Jungle Book director back to recreate the old magic
Disney
Jon Favreau’s new reimagining of the Disney classic “The Lion King” is all the buzz. Recently, at CinemaCon, the press were floored by newly released footage from the faux-live-action, photo-realistic movie.
Favreau’s recreation of the “everything the light touches’’ scene is the most recent reveal. This is the iconic scene where King Mufasa explains to his son Simba where and how they rule. Even better, James Earl Jones reprises his roll as King Mufasa, and delivers the speech once again.
Similarly, Favreau recently reimagined “The Jungle Book” in pseudo real VFX style. Jungle Book won several awards for its visual effects, including the Academy Award for Visual Effects in 2017. The award winning team returned with Favreau for “The Lion King”.
Classics reimagined
Although Disney has been recreating some of their classic animated movies in hybrid CGI / live action form, technology for a full VFX treatment seems to be catching up with the ideas and nostalgia.
The “re-boot and reimagining” isn’t an uncommon concept in Hollywood. Warner Bros. is reworking a stand-alone Joker origin story prequel, to be released in the fall, for example. But Disney’s new visual interpretations stir excitement and nostalgia all at once. This looks like a fresh and exciting take and I’m looking forward to the full experience.
Ad is an entertaining dramatization of their famous circular pizza box patent.
Still / Apple
The head of Apple’s food services team helped design a circular pizza box a few years ago. The next time you order a pizza at Apple’s Cupertino Campus – you’ll see one.
What makes it special, other than the circular shape and clean Apple-white aesthetic, are the holes that allow the steam to escape and insure that the pizza doesn’t get soggy. Looking as much like a UFO as the Campus looks like a Space-Ship is also somehow implied. The patent can be traced back to 2010.
https://youtu.be/G9TdA8d5aaU
The ad takes you through the adventure of invention, tracing the quirky, creative steps of these rag-tag designers.
Above all, it does an excellent job capturing the essence of the creative process, the near-neurosis of the design team, and all the hurdles life puts in front of invention.
Still / Apple
The spot also does an excellent job of showing how we could all use Apple products to scale those hurdles, much as our underdog heroes do. Finally we are along for the ride as these future design champs get the chance to make their big pitch.
Still / Apple
[ During the last shot as they board the elevator headed for the upper floors, I do wish they added an insert with someone pushing a circular elevator button (with the iconic Apple logo, of course), — Ed. ]
Tech Titans Race to “Give” Internet to Off-The-Grid Populations Across the Globe –
Bezos, Branson, Zuckerberg, Musk, Google, Softbank, Airbus are all vying to own the sky. There are also few companies without the marquee star power in the mix.
Something must be driving the world’s wealthiest into a race against each other to be the first to provide satellite internet access to the poorest and least connected on earth.
It’s all about the Zettabytes
For one, the numbers are staggering: an estimated 4 billion “customers” are not yet connected worldwide. “Unserved” and “Underserved” are the buzzwords, with the majority residing in Africa, India, and parts of South America.
In case you’re not Zetta-aware, a Zettabyte is one trillion Gigabytes, which is the approximate total amount of yearly internet traffic as of 2016.
Expectations for 2020 are in the 2.3 Zettabyte neighborhood (2.3 trillion Gigabytes). To handle the load, provide for the unserved and get to 5G speeds (expected to be the new norm), a major change is needed.
Low Earth Orbit micro-satellite constellations are what’s next. Not to be confused with Geosynchronous, a.k.a. Geostationary, which are fraught with latency issues. Instead, a LEO mesh network constellation can potentially achieve latency at 20-30 milliseconds vs. the 700 milliseconds typical with Geosynchronous systems. Smaller, cheaper satellites that can be launched in bunches (up to 30 per launch) are all the rage.
Speed targets are above 1 Gigabits p.s. (download and upload) and, to takeover for malfunctioning units, spare satellites will be deployed. Network downtime can be reduced to less than 2 minutes per year through this method.
