts 3” and “Matrix 4,” Disney’s live-action “The Little Mermaid,” and Amazon’s “The Lord Of The Rings” series.

Consequentially, there has been a lot of pressure for studios to release movies directly to Video-On-Demand or other home video markets. So far, the companies have been reluctant to do so, due in no small part to the theaters not wanting to sacrifice their piece of the profits. One notable exception, however, has been DreamWorks’ “Trolls World Tour,” which Universal has slated to be released directly to VOD, on the date the theatrical run would have begun.

For the most part, though, studios have responded to the situation by shortening the lapse between theatrical runs and home video releases. Disney, for example, expedited the release of “Frozen II” on Disney+ as a treat/marketing ploy for subscribers practicing safe social distancing. Meanwhile, Disney also announced that it will add the latest Pixar film, “Onward” to its streaming service in early April. “Onward” came out mere weeks ago on March 6th, just before theaters starting closing down and postponing releases became the new norm for 2020.

Additional studios have followed suit and started putting their movies (that would otherwise remain in theaters) straight to VOD. On top of “Trolls World Tour,” Universal recently made “The Invisible Man” and “The Hunt” available on home video markets. Likewise, movies that were on the tail ends of their theatrical runs such as Warner Brothers’ “Birds Of Prey” and Paramount’s “Sonic The Hedgehog” have also sped their way to the VOD market ahead of schedule.

This trend has been so popular in the past couple weeks that Amazon even started a new section of its Prime video streaming service titled “Prime Video Cinema.” The section is dedicated entirely to these new releases taken straight from theaters. Albeit, many of these direct-to-home-video releases are costlier than your average rental—running around $20 to emulate a movie-ticket price.

Other “Early Access” titles that have been added to Amazon’s pay-per-view slate include: “Emma“, “Bloodshot” and “The Way Back“.

Uncertain times for Theaters raises Specter of a Streaming-only Future

Some are still hoping that studios will forgo the theatrical process altogether and start releasing new movies straight to home video in these unconventional times. Particularly, many have solicited the Walt Disney Company to put out its newly-postponed live-action “Mulan” on Disney+. The company, however, has not complied, probably for the same reason that Universal was okay with releasing “Trolls World Tour” on VOD on Amazon and Apple’s iTunes on Friday April 10th, but not “F9.”

Namely, “Mulan” and “F9” are more-or-less guaranteed blockbusters. They will make more money in theaters, presumably, once the lock-down is over, than they ever could on streaming or On-Demand platforms. Therefore, the studios are willing to wait until things blow over to get the biggest bang for their bucks in the cinema.

Theaters already face enough strife in the modern age of ubiquitous streaming, and the current virus is certainly not helping them gain any leverage. While the entertainment industry’s setbacks might seem trivial in comparison to everything going on the world right now, movies and movie theaters in particular operate on the backs of many hardworking, vulnerable people from managers, to ushers, to ticket takers, to projectionists, and more.

While the studios themselves may have enough money and power to remain afloat through these unconventional times, lets hope that they do not lose sight of their foundational workers as they search for alternative solutions.

Links to watch Films mentioned in this article (amazon): “Frozen II”, “Onward”, “The Invisible Man”, “The Hunt”, “Birds Of Prey” , “Bloodshot“, “The Way Back“, “Emma“, “Trolls World Tour


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Lions in Russia: Joke or Twitter Hoax is not the Worst idea, some say

https://movietrailers.apple.com/movies/disney/the-lion-king-2018/the-lion-king-trailer-2_h1080p.mov
Original Teaser Trailer for “The Lion KIng”

Both Reuters and Newsweek have debunked the viral story that has been spreading around twitter and instagram about 800 lions (and 600 tigers) that were supposedly unleashed on the residential streets of Russia to help encourage people to stay in their houses and practice “social distancing”.

Reuters attributes the post as having originated at “Break Your Own News”, a web site known for generating fake news.

Apparently, the lion in the photo, a staged photo taken in South Africa in 2016, is named Columbus, and was “cast” in the role after having been on loan from a nearby lion park.

It’s odd that when things are the most serious funny things seem to stand out even more. As gallows humor or just a stray internet meme, various truths sometimes converge in an untruth that is nevertheless less apt for the current moment.

In this case there are various hooks that encourage virality. First the photo is fantastic and would be more than just hilarious if it were real. Secondly, who doesn’t believe that Putin would do this? He’s known to have done far worse, and his macho outdoorsman persona fits perfectly.

Then there is the current wave of stories about people, in particular young people, either dying or just looking really stupid after ignoring government orders to shelter in place and maintain social distance. The meme conjures fantasies of such rule breakers being mauled by lions and tigers for their stupidity, only in Russia, of course.

Taking it to a whole other level, the tweet below imagines Donald Trump (from a parody account, of course) congratulating his good friend on the brilliant and “bold steps”, bringing to mind his “bold” comments that he would “open the country” by Easter (April 19th), irregardless of the containment or continued spread of covid-19 a.k.a. the novel coronavirus.

We can just imagine that the amusement of this story could only be further enhanced by reading this highly recommended literary masterpiece: The Lion in Russia” which happens to be book 2 from the “Pussycat Death Squad Series” of kindle books. Happy self-isolating everyone. Feel free to comment and share!

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Idris Elba’s Extremely Cogent Coronavirus Theory: Global Warming and this Pandemic are Directly Related

https://movietrailers.apple.com/movies/fox/the-mountain-between-us/the-mountain-between-us-trailer-1_h1080p.mov
Official Teaser Trailer for “Ender’s GamThe Mountain Between Us

We are all gradually emerging from a state of shock. Even if we have no symptoms we see people saying, irresponsibly, that “eventually” somewhere between 50% and 100% will have contracted the novel coronavirus. One the other hand some of us, the brave, such as Idris Elba, who says he is still asymptomatic, choose to use this time to reflect on even bigger issues facing our planet.

What can be bigger than this pandemic? No need to look any further than the climate crisis, which up until sometime in February, was close to the top trending issue we were all very preoccupied with.

And for good reason. While the death estimates for the coronavirus are very frightening the climate crisis has the potential not only to affect or infect the lives of 100% of the world it will end it if we do not act.

Idris Elba in a publicity still from “The Mountain Between Us”

Big Problems need Big Thinkers and Brave Ideas

Along with other big thinkers, Idris Elba is on to something. Why not take this time to find ways to survive, but also put the energy we all have at our disposal into realigning our thinking towards a better way to live as a species on this planet. If it helps to see this as a message or even and attack by the much maligned and mistreated planet earth, and if that inspires us to dig deeper and, while staring into the abyss represented by the pandemic, so be it.

So much the better. Stay at home workers might be better off never going into an office high rise again. I know the planet will choke on less carbon if millions of people stop commuting. We have known that for 50 years. Software needs to grow, our ability to communicate via networked human communication systems, a.k.a. the internet, needs to improve radically and at a mind-bending pace. Why? Because, only when we change everything we do an how, can we avoid surviving something like this worldwide disease threat and then suddenly finding ourselves facing something even worse. Let’s inspire each other to dig deep and find ways to stop that scenario from happening.

In her latest instagram post, created from her Quarantine with husband Tom Hanks in Australia, Rita Wilson calls it Quarantine Stir Crazy – which is far nicer than turning into a Homicidal Maniac… but then she’s a nice and talented lady who happens to be married to Tom Hanks. While Idris Elba is writing his own Sci-fi script, and along with all the rest of us, concurrently living it – he is also spinning out extremely thoughtful, even deep, ideas while face-timing with Oprah:

“One of the upsides of this whole drama is that we are forced to think together as a race. Our world has been taking a kicking. We have damaged our world and it’s no surprise that our world is reacting to the human race.”

“It is no surprise that a virus has been created that is going to slow us down, and ultimately make us think differently about our world and ourselves. For me, that’s a stand-out thing that is really obvious. This is almost like the world’s cry out.”

“Like: ‘Hey, hey, hey – you are kicking me and what you’re doing is not good, so we will get rid of you.’ “As any organism would do, (the world) is trying to get rid of an infection, and maybe this is it for the world.”“As any organism would do, (the world) is trying to get rid of an infection, and maybe this is it for the world.”

Idris Elba, in facetime chat with Oprah while in quarantine in London

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Isolation Inspirations: Rita Wilson shares Rap & Read while Tom Hanks hovers Stage-left

https://movietrailers.apple.com/movies/summit/endersgame/endersgame-tlr2-58w33_h1080p.mov
Official Teaser Trailer for “Ender’s Game

Rita Wilson calls it Quarantine Stir Crazy – which is far nicer than turning into a Homicidal Maniac… but then she’s a nice and talented lady who happens to be married to Tom Hanks. While Idris Elba is writing his own Sci-fi script, while, along with all the rest of us, concurrently living it –

“Like: ‘Hey, hey, hey – you are kicking me and what you’re doing is not good, so we will get rid of you.’ “As any organism would do, (the world) is trying to get rid of an infection, and maybe this is it for the world.”“As any organism would do, (the world) is trying to get rid of an infection, and maybe this is it for the world.”

– Idris Elba. while face-timing from Quarantine with Oprah

While perhaps slightly less creative and mind-bending – seeing Rita rapping to Naughty by Nature – “hip hop hooray” straight off an Ender’s Game sci-fi reading session could conceivably qualify as BSC or at least stir-crazy:

Enders Game, is a great Sci-fi book and series and, of course film. The choices show a hunger for distraction, diversion, stimulation and overall entertainment. After witnessing the cute yet vaguely disturbing image of the reading / rap hybrid video by this celebrity shut in, somehow our common plight begins to get real.

Rita joins Naughty by Nature for an instagram re-make of the classic: “Hip Hop Hooray

It’s as if we have all reached, or are reaching, stage two or maybe in this epic yet unwelcome journey and are all trying to search within ourselves for the creativity to turn it positive. Once again, Idris Elba deserves the final word for today with hit thoughtful take on how we might all actually benefit from the bizarre and challenging state of the world in the time of the coronavirus:

“One of the upsides of this whole drama is that we are forced to think together as a race.

“Our world has been taking a kicking. We have damaged our world and it’s no surprise that our world is reacting to the human race.

 “One of the upsides of this whole drama is that we are forced to think together as a race. Our world has been taking a kicking. We have damaged our world and it’s no surprise that our world is reacting to the human race. It is no surprise that a virus has been created that is going to slow us down, and ultimately make us think differently about our world and ourselves.

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Reese Witherspoon and Kerry Washington star in Hulu’s Latest Miniseries “Little Fires Everywhere”

Photo Collage / Lynxotic

It only takes one spark to start a fire

With mass closures of schools, many working remotely, and even more practicing social distancing,  TV and reading will be a primary source of entertainment as just some of the ways to distract ourselves in the next coming weeks.  

Hulu will be premiering its new miniseries this week based  Celeste Ng 2017 bestseller title “Little Fires Everywhere” starting March 18th.  The series will have eight – one hour long episodes exclusively on the streaming site.

Reese Witherspoon selected the title as her book pick of the month in September of 2017. She fell in love with the story and was compelled to see in on the big screen. Reese later teamed up with Kerry Washington, where they worked together, alongside with writer/executive producer Liz Tigelaar to adapt the novel into the upcoming TV series. 

Aside from being producers – Reese and Kerry play the main characters in the show. Their fellow costars include: Rosemarie DeWitt, Joshua Jackson, Lexi Underwood, Jade Pettyjohn, Jordan Elsass, Megan Stott and Gavin Lewis.

One way to stream – Click to Buy “Fire Stick” Available on Amazon.

The first 3 episodes will be available on March 18th, with reports of the subsequent episodes to premier weekly after that; March 25, April 1, April 8, April 15, and the finale on April 22.

The only way to currently watch the show is through a Hulu subscription – the streaming service offers a free month long trial, after that the most basic plan is just $5.99 a month. Subscribers can watch via the Hulu app using: smart phones, tablets, Fire TV stick, Roku and most Smart TVs.

https://www.youtube.com/watch?v=JWGkX8ClhBI
official trailer for “little fires everywhere”

Little Fires Everywhere by Celeste Ng

Click to Buy “Little Fires Everywhere” and at the same time help Lynxotic and All Independent Local Bookstores. Also Available on Amazon and Walmart.

From the bestselling author of Everything I Never Told You, a riveting novel that traces the intertwined fates of the picture-perfect Richardson family and the enigmatic mother and daughter who upend their lives.

In Shaker Heights, a placid, progressive suburb of Cleveland, everything is planned–from the layout of the winding roads, to the colors of the houses, to the successful lives its residents will go on to lead. And no one embodies this spirit more than Elena Richardson, whose guiding principle is playing by the rules.

Enter Mia Warren–an enigmatic artist and single mother–who arrives in this idyllic bubble with her teenaged daughter Pearl, and rents a house from the Richardsons. Soon Mia and Pearl become more than tenants: all four Richardson children are drawn to the mother-daughter pair. But Mia carries with her a mysterious past and a disregard for the status quo that threatens to upend this carefully ordered community.

“Celeste Ng writes with stunning accuracy about the power of motherhood, the intensity of teenage love and the danger of perfection – and the fire that destroys it all.”


Quote Reese witherspoon on her website hello-sunshine.com

When old family friends of the Richardsons attempt to adopt a Chinese-American baby, a custody battle erupts that dramatically divides the town–and puts Mia and Elena on opposing sides. Suspicious of Mia and her motives, Elena is determined to uncover the secrets in Mia’s past. But her obsession will come at unexpected and devastating costs.

Little Fires Everywhere explores the weight of secrets, the nature of art and identity, and the ferocious pull of motherhood–and the danger of believing that following the rules can avert disaster. Also Available on Amazon and Walmart.


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Movies to Watch with Irish Actors and Directors this St. Patrick’s Day

Bring the Luck of the Irish to your nearest streaming device

The Boondock Saints

We found a collection of Irish movie favorites ranging from action packed to love stories – movies both old and new that you can surely indulge from the comfort of your couch (while also enjoying a pint of Guinness if you’re into that kind of thing). Check out our pick of movies below with trailers that star big names like Leonardo DiCaprio, Norman Reedus, Gerard Butler, Hilary Swank, Judy Dench and more. Enjoy!

The Boondock Saints

official trailer for “boondock saints”

Directed by Troy Duffy. Tired of the crime overrunning the streets of Boston, Irish Catholic twin brothers Conner (Sean Patrick Flanery) and Murphy (Norman Reedus) are inspired by their faith to cleanse their hometown of evil with their own brand of zealous vigilante justice. As they hunt down and kill one notorious gangster after another, they become controversial folk heroes in the community. But Paul Smecker (Willem Dafoe), an eccentric FBI agent, is fast closing in on their blood-soaked trail.

Click to Buy the 2 Set – “The Boondock Saints and The Boondock Saints II” Available on Amazon and Walmart.

Also a sequel: The Boondock Saints II: All Saints Day – From Troy Duffy, writer and director of The Boondock Saints, comes the much anticipated sequel to the tough, stylized cutting edge saga of the MacManus brothers (Norman Reedus, Sean Patrick Flanery). The two have been in deep hiding with their father, Il Duce (Billy Connolly), in the quiet valleys of Ireland, far removed from their former vigilante lives. When word comes that a beloved priest has been killed by sinister forces from deep within the mob, the brothers return to Boston to mount a violent and bloody crusade to bring justice to those responsible. With a new partner in crime (Clifton Collins Jr., Star Trek) and a sexy FBI operative (Julie Benz, TV’s “Dexter”) hot on their trail…the Saints are back! Available on Amazon and Walmart.

The Departed

https://trailers.apple.com/movies/wb/the_departed/the_departed-tlr1b_h1080p.mov
official trailer for “the departed”

South Boston cop Billy Costigan (Leonardo DiCaprio) goes under cover to infiltrate the organization of gangland chief Frank Costello (Jack Nicholson). As Billy gains the mobster’s trust, a career criminal named Colin Sullivan (Matt Damon) infiltrates the police department and reports on its activities to his syndicate bosses. When both organizations learn they have a mole in their midst, Billy and Colin must figure out each other’s identities to save their own lives. Available on Amazon and Walmart.

Brooklyn

official trailer for “brooklyn”

A 2015 romance and historical drama. Young Irish immigrant Eilis Lace (Saoirse Ronan) navigates her way through 1950s Brooklyn. Lured by the promise of America, Eilis departs Ireland and the comfort of her mother’s home for the shores of New York City. The initial shackles of homesickness quickly diminish as a fresh romance sweeps Eilis into the intoxicating charm of love. But soon, her past disrupts her new vivacity, and Eilis must choose between two countries and the lives that exist within. Available on Amazon and Walmart.

P.S. I Love You

https://trailers.apple.com/movies/wb/psiloveyou/psiloveyou-tlr1_h1080p.mov
official trailer for “ps i love you”

A 2007 romantic film. When Gerry (Gerard Butler), the husband of Holly Kennedy (Hilary Swank), dies from an illness, she loses the love of her life. Knowing how hard Holly will take his death, Gerry plans ahead. Beginning on her 30th birthday, she receives the first in a series of letters written by him, designed to ease her grief and encourage her to move forward to a new life. Available on Amazon and Walmart.

Philomena

https://movietrailers.apple.com/movies/weinstein/philomena/philomena-tlr1r_h1080p.mov
official trailer for “philomena”

In a 2013 drama film directed by Stephen Frears, based on the book The Lost Child of Philomena Lee by journalist Martin Sixsmith. 1952, Irish teenager Philomena (Judi Dench) became pregnant out of wedlock and was sent to a convent. When her baby, Anthony, was a toddler, the nuns took Philomena’s child away from her and put him up for adoption in the United States. For the next 50 years, she searched tirelessly for her son. When former BBC correspondent Martin Sixsmith (Steve Coogan) learns of the story, he becomes her ally. They travel together to America to find Anthony and become unexpectedly close in the process. Available on Amazon and Walmart.

Once

https://trailers.apple.com/movies/fox_searchlight/once/once-tlra_h1080p.mov
official trailer for “once”

2007 Irish romantic musical drama film written and directed by John Carney. The film stars Glen Hansard and Markéta Irglová as two struggling musicians in Dublin, Ireland. A vacuum repairman (Glen Hansard) moonlights as a street musician and hopes for his big break. One day a Czech immigrant (Marketa Irglova), who earns a living selling flowers, approaches him with the news that she is also an aspiring singer-songwriter. The pair decide to collaborate, and the songs that they compose reflect the story of their blossoming love. Available on Amazon and Walmart.


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Coronavirus Fears fail to derail Pixar’s “Onward” as it meets Disney’s Projections for the Box Office Debut Weekend

https://movietrailers.apple.com/movies/disney/onward/onward-trailer-2-usca_h1080p.mov
Official preview trailer for “Onward”

The animated movie does indeed move forward with successful numbers to prove it

Disney-Pixar’s latest movie, “Onward,” hit theaters on Thursday, March 5th and despite it coming out at the height of coronavirus hysteria, it managed to hold its own at the box office, meet critical expectations, and pave the way for a surplus and possibly the House-of-Mouse’s first 2020 blockbuster.

“Onward” had its initial premiere at the 70th Berlin International Film Festival on February 21st. Leading up to its worldwide release, however, some speculated that the film would be postponed due to the coronavirus, which has been spreading rapidly and keeping folks out of movie theaters worldwide. While most theaters remain open and operating in the US, many theaters in China have closed their doors because of the virus. Considering that Pixar’s last film (“Toy Story 4”) made over $8 million at the Chinese box office during its opening weekend last June, one could understand why “Onward” might get pushed back.

Click to Buy “Toy Story 4” -Available on Amazon and Walmart.

Nevertheless, “Onward” persevered and raked in over $40 million in its opening weekend, right about on par for what critics predicted. This may be a far cry from “Toy Story 4” or “Incredibles 2,” Pixar’s last two films that respectively made over $120 million and $180 during their openings. However, “Onward” expected more modest earnings from the get-go.

The movie is Pixar’s first non-sequel release since 2017’s “Coco,” which earned $50 million its opening weekend, only marginally better than “Onward’s” current figures. Unlike “Finding Dory,” “Cars 2,” “Incredibles 2,” or “Toy Story 4,” “Onward” is an entirely original film and has to herald in audiences without pre-existing IP doing the heavy lifting. On top of that, it also has to deal with the virus.

COVID-19 has already delayed the release of the upcoming James Bond movie, “No Time To Die.” MGM Studios pushed the opening back from April to November in hopes that the virus will pass and theaters will be back in full business by then. Some predict that other potential blockbusters such as “Mulan,” “Black Widow” and “F9” will also get delayed due to the virus.

Nevertheless, “Onward” stuck to its original release date and while figures might’ve been higher had Pixar waited a few months, the movie had a respectable opening all the same. Furthermore, the movie still has additional markets to debut in such as Italy, Korea, and Japan. Also, given that “Onward” is a family film, its earnings will likely increase over the next few weeks as more kids get out on spring break. Thus, we can expect an upsurge in “Onward’s” already reasonable box office success. It will likely be Disney’s first bonafide Blockbuster of the year, and earn the studio a surplus on the film’s estimated $100 million budget.

Click to Buy “The Art of Onward” and at the same time help Lynxotic and All Independent Local Bookstores. Also Available on Amazon 

“Onward” is directed by Dan Scanlon, a Pixar veteran with a previous directorial credit for “Monster’s University” and creative contributions with the studio that date all the way back to 2006’s “Cars.” The movie is about two adolescent elf brothers, Ian and Barley, going on a quest to bring their late father back from the dead using sorcery. Marvel stars Tom Holland and Chris Pratt lend their voices to the two protagonists. The cast also includes Julia Louie-Dreyfus, Octavia Spencer, Mel Rodriguez, and many more, all voicing mythical creatures in the movie’s fantastical (yet familiar) world.

A strong and deeply original addition to Pixar’s impressive filmography, “Onward” is touching, funny, memorable, and sweet, Given the studio’s success with the Academy and animation’s uncertain outlook for 2020, “Onward” might just be our first Oscar-winning movie to come out this year.


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4 Movies in Theater Now: The Invisible Man, My Spy, The Hunt and Bloodshot

https://movietrailers.apple.com/movies/universal/the-invisible-man/the-invisible-man-trailer-2_h1080p.mov
official trailer for “the invisible man”

The Invisible Man

After staging his own suicide, a crazed scientist uses his power to become invisible to stalk and terrorize his ex-girlfriend. When the police refuse to believe her story, she decides to take matters into her own hands and fight back. Starring Elisabeth Moss, Oliver Jackson-Cohen, and Aldis Hodge. Released February 28th, 2020.

My Spy

https://movietrailers.apple.com/movies/independent/my-spy/my-spy-trailer-1_h1080p.mov
official trailer for “my spy”

Nine-year-old Sophie catches JJ, a hardened CIA operative, spying on her family during a routine surveillance operation. In exchange for not blowing his cover, JJ begrudgingly agrees to show the precocious girl how to become a spy. What at first seems like an easy task soon turns into a battle of wits as Sophie proves you don’t need much experience to outsmart a seasoned agent. Starring Dave Bautista and Chloe Coleman.

The Hunt

https://movietrailers.apple.com/movies/universal/the-hunt-2020/the-hunt-trailer-1_h1080p.mov
official trailer for “the hunt”

Twelve strangers wake up in a clearing. They don’t know where they are — or how they got there. In the shadow of a dark internet conspiracy theory, ruthless elitists gather at a remote location to hunt humans for sport. But their master plan is about to be derailed when one of the hunted, Crystal, turns the tables on her pursuers. Starring Betty Gilpin, Emma Roberts and Hilary Swank. Released March 13th, 2020.

Bloodshot

https://movietrailers.apple.com/movies/sony_pictures/bloodshot/bloodshot-trailer-1_h1080p.mov
official trailer for “bloodshot”

After he and his wife are murdered, marine Ray Garrison is resurrected by a team of scientists. Enhanced with nanotechnology, he becomes a superhuman, biotech killing machine – Bloodshot. As Ray first trains with fellow super-soldiers, he cannot recall anything from his former life. But when his memories flood back and he remembers the man that killed both him and his wife, he breaks out of the facility to get revenge, only to discover that there’s more to the conspiracy than he thought. Starring Vin Diesel and Sam Heughan. Released March 13th, 2020.


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Disneyland and Walt Disney World and Many More Theme Parks Closing Doors due to Coronavirus

Photo / Unsplash

Social Distancing now Impacting World’s Happiest Place

March 12th was a bleak day for Southern California from the beginning. The morning brought in dank temperatures and dark clouds that by midday opened up to a persistent grey rainfall. Amidst the storm, news outlets could only talk about one thing—the coronavirus, which had infected over 150 people in the Golden State at the time. The virus had already led to schools shutting down, movies being delayed, and professional sports leagues such as the MLB, NBA, and NHL suspending their seasons. And as of 1:30 in the afternoon on this tempestuous Thursday, the disease even caused Disneyland, the “Happiest Place On Earth,” to close its doors for the first time in nearly two decades.

In the morning, California Governor Gavin Newsom issued a public warning for all Californians to avoid gatherings of 250 people or more. This included urging businesses to temporarily close stores and cancel large events in light of the COVID-19 pandemic.

baby yoda plush on amazon

At first, the House-Of-Mouse announced that it would be keeping its doors open despite the Governor’s recommendations. In an initial online message, the Walt Disney Company stated that its Anaheim and Orlando parks would stay operational, but implement heightened precautions to ensure everyone’s health and safety. By the early afternoon, however, the entertainment conglomerate changed its mind, and announced that the Anaheim park would shut down from the 14th through the end of the month.

Thousands of people visit Disney each day; they come from all around the world to see it. The last time Disneyland closed was following the September 11th terrorist attacks in 2001, which speaks volumes to the current situation’s extremity. While it is a shame that so many people must sacrifice their dream vacation due to the unfortunate circumstances, the park’s closure is in the public health’s best interest.

Disney also announced that its hotels surrounding the park will stay in business for guests, that Anaheim’s Downtown Disney will remain open and functioning throughout the hiatus, and that the park will continue to pay its employees despite all interruptions.

Photo / Unsplash

Rival Parks also Decide on Caution

Disneyland was not the only theme park to close its doors on the 12th. Shortly after the company broke the news about its Anaheim park shutting down, it revealed that Walt Disney World Orlando and Walt Disney World Paris would be following suit. Likewise, all Disney cruise lines will be suspended and Universal Studios similarly closed its parks in Los Angeles and Orlando for the rest of the month.

On the opposite side of the spectrum, other Southern California spots such as Six Flags: Magic Mountain, SeaWorld, Legoland, and Pacific Park on the Santa Monica Pier all chose to remain open. However, each of these attractions’ respective owners made statements ensuring that their businesses are on high alert for guest well-being.

Currently, Governor Newsom, like many politicians across the United States, is trying to coordinate with more business owners and healthcare professionals to make sure the public remains safe. Major parks like Disney and Universal heeding the governor’s advice is a good sign, but other institutions are less keen to comply. Theaters, shopping malls, and casinos in particular have been unwilling to sacrifice their business in light of COVID-19.

Buffalo Games Star Wars – The Mandalorian – The Child – 500 Piece Jigsaw Puzzle: see on Amazon

The theaters, however, might soon be empty, as more and more movies are pushing back release dates due to the virus. It started with James Bond’s “No Time To Die” getting pushed from April to November a few weeks ago, and now many movies are taking the same precaution. The Fast & Furious franchise’s “F9” has been delayed to 2021; John Krasinski’s “A Quiet Place: Part II” was pushed back indefinitely; and Disney shifted its entire cinematic timeline to postpone the releases of “Mulan,” “The New Mutants,” and “Antlers.”

With the exception of the 007 flick that led the charge, all of these movie delays were announced on March 12th, the same dreary, wet day that Disney Parks announced their closure on. All of this corporate obstruction also led to the biggest drop in the stock market since 1987 crash, earning March 12th, 2020 the infamous new nickname: Black Tuesday.

It almost feels like a COVID-19 judgment day for businesses, especially those in the entertainment industry—an industry that managed to thrive through the Great Depression, World War II, and just about every national crisis of America’s past hundred years.

At last, the industry may have met its match. Nevertheless, this is not a true judgment day, but rather an evasion of one. Despite monetary setbacks and temporary closures, March 12th did not demonstrate a downfall. Instead, it demonstrated wise choices on many conglomerates’ behalves to comply with scientific evidence and place public safety above business-as-usual procedures. When the virus eventually passes, these movies, parks, and rides will still be there, and their part-time suspensions for the sustained health of millions will be well worth the wait.


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Contagion, World War Z, Pandemic and more – 6 Trending Movies about Deadly Viruses during Coronavirus

https://trailers.apple.com/movies/wb/contagion/contagion-tlr1_h1080p.mov
official trailer for “contagion”

Art kind of imitating life? 

Old movies about viruses and deadly outbreaks are making a come back into the spotlight and even trending most likely as a direct result of the current novel coronavirus that has now been deemed a pandemic according to The World Health Organization (WHO).

Most notable, is the movie “Contagion” a film from 2011, that is now the 2nd most watched Warner Brothers Film so far in 2020 and has reached the 10th spot on Apple iTune’s most rented movie this year.  Yet “Contagion” is only one example of other movies that share the same recurring theme of disease and viral outbreaks.

All around the world, current blockbusters are postponing release and premiere dates, which makes this a perfect time to enjoy some oldies but goodies in the comfort of your own home.

Here are six of the best films, included the movie trailers that all share the same subject matter about viral epidemics and pandemics: Contagion, World World Z, Pandemic, Mayhem, Outbreak and 12 Monkeys.

Contagion

“CONTAGION” STILL IMAGE WITH MATT DAMON
Click to Buy “Contagion” – Available on Amazon and on Walmart.

Released in 2011. When Beth Emhoff (Gwyneth Paltrow) returns to Minnesota from a Hong Kong business trip, she attributes the malaise she feels to jet lag. However, two days later, Beth is dead, and doctors tell her shocked husband (Matt Damon) that they have no idea what killed her. Soon, many others start to exhibit the same symptoms, and a global pandemic explodes. Doctors try to contain the lethal microbe, but society begins to collapse as a blogger (Jude Law) fans the flames of paranoia. Available on Amazon and a on Walmart.

World War Z

https://movietrailers.apple.com/movies/paramount/worldwarz/worldwarz-p1tt-tlr1_h1080p.mov
official trailer for “world war z”
Click to Buy “World War Z ” – Available on Amazon and on Walmart.

Released in 2013. When former U.N. investigator Gerry Lane (Brad Pitt) and his family get stuck in urban gridlock, he senses that it’s no ordinary traffic jam. His suspicions are confirmed when, suddenly, the city erupts into chaos. A lethal virus, spread through a single bite, is turning healthy people into something vicious, unthinking and feral. As the pandemic threatens to consume humanity, Gerry leads a worldwide search to find the source of the infection and, with luck, a way to halt its spread. Available on Amazon and on Walmart.

12 Monkeys

official trailer for “12 monkeys”
Click to Buy “12 Monkeys” – Available on Amazon and on Walmart

Released in 1995. Traveling back in time isn’t simple, as James Cole (Bruce Willis) learns the hard way. Imprisoned in the 2030s, James is recruited for a mission that will send him back to the 1990s. Once there, he’s supposed to gather information about a nascent plague that’s about to exterminate the vast majority of the world’s population. But, aside from the manic Jeffrey (Brad Pitt), he gets little in the way of cooperation, not least from medical gatekeepers like Dr. Kathryn Railly (Madeleine Stowe). Available on Amazon and on Walmart.

Outbreak

official trailer for “outbreak”
Click to Buy “Outbreak” – Available on Amazon and on Walmart

Released in 1995. A dangerous airborne virus threatens civilization in this tense thriller. After an African monkey carrying a lethal virus is smuggled into the U.S., an outbreak occurs in a California town. To control the spread of the disease, a team of doctors is brought in that includes a contagious disease expert (Dustin Hoffman) and his ex-wife (Rene Russo). Once the Army intervenes to handle the situation, though, the doctors must fight against the clock to save the town and its residents. Available on Amazon and on Walmart.

Pandemic

https://movietrailers.apple.com/movies/independent/pandemic/pandemic-tlr1_h1080p.mov
official trailer for “pandemic”
Click to Buy “Pandemic” – Available on Amazon and on Walmart

Released in 2016. After a devastating virus outbreak, the world is plunged into a state of chaos. Zombies roam the streets, while survivors fight to stay alive. With the human race under threat, an armed rescue team target the undead. Rachel Nichols stars as a doctor who leads a group to find survivors of a worldwide pandemic. The film is shot in a first-person POV, similar to first-person shooter video games. Available on Amazon and on Walmart.

Mayhem

https://movietrailers.apple.com/movies/independent/mayhem/mayhem-trailer-1_h1080p.mov
official trailer for “mayhem”
Click to Buy “Mayhem” – Amazon also Available on Walmart.

Released in 2017. Derek Cho is having a really bad day. After being unjustly fired from his job, he discovers that the law firm’s building is under quarantine for a mysterious and dangerous virus. Chaos erupts throughout the office as the victims of the disease begin acting out their wildest impulses. Joining forces with a former client who has a grudge of her own, Derek savagely fights tooth and nail to get to the executives on the top floor and settle the score once and for all.

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Coronavirus causes James Bond “No Time to Die” Postponement: many more Industries to be Impacted

https://movietrailers.apple.com/movies/mgm/no-time-to-die/no-time-to-die-trailer-1_h1080p.mov

OFFICIAL TRAILER FOR “No TIME TO DIE”

Official Movie Release and Premiere Timing Reconsidered

The 25th James Bond movie and the last one to star Daniel Craig “No Time to Die” has officially been delayed. The premiere in London was originally set for March 31st and worldwide release April 10th, yet due to the increasing global outbreaks of COVID-19, the movie and production company gave word that the film will now be released in November of this year.

The official word is said to be the result of an open letter written by a popular Bond fan website named MI6-HQ that addressed EON, MGM, and Universal about the health concerns relating to the movie release. (see link for full letter):

“With the Coronavirus reaching pandemic status, it is time to put public health above marketing release schedules and the cost of canceling publicity events.

Major events around the world have already been canceled or postponed due to health risks. Leading tech companies have banned travel for hundreds of thousands of employees, including Amazon and Google. All before the US and UK outbreaks expand.”

quote from  MI6 Staff / www.mi6-hq.com

Two days after the letter was written, @007 the official Twitter page for the Bond movie took to social media to make the announcement of the delay. All in all this seems a wise decision as the public attendance of large numbers of people for any venue is in question due to the outbreak and the danger associated with close contact in enclosed spaces.

The entire film industry, concert and music industry and even live sports face a potentially huge challenge if this situation worsens. At this stage both the spread of the virus and the extent of quarantine measures that could become mandatory in the U.S. are unclear.

In Asia, not only mainland China but also Korea and Japan can be seen as initial examples of what could be in store for us in North America. In Europe, most notably Italy and in Iran things have already progressed beyond what we have seen thus far in the U.S.

Ultimately the question remains whether the spread of the infection can be contained, and yet, it is precisely measures such as the postponement of large public events that could be seen as part of the prophylactic response, and could help to prevent the kind of tragedy that China has already experienced.

Trend in Cancellations and Postponements Rising as Concerns of Infection Increase

Click to Buy “The Ghost Map” and at the same time help Lynxotic and All Independent Local Bookstores. Also Available on Amazon.

The list of events being cancelled due to fears of an increase in Coronavirus cases and even a possible eventual quarantine situation arising in the U.S. is getting longer daily. Some recent examples include the South by Southwest festival (also known as SWSX), scheduled to kick off on March 13th in Austin TX and yet is considering a cancellation after both Facebook and Twitter indicated that they would not send employees to the sow this year. The huge festival’s organizers must reconsider, it seems, after a petition online has been signed by over 40,000 people calling for the cancellation of the event. In some countries there is a ban on public gatherings altogether, naturally in China but even in Switzerland where there is a ban in place on any gathering that expects attendees in excess of 1000.

The effects on vast swaths of commerce, such as the $2.5 trillion trade show industry are looming large and could have a ripple effect throughout the economy as a whole. The Mobile World Congress, now known as MWC, originally scheduled for February 24-27, 2020 in Barcelona, Spain, for example, which is the world’s largest trade show for the Mobile Phone Industry has just been cancelled, and each of these kinds of large gatherings will mean a directly correlated drop in hotel, travel and restaurant revenue in the cities affected. To date more than 24 trade shows and conferences have been cancelled or postponed worldwide due to the concerns about the spread of the coronavirus.


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After “Toy Story 4” Grabs Oscar for Best Animated Feature, Pixar is still Lightyears ahead

Photo / Pixar

Disney’s Slate Continues to Outperform Commercially, if not always Critically

Although the first animated feature film debuted way back in 1939 with “Snow White and the Seven Dwarves,” the Best Animated Feature category at the Academy Awards has only existed for nineteen years, arriving in 2001 when DreamWorks’ “Shrek” won the inaugural prize.

Although “Shrek” may have taken home that initial award—beating out fellow nominees “Monsters Inc.” and “Jimmy Neutron: Boy Genius”—DreamWorks would not be the animation studio to rein supreme over the category in the coming years. In the nineteen years that the category has taken place, Disney’s Pixar has won ten times, making it the unrivaled champion of the Best Animated Feature title.

In fact, almost every time Pixar releases a movie, it gets a nomination, and almost every time it gets a nomination, it wins. Only three times has a Pixar movie been in the runnings, but lost to one of its competitors. Following “Monsters Inc’s” initial loss to “Shrek,” “Cars” lost to “Happy Feet” in 2006 and “Incredibles 2” lost to “Spider-Man: Into The Spider-Verse” just last year—albeit, the studio won Best Animated short with yesteryear’s “Bao.”

Many were happy to see “Spider-Verse” win in 2019. The movie was original and its animation was captivating, far from the predictable family narratives and re-hashed 3D style of Pixar that audiences have become all too familiar with over the past twenty-six years. Furthermore, with Disney being a conglomerate juggernaut in modern Hollywood, there is something cathartic about seeing an underdog beat them out—in addition to the ten Pixar wins, Walt Disney Animation studios have also won three of the nineteen Best Animated Feature titles, leaving the House-of-Mouse with all but six of the total trophies for the category.

With “Spider-Verse” winning last year, some assumed that Pixar might be losing its power, and when “Toy Story 4” lost to the commercially unsuccessful, but critically acclaimed “Missing Link” at the 2020 Golden Globes, many were optimistically foreseeing another Pixar defeat at the upcoming Oscars—making it Disney’s first consecutive defeat in the category since 2006.

Overrated or Just still too Big to Ignore, Toy Story’s Success is Undeniable

“Toy Story 4” is by no means a bad movie, and it grossed over a billion dollars at the Box Office, but many movie goers grow weary of Pixar’s cash-out sequels. Likewise, the fourth installment in the “Toy Story” series feels a bit unnecessary, especially considering how excellently “Toy Story 3” seemed to conclude the saga in 2010. Also, it is hardly a stretch of the imagination to think that Disney insisted on a fourth film just to sell more Woody and Buzz toys to a younger generation.

Moreover, the Animated Feature category was filled with some suburb competition this year. “Missing Link” was a visual masterpiece from unsung stop-motion animation company Laika. “How To Train Your Dragon: The Hidden World” was a wonderful conclusion to DreamWorks’ heartfelt fantasy trilogy—all three of the films losing to Disney titles in previous years’ Oscars. Then, Netflix’s “Klaus” was an aesthetic stunner, and Jérémy Clapin’s “I Lost My Body” was a mature meditation on the human condition and the first animated movie to win the esteemed Nespresso Grand Prize at the Cannes Film Festival.

In short, the competition was stacked for Best Animated Feature and while the winner was anything but a sure thing, the divisive “Toy Story 4” hardly felt like anyone’s first pick. Thus, when actress Mindy Kaling presented the award partway through the evening, few expected and many were disappointed when she announced the Pixar title as the victor.

When director Josh Cooley and producers Mark Nielsen and Jonas Rivera took the stage, their acceptance speech was sincere. All involved in “Toy Story 4” seemed grateful for the prize, but audiences cannot help but feel like some of the other titles deserved it more.

Everything New is Old Again

In a year of Oscar firsts and progressive wins—from “Parasite” being the first foreign film to earn Best Picture, to the animated short “Hair Love” and the documentary “American Factory” winning with stories that celebrate multiculturalism—the Best Animated Feature category seemed a little regressive, championing the default, blockbuster Pixar nominee over some truly innovative pieces of cinema.

At least Pixar claims that it is done with sequels now and that the studio will be returning to original stories from here on out. 2020 promises the releases of “Onward” and “Soul” from Pixar, a couple movies with no connection to any previous intellectual properties. When they inevitably get nominated at the 2021 Academy Awards, let’s hope that they deserve their opportunity for hardware, and that the Academy keeps up its progressive tendencies when deciding on animated movies going forward.


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Following its Biggest Year Yet, what does Disney have in store for 2020 and Beyond?

Simba from “Lion King”

In Spite of the Oscar Drought, 2019 was an Unmitigated Success

2019 was Disney’s year. Countless blockbuster releases including “Avengers: Endgame,” “Star Wars: The Rise of Skywalker,” “Captain Marvel,” “Aladdin,” “The Lion King,” “Spider-Man: Far From Home,” “Toy Story 4,” and more (not to mention the launch of Disney+ and the opening of “Star Wars: Galaxy’s Edge” at Disney World) made 2019 the Walt Disney Company’s most lucrative year by a landslide.

As Disney enters 2020, however, the entertainment conglomerate seems to be pumping the breaks, or at least shifting gears. So far this year, there is yet to be a major theatrical release from Disney, and its highly anticipated films such as Pixar’s “Onward,” the live action “Mulan” or Marvel’s “Black Widow” will not come out until March 6th, March 27th, and May 1st respectively.

So what is Disney doing in the meantime? Is CEO Bob Iger just counting his paychecks from last year, or is the company plotting something new? Or are they scrambling for new ideas now that Marvel has concluded its eleven year Infinity Saga and Star Wars is on a filmic hiatus according to Lucasfilm President Kathleen Kennedy?

The answer lies somewhere in the margins between everything above. It is unlikely that the company will top its 2019 earnings in 2020 and it is also unlikely that they will have the same dominance over the box office.

However, it seems as if Disney is turning its attention away from the big screen this year and onto its other entertainment mediums. For example, even though the company has not yet released a major movie for 2020, it has been doing immense marketing for the new “Star Wars: Rise of the Resistance” ride at Disney World and Disneyland theme parks.

“Rise of the Resistance” is a narrative, interactive attraction at the parks’ Star Wars themed Galaxy’s Edge. The attraction opened at Orlando’s Disney World in December and has since been expanding to the company’s other parks around the globe. Attendance and spending at the parks has gone up since the ride debuted, likely making it Disney’s most profitable draw of 2020 thus far.

“The Child” a.k.a. Baby Yoda

Full-on Entry into Streaming Wars and an Impressive Initial Push

Likewise, with Disney+ coming out in late 2019 and receiving an immense number of subscribers in just its few months of existence, the novel online streaming site will certainly be one of Disney’s biggest priorities for 2020. Production has already begun for Season 2 of “The Mandalorian”—the service’s most popular original show, set in the Star Wars universe—and a number of additional original programs are set to come out this year including Marvel’s “WandaVision” series and a late final season of Disney Channel/Cartoon Network’s “Star Wars: The Clone Wars.” Given the copious number of streaming services set to come out in 2020, Disney will have to put its best foot forward to keep Disney+ above the competition.

What consumers often forget about Disney, especially after a year like 2019, is that the company is far more than a just film production enterprise. The Walt Disney Company encompasses amusement parks, books, radio, music, television, comics, and much, much more. While Disney might seem like it is slowing down based on its movie catalogue for 2020, the business is still running strong thanks to its many other sectors.

Furthermore, Disney owns more than just Marvel, Lucasfilm, and Pixar. 20th Century Fox, ESPN, Blue Sky Studios, Searchlight Pictures, Hulu, National Geographic and over a dozen more labels also fall under its corporate umbrella. Therefore, the studio will presumably continue profiting from the box office in 2020, even if it’s signature logo is not always plastered on the content.

Nevertheless, Disney still does have a handful of movies in the works for 2020. In addition to the aforementioned “Onward,” “Mulan,” and “Black Widow,” Disney will come out with “Call of the Wild” on February 21st, a Harrison Ford starring retelling of Jack London’s classic canine-centered novel. It will then team up with Pixar again to release “Soul” on June 19th, the animated comedy from the director of “Inside Out” and “Up.” We can also look forward to the releases of “Artemis Fowl” on May 29th, “Jungle Cruise” on July 24th, and “The One and Only Ivan” on August 14th before Disney comes out with more highly anticipated titles towards the end of the year such as Marvel’s “The Eternals” in November and Stephen Spielberg’s “West Side Story” remake in December.

Once again, 2019 was Disney’s year, but that does not mean that its momentum will stop in 2020. The 2010s marked the company’s acquisition of Lucasfilm and Fox as well as its game-changing capitalization on Marvel. What Disney has in store for the next decade is unknown, but it is likely to be just as magical—and highly profitable—as always.


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‘Parasite’ sweeps with Best Picture, Best Director and Best International Film: All Oscar Winners Announced

Best Picture, Best Actress, and Best Actor

The 2020 Oscars are a wrap. Big news is “Parasite” with four awards, including Best Picture, Best Director for Bong Joon-Ho and Best International Film. Best Actor Joaquin Phoenix gave an emotional heart felt speech, quoting his brother River, Best Actress Renée Zellweger also waxed emotional, although the two veered off in similar yet opposite directions. Overall, other than the groundbreaking win for the South Korean wonder \”Parasite\” and the welcome diversity that it represents, these Oscars were, oddly, short on drama. Below you can see all the winners in each category:

Oscars winners (Refresh for updates)

Category winners are in bold with check-mark.

Best picture 

1917
The Irishman
Jojo Rabbit
Joker
Little Women
Marriage Story
Once Upon a Time…in Hollywood
Parasite
Ford v Ferrari

“Parasite”

Best director 

Bong Joon-ho, Parasite
Sam Mendes, 1917
Todd Phillips, Joker
Martin Scorsese, The Irishman
Quentin Tarantino, Once Upon a Time…in Hollywood

“Joker”

Best actor 

Joaquin Phoenix, Joker
Leonardo DiCaprio, Once Upon a Time…in Hollywood
Antonio Banderas, Pain and Glory
Adam Driver, Marriage Story
Jonathan Pryce, The Two Popes

“Judy”

Best actress 

Cynthia Erivo, Harriet
Renée Zellweger, Judy
Scarlett Johansson, Marriage Story
Charlize Theron, Bombshell
Saoirse Ronan, Little Women

“Ford vs. Ferrari”

Best film editing

The Irishman
Jojo Rabbit
Joker
Ford v Ferrari
Parasite

Best supporting actress

Laura Dern, Marriage Story
Florence Pugh, Little Women
Margot Robbie, Bombshell
Kathy Bates, Richard Jewell
Scarlett Johansson, Jojo Rabbit

Best cinematography 

Roger Deakins, 1917
Rodrigo Prieto, The Irishman
Lawrence Sher, Joker
Jarin Blaschke, The Lighthouse
Robert Richardson, Once Upon a Time…in Hollywood

Best sound mixing

Ad Astra
Joker
1917
Ford v Ferrari
Once Upon a Time…in Hollywood

Best sound editing

1917
Ford v Ferrari
Joker
Once Upon a Time…in Hollywood
Star Wars: The Rise of Skywalker

Documentary short feature 

In the Absence
Learning to Skateboard in a Warzone (If You’re a Girl)
Life Overtakes Me
St. Louis Superman
Walk Run Cha-Cha

Documentary feature

American Factory
The Cave
The Edge of Democracy
For Sama
Honeyland

Best costume design

Sandy Powell & Christopher Peterson, The Irishman
Mark Bridges, Joker
Arianne Phillips, Once Upon a Time…in Hollywood
Jacqueline Durran, Little Women
Mayes C. Rubeo, Jojo Rabbit

Best production design 

Once Upon a Time…in Hollywood
The Irishman
1917
Jojo Rabbit
Parasite

Live-action short film 

Brotherhood
Nefta Football Club
The Neighbors’ Window
Saria
A Sister

ScarJo in JoJo Rabbit

Best adapted screenplay

Steven Zaillian, The Irishman
Greta Gerwig, Little Women
Taika Waititi, Jojo Rabbit
Anthony McCarten, The Two Popes
Todd Phillips & Scott Silver, Joker

Best original screenplay

Rian Johnson, Knives Out
Noah Baumbach, Marriage Story
Sam Mendes & Krysty Wilson-Cairns, 1917
Quentin Tarantino, Once Upon a Time…in Hollywood
Bong Joon-ho, Parasite

Animated short film 

Dcera (Daughter)
Hair Love
Kitbull
Memorable
Sister

Animated feature film

“Toy Story 4”

How to Train Your Dragon: The Hidden World
I Lost My Body
Klaus
Missing Link
Toy Story 4

“Once Upon A Time In Hollywood”

Best supporting actor 

Brad Pitt, Once Upon a Time…in Hollywood
Al Pacino, The Irishman
Joe Pesci, The Irishman
Anthony Hopkins, The Two Popes
Tom Hanks, A Beautiful Day in the Neighborhood

Makeup and hairstyling 

Bombshell
Joker
Judy
Maleficent: Mistress of Evil
1917

Visual effects

Avengers: Endgame
The Irishman
The Lion King
1917
Star Wars: The Rise of Skywalker

Music (original score)

Joker
Little Women
Marriage Story
1917
Star Wars: The Rise of Skywalker

Music (original song)

“I’m Standing With You” from Breakthrough
“Into The Unknown” from Frozen II
“Stand Up” from Harriet
“(I’m Gonna) Love Me Again” from Rocketman
“I Can’t Let You Throw Yourself Away” from Toy Story 4
“Glasgow” from Wild Rose

“Parasite”

International feature film

France, Les Misérables
North Macedonia, Honeyland
Poland, Corpus Christi
South Korea, Parasite √
Spain, Pain and Glory

Here are all the Winners of the 2020 Oscars

Best Picture, Best Actress, and Best Actor

Oscars winners (Refresh for updates)

Category winners are in bold with check-mark.

Best picture 

1917
The Irishman
Jojo Rabbit
Joker
Little Women
Marriage Story
Once Upon a Time…in Hollywood
Parasite
Ford v Ferrari

“Parasite”

Best director 

Bong Joon-ho, Parasite
Sam Mendes, 1917
Todd Phillips, Joker
Martin Scorsese, The Irishman
Quentin Tarantino, Once Upon a Time…in Hollywood

“Joker”

Best actor 

Joaquin Phoenix, Joker
Leonardo DiCaprio, Once Upon a Time…in Hollywood
Antonio Banderas, Pain and Glory
Adam Driver, Marriage Story
Jonathan Pryce, The Two Popes

“Judy”

Best actress 

Cynthia Erivo, Harriet
Renée Zellweger, Judy
Scarlett Johansson, Marriage Story
Charlize Theron, Bombshell
Saoirse Ronan, Little Women

“Ford vs. Ferrari”

Best film editing

The Irishman
Jojo Rabbit
Joker
Ford v Ferrari
Parasite

Best supporting actress

Laura Dern, Marriage Story
Florence Pugh, Little Women
Margot Robbie, Bombshell
Kathy Bates, Richard Jewell
Scarlett Johansson, Jojo Rabbit

Best cinematography 

Roger Deakins, 1917
Rodrigo Prieto, The Irishman
Lawrence Sher, Joker
Jarin Blaschke, The Lighthouse
Robert Richardson, Once Upon a Time…in Hollywood

Best sound mixing

Ad Astra
Joker
1917
Ford v Ferrari
Once Upon a Time…in Hollywood

Best sound editing

1917
Ford v Ferrari
Joker
Once Upon a Time…in Hollywood
Star Wars: The Rise of Skywalker

Documentary short feature 

In the Absence
Learning to Skateboard in a Warzone (If You’re a Girl)
Life Overtakes Me
St. Louis Superman
Walk Run Cha-Cha

Documentary feature

American Factory
The Cave
The Edge of Democracy
For Sama
Honeyland

Best costume design

Sandy Powell & Christopher Peterson, The Irishman
Mark Bridges, Joker
Arianne Phillips, Once Upon a Time…in Hollywood
Jacqueline Durran, Little Women
Mayes C. Rubeo, Jojo Rabbit

Best production design 

Once Upon a Time…in Hollywood
The Irishman
1917
Jojo Rabbit
Parasite

Live-action short film 

Brotherhood
Nefta Football Club
The Neighbors’ Window
Saria
A Sister

ScarJo in JoJo Rabbit

Best adapted screenplay

Steven Zaillian, The Irishman
Greta Gerwig, Little Women
Taika Waititi, Jojo Rabbit
Anthony McCarten, The Two Popes
Todd Phillips & Scott Silver, Joker

Best original screenplay

Rian Johnson, Knives Out
Noah Baumbach, Marriage Story
Sam Mendes & Krysty Wilson-Cairns, 1917
Quentin Tarantino, Once Upon a Time…in Hollywood
Bong Joon-ho, Parasite

Animated short film 

Dcera (Daughter)
Hair Love
Kitbull
Memorable
Sister

Animated feature film

“Toy Story 4”

How to Train Your Dragon: The Hidden World
I Lost My Body
Klaus
Missing Link
Toy Story 4

“Once Upon A Time In Hollywood”

Best supporting actor 

Brad Pitt, Once Upon a Time…in Hollywood
Al Pacino, The Irishman
Joe Pesci, The Irishman
Anthony Hopkins, The Two Popes
Tom Hanks, A Beautiful Day in the Neighborhood

Makeup and hairstyling 

Bombshell
Joker
Judy
Maleficent: Mistress of Evil
1917

Visual effects

Avengers: Endgame
The Irishman
The Lion King
1917
Star Wars: The Rise of Skywalker

Music (original score)

Joker
Little Women
Marriage Story
1917
Star Wars: The Rise of Skywalker

Music (original song)

“I’m Standing With You” from Breakthrough
“Into The Unknown” from Frozen II
“Stand Up” from Harriet
“(I’m Gonna) Love Me Again” from Rocketman
“I Can’t Let You Throw Yourself Away” from Toy Story 4
“Glasgow” from Wild Rose

“Parasite”

International feature film

France, Les Misérables
North Macedonia, Honeyland
Poland, Corpus Christi
South Korea, Parasite √
Spain, Pain and Glory


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The Rhythm Section, Starring Blake Lively as a Unique Lead in Offbeat Action Pic

https://movietrailers.apple.com/movies/paramount/the-rhythm-section/the-rhythm-section-trailer-1_h1080p.mov
Official trailer for “The Rhythm Section”

Chameleon-like Transformation for Lively

Blake Lively is often referred to as one of the most beautiful women in Hollywood, but if anyone thinks that the former “Gossip Girl” actress is just a pretty face, her new movie “The Rhythm Section” is bound to challenge that shortsighted assumption.

Lively is hardly recognizable in “The Rhythm Section,” sporting shorter hair, a number of disguises, and a lot of makeup to make her appear like an “average” woman rather than a head-turning dame. However, as it should be with any actor or actress, it is the performance that matters, not the looks—leave praise for the latter to the hair and makeup department.

In the film, Lively plays Stephanie Patrick, a woman who loses her family to a plane crash. After learning that the crash was no accident, but an orchestrated event, she goes on a vengeful quest to violently punish those responsible. It is a long way from “Gossip Girl” or “Sisterhood of the Traveling Pants,” and is a rare example of Lively taking the leading role in a blockbuster movie.

The movie comes in part from Eon Productions, one of the companies that produces the James Bond films. Thus, “The Rhythm Section” is presumably in good hands. Unfortunately, unless it is adapted from a Hunger Games book or attached to a DC, Marvel, or Star Wars franchise, female led action movies do not have a great track record for success. Even when backed by experienced producers and offering star-studded casts, movies like “Columbiana,” “SALT,” “Lucy,” or this year’s “Charlie’s Angels” all missed their critical or commercial marks.

This is likely due to the fact that the American action genre is deeply rooted in masculinity, emerging from the James Bond suaveness of the 1960s and becoming manlier throughout the 1980s with Rambos, Terminators, and John McClanes filling the screen with muscles. Developing a strong female action hero is thus a novel thing that runs somewhat contrary to the genre’s conventional iconography. Even the action movies that do employ female leads often sexualize them or contrarily place them into the overused woman-who-is-too-good-for-womanly-things archetype.

Emancipated Production Concept?

It is almost as if Hollywood is afraid of mixing femininity and action. “The Rhythm Section,” however, may test that notion, for Blake Lively’s character is a mother seeking revenge after losing her children. From Arnold Schwarzenegger in “Commando” to Liam Neeson in “Taken,” the vengeful or savior parent role is often allocated to the father figure. Perhaps “The Rhythm Section” will finally offer audiences a much needed touch of maternal badassery.

It also helps that Reed Morano directs the film. Known for her work on Hulu’s “The Handmaid’s Tale,” Morano has been quite effective at blending feminist themes and action-packed content on the small screen. Hopefully, she can carry this same affinity over to a feature film.

Jude Law and Sterling K Brown support Lively’s performance in “The Rhythm Section.” The movie is an adaptation of Mark Burnell’s 1999 novel of the same title—the first of four books he wrote about Stephanie Patrick. Burnell also wrote the screenplay for the film, and if it is a hit, there could be future sequel adaptations in store for Lively and the team. The movie comes out on January 31st.


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“The Assistant”: both Drama and Thriller aims to bring the #MeToo Movement to the Big Screen

https://movietrailers.apple.com/movies/independent/the-assistant/the-assistant-trailer-1_h1080p.mov
Official trailer for “The Assistant”

Hollywood take on Social Media Zeitgeist

Whenever a political movement on the side of justice takes place, Hollywood usually hops on it and renders it the plot of a movie in due time. In the worst of circumstances, this model is exploitative and undermines the actual movement. In the best of circumstances, however, this same model can teach lessons, champion real world heroes, and inform larger audiences of unsung stories.

Sometimes, those topics can hit close to home for filmmakers, though. Particularly, the #MeToo movement and the women who unveiled the systemic sexual harassment in the entertainment industry is a rich, dignified story that deserves a quality retelling. One would think, however, that Hollywood wouldn’t want to produce such a film because of how many entertainment industry executives were tangled up in a number of sordid cases. That would be the unsettling assumption, but lo and behold, Annapurna Pictures and director Jay Roach made “Bombshell” this past year, a critical and commercial hit of a film that shares the fresh, true story of real women who took down Fox News executive Roger Ailes for sexual transgressions.

The success of “Bombshell” may have paved the way for a new (perhaps overdue) breed of films that take on the workplace sexual harassment and misogyny. Already, we are getting a second one.

“The Assistant” comes out on January 31st, and upon viewing the trailer, it explores many unsavory aspects of workplace misconduct. Written and directed by Australian filmmaker Kitty Green, an eerie drama that dances along the lines of horror, it had its debut at the Telluride Film Festival in August, where Bleeker Street acquired it for this oncoming wider distribution.

Ozark Standout in Leading Role

Julia Garner of “Ozark” stars as the titular character, a recent college grad and aspiring movie producer who lands her first industry job as an assistant to an entertainment tycoon. As she goes through the day-to-day woes of working as an assistant—long hours, uncomfortable interactions, and covering for her darkly mysterious boss—it slowly becomes more apparent that something suspicious is going on behind closed doors.

Her boss is bringing young women into his office and asks the assistant to lie about it when his wife calls. There are mistakes in the bookkeeping that she is told to ignore. Corruption, misinformation, and borderline criminal activity bleed through every pore of the business’ higher-ups, and to make matters worse, it seems as if the boss is also engaging in inappropriate sexual activity.

The assistant works to uncover the truth and make it public. In doing so, she risks her job (and possibly her entire career) in a highly competitive industry. More than that, she also risks her safety, for damaging the reputations of powerful people does not come without consequences.

The movie is a raw portrayal on an unfortunately commonplace situation. Having the story take place in an entertainment mogul’s office will draw parallels to the current Weinstien trial. Barring the possibility of a supernatural twist at the end, the sad reality is that “The Assistant” is not based on one true story, but on thousands of true stories both told and untold, remembered and forgotten. It is a thriller that many have lived through, and many have taken to the grave. At last, it gets representation.


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Oscar Nominations Revealed: Joker” Dominates, Johansson Gets Double Noms – Academy has a Diversity Problem (still)

https://movietrailers.apple.com/movies/wb/joker/joker-trailer-2_h1080p.mov
Joker official trailer

ScarJo and Joker cast shadows over the hope for new faces

On the morning after a Critics Choice Movie Awards ceremony that heavily paralleled the Golden Globes—“Once Upon A Time… In Hollywood” won best picture, Joaquin Phoenix won best actor, Renèe Zellweger best actress, Brad Pitt best supporting actor, Laura Dern best supporting actress, etc., the Academy of Motion Picture Arts & Sciences released their nominations for the 92nd Oscars, the pinnacle of the awards season that will take place in early February as per tradition at the famed Dolby Theater on Hollywood Boulevard.

Renée Zellweger as “Judy”

The Oscar Nominations for 2020 offer the usual suspects in most categories. Like the Critics Choice Awards’ Broadcast Film Critics Association and the Golden Globes’ Foreign Hollywood Press, the Academy is big on yesteryear’s work from Tarantino, Mendez, and Scorsese. Likewise, they favor performances from Phoenix, Pitt, and Zellweger.

That being said, there are still a few head turners on this year’s nomination list, from the names included, to the names left out, to the handful of names that dominated.

First off, it should really be no surprise at this point in the awards season that Netflix got a lot of love for its 2019 filmography.

The Academy nominated both Martin Scorsese’s “The Irishman” and Noah Baumbach’s “Marriage Story” for best picture and Fernando Meirelles’ “The Two Popes” appeared in several categories as well.

This bodes well for the streaming service that clearly spent the year trying to produce and promote prestigious original content.

If one film dominated the list, however, it was Todd Phillips’ “Joker,” which garnered eleven nominations including best picture, best director, and best actor.

This is significant as not every year does a movie based on a comic book character lead the race, especially not when that comic book character is a controversy-inducing villain brought to the screen by the director of “The Hangover.”

Nevertheless, “Joker” stood out amongst the competition. In terms of noms, the film was narrowly followed by “The Irishman,” “Once Upon A Time… In Hollywood,” and “1917,” all fellow best picture contenders that received ten nominations each.

Moreover, while there weren’t really any surprises on the best actor or best actress fronts, Scarlett Johansson managed to snag both best actress and best supporting actress nominations for her respective roles in “Marriage Story” and “Jojo Rabbit.”

Snubs and Overlooked Talent that was Coincidentally Diverse Abounded

Adam Sandler went unsung for his groundbreaking performance in “Uncut Gems,” and critic favorites Awkwafina from “The Farewell” and Jennifer Lopez from “Hustlers” were similarly snubbed, not receiving any accolades from the Academy despite earning praise elsewhere.

This brings us to the biggest elephant in the room, which has been a persistent topic for the past few Academy Awards—how diverse are this year’s nominees?

The noticeably whitewashed 2016 Oscars sparked this long overdue conversation about diversity in the Awards. Since then, the Academy has been seemingly more inclusive, nominating and honoring racially-charged films like “Moonlight,” “Get Out,” “BlackKklansman,” and, “Black Panther”, feminist features like “Lady Bird” and “Roma,” and queer narratives like “Call Me By Your Name” and “The Favourite.”

This year, however, despite all of the progress over the past couple of several telecasts, the Academy seems to have relapsed into yet another celebration of a white male dominated Hollywood. The only big 2020 nominees that deviate from this norm are Greta Gerwig’s female-centric “Little Women” and Bong Joon-ho’s Korean “Parasite.”

Both of these films were nominated for best picture and Bong Joon-ho was nominated for best director.

The rest of the nominations in these categories are filled with the work of white men. Characteristically, the films are overwhelmingly white as well—from the Western European World War I narrative in “1917,” to the Nazi-Germany satire in “Jojo Rabbit” to a movie literally titled “The Irishman,” there is not a whole lot of diversity going on.

Likewise, many of these movies also sideline female characters to subordinate roles such as wives, mothers, and girlfriends to the male leads.

While these skewed nominations may be mere products of their not being as many women or minority filmmakers in the industry, that very underrepresentation is a testimony to Hollywood’s systemic gender and racial inequality both in front of and behind the camera.

Thus, when the red carpet rolls out on February 9th, we can expect to see a lot of talent on it, but probably not as much color as we’d prefer.

Following the success of last year’s hostless ceremony, the Academy also recently announced that the event will again not have a host. Hence, there will be no central figure on stage to comically quell (or egregiously highlight) the Academy’s systematic issues regarding representation.

Still, if the Golden Globes were any indicator, we will probably still hear a lot of social commentary through the acceptance speeches.

In total, the Academy has taken a big step back this year, not showing the level of diversity that the public might desire or expect.

However, the Academy Awards are only the opinions of a handful of aged industry professionals. Just because they don’t recognize certain talent does not mean that there won’t be eventual recognition, at the latest once the demographics change in the voting block (cold comfort till then).

Academy Awards, Oscars, Joker, Scarlett Johansson, Whitewashed Hollywood, Netflix, Bong Joon-ho, Todd Phillips, Awkwafina, Jennifer Lopez, Movie,


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77th Golden Globes Recap: Ricky Gervais hits a nerve, On Stage Activism & Netflix goes Unsung

’Big Winners Mostly Among the Predicted with a few Notable Exceptions

With the 77th Golden Globes concluded, Hollywood’s 2020 awards season is officially underway, celebrating the best and brightest that the film and television industries had to offer in the past year.

The Golden Globes took place on Sunday, January 5th at the famous Beverly Hilton hotel in Beverly Hills, California. The ceremony began at 5:00 PM Hollywood time, when stars from around the world took their seats to eagerly await the Hollywood Foreign Press Association’s picks for 2019’s best film, show, actor, actress, and so on… as well as the obligatory drama and awkward moments that come with any award show.

The event started far from subtly, as host Ricky Gervais took the stage. A notoriously raw British comedian, Gervais did not shy away from controversy in his opening monologue. He poked fun at just about every industry professional in the room, humorously calling out individuals for their leftist stances on political issues while engaging in an exploitative business led by capitalist juggernauts like Apple, Amazon, and Disney. Add in a Jeffrey Epstein suicide joke, a comparison between Joe Pesci and Baby Yoda, and a shot at Felicity Huffman’s prison sentence, and the night was off to a deliciously cringey start.

Despite his forewarning jests, through, Gervais did not manage to silence the award winners in their acceptance speeches. With few exceptions, it seemed as if each recipient used his or her stage time to make a statement regarding the world’s current turbulent condition.

Upon receiving the award for Best Actress in a Miniseries or TV film, “Fosse/Verdon” star Michelle Williams spoke out for a woman’s right to choose; While accepting his Best Director title for “1917,” Sam Mendes made a sly remark about war that was indubitably tied to President Trump’s recent actions in Iran; Actor Jared Harris also touched on the cost of political lies when getting the Best Limited Series award for the ever-so-relevant “Chernobyl.”

Undoubtedly (and unsurprisingly), however, the social issue most addressed on the stage was climate change. Nobody addressed this topic more profoundly than Joaquin Phoenix, who upon winning Best Actor in a Drama Motion Picture for his performance in “Joker,” took to the stage with peculiar reticence before immediately thanking the HFP for making the event plant-based. He then proceeded to get on Gervais’ level by dropping several f-bombs in calling out Hollywood hypocrisy. The speech was jarring, yet well received, as the actor delivered the message with far more sincerity than Gervais did at the night’s beginning.

Climate change was on many people’s mind throughout the night, especially in light of the ongoing bushfire epidemic in Australia. Russell Crowe even missed winning best actor in a Limited Series or TV Movie for his performance in “The Loudest Voice,” because he was Down Under protecting his house and family from the catastrophic infernos. In absentia, Jennifer Anniston read the New Zeland-born (yet Australian-raised) actor’s acceptance speech, where he definitively articulated the link between the country’s present forest fires and the planet’s continuing climate crisis.

Ellen DeGeneres also started out her speech expressing her concern and love for Australia. DeGeneres was honored with winning the Carol Burnett Award for achievement in television. After her touching words for Australia, the comedian-actress-talk show host shared her humble rise to stardom and her thoughts on the power of television, all with a characteristically stellar mix of endearing humor and unmistakable earnestness.

Later in the evening, actor Tom Hanks won the second special award of the night—the Cecil B. DeMille lifetime achievement award. Hanks gave a deeply impassioned speech and even got choked up while thanking his family. He touched on the duty of an actor to think creatively, know ones part, and “show up on time.”

This brings us to the meat of the event—the actual winners. While the drama, activism, and jokes all make for good television, the Golden Globes are ultimately there to recognize yesteryear’s outstanding works in the entertainment industry.

First off, we obviously had a number of expected outcomes. On the TV side, Brian Cox and Olivia Coleman won best series actor and actress for their respective work in “Succession” and “The Crown.” “Succession” also won Best TV Drama Series while “Fleabag” won in the Comedy category.

As for movies, we saw the anticipated Brad Pitt win Best Supporting Actor for his role in Quentin Tarantino “Once Upon A Time… In Hollywood.” Tarantino himself also won Best Original Screenplay and the film as a whole won Best Film in the Musical or Comedy category. Similarly predictable, the Korean “Parasite” won Best Foreign Language Film, Hildur Guðnadóttir won best original score for “Joker,” and Renée Zellweger won Best Drama Actress for “Judy.”

1917 is Stealth Favorite and Takes Top Drama

The upsets, however, came about in some other fields. As aforementioned, Sam Mendes won Best Director for “1917,” and the movie went on to win Best Film in the Drama category. Neither award was anticipated for Mendes. On the directorial front, he faced competition from the likes of Tarantino and Scorsese. Likewise, for best picture, he went up against bona fide critical hits such as “The Irishman,” “Joker,” and “Marriage Story.” “1917” is yet to get a wide release, however, which may be the reason many people did not foresee its success.

Another upset occurred in the Best Musical/Comedy Actor category, where Taron Egerton won the title for portraying Elton John in “Rocketman.” The thirty-year-old actor beat out stars such as Leonardo DiCaprio, Eddie Murphy, and Daniel Craig. Furthermore, in the Animated Film category, Laika Entertainment’s “Missing Link” beat DreamWorks’ “How To Train Your Dragon: The Hidden World” along with Disney’s triple-threat nominees “The Lion King,” “Toy Story 4,” and “Forzen II.” “Missing Link” performed abysmally in the theaters and director Chris Butler was utterly baffled during his acceptance speech. Evidently, big studios and box office figures do not always correlate with talent or translate to critical success.

That being said, the films that had no box office earnings whatsoever (i.e. the copious direct-to-streaming nominees this year) did far worse than expected at the 77th Golden Globes. Going into the night, Netflix had more film nominations than any other production company. Noah Baumbach’s “Marriage Story” led the race with six nominations, trailed only by Scorsese’s “The Irishman” with five—both of which were Netflix originals.

It seemed as if the Globes was going to be a game-changing event for the streaming world as well as a defining moment for Netflix to rebrand itself as the “prestigious” streaming platform amongst the competition. Maybe just getting the nominations was enough for Netflix to earn this reputation. However, the company walked away with just one film award—Laura Dern for Best Supporting Actress in “Marriage Story.” For all the hype that Netflix’s “The Irishman,” “Dolemite Is My Name,” and “The Two Popes” went in with, they all left empty handed.

Contrary to expectations, perhaps the Hollywood Foreign Press was not quite ready to hold direct-to-streaming titles in the same regards as traditional theatrical releases. Maybe the Academy of Motion Picture Arts & Sciences will think otherwise, as they announce the Oscar nominees on January 13th—if nothing else, maybe they’ll at least select a host with a touch more compassion.


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The Streaming Wars as the Decade Begins: Disney Up, Netflix Down, Apple Emerging, and HBO Max TBD

The Carnage and Consumer Choice Explosion has only just begun

2019 will go down in history as a game-changing year for television. It was the year that put the nail cable’s coffin as major networks and production companies turned over to the Internet, creating a streaming war between the various online platforms for consumers to watch content on.

The war unofficially began when the Walt Disney Company launched Disney+ on November 12th. In its first day, the service attained over 10 million subscribers. One month in, it had over 24 million, an unprecedented growth rate.

Much of Disney’s success has come at the expense of other streaming services, though. At just $7 a month, Disney+ is one of the less expensive streaming subscriptions on the market. Amazon Prime costs just under $10 a month and Netflix can cost up to $16 a month depending on the plan.

Since Disney+ launched, Netflix has lost 1.1 million subscribers. This is a 5.8% reduction in the company’s customer figures, and it is likely correlated to the fresh competition.

Netflix has tried to combat its rivals by focusing on their in-house productions and creating Oscar-savvy films. While the Academy picks are still yet to come, Netflix is already the most nominated production company for the 2020 Golden Globes. Their movies “The Irishman,” “Marriage Story,” “Dolemite Is My Name,” and “The Two Popes” were all nominated for best picture. “Marriage Story” and “The Irishman” even lead the race with six and five nominations respectively.

Many, however, believe that these prestigious projects are not enough to keep Netflix afloat in the long run. With the rise of Disney+, Netflix is losing all of its licensed-out Disney content, and its library will continue to dwindle as more studios create their own platforms. Perhaps the company’s recent deal with Viacom to produce new Nickelodeon content will help keep Netflix safe for a little while longer. After that, it might have to consider lowering the monthly cost, or even selling the data that it keeps so close to its chest.

Launch Announcement at Apple Special Event in 2019

Apple TV+ could be a Sleeper Hit with Upside Potential to Grow

One of the few streaming services that costs less than Disney+ right now is Apple TV+, another new kid on the block that launched on November 1st. Apple TV+ costs only $5 a month, and since its emergence it has garnered around 9 million subscribers. These figures seem small when standing next to Disney, but that 9 million may not account for all of the people who bought new Apple devices this year. As an extension of the tech company, Apple TV+ is included free-of-charge for one year on all new iPhones, iPads, Apple SmartTVs, or Mac computers.

Like Netflix, Apple TV+ is also making a big debut in the upcoming awards season. Its original series, “The Morning Show” already earned the company three Golden Globe nominations. This marks the first time that a streaming service has achieved recognition from the Hollywood Foreign Press Association in its inauguration year.

On the other end of the spectrum from Apple TV+’s affordable price is the forthcoming HBO Max, which AT&T’s WarnerMedia will launch in May 2020. HBO Max will cost a hefty $15 a month, and its release date has been pushed back multiple times since its announcement in 2018.

Thus, HBO Max has been a confusing and quiet underdog in the streaming war. Part of the confusion surrounding the future service is the fact that WarnerMedia already has two different premiere subscription services—HBO Go and HBO Now (not to mention the DC Universe streaming service also under Warner’s corporate umbrella).

Netflix Facing new competition from all sides

To put it plainly, HBO Max will combine HBO Go and HBO Now to offer both service’s entire libraries plus original shows, all the DC content, and additional intellectual properties from other TimeWarner networks such as TNT, TBS, CNN, and Cartoon Network. It will have all episodes of “Friends,” “South Park,” and “Game Of Thrones.” Oddly, it will not have Warner Brothers’ famed Harry Potter or Fantastic Beast films, as their streaming rights are still licensed out to Universal.

This consolidation of all TimeWarner content will be another hit against Netflix. Based on viewership, Netflix’s two most popular shows are “Friends” and “The Office,” and they will be losing both of them to HBO Max and NBC’s Peacock respectively.

These streaming services are the major players in the game, but they are not alone. Amazon Prime, Hulu, YouTube TV, Philo, CBS All-Access, fuboTV and others may not be as talked about, but they still have stakes in the streaming wars. Competition amongst the entertainment conglomerates in the cybersphere will undoubtedly continue into the new year, and it will likely come to redefine television in the approaching decade.


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Keanumania: “John Wick 4” and “The Matrix 4” Set To Release on the Same Day

2019 has been a big year for Keanu Reeves. With a reprised leading performance in “John Wick: Chapter 3—Parabellum,” a voice acting role in “Toy Story 4,” and a plethora of social media attention through interviews and memes, the fifty-five year old actor has found himself back in the spotlight for the first time in about fifteen years. Fans have affectionately dubbed this resurgent stage in his career, “The Keanussance.”

Happily, the Keanu Reeves fun will not stop anytime soon. Recent announcements from Warner Brothers and Lionsgate respectively reveal that “The Matrix 4” and “John Wick 4” will be released on the same date—May 21, 2021, a day that the Internet is already starting to declare “Keanu Reeves Day.”

Neither of these upcoming films have revealed their plots yet, as “The Matrix 4” is merely in pre-production and “John Wick 4” remains in development. All we really know is that they are each the fourth installments in their franchises, and that Keanu Reeves has been casted in both of them.

The last Matrix film, “Matrix Revolutions” came out in 2003. “Revolutions” wrapped up the science-fiction, reality-bending narrative, and left Neo—the main protagonist played by Reeves—dead. Thus, we are all very curious to see how Reeves returns in “The Matrix 4.” Likewise, it will be interesting to find out what Warner Brothers does with the story given the conclusive nature of “Revolutions.”

Warner Brothers has actually stated that Neo will not be the main character in “The Matrix 4,” and that Yahya Abdul-Mateen II of “Watchmen,” “Aquaman,” and “Black Mirror,” will play the new protagonist. Nevertheless, Reeves will somehow still be reprising his role in the film, as will “Revolutions” co-star Carrie-Anne Moss. Additionally, Lana Wachowski will be back behind the camera, directing a script from Aleksandar Hemon and David Mitchell.

Compared to the nineteen-year gap between “The Matrix: Revolutions” and “The Matrix 4,” “John Wick 4,” is a much quicker turnaround from the third film in its franchise. Once again, all we know for sure is that Reeves will be back as the titular character. Given the John Wick series so far, the fourth film will likely follow the same James Bond style, action-packed storyline as the last three movies. We can expect lots of gun, knife, and fist fights to happen and for Keanu to give yet another performance that can only be described as “badass.”

Furthermore, although it has not formally been asserted yet, we can reasonably anticipate the return of director Chad Stahelski for “John Wick 4”, as the stuntman-turned-filmmaker has directed all of the Wick movies so far.

Whoever he ends up fighting in the two films, Keanu Reeves will ultimately be going up against himself at the box office that fateful weekend in 2021. Both films are bound to be summer blockbusters, but which movie will fare better commercially is anyone’s pick. “The Matrix 4” is coming off of a classic franchise that redefined the sci-fi genre in 1999. However, the source material is admittedly a little dated, and The Matrix sequels tended to diminish in quality as the series continued. “John Wick 4,” on the other hand, is young and fresh, but it lacks the same longevity and cinematic prestige as The Matrix.

It’s impossible to tell which movie will end up triumphant on Keanu Reeves Day. Most fans will probably end up seeing both, but a lot can happen in the next year and a half. Until then, we can look forward to the dual release and enjoy the Keanussance throughout 2020, as Reeves will appear in movies such as “The Spongebob Movie: Sponge On The Run,” “Bill & Ted Face The Music,” and “Fast & Furious 9.”


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Five Movies in Theaters: Holiday Film Choices

Now that the final days leading up to 2020 are here, it’s a great time to check out what films are currently available in theaters…

Bombshell

photo-link to Bombshell article and trailer

Uncut Gems

photo-link to Uncut Gems article and trailer

Richard Jewell

photo-link to Richard Jewell article and trailer

Rise of Skywalker

photo-link to Rise of Skywalker article and trailer

Spies in Disguise

photo-link to Spies in Disguise article and trailer

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