Category Archives: Tech

Deeper Dive into iPhone 13 Pro Max Cameras after 48 Hours of Testing

The cameras are at the center of what makes an iPhone 13 a Pro investment

Direct hands on experience with something as complex and interesting as the new iPhone 13 Pro Max is invaluable for a useful assessment. After a few days and also taking into account some observations of others I will attempt to shed light on the state of the art of iPhone as of September 2021.

Comparing this iteration of iPhone with the previous versions is meaningful for buying decisions, but it must also be compared based on what it can do for a professional that has a need for a higher grade of gadget.

Judging and comparing the machine as a whole is also necessary, since the cameras are not cameras at all be just one part of an integrated system of visual (and audio!) production tools.

Big changes that begat others and on the circle goes

The first thing I noticed, out of the box was the sheer size of the 13 Pro Max, particularly compared to the 11 Pro Max, which was my previous workhorse. From photos I had gathered that the three cameras stuck out more and, yet they do, so much so that it is almost comical.

If you brave the world sans case and put this monster in your the back pocket of your loose fitting jeans, the bulge from the cameras will feel like you are doing something crazy, as it is as if they are rubbing against anything they touch, continuously.

That’s not all about the physical size, though. Looking at the diameter of the three circles (lenses) they appear significantly larger. Believe me, they are. Since the 11 Pro max and the 12 Pro Max have the same size triple camera layout (spec upgrades notwithstanding) this is an immediate and obvious change.

Above: Photo / Lynxotic

The increased size and weight of the camera itself is noticeable, more than I expected. The screen appears far larger due to the new specs and it is a bit of a shock at first, but the level of quality is the biggest and most noticeable feature.

The design logic has an implied history that jumps out once you start to use the camera system.

The changes to the three cameras are significant. After two years of using the 2019 11 Pro Max the framing options, based on the three lenses is a complete new experience.

The ultra wide 13mm equivalent is a bit of a bold and crazy choice. If I was ordering a set of lenses for a music video shoot the ultra wide might go as far as 11mm (very wide!) but that is basically an EFX look and causes an almost fish-eye look.

The 13mm is literally as wide as you can get without getting into potential “clown” territory, which is fun but not usable for a non-EFX composition.

What is odd, in a way, is that the “main” lens at 26mm equivalent is still very wide meaning that the standard 40mm equivalent, which was always considered the closest to a neutral look, is absent here.

Similarly, the telephoto lens at a 77mm equivalent is exactly the same type of choice – once again in my kit this would have been a 100mm for a deep bokeh and a noticeable sweet spot that is ultra-flattering for close ups and head shots.

The 77mm, therefore, is a long enough lens to get the magnification and emulate the look of a telephoto style. But wait, no glass no bokeh.

Both the 13 Pro and 13 Pro Max have the same sensors, optics, stabilization and features. The three cameras in the Pro models span a 6x optical focal length range.

This is where the logic of the design and how the system works, as a whole, begins to get deep.

Once you have made the commitment to not only extend the range of the entire optical focal length range to 6x the differences between a glass & steel 77mm prime lens and a “cell phone camera” must be addressed.

The 77mm requires the bokeh and relatively narrow in-focus range of a “real” telephoto lens is the stylized creative uses that a full kit of prime lenses makes possible is to be achieved.

This is addressed with the already present portrait mode – with enhanced functionality made possible by the A15 chip, the machine learning, AI and neural network – in other words software and computational assists.

And for video, cinematic mode is an absolute must – since the same bokeh effect and stylized effects are needed and desired for video.

All of this does not include the macro effects that effectively extend the range into the nearly microscopic. This feature requires a whole article, which you can check out here.

Getting to a full photographic system in your pocket, and beyond.

Once the effects and artifacts of the 77mm style glass prime lens have been added to the mix, emulated things get more interesting.

Since the bokeh and artifacts in the cinematic mode for video are computational and not photographic, they are stored separately and can be altered after the fact, just like has been the case with portrait mode all along.

This is a big deal in one way, since it could never be conceived of with traditional lenses and cameras. It also, however, one more variable to consider when putting together a large batch of footage for a project. This adds a new layer of creative flexibility, and choices to contend with.

Further, since the long lens stylizations are a byproduct of and influenced by focus settings, that has to be in the mix also. That produced the need for the cinematic mode which you can think of as a slightly stoned robot focus puller. who is also a little bit psychic.

The first robot camera assistant is already in the box when your phone arrives

Let me explain…. A real life focus puller (doing rack focus settings) in real life would function roughly as follows:

A shot is planned that requires a focus pull from one subject to another – this could be a close shot of a face panning to another face, or a close up that refocuses from the foreground to the background, for example. The focus must also factor in any movement of the camera / dolly.

The two desired subject distances are measured (using a tape measure) and the focus settings noted. In complex shots this can be multiple focus settings and a particular speed of the “rack pull” from one to the next.

Often such complex focus / dolly set ups must be rehearsed multi times just for the focus puller – so that his error does not ruin a perfect take when, for example, the actors get their best performances.

So, in the robot world practice is also good – and a plan is almost essential, but the virtual focus puller will go with the flow, and try to anticipate and predict what you want him to focus on in real time as you shoot.

This is pretty incredible and also, much like autocorrect typing, sometimes very successful and sometimes comical in the outcome. What is tricky is how to get the robot puller to know what you are trying to have as a subject if it is not a persons head or face.

Also, if the action is fast or if you are shooting something that has no pre-determined outcome or script, like a political protest or a sporting event, you will get somewhat random results.

This makes the name apt, since cinematic also implies a movie with a plot and a script.

https://www.apple.com/105/media/us/iphone-13-pro/2021/404b23a8-f9c5-466c-b0e6-3d36705b959d/anim/macro-video/large.mp4

Conclusions and a few known limitations and caveats

Human greed is a powerful thing. When given a photographic system that even attempts to approximate a profession system based on prime and zoom lenses and accessories, there’s a tendency to want it all, right now!

Of course, instead, what we get is an amazing extension of the iPhone photo tradition – taken up a bunch of notches at once. The computational enhancements are incredible and will only get better – in many cases without a new phone as they are based on AI and machine learning, which as the name implies, are continually improving while you sleep.

There are specific limitations though that should be mentioned about the iPhone 13 Pro camera system.