The idea of an ultra-fast internet beamed to the entire earth population within a decade is a mind-blowing concept.
The power in controlling such a network would also be so vast, it’s no wonder those already at the pinnacle are ready to fight each other for the privilege of setting it up. And, of course, to reap the rewards.
“…a discussion about the potentially scary thought of any of these titans owning even more of the world’s tech infrastructure will be on deck in the near future, so stay tuned”
With virtually all the planet’s heavy hitters on board, the race to supply internet worldwide via LEO micro-satellite constellations will likely be decided at the political and governmental level. As much as we’d all enjoy watching a capitalist death-match, being at the mercy of a monopoly larger than any in history? Less enjoyable.
With so much to unpack in the breakdown of who’s-who, a discussion about the potentially scary thought that any of these titans could own even more of the world’s tech infrastructure will be on deck in the near future, so stay tuned.
Microsoft’s Bill Gates and communications mogul Craig McCaw project Teledesic was an early attempt at satellite internet networks, but failed, in the late 90’s / early 00’s.
Now, however, stars appear to be aligned for at least one the the current crop of projects to succeed.
Elon Musk’s SpaceX intends to operate thousands of satellites with low orbiting efficiency. In 2018 the FCC approved a launch of 4,425 satellites (in March) and an additional 7518 (in November), bringing the total approved to 11,943. This group of satellites will comprise the initial Starlink internet constellation. A license application for 1 million earth-stations, to be used by customers, has already been submitted.
The first two Starlink satellites, Tintin A and Tintin B, were launched on February 22, 2018
In order to maintain the FCC’s conditional approval, SpaceX will have to launch at least 6,000 satellites by 2024.
Once that hurdle is crossed they could have 12,000 into space by 2025-2026.
And don’t forget Elon Musk already shot a Tesla Roadster in space via his Falcon Heavy rocket. It has twice the lift-capacity of a NASA Space-Shuttle and could be an ideal transport system for large satellite batches. The Falcon 9 would also be a good choice.
Perhaps SpaceX will get a boost since they avoided the list for possible break-up by the US government that was put forth by Senator Elizabeth Warren, AOC and others.
A betting man would think the satellite systems space race will be won by Elon Musk and SpaceX.
However, the game did appear to change recently when SpaceX’s former execs Rajeev Badyal and Mark Krebs joined Amazon’s “Project Kuiper’. (after allegedly being fired from SpaceX). Recently, in a tweet, Musk called Jeff Bezos a “copy cat” for jumping into the Satellite Internet fray. (note the emoji for the ‘cat’).
“CopyCat” Jeff Bezos has a substantial plan of his own. Project Kuiper is named after astronomer Gerard Kuiper. Kuiper was space theorist and visionary.
Some of his spot-on theories were:
Predicting that carbon dioxide would be found to be a major component to the atmosphere of Mars
That the rings of Saturn are composed of particles of ice
That the Moon’s surface would be “like crunchy snow” (well before Armstrong took his steps).
Bezos’ privately owned Blue Origin project should be a benefit in the new endeavor. Interestingly, Blue Origin is already in a separate, unrelated deal with TeleSat (see more below).
Project Kuiper is Amazon’s first attempt at housing their satellites in space to provide global broadband access. 784 satellites at 367 miles above us are planned along with 1,296 satellites at 379 miles upward and 1,156 satellites at an altitude of 391 miles
These satellites will offer the internet from Scotland through the south most tip of South America. Theoretically, this can cover 95 percent of the Earth’s population. The Earth’s population currently is around 7.7 billion people, half of which still need internet access.
Despite some recent public backlash, Amazon is still incredibly popular in the U.S. However, with so much competition from all sides, even the biggest beast may have an uphill climb.
OneWeb gets huge boost from “friends in high places”
Photo / OneWeb
OneWeb upped the ante on the non-geo stationary orbit concept (LEO), literally, with investments to date totaling $3.4 Billion , as of March.
In addition to AirBus, OneWeb is now also backed by Richard Branson, Coca-Cola and venture capital firm Softbank. Up to 5$ billion may be needed to get their 5G ready network up and running.
After inking the deal with AirBus, the first six satellites were built in France. Now, they are gearing up to continue in Florida. Oddly, the Florida facility is across the street (!) from Jeff Bezos’ Blue Origin Factory.
The first six of the initial 648 were successfully launched on February 27. More Satellites are expected to be launched during the year.
Additional launches for 648 micro-satellites to operate at 750 miles in altitude are planned. The company hopes the constellation will be fully operational by 2021.
Eventually the total number of satellites could rise to 1,972 for which it has acquired priority spectrum license rights. Plans for an additional 2000 have been filed with US regulators.
Google Keeps Searching
Photo / Loon
Alphabet Inc (Google’s parent company) has Loon. Using balloons to take antennas into the stratosphere, a much larger coverage area can be reached vs. a terrestrial tower. (such as a cell tower)
In January a partnership was announced with TeleSat (also partnered recently with Blue Origins, as outlined above) to take the software systems developed for its balloons and apply them to an LEO micro-satellite constellation.
https://youtu.be/MiEZfRh-h-s
Telesat currently envisions between 292 and 512 satellites in orbit and initial commercial services are planned to commence by 2022.
In July 2018 Google announced that Loon along with Wing, both initially founded as “X moonshot projects“, would henceforth be full independent companies within the Alphabet Corporate Umbrella. In addition to the TeleSat project, Loon plans to partner with mobile carriers across the globe. An example of this is the current deal with Telekom Kenya, which Loon is helping to extend its coverage to remote areas of the country.
Facebook Pulls Out…All The Stops
Animation from Teledesic showing a complete satellite constellation with full coverage of the earth
Although perhaps founded with the best intentions, Facebook’s “FreeBasics” project somehow always appeared to involve tailoring its approach in order to serve its own interests.
After allowing only Facebook-sanctioned services and data to FreeBasics users it came with little surprise that a public backlash emerged.
In February of 2016, Free Basics was banned in India for unlawfully prioritizing certain sites over others. However, Free Basics is still up and running in over sixty countries. Facebook also still has a vast influence in Africa.
Facebook estimates that its efforts to increase internet connectivity worldwide, over 100 million new users are now online.
LeoSat: All Biz at the High End
Photo / Thales Alenia Space
Focusing on speed, full earth coverage, direct sat-to-sat optical links without the need for terrestrial stations, LeoSat is positioned to be a serious and unique entrant into the satellite wars.
Designed for large business and government customers, LeoSat already has over 1$ billion in pre-booked orders from enterprise level clients. In March, a new contract with Saudi Arabian communications firm SkyBand was announced.
Based in Washington D.C., LeoSat has set 2022 as its target date for between 78-108 satellites to reach orbit. As with some other competitors above, an initial launch of 2 satellites is planned for 2019.
Using its unique high throughput satellite system (HTS) an optical laser-based backbone will be implemented in space. The backbone will be comprised of 118 LEO satellites in an MPLS network, each with a direct laser based optical link to the others.
This will achieve a projected speed of 1.5 times current land-based fiber-optic networks at 1.6 to 5.2 Gigabits p.s., all without terrestrial touch-points in a globally interlinked constellation.
Without a hyper-famous heavy hitter, LeoSat is still not to be overlooked. More than just an a company with an Apt brand name, LeoSat has a solid list of accomplishments and a serious plan to compete in its chosen niche.
The teaser trailer starts with an aggressively contemporary drone shot of a city. Gotham City? The Batman / Joker origin story trailer propels us into a violent little world of classic cinema references.
And then, the tide turns, and we see gritty, dirty streets and an isolated protagonist writing his thoughts alone; we are in his thoughts, alone. The trailer creeps into Scorsese-like grime with the power of Taxi Driver’s lonely and dramatic tone. The world beats him down.
The music picks up and a version of “Smile” plays (a song that is based on the theme from Modern Times, a Charlie Chaplin movie). Again, we are channeled into another Scorsese movie, the black comedy “The King Of Comedy”. We see comedy clubs, Joker laughs in the audience, a late night host… Was that Robert Deniro? (The star of both Taxi Driver, and The King Of Comedy).
“I used to think my life was a tragedy… but now I realize: It’s a comedy.”
The Joker
Photo / Warner Brothers
The trailer ends with The Joker (Joaquin Phoenix) revealing that he “used to think his life was a tragedy… But now I realize: It’s a comedy.” In Theaters October 4, 2019.
Presidential candidate Elizabeth Warren recently made a point, and then proved that point with the “help” of Facebook. The Massachusetts Senator posted an ad calling for the “break up” of tech giants Facebook, Google and Amazon. The video advertisement was removed by Facebook. Their reasoning for the removal was that the ad was in breach of Facebook’s advertising and copyright policy (the Facebook logo was used in the ad). The removal was reversed by Facebook based on a stated policy of wanting to allow a “robust debate”. The ad wasn’t expensive. It was only $100, but proved in the end to make an invaluable point.
The ensuing bru-ha-ha was worth many times the original sum by bringing more attention and focus to the very issue the ad was meant to highlight:
Curious why I think FB has too much power? Let's start with their ability to shut down a debate over whether FB has too much power. Thanks for restoring my posts. But I want a social media marketplace that isn't dominated by a single censor. #BreakUpBigTechhttps://t.co/UPS6dozOxn
The Democrat Senator served as Barack Obama’s Director of Consumer Financial Protection Bureau. She’s also an aggressive opponent of “big banks” and unlawful practices committed by Wall Street. Warren’s argument was contextualized by antitrust law violations by Microsoft in the 90’s. Warren also explained how these laws lead to the opportunity for websites and tech companies to flourish. Yet, these (aforementioned) tech giants aren’t playing by the rules.
Opposing Monopolists: a rising trend among Democrats
Warren acknowledged the invaluable place that these companies play in our lives, during her speech at SXSW. She also affirmed that they need to be “broken up” in order to promote innovation.
“Facebook, Amazon, and Google. We all use them. But in their rise to power, they’ve bulldozed competition, used our private information for profit, and tilted the playing field in their favor.
It’s time to break up these big companies so they don’t have so much power over everyone else.
Presidential Candidate Elizabeth Warren
The Senator isn’t the only high profile Democrat taking big tech companies to task, Alexandria Ocasio-Cortez was a voice of opposition in the recent Amazon HQ to Queens deal.
Google was fined 1.7 billion dollars (1.5 Billion Euros) for online advertising antitrust violations. This is the third fine from European authorities since 2017. The fines, along with those against other big tech firms, have established the European Union as the most consequential oversight body in policing internet tech firms that are seen as having too much power.
Europe is a leader in taking a stronger approach to reigning in firms such as Amazon, Facebook and Google (Alphabet). A broad consensus holds that these huge tech behemoths represent a danger to fair competition.
“Google has cemented its dominance in online search adverts and shielded itself from competitive pressure by imposing anticompetitive contractual restrictions on third-party websites, this is illegal under E.U. antitrust rules.”
Margrethe Vestager, Europe’s top antitrust watchdog
A variety of infractions have been committed by Google in the past couple years. They were fined for misusing their Android ownership to undercut rivals. Google was also fined for attaching an increased amount of text ads to third party companies who used the Google search bar.
The internet search leader bundled its ad platform within the third party custom search engines. This practice undercut Microsoft, Yahoo, and other digital advertising companies.
European authorities have been more aggressive with tech companies, demanding improved privacy, transparency, and even copyright regulations. Competition Commissioner Margrethe Vestager has fined Google over 3 billion dollars since 2017. Alphabet/Google owes a total of 8.2 Euros (9.3 billion dollars). Google hasn’t paid the fines yet, and plans to appeal. Google stock is up 17 percent in 2019.
In the U.S., Senator Elizabeth Warren, Democratic candidate for President in 2020 said that Facebook, Google, Amazon and Apple should be broken up due to various antitrust issues.
Unexpected Flower Explosion Leads to Traffic Jams for Instagram
photo / Monique Ly
After two years of unusually plentiful rain, even areas such as Ansa-Borrego Desert State Park, Death Valley and Lake Elsinore, CA are enjoying an exceptional phenomenon called the “Super Bloom”. This year’s model is bigger and better than 2017’s version, and it’s coming 8 years ahead of schedule since once in a decade is the historical norm.
Photo / Monique Ly
Our climate is changing, and often, especially lately, it’s alarming. But, occasionally, we are also privy to unique and exceptional displays of beauty, caused by an out-of-whack Mother Nature.
photo / Monique Ly
This is a super charge of flowers blooming due to increased rain that has ignited dormant desert seeds into a beautiful bouquet of primrose, desert Lillies, poppies, Sand Verbena, and Bigelow’s Monkeyflower.
Photo / Monique Ly
What was once a desert is now an array and an eruption of flowers, and the wildlife that feed on these flowers.
photo / Monique Ly
The SuperBloom 2019 has been spectacular to behold. But, in true 21st-century human fashion, the opportunity was nearly stomped out by the overzealous. Instagrammers and hikers from far and wide bombarded Walker Canyon (near Lake Elsinore, CA) with massive automotive and foot traffic.
photo / Monique Ly
Reports of selfie-sticks doubling as trekking poles, and people stumbling and falling through flower patches, became the norm. All for the glory of “the ‘gram”.
An event that started with affectionate terms like “Poppypalooza” and “Poppy Mania” quickly sprouted the hashtags #poppynightmares and #isitoveryet.
#AttentionResidents: the roads are really bad out there. Long waits for Central Avenue. We have called in more police services from surrounding cities to help. The freeway is not moving… https://t.co/KqEmMmc7lI
— City of Lake Elsinore (@CtyLakeElsinore) March 17, 2019
photo / Danny Leeds
The phenomenon caused an estimated 66,000 people to flood the small California town (doubling its usual 60,000 population in one weekend). The normally sleepy metropolis couldn’t handle the congestion, which forced Elsinore police to “close everything”.
photo / Monique Ly
Local residents began to yell at people directing traffic, an exploring dog was bitten by a rattlesnake, and the gridlock became a safety issue (one hit-and-run was reported). The canyon is known for steep hills and the hillsides aren’t meant to have hikers.
photo / Monique Ly
Reports of photo-shoots in areas designated off-limits to tourists, and hikers in heels were common. Reports of selfie-sticks doubling as trekking poles, and people stumbling and falling through flower patches, became the norm. All for the glory of “the ‘gram”.
The beauty, as captured in part by our photography crew above, remains, thankfully, and 2019 will likely be remembered as the year of the Great SuperBloom of Southern California.
Performance Upgrades Galore Released Ahead of Streaming TV Launch
Updated AirPods are out – AirPods 2 is the catchy name for this iteration. They’re now powered by an Apple designed H1 chip. This chip was designed specifically for the new AirPods. The H1 is built to deliver higher performance, faster connect times, and more talk time. And, the new AirPods will be available with a wireless charging case (which also works with older AirPod models).
Shortly after the AirPod 2s were announced, new versions of the iMac All-in-one desktop computer also hit the street. As shown in the graphic below, 5 new variants, two 21.5 inch and three 27 inch Macs, each with slightly different feature upgrades are now available. The computers also have a new set of chips that will deliver twice the graphical and computational power.
All five models have intel processors and AMD Radeon Pro GPU’s. Users can expect to see up to 50 percent improved performance working with Photoshop projects, or the ability to create up to two times the amount of virtual instruments in Logic Pro X, or view up to 16 simultaneous multi-cam streams compared to the previous seven in Final Cut Pro X.
The lower end models keep their 4K Retina display. The bigger models feature the usual 5K screen. The computers range from $1300-$5000+ depending on size, specs and optional upgrades.
Apple hasn’t changed the iMac‘s iconic aluminum chassis or glass screen. They’ll have the same screen sizes and resolution, same brightness and wide (P3) color gamut, and same ports (two Thunderbolt USB-C, four USB 3, SDXC, Gigabit Ethernet, and headphone jack).
iPad Air is back and iPad mini too, with pencil. Both with a spec bump. Although the items are not “financially important” in terms of Apple’s overall bottom line, they serve as introductory Apple products. Popular gift items that can acclimate new users into Apple culture.
These new versions of established products are welcome news as the specs and value have improved.
Hardcore aficionados however, will be anticipating major upgrade news, such as the refreshed Mac Pro (not upgraded since 2013!) or iPhone 11, possibly in June and October, respectively.
Convention Center Project gets green light for first phase
Photo / The Boring Company
It looks as if Elon Musk is inching closer to realizing his express tunnel transit system. Projects are already at various stages of development in Los Angeles and Chicago with Musks’ Boring Company. But, it looks like Las Vegas is all-in on a Musk tunnel transit proposal. It received initial approval Tuesday after the board directors for the LVCVA voted in favor of the project.
The Las Vegas Convention and Visitors Authority have been long looking for an alternative way to transport convention visitors. LVCVA CEO Steve Hill thinks that underground is the way to go. He also called it “innovative” and “an attraction in and of itself”.
The tunnel will initially be approximately one mile long, with a focus on moving convention goers to and from the convention halls. The visitors will be rocketed at an estimated 150 mph in Musk’s Model X, Model 3, and a new “High-occupancy AEV” that will use a modified Tesla Model X chassis and will carry up to 16 passengers, with both standing and sitting options. A 15 minute walk will be replaced by a 1 minute ride.
The transport system will be free to convention visitors. If approved by city officials the project should be ready in time for the CES 2021 Technology Show, the largest trade show of the year which attracted over 180,000 visitors in 2019.
Graphic / The Boring Company
Three Design Options are being considered, which will offer convenient access from five potential station locations placed in close proximity to key LVCC destinations and nearby transportation connections.
-The Boring Company
Projected additional destinations are also indicated by The Boring Company:
“Future expansions to augment LVCC Loop can include service extensions to McCarran International Airport, hotels on the Las Vegas Strip, downtown Las Vegas, Las Vegas Stadium, and, in the long term, Los Angeles”
Musk approached Los Angeles with a similar opportunity last year, showcasing its “Hawthorne Tunnel” test. Plans for The Boring Company’s “Dugout Loop” project is still in the works. This project would connect passengers from Dodger Stadium to parts of Hollywood.
A similar project in Chicago (connecting parts of the city to O’Hare Airport) appears to have stalled indefinitely.
City officials throughout the United States have shown skepticism and opposition towards companies and corporations making promises to revitalize decaying parts of major cities. These endeavors are normally determinative with tax breaks for the corporations, and tax payers paying the bill. Musk’s The Boring Company plans to build the Las Vegas tunnel without a taxpayer contribution. Estimated costs are 35-55 million dollars.
On the one hand, after more than a decade of growth and pure digital news models showing potential financial viablility, profitability remains elusive. On the other, a tsunami of artificial intelligence, software and hardware improvements over the last 2 years, in particular, have begun to reduce overheads, especially for those bulk production techniques such as employed by BuzzFeed.
While legacy publishers are showing some marginal improvement in subscription revenues, the business model for online media and content production continues to shift in search of a sustainable income mix. Cost of human contributions to content is an obvious issue.
“The restructuring we are undertaking will reduce our costs and improve our operating model so we can thrive and control our own destiny, without ever needing to raise funding again”
.@peretti email to staff: “Revenue growth by itself isn’t enough to be successful in the long run. The restructuring we are undertaking will reduce our costs and improve our operating model so we can thrive and control our own destiny, without ever needing to raise funding again” https://t.co/vvpCnMhPNF
Lowering overhead by cutting staff is the message sent as the primary explanation for the industry-wide layoffs. Digging just beneath the surface, however, is the not-so-gradual shift in technology that allow digital content production organizations to ramp up output while at the same time reducing costs.
Read: more work done by A.I., software and robots and fewer humans required. Result: Accelerated Digital Deflation.
The entire history of tech advances since the ubiquity of the personal computer has engendered digital deflation (ask anyone in the music industry). Meanwhile, advancements over the last couple of years are creating a massive acceleration of this trend, based on a shift toward automated production in all facets of content creation.
As a content creator the perspective seems amusingly bifurcated; improved tools for visual and verbal expression must be welcomed and adapted to, all while working in a monetization system that does not yet favor the individual creator.
Perhaps a headline: “Thousands of Humans Rendered Obsolete By Improved Robot Software” would seem less compassionate than merely indicating that they (the humans) stood in the way of reaching profitability?
In the long run, using more A.I., together with improved hardware and software tools to increase productivity in digital communication, will lead to lowered barriers to entry. And, for content creators and those 1000+ professionals just liberated, it might be best to consider all their options. One of the best may be to establish a free-lance future using the very technology that erased those jobs in the first place.
3 new Apple Memoji videos hit the street today, and, like previous Animoji clips are basically Karaoke Music Videos. Timed to coincide with the 2019 Grammy Awards, today’s batch feature heads crafted to look like the original artists themselves, as a way to emphasize the “me” in Memoji.
In previous “Animoji” video clips Apple used anonymous people that were carefully chosen to match pre-set characters, such as the Cat or Unicorn. Generally, the entire Animoji project appears to be a fringe benefit from the face ID security system, and as a gift from the Steve Jobs Pixar legacy. Ok, true or not, in any case, they look like Toy Story style characters.
It’s a mystery why the talking heads always sway from side to side. Perhaps this is meant to show off the head tracking response, for example, but by now one would think that’s a given.
Although extremely cute and more responsive and adaptable all the time, it looks like third-party apps will have to fill the void, if virtual actors with more range are to emerge.
It would be great to see a talking avatar that has more realism or at least a personality that goes beyond “cute” and “super cute”.
When this concept finally goes beyond fun, games and Karaoke, a wide variety of potential uses could become possible. Just ask Max Headroom.
All the angst over AI taking over service and manufacturing jobs notwithstanding, by now you’d think someone would have created an automated Megyn Kelly. The 69 million pay-out she received when she was fired could have recouped any prior outlay for research and development. And, hey, at least the animated anchor would have stayed on script.
In November of last year the world’s first AI news anchor started working in China. The Chinese-English speaking bot “…can read texts as naturally as a professional news anchor”, the state-run Xinhua news agency that created the bot, claimed in a statement. Judge for yourself:
If you know of any third party apps trying to graduate from cute when it comes to Memoji recording, please contact our video department. Here at Lynxotic News we could definitely use a few new spokes-bots.
Capturing New York City – Behind the Timelapse by Michael Shainblum
video excerpt / Michael Shainblum
Every once in a while we come across a really exceptional clip that deserves a wider audience. Michael Shainblum’s Capturing New York City is one such clip.
The newest iOS fix for iPhone and iPad was released today and can be accessed via software update. Apple recommends that all users update immediately to install a patch that fixes the nasty bug that enabled eavesdropping via FaceTime.
The issue, where an iPhone microphone could become active without user consent or participation, appears to have been related to the new group FaceTime calling feature that was added late last year with the iOS 12 launch.
Stories documenting the problem have flooded the blogisphere lately and Apple was forced to temporarily disable the group FaceTime feature while the patch was being prepared.
Although it’s very likely that most of us have little to fear from anyone listening to our uneventful private conversations, the thought alone is enough to cause concerns.
As per the usual method, going to Settings>General>Software Update and then choosing “Update and Install” is highly recommended, just make sure you are either plugged into power or have at least 55% battery life (to be sure). Fortunately, with this update, the FaceTime bug days should almost certainly be in the past.
Above you can also see the “Behind The Scenes” clip, released along side the video above, which shows in some detail all that’s involved in setting up a “Bullet-Time” rig, other than acquiring 32 iPhones !
High quality aerial photography produced using unmanned, remote-controlled Drones is becoming more commonplace. With this proliferation, and with a simultaneous massive improvement in camera quality, a new wave of spectacular visual renderings of the world’s most beautiful cities are appearing online.
Some of these also use special effect techniques such as time-lapse and “hyper-lapse”. Similar to time-lapse, hyper-lapse adds movement while maintaining a stable image throughout. Once only possible through laborious software processing, the effects can now be produced “in-camera”, through the use of gyroscopic stabilizers rendering an effect that adds an otherworldly dimension to the “trip”, creating a true feast for the eye.
Using these effects, adding music and a bit of editing, the stunning aerial views created can evoke an experience as if mind-altering substances had been ingested!
Here are a few of the best examples we found on YouTube:
Hong Kong
Hong Kong has possibly the world’s most beautiful skyline, especially at night. This video, titled “Escape” by Francis So takes the Hyper-lapse genre to the next level with an integrated story and a great variety of locations in and around HK
Frank H. – New Entertainment Pictures has put together a breathtakingly detailed day in the life of this beloved metropolis. Traversing a typically cloudy, almost “sleepy London-Town” on a journey from Dawn to Dusk, practically all the most amazing landmarks can be seen as if from the view of a floating spirit guide.
ITALY!
In many ways the most amazing of our clip selections, this is an incredible look at some of Italy’s most photogenic landmarks, all from the perspective of a mind-altered space alien. The rich highly saturated photography heightens the effects and creates a sensual tableau that, truly, must be seen to be appreciated.
Producer / Director Adam Shomsky Included the following location notes:
Berlin
With a musical accompaniment that evokes “Falco’s Amadeus meets Vivaldi’s Four Seasons (spring)” creating an eerily fitting aural backdrop, TimeLapseWorlds has created an impressive visual mix of some of Berlin’s classic locations, including;
“The Memory Church” (in German: Kaiser-Wilhelm-Gedächtniskirche, but mostly just known as Gedächtniskirche ). Famous for being bombed in 1943, the church was rebuilt between 1959-1963 but the original spire was retained and serves as a reminder of the horrors of war.
The “Friedensengel”(peace angel) known also as The Berlin Victory Column) which appeared in the 1987 Wim Wenders‘ Wings of Desire (1987) Portrayed as a meeting place for angels.
TheBrandenburg Gate (German: Brandenburger Tor). This iconic landmark split the east and west sectors during the cold war and remains at the heart of Berlin, in body and spirit.
Perhaps, after such a mind blowing “trip” a calmer look from a drone at peace with the world is a fitting final journey:
Frank H / New Entertainment Pictures has produced a soothing, dreamy portrait of the Berlin. Using various slow-motion effects and a confident, calm approach, this view from a drone is portrays the city in a decidedly different light, but the result is no less satisfying.
The clips in this preview are but a tiny foretaste of what may soon be possible in creative photography and visual special effects. Stay Tuned.
Services, Mac and Wearables Set New All-Time Revenue Records
Apple today announced financial results for its fiscal 2019 first quarter ended December 29, 2018. The Company posted quarterly revenue of $84.3 billion, a decline of 5 percent from the year-ago quarter, and quarterly earnings per diluted share of $4.18, up 7.5 percent. International sales accounted for 62 percent of the quarter’s revenue.
The 15% drop in iPhone sales. though no surprise, was coupled with a year over year annual revenue decline of roughly one-half of 1% which is the first yearly decline since 2001.
As has historically been the case with Apple, volatility and drama related to this earnings report will be soon washed away by many new innovations, scandals and continued excellence from the world’s foremost technology manufacturer.
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