Cinematic mode only works (currently) in 1080p. This is a serious limitation, since the whole idea of Pro is 4k and above. There are rumors that this could get a software upgrade during the year but it is not clear if or when that will happen.

Along with the lack of slo-mo at any resolution above 1080p there is a lot of disappointment in this issue. It is the reality of how difficult the computational “assist” really is to achieve that makes this a big step that is still in the future.

It is also the reason why real lenses and traditional DLSR cameras still have an important use and value.

The new system unveiled with the iPhone 13 pro is revolutionary precisely because of the potential for people to create new visual expressions and ways of communicating.

These photographic traditions and the efforts that were made in the design to emulate them are important and valuable. However, the future will benefit from the spontaneous and new ways that people will decide to use this evolving system and the current extensions of our eyes, ears and minds….

Wide (main) cameras:

Lens Sensor Area

iPhone 13 Pro / Max 26mm equiv. F1.5 44mm2 (1/1.65″)

iPhone 12 Pro 26mm equiv. F1.6 23.9mm2 (1/2.55″)

iPhone 12 Pro Max 26mm equiv. F1.6 35.2mm2 (1/1.9″)

Pro 12MP camera system: Telephoto, Wide, and Ultra Wide cameras

  • Telephoto: ƒ/2.8 aperture
  • Wide: ƒ/1.5 aperture
  • Ultra Wide: ƒ/1.8 aperture and 120° field of view
  • 3x optical zoom in, 2x optical zoom out; 6x optical zoom range
  • Digital zoom up to 15x
  • Night mode portraits enabled by LiDAR Scanner
  • Portrait mode with advanced bokeh and Depth Control
  • Portrait Lighting with six effects (Natural, Studio, Contour, Stage, Stage Mono, High‑Key Mono)
  • Dual optical image stabilization (Telephoto and Wide)
  • Sensor‑shift optical image stabilization (Wide)
  • Six‑element lens (Telephoto and Ultra Wide); seven‑element lens (Wide)
  • True Tone flash with Slow Sync
  • Panorama (up to 63MP)
  • Sapphire crystal lens cover
  • 100% Focus Pixels (Wide)
  • Night mode
  • Deep Fusion
  • Smart HDR 4
  • Photographic Styles
  • Macro photography
  • Apple ProRAW
  • Wide color capture for photos and Live Photos
  • Lens correction (Ultra Wide)
  • Advanced red‑eye correction
  • Photo geotagging
  • Auto image stabilization
  • Burst mode
  • Image formats captured: HEIF and JPEG

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Apple TV+ Goes Big in Series Adaptation of Isaac Asimov’s “Foundation” Trilogy

https://video-lynxotic.akamaized.net/Foundation.MOV
Above: Official Apple TV+ Preview Trailer for “Foundation”

Preview of the Trailer Titillates Sci-fi Fans & Apple Acolytes Alike

Of all the announcement’s at this year’s Apple Worldwide Development Conference, perhaps the most enticing came from Apple TV+, the company’s young streaming service and first go in the entertainment world. Launched last November, Apple TV+ has not yet found the same success as Disney+ or Netflix; however, it has done well enough in its first few months, garnering around 34 million users and some award buzz for its breakout series, “The Morning Show.” The platform also endorses a unique strategy compared to its competition, focusing exclusively on original shows rather acquiring old content.

More from WWDC: Tons of Changes in Apple WatchOS 7: “Dance” in Re-named Fitness App at top of list

The “Foundation” books were written by legendary sci-fi writer Isaac Asimov. He started the series in the 1950s with a trilogy centered around a futuristic Galactic Empire and a protagonist named Hari Seldon, who sees into the future to witness the universe’s end. The original three books earned Asimov several Hugo Awards, including a one-time-only “Best All Time Series” award in 1966. He went on to write two sequels and two prequels to the trilogy in the late 80s and early 90s.

Surprisingly, there has never been an on-screen adaptation of the series until now. The film rights were tossed around for decades, both New Line Cinema and Columbia Pictures investing in movie ideas at different points before selling the rights to HBO in 2014. The project conceptually started to materialize as a series under HBO, but it fell into Apple’s hands during 2018 and the company ran with it.

First Look at WWDC is an Early Peek at Entirely New Direction for ATV+

Click to see “Foundation
and help Lynxotic
and independent bookstores.
Also available on Amazon.

What Apple debuted at the WWDC on June 22nd was the audiences first look at “Foundation” come to life. At under two minutes, the marketing snippet is more of a teaser than a full-fledged trailer, but it offers fans stunning glimpses of the impressive set designs and special effects, as well as a general feel for the show’s tech-noir, space-epic tone. It seems reminiscent of Disney+’s “The Mandalorian,” CBSAllAccess’ “Star Trek: Picard” and HBO’s “Game Of Thrones.” Such comparisons are good, as the series is doubtlessly Apple’s attempt at breaking into the sci-fi/fantasy craze that modern TV audiences strongly embrace.

David S. Goyer serves as head writer and executive producer of the series. He is well versed in the intersections of science-fiction, fantasy and action, having written alongside Christopher Nolan for “Batman Begins” and “The Dark Knight” as well as other movies like “Man Of Steel,” “Godzilla,” “Terminator: Dark Fate,” and the Star Wars VR experience, “Vader Immortal.” Joining Goyer in the writers room are Leigh Dana Jackson (“24: Legacy”), Victoria Morror (“Weeds”), Josh Friedman (“Snowpiercer”) and others. David Ellison of “Star Trek: Beyond,” “Annihilation,” and “Gemini Man” will also serve as a producer.

Now, Apple TV+ is about to embark on perhaps its boldest undertaking yet, adapting a beloved science fiction book series into a show— “Foundation.”

In front of the camera, “Foundation” stars Jared Harris as Hari Seldon, Leah Harvey as Salvor, Lou Llolbell as Gaal, and Cassian Bilton, Terrence Mann, and Lee Pace as Brother Dawn, Brother Dusk, and Brother Day respectively. The casting seems on point, and it happily embraces diversity as well as a variety of familiar and new-coming talent.

Despite how impressive the teaser was, though, it still feels somewhat strange to see a trailer drop at an Apple conference. For all of Apple’s existence, it has just been a tech company and its conferences have been focused on new devices and Operating Systems. Trailers were better left to pop-culture fandom events like Comic-Con.

In 2020, though, there is no Comic-Con, and Apple—like many other companies—is stretching beyond its comfort zone, trying to incorporate creative media into its conglomerate identity. Recently, Apple TV+ acquired the rights to Tom Hanks’ “Greyhound” and were in rumors conversation with Martin Scorsese for producing his next project, “Killers Of The Flower Moon.” Clearly, they are open to big ideas when it comes to film and television going forward

Adapting “Foundation” is an ambitious task, but the trailer looks impressive, and if Apple pulls it off, it could establish the company as a bona fide entertainment studio in the ongoing streaming wars.

The show will be live on Thursday, September 23rd, 2021 at 6PM PT and 9PM ET.


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Facebook Rolls Out News Feed Change That Blocks Watchdogs from Gathering Data

Photo Collage / Lynxotic

The tweak, which targets the code in accessibility features for visually impaired users, drew ire from researchers and those who monitor the platform

Facebook has begun rolling out an update that is interfering with watchdogs monitoring the platform.

The Markup has found evidence that Facebook is adding changes to its website code that foils automated data collection of news feed posts—a technique that groups like NYU’s Ad Observatory, The Markup, and other researchers and journalists use to audit what’s happening on the platform on a large scale.

The changes, which attach junk code to HTML features meant to improve accessibility for visually impaired users, also impact browser-based ad blocking services on the platform. The new code risks damaging the user experience for people who are visually impaired, a group that has struggled to use the platform in the past.

The updates add superfluous text to news feed posts in the form of ARIA tags, an element of HTML code that is not rendered visually by a standard web browser but is used by screen reader software to map the structure and read aloud the contents of a page. Such code is also used by organizations like NYU’s Ad Observatory to identify sponsored posts on the platform and weed them out for further scrutiny. 

“We constantly make code changes across our services, but we did not make any code changes to block these research projects,” Lindy Wagner, communications manager at Facebook, said in an email to The Markup.

Following the changes, the Citizen Browser project experienced a drop in data collection rates from early September, prompting the investigation that uncovered these changes to the code. At around the same time, users of certain ad blockers noticed a decrease in their effectiveness.

Laura Edelson, a Ph.D. candidate in computer science at NYU’s Tandon School of Engineering and founder of the Ad Observatory project, expressed dismay at Facebook’s latest move impacting data collection. The website update had at first caused a sharp drop in the amount of data collected by the Ad Observatory, she said, but a fix was found that allowed the team to collect data at normal levels.

“I think it’s unfortunate that Facebook is continuing to fight with researchers rather than work with them,” she said. 

Facebook has used similar tweaks to attempt to frustrate researchers and ad blockers in the past, often with the result of making the platform less accessible to visually impaired users. 

In 2019, the company made changes to obfuscate its code in a way that blocked ad collection efforts by ProPublica, Mozilla, and British ad transparency group WhoTargetsMe. And in 2020, Quartz reported that visually impaired users had been unable to hear a legible label distinguishing between sponsored and nonsponsored posts for the previous two years because the platform had added numerous junk characters to the text to reduce the efficiency of ad blocking software.

In its latest update, Facebook seems to have implemented the code in a way that prevents screen readers from reading the new tags. As the update has not yet been rolled out to all users, it’s unclear what, if any, impact the change may have on visually impaired users. In at least one circumstance, a developer from The Markup who was testing the new code found that the Microsoft Narrator screen reader read aloud a string of junk characters as an unintelligible word when accessing the site through the Google Chrome browser.

“Our accessibility features largely appear to be working as normal, however we are investigating the claim,” Facebook’s Wagner said.

Jared Smith, associate director of accessibility research and training nonprofit WebAIM, expressed concerns about the code in Facebook’s web update after reviewing it for The Markup.

According to Smith, the new updates break many basic rules of accessibility design. Rather than presenting a clear and simplified structure, he said, the accessibility code was hugely complex, potentially heralding problems down the road.

“When you see thousands and thousands of patterns of ARIA attributes—code that could be used for accessibility but doesn’t seem to support accessibility—it poses a scenario where things could jump the rails and really negatively impact accessibility,” said Smith.

“We’ve seen misuse of technologies like this for things like search engine optimization, but this is on an entirely different scale,” he added.

Facebook users have complained about new features that were rolled out without being compatible with screen readers in the past. But more recently the company has received plaudits for using AI-powered image recognition to generate alt text for images, which allowed visually impaired users to access more content in the news feed. 

In July 2020, a blog post from the Facebook engineering team trumpeted an extensive rebuild of the site that was apparently made with accessibility in mind. This included requirements for Facebook developers to use a code linting plugin (similar to a spelling autocorrect) that would highlight violations of ARIA standards.

​​“I suspect that the Facebook team implementing these apparent anti-transparency mechanisms does not realize that there are potential accessibility consequences to what they’re doing,” said Blake E. Reid, a professor at the University of Colorado Law School who focuses on accessibility and technology policy.

Sen. Ron Wyden, who has been critical of the company in the past, told The Markup in an emailed statement that Facebook’s latest move showed a disregard for visually impaired users. 

“It is contemptible that Facebook would misuse accessibility features for users with disabilities just to foil legitimate research and journalism,” he said.

Facebook has long claimed that it wants to share data with researchers, Edelson said, but in practice numerous social scientists have faced obstacles when trying to work with the platform.

In August of this year, Facebook disabled the accounts of NYU Ad Observatory researchers for alleged violations of its terms of service with the researchers’ own ad collector. (At the time, The Markup’s senior executives published a press release critical of Facebook’s actions.)

And reporting by The New York Times brought to light the fact that Facebook had given incomplete data to misinformation researchers from the high profile Social Science One research group, potentially undermining the findings of years of academic studies. The error was first uncovered by a university professor who found discrepancies between numbers in the Social Science One data and Facebook’s recently published Widely Viewed Content Report.

“At what point does the research community stop thinking of Facebook as a positive actor in this space?” Edelson said.

This article was originally published on The Markup by By: Corin Faifeand was republished under the Creative Commons Attribution-NonCommercial-NoDerivatives license.


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SpaceX Docu-series on Manned Mission about to Launch on Netflix

Above: Inspiration4 Crew Members / Photo / Netflix

What do a billionaire, cancer survivor, geoscientists and a data engineer have in common? 

 For the first time on the streaming platform, Netflix will offer a 5 part docuseries covering the SpaceX’s Inspiration4 Mission in near real-time.

The series will cover SpaceX’s first all civilian mission (no astronauts!) as they prepare and train for the mission, the live launch coverage from Kennedy Space Center in Florida, as well as footage from inside the Crew Dragon spacecraft as the 4 passenger crew orbit the Earth on the 3 day mission. 

Unlike recent flights from Virgin (Richard Branson) and Blue Orbit (Jeff Bezos) that led suborbital flights, Inspiration4 will reach higher altitudes than that of the International Space Station and make history as first all-civilian mission to orbit.

Multiple firsts and groundbreaking accomplishments that go beyond, way beyond…

Breakdown for Netflix’s “ Countdown: Inspiration4 Mission to Space”

  • Monday, September 6: Meet the four civilians heading to space
  • Monday, September 13: Watch them prepare
  • Wednesday, September 15: Watch the live launch
  • Thursday, September 30: Spend time with the crew in space

The Inspiration4 Mission which was brokered as a private deal by 38 year old Jared Isaacman, CEO of Shift4 Payments with SpaceX.

Isaacman will lead the mission along with his 3 other crew members:  29 year old Hayley Arceneaux who will act as chief medical officer , 51 year old Dr. Sian Proctor (mission pilot), who will become the fourth Black female American in space and 41 year old Christopher Sembroski, a veteran of the U.S. Air Force who will be the mission’s specialist. 

The mission also serves as a $200 million fundraising campaign for St. Jude Children’s Research Hospital.  

A day before the launch day, Netflix will also launch “A StoryBots Space Adventure” on Sept.14 which is a live-action/animation special where Inspration4 crew members will participate by answering some of kids’ most pressing space related questions. 

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California Streaming: presumed iPhone 13 + event date revealed by Apple

Above: Photo / Apple

Apple teased the announcement with a cool AR demo “Easter egg”

Apple announced that on September 14 at 10am Pacific Time., it would hold the long speculated, much anticipated, highly awaited annual September product reveal event. Invites were sent out for its annual launch, which many believe is going to be the day the company will unveil new products, such as the iPhone 13

If the next iPhone is revealed, it is also likely Apple will share the release or release date for iOS 15, there is already the Public Beta 8 version available.

Although there has been no confirmation on exactly what will be announced at the event, some have speculated, based on the invite, there could be upgrades to photography, especially night mode. Other projects in progress could make an appearance, including, the next generation Apple Watch Series 7 or its newest version of AirPods.

Apple’s SVP Marketing head, Greg Joswiak tweeted a video showing the AR Easter egg announcing the event to be streamed on Apple’s website. Since the start of the pandemic, the company has held virtual-only events. A cool little Easter egg, if you view the event website , using an iPhone or iPad, you can tap on the Apple logo to open up the AR viewers and see the 3D logo move around in the world to whatever is in the background of your camera.

https://twitter.com/gregjoz/status/1435272731746979840?s=20

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Apple is paving the way in Wearable Health Tech: Blood-Pressure Monitor and Thermometer in the Works

New features in the pipeline along with the new iteration of the hit timepiece

The next version of the Apple Watch  (Series 7) is expected to be released in the coming weeks, and the WSJ reported that the company is currently working on additional health-related features and improvements for the smartwatch. While it is not certain that these to be included in Series 7, there is no doubt that they are coming, either as a software or hardware update.

Apple is already known for many of its current health conscious features, including the well known Exercise rings and Fitness App, as well as the ability to check your heart rate for irregularity with its electrocardiogram and check your Blood Oxygen levels with a Series 6.

One of the new capabilities that may be coming to your Apple Watch will include measuring blood-pressure which would prompt a user when their BP levels are too high (or increasing in rate). This can influence behavior, diet or give you a warning to seek medical attention is the reading is extreme, for example.

When Apple does roll out this feature, it could be a game changer (or rather a life-saver), as hundreds of millions of Americans suffer from high blood pressure and / or hypertension. The condition leads to almost half a million deaths a year according to the Centers for Disease Control and Prevention.  

Another feature said to be in the works is targeted towards females, a thermometer to help with fertility planning. Bloomberg also reported earlier of Apple’s additional health goals to add blood-sugar sensors to help those with diabetes monitor glucose levels. 

A useful, even sometimes addictive health aid, which is a good thing

Those who have an Apple Watch can likely attest to its effectiveness in promoting health and well being, particularly around exercise and weight control. The recent addition of of medical features, that in some cases have directly contributed to lives being saved, appear to be a high priority at the giant tech company.

Although it is tantalizing to speculate on the incredible features yet to be added to the device, it will take time for the technological innovations and solutions to be developed in order to make these possible.

Apple has some very ambitious improvements they want to add to its Watch, however there is no official timeline that has been announced and most likely will not be expected before 2022. 

Related Video:

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Algorithms define our lives, the Metaverse is already our home and Dark Patterns follow us everywhere

Photo: Adobe Stock

What is the metaverse?

I can’t link to a particular article explaining it because most of what’s out there is misleading. The truth is that nobody knows. The term comes from various science fiction sources, the most recent and least accurate is from “Ready Player One”.

The general idea of that book & film example is a future scenario where many, particularly the young, spend endless hours logged into a shared virtual reality game-like scenario where they can create a unique identity, via 3D avatars, and can interact in a realistic, yet magical, virtual reality environment.

There are many individuals and companies, such as Facebook that are advocating a link from the current online “world” to this type of “enhanced” 3D interactive “metaverse”. They even use the term and try to define its meaning based on their “vision” for the future of social media and the internet.

Zuckerberg monopolizing the Metaverse before it even exists?

The problem is, they are almost certainly wrong in this future prediction. The metaverse is already here, albeit in a very primitive form, where it will lead and what it will eventually turn into is completely open and up to all who inhabit it now and going forward.

The problem is, they are almost certainly wrong in this future prediction. The metaverse is already here, albeit in a very primitive form; where it will lead and what it will eventually become is completely open, and up to all who inhabit it now and going forward.

Elon Musk once said “We are all already Cyborgs” referring to the way cell phones (and for Tesla owners the onboard computer in their cars) extend our senses in a nearly continuous manner. We really can’t live the digital life most of us currently lead without our technological enhancements via hand-held (for now) computing.

Since this progression from the primitive early internet and web to the current, still primitive, phase of work-from-home and zoom business and education the is a continuous extension of our “world” into an artificial computer-aided meta-universe that is slowly becoming more responsive to our unspoken needs and wants.

“our electric global networks now begin to simulate the condition of our central nervous system. But a con-scious computer would still be one that was an extension of our consciousness, as a telescope is an extension of our eyes, or as a ventriloquist’s dummy is an extension of the ventriloquist.

Marshall Mcluhan, from “Understanding Media, pg. 388

What are “Dark Patterns”

Another recently coined term, dark patterns, has come to mean the ways that software designers use user interfaces to influence behavior and elicit a desired outcome, such as clicking a “buy button”.

Another way to imagine it is the digital equivalent to the grocery store designs that put necessities and staples like milk & eggs as far away as possible from the entrance, to try and entice impulse buying, while filling the check-out aisles with candy and other low cost / high margin goodies.

“We drive into the future using only our rearview mirror”

Marshall Mcluhan

The disconnect in this analogy is that people intuitively believe that the digital dark patters are less powerful and have less impact since they operate in cyberspace, while in fact is that the ability to manipulate behavior is much, much more powerful in the digital realm.

The “Dead Internet Conspiracy Theory” is just reality bumping into the truth

A recent article in the Atlantic noted the existence of the theory, and concluded that, though it had a ring of truth, ultimately the fact that this theory, on an obscure web page was possible to find, meant that the internet is not dead, and therefore the theory is invalid.

Nothing could be further from the truth. The rise of Dark Patterns, even as the devices we use and the sites we surf to and exist inside of (like Facebook) are evolving, and the endless self-inflating systems and algorithms that surround us are literally killing the internet and destroying our digital lives.

Infanticide would be a more accurate term, perhaps, since we are all baby cyborgs of the pre-metaverse and have barely had a chance to live, while these powers expand endlessly into a death-machine for our extended consciousness.

Infanticide would be a more accurate term, perhaps, since we are all baby cyborgs of the pre-metaverse and have barely had a chance to live, while these powers expand endlessly into a death-machine for our extended consciousness.

The internet is currently on life-support, because the one thing that it is innately predisposed toward, the enhancement and amplification of human interconnected communication, is at odds with the corporate goals of the gatekeepers, mainly Amazon, Facebook and Google.

Free and open communication, coupled with ever evolving and improving upgrades to the software of our lives, is nearly extinct, before it has even begun, due to this infinite conflict of interest.

Algorithms define our lives, the Metaverse is already our home and Dark Patterns follow us everywhere

The above, a dramatically described and yet painfully obvious truth, is what has even the US government, in the form of the FTC and its chair, Lina Khan, looking at antitrust remedies for the economic devastation that has been caused by the dead internet paradox.

And it has inspired legions of blockchain and coding resistance fighters to start the long process of finding a way to launch WW3, and other independent ways to connect humans using computers that are in are pockets, in our living rooms, and perhaps soon, implanted in our bodies.

Another example is Pi, a new and upcoming cryptocurrency, based on a future where a billion people will be mining and sharing the proceeds equitably using cell phones, and since they will all be connected via the mining software, the realization of this goal would automatically create, for a billion people worldwide, an alternative network, one without gatekeepers to block people from freely interacting with each other.

Oddly, it is the dim realization that the internet is, in fact, already dead in its current form, that will lead to the changes that will ultimately bring about a digital communication revolution, one that will make WWW1 look like a mistake from a primitive and misguided time.

Oddly, it is the dim realization that the internet is, in fact, already dead in its current form, that will lead to the changes that will bring about a digital communication revolution, one that will make WWW1 look like a mistake from a primitive and misguided time.

Anything, and anyone, that can wake us up to what we lack, and what we are missing, in our digital worlds and our lives – in the pre-metaverse – is a hero of the future and must be praised as such. Starting now.


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What Does It Actually Mean When a Company Says, “We Do Not Sell Your Data”?

Above: Photo Credit / Unsplash

Experts say the privacy promise—ubiquitous in online services and apps—obscures the truth about how companies use personal data

You’ve likely run into this claim from tech giants before: “We do not sell your personal data.” 

Companies from Facebook to Google to Twitter repeat versions of this statement in their privacy policies, public statements, and congressional testimony. And when taken very literally, the promise is true: Despite gathering masses of personal data on their users and converting that data into billions of dollars in profits, these tech giants do not directly sell their users’ information the same way data brokers directly sell data in bulk to advertisers

But the disclaimers are also a distraction from all the other ways tech giants use personal data for profit and, in the process, put users’ privacy at risk, experts say. 

Lawmakers, watchdog organizations, and privacy advocates have all pointed out ways that advertisers can still pay for access to data from companies like Facebook, Google, and Twitter without directly purchasing it. (Facebook spokesperson Emil Vazquez declined to comment and Twitter spokesperson Laura Pacas referred us to Twitter’s privacy policy. Google did not respond to requests for comment.)

And focusing on the term “sell” is essentially a sleight of hand by tech giants, said Ari Ezra Waldman, a professor of law and computer science at Northeastern University.

“[Their] saying that they don’t sell data to third parties is like a yogurt company saying they’re gluten-free. Yogurt is naturally gluten-free,” Waldman said. “It’s a misdirection from all the other ways that may be more subtle but still are deep and profound invasions of privacy.”

Those other ways include everything from data collected from real-time bidding streams (more on that later), to targeted ads directing traffic to websites that collect data, to companies using the data internally.

How Is My Data at Risk if It’s Not Being Sold? 

Even though companies like Facebook and Google aren’t directly selling your data, they are using it for targeted advertising, which creates plenty of opportunities for advertisers to pay and get your personal information in return.

The simplest way is through an ad that links to a website with its own trackers embedded, which can gather information on visitors including their IP address and their device IDs. 

Advertising companies are quick to point out that they sell ads, not data, but don’t disclose that clicking on these ads often results in a website collecting personal data. In other words, you can easily give away your information to companies that have paid to get an ad in front of you.

If the ad is targeted toward a certain demographic, then advertisers would also be able to infer personal information about visitors who came from that ad, Bennett Cyphers, a staff technologist at the Electronic Frontier Foundation, said. 

For example, if there’s an ad targeted at expectant mothers on Facebook, the advertiser can infer that everyone who came from that link is someone Facebook believes is expecting a child. Once a person clicks on that link, the website could collect device IDs and an IP address, which can be used to identify a person. Personal information like “expecting parent” could become associated with that IP address.  

“You can say, ‘Hey, Google, I want a list of people ages 18–35 who watched the Super Bowl last year.’ They won’t give you that list, but they will let you serve ads to all those people,” Cyphers said. “Some of those people will click on those ads, and you can pretty easily figure out who those people are. You can buy data, in a sense, that way.” 

Then there’s the complicated but much more common way that advertisers can pay for data without it being considered a sale, through a process known as “real-time bidding.” 

Often, when an ad appears on your screen, it wasn’t already there waiting for you to show up. Digital auctions are happening in milliseconds before the ads load, where websites are selling screen real estate to the highest bidder in an automated process. 

Visiting a page kicks off a bidding process where hundreds of advertisers are simultaneously sent data like an IP address, a device ID, the visitor’s interests, demographics, and location. The advertisers use this data to determine how much they’d like to pay to show an ad to that visitor, but even if they don’t make the winning bid, they have already captured what may be a lot of personal information.  

With Google ads, for instance, the Google Ad Exchange sends data associated with your Google account during this ad auction process, which can include information like your age, location, and interests.

The advertisers aren’t paying for that data, per se; they’re paying for the right to show an advertisement on a page you visited. But they still get the data as part of the bidding process, and some advertisers compile that information and sell it, privacy advocates said.

In May, a group of Google users filed a federal class action lawsuit against Google in the U.S. District Court for the Northern District of California alleging the company is violating its claims to not sell personal information by operating its real-time bidding service.

The lawsuit argues that even though Google wasn’t directly handing over your personal data in exchange for money, its advertising services allowed hundreds of third parties to essentially pay and get access to information on millions of people. The case is ongoing. 

“We never sell people’s personal information and we have strict policies specifically prohibiting personalized ads based on sensitive categories,” Google spokesperson José Castañeda told the San Francisco Chronicle in May

Real-time bidding has also drawn scrutiny from lawmakers and watchdog organizations for its privacy implications.

In January, Simon McDougall, deputy commissioner of the United Kingdom’s Information Commissioner’s Office, announced in a statement that the agency was continuing its investigation of real-time bidding (RTB), which if not properly disclosed, may violate the European Union’s General Data Protection Regulation.

“The complex system of RTB can use people’s sensitive personal data to serve adverts and requires people’s explicit consent, which is not happening right now,” McDougall said. “Sharing people’s data with potentially hundreds of companies, without properly assessing and addressing the risk of these counterparties, also raises questions around the security and retention of this data.”

And in April, a bipartisan group of U.S. senators sent a letter to ad tech companies involved in real-time bidding, including Google. Their main concern: foreign companies and governments potentially capturing massive amounts of personal data about Americans. 

“Few Americans realize that some auction participants are siphoning off and storing ‘bidstream’ data to compile exhaustive dossiers about them,” the letter said. “In turn, these dossiers are being openly sold to anyone with a credit card, including to hedge funds, political campaigns, and even to governments.” 

On May 4, Google responded to the letter, telling lawmakers that it doesn’t share personally identifiable information in bid requests and doesn’t share demographic information during the process.

“We never sell people’s personal information and all ad buyers using our systems are subject to stringent policies and standards, including restrictions on the use and retention of information they receive,” Mark Isakowitz, Google’s vice president of government affairs and public policy, said in the letter.

What Does It Mean to “Sell” Data?

Advocates have been trying to expand the definition of “sell” beyond a straightforward transaction. 

The California Consumer Privacy Act, which went into effect in January 2020, attempted to cast a wide net when defining “sale,” beyond just exchanging data for money. The law considers it a sale if personal information is sold, rented, released, shared, transferred, or communicated (either orally or in writing) from one business to another for “monetary or other valuable consideration.” 

And companies that sell such data are required to disclose that they’re doing so and allow consumers to opt out. 

“We wrote the law trying to reflect how the data economy actually works, where most of the time, unless you’re a data broker, you’re not actually selling a person’s personal information,” said Mary Stone Ross, chief privacy officer at OSOM Products and a co-author of the law. “But you essentially are. If you are a social media company and you’re providing advertising and people pay you a lot of money, you are selling access to them.” 

But that doesn’t mean it’s always obvious what sorts of personal data a company collects and sells. 

In T-Mobile’s privacy policy, for instance, the company says it sells compiled data in bulk, which it calls “audience segments.” The policy states that audience segment data for sale doesn’t contain identifiers like your name and address but does include your mobile advertising ID. 

Mobile advertising IDs can easily be connected to individuals through third-party companies.  

Nevertheless, T-Mobile’s privacy policy says the company does “not sell information that directly identifies customers.”

T-Mobile spokesperson Taylor Prewitt didn’t provide an answer to why the company doesn’t consider advertising IDs to be personal information but said customers have the right to opt out of that data being sold. 

So What Should I Be Looking for in a Privacy Policy? 

The next time you look at a privacy policy, which few people ever really do, don’t just focus on whether or not the company says it sells your data. That’s not necessarily the best way to assess how your information is traveling and being used. 

And even if a privacy policy says that it doesn’t share private information beyond company walls, the data collected can still be used for purposes you might feel uncomfortable with, like training internal algorithms and machine learning models. (See Facebook’s use of one billion pictures from Instagram, which it owns, to improve its image recognition capability.)

Consumers should look for deletion and retention policies instead, said Lindsey Barrett, a privacy expert and until recently a fellow at Georgetown Law. These are policies that spell out how long companies keep data, and how to get it removed. 

She noted that these statements hold a lot more weight than companies promising not to sell your data. 

“People don’t have any meaningful transparency into what companies are doing with their data, and too often, there are too few limits on what they can do with it,” Barrett said. “The whole ‘We don’t sell your data’ doesn’t say anything about what the company is doing behind closed doors.” 

This article was originally published on The Markup and was republished under the Creative Commons Attribution-NonCommercial-NoDerivatives license.


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Breaking: Apple iOS 15 Beta 8 released ahead of Launch

Above: Photo / Apple

Version rapidly approaches Golden Master ahead of possible September iPhone 13 release event

Today those participating in the iOS 15 public beta program are able to update (again), this time to beta 8. This beta process is a “live” test of all the new features, indeed when participating in the program many features change and evolve and, of course, bugs are not infrequent.

As we get nearer and nearer to the launch of this year’s iPhone model, apparently to be dubbed “iPhone 13” the iOS 15 beta versions become more stable and eventually, usually coinciding with the event where the new iPhone model is announced, the Golden Master is reached – which becomes the first public release version.

The first iteration of the public release is often short lived, as the beta test phase almost never gets rid of all the bugs and various features and security patches and other urgent updates are often needed.

For this reason the 2nd or third public release is often the one many experts recommend for those upgrading.

Naturally, though the new phone models will be shipped with iOS 15 already installed, once the phones actually ship of course, which can vary in delay from the launch / announcement at the upcoming September event.

Nevertheless, most older iPhones will benefit from this upgrade, more than a little, and once the release is public a free upgrade will be available to the more than 1 billion users already in possession of an iPhone from previous releases.

Stats from backlinko.com:

  • More than 1 billion consumers currently use iPhones.
  • Since its initial launch, more than 1.9 billion iPhones have been sold.
  • Apple shipped 206.1 million iPhones in 2020.
  • iPhones have a 65% share of smartphone sales in the US.
  • 6 of the top 10 most sold smartphone models in January 2021 were designed by Apple.

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Your Apple Wallet will now be able to include Driver’s License and State IDs

Above: Photo / Apple

iOS 15 and WatchOS 8 to expand Features in your Digital Wallet for select states to start soon

Back in June at the WWDC21, Apple announced it was working, along with the Transportation Security Administration (TSA), on a new feature that will allow Apple users to replace things in our physical wallet like Driver’s Licenses/State Identification. 

The company has now announced that 8 states will take part in the roll out of the feature of users adding their’s licenses to the Apple Wallet (available for iPhone and Apple Watch) to use for airport travel at some participating airports.

There are also various apps and programs in each state for storing vaccination ID status information on the iPhone and this will also eventually, in many cases, migrate to the wallet app. The driver’s license and state ID upgrade, is a very big step, however, as this paves the way for the phone to have wallet status no less valid than a physical wallet full of IDs and credit-cards.

Arizona, Connecticut, Georgia, Iowa, Kentucky, Maryland, Oklahoma and Utah will be among the first states to utilize the capability. Although at this time there is no specific date for timeline.

Just in time for back for in person learning season

This coming school year, for schools within the U.S. and Canada, Apple will offer mobile Student IDs via Apple Wallet, allowing for students to access campus buildings or make school related purchases without having to hold on to a physical card.

The new ID feature will be available with the iOS15 iPhone software update scheduled for release this fall.

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iPhone 13 Bombshell Rumor: New feature links to Apple Car, Starlink, and iOT

Unexpected and Explosive Rumors Emerge as September Launch Dates Loom

Several new stories, based on rumors but from credible sources, indicated that both short and longer term some unexpected twists could be coming out at Apple. The first was reported in 9to5 Mac where they quoted renown source Ming-Chi Kuo saying that the iPhone 13 will include a feature that would allow the device to make calls and send messages without 4G/5G coverage. This would be accomplished via a new low-earth-orbit (LEO) satellite communication mode.

This idea appears to be extrapolated from the fact (unconfirmed) that the iPhone 13 will use customized version of the Qualcomm X60 baseband modem chip, and this will allow the possibility of communications over LEO satellite networks.

The famous analyst also believes that Apple will most likely partner with Globalstar, a LEO Sat company associated with Qualcomm, to provide satellite support. 

Further, Kuo intimated that this type of feature would also, eventually, be included in other products such as the upcoming Apple AR headset, the Apple Car and other Internet-of-Things accessories.

This, while a huge revelation if true, both regarding to the timing, with the iPhone 13 almost certainly being announced in September, and regarding the implications for the future of, well, everything, creates more fascinating questions than it answers.

First, is how the “pre-loading” of the LEOSAT capability would work, with what partner constellations (Starlink, etc.) or even with an as yet wild rumor of a network to be built by Apple itself.

Further, if this would eventually be a full connectivity option or just a voice and message only service (plus FaceTime?), at least initially.

Pure Speculation, Theoretical Observations and Tantalizing Conjecture…

Added to all this was a second rumor, somewhat less solid but nevertheless interesting, that the long rumored Apple Car is, potentially, ready to be revealed (at least as a concept and announced and confirmed publicly) before the end of 2021 (!).

The source for this is an interview in Reuters with Akira Yoshino, the inventor of the first safe, production-viable lithium-ion battery. In the interview he mentioned Apple, Tesla and hinted at big things, particularly long term from Apple.

Here is the juiciest passage:

Reuters: What else should we know about the future of mobility?

Yoshino: Right now, the auto industry is thinking about how to invest in the future of mobility. At the same time, the IT industry is also thinking about the future of mobility. Somewhere, sometime, with the auto industry and the IT industry, there is going to be some kind of convergence for the future of mobility. Tesla has their own independent strategy. The one to look out for is Apple. What will they do? I think they may announce something soon. And what kind of car would they announce? What kind of battery? They probably want to get in around 2025. If they do that, I think they have to announce something by the end of this year. That’s just my own personal hypothesis.

Convergence for the future of mobility has been something that ties together all of Apple’s products including the as yet murky Apple Car plans. These various complimentary rumors logically lead to the even more mysterious idea that Apple could be working already to tie together the ubiquitous and all pervasive access to the internet – 4G/5G, wi-fi, LEOSAT networks, and ultimately all Apple products with the Apple Car as a mobile station (driving autonomously of course). That’d be convergence, all right.

And wow, taking this one giant step further, there has been a little known, highly speculative rumor that Apple, ultimately, has plans to build (launch?) it’s own satellite network.

Naturally, Starlink and others are already building-out, so this is somewhat of a moot point, but based on Apple’s penchant for owning the “whole widget” and squeezing all possible from any synergies, it does make total sense as a long term projection.

The biggest, mind-blowing, aspect of that potential scenario would be the “walled garden” that would include all current devices plus a car (!) and the idea that anywhere on earth connectivity would be always available to the entire system. Oh, and powered by sustainable energy.

It’s that’s not a utopian fantasy (for Apple fans at least) it’s hard to say what would be!

Related:

The Real Meaning of 5G, iPhone 12 Pro and the SpaceX Race to build Satellite Broadband

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Virgin Hyperloop’s Ultra high-speed Pods are a Utopian Vision of Tomorrow

Above: Photo / Virgin Hyperloop

Ongoing attempts to enable travel between cities within a matter of minutes take form and shape…

A new concept video of the company’s plans for its Hyperloop system has been released, and if realized, the system will be a very fast one. The trains would travel inside a near-vacuum environment within a tube. The absence of air allows for the luxury train-like pods to travel at low power yet at extremely fast speeds, reaching up to 1,080km/hour or 670 mph.

The concept of a Hyperloop system is not a new one, and actually it was Elon Musk that initially brought the idea of developing a hyperloop transportation concept into the mainstream via the Boring Company.

photo / Virgin Hyperloop

Plans to build fully realized systems did not materialize under his watch, perhaps due to his very full agenda with sustainable energy, EVs, the moon and mars all on his plate, and now Virgin appears to be picking up the mantel and aiming for a complete transport system. With jet speeds, comfort of luxury train travel and the flexibility of car individuality the concept projections are, at the very least, beautifully imagined.

While the slick, enjoyable video (below) might make you eager to jump into a pod pronto, the reality, if realized, of the system in some kind of full commercial operations, is projected for 2027 and beyond.

All of this is promised, along with nearly zero emissions. Looking forward using a 30 year time horizon the company’s studies estimated that there could be a reduction CO2 emissions by 2.4 million tons with a connection built between three cities creating $300 billion in overall economic benefits.

This somewhat utopian vision would enable incredibly smooth, clean, cheap transportation between cities and be fast. Really fast. Although it may be easy to scoff at this rosy view of the future – it is exactly the kind of bold utopian vision that will be required if humanity is going to be saved from oblivion. Climate crisis disasters, financial meltdowns, political gridlock and corruption, these are the obvious likely candidates for a believable future.

On the other hand, ideas like universal basic income (paid in bitcoin mined by cell phone), emission free ultra luxurious hi-speed transport systems, powered with renewable energy, a world where scarcity and want are not the measurement of reality, these are the necessities of utopia.

Perhaps it’s time to start thinking it could be possible. Since the alternative is oblivion and extinction, why not?

“It starts off with two people riding a Hyperloop. It ends with hundreds of millions of people riding on a Hyperloop and that’s what the 2020s, the roaring ’20s will be”

Virgin Hyperloop Co-founder and Chief Executive Josh Giegel

One difference between the Virgin Hyperloop and a high-speed maglev train system, for example, is the idea of an individual pod system which would allow for individual pods to break away and head to secondary tubes leading towards a different destination.

Virgin Hyperloop is part of the Virgin empire created by Richard Branson, below he shared the video explaining how travel pods work.

https://youtu.be/80hJfhWfjKY

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Breaking: Apple iOS 15 Beta 7 released ahead of Launch

Above: Photo / Apple

Version rapidly approaches Golden Master ahead of possible September iPhone 13 release event

Today those participating in the iOS 15 public beta program are able to update (again), this time to beta 7. This beta process is a “live” test of all the new features, indeed when participating in the program many features change and evolve and, of course, bugs are not infrequent.

As we get nearer and nearer to the launch of this year’s iPhone model, apparently to be dubbed “iPhone 13” the iOS 15 beta versions become more stable and eventually, usually coinciding with the event where the new iPhone model is announced, the Golden Master is reached – which becomes the first public release version.

The first iteration of the public release is often short lived, as the beta test phase almost never gets rid of all the bugs and various features and security patches and other urgent updates are often needed.

For this reason the 2nd or third public release is often the one many experts recommend for those upgrading.

Naturally, though the new phone models will be shipped with iOS 15 already installed, once the phones actually ship of course, which can vary in delay from the launch / announcement at the upcoming September event.

Nevertheless, most older iPhones will benefit from this upgrade, more than a little, and once the release is public a free upgrade will be available to the more than 1 billion users already in possession of an iPhone from previous releases.

Stats from backlinko.com:

  • More than 1 billion consumers currently use iPhones.
  • Since its initial launch, more than 1.9 billion iPhones have been sold.
  • Apple shipped 206.1 million iPhones in 2020.
  • iPhones have a 65% share of smartphone sales in the US.
  • 6 of the top 10 most sold smartphone models in January 2021 were designed by Apple.

Related posts:


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Apple Video showcases creative simplicity to capture incredible portraits using an iPhone 12

Above:Photo / Apple / Mark Clennon

How to take an iPhone camera and make the most of it using taste and talent

Apple offers “Today at Apple” to inspire and educate iPhone users to help them learn and be creative with their devices. The online videos range from music to photography and are centered around Apple’s latest technologies.

This most recent video teaches users how to get the most out of the iPhone in portrait mode, but really using all to the various power features that are already in the iPhone 12 and even 11.

For example, 3 lenses allow ultra-wide, X1 and X2 (tele) shots at any time just by flipping between each preset. And once a group of photos exists, simple creative cropping and framing has a huge potential to bring out the most attractive and interesting features of each shot, and can be immediately saves as a separate image.

Of course, with such a high resolution image capture in the first place, cropping retains enough image-data that even an ultra-close crop can retain beautiful depth and detail.

Learning how to use all the tools, and most of all a photographer’s eye

The five minute video features self-taught New York City photographer Mark Clennon. In the clip he shows and explains how he sets up, shoots and edits his images, mainly in-camera (that is to say “in-iphone-camera”) to capture his most powerful portraits.

With iOS 15 (released in public beta) and soon with the iPhone 13 (or what the actual name turns out to be) both expected to be revealed in early September, the potential for portrait mode will be added also, potentially, to video in addition to photos and many other upgrades and improvements are on deck.

Free and extensive software upgrades, along with the not free and not inexpensive new hardware are a yearly ritual with Apple since the very first iPhone was released in 2007. Recently, with Apple Silicon and the gradual merging of the functionality to MacOS, iOS and iPad OS the upgrades seem to be in overdrive.

We have cataloged some of the more interesting changes in stand alone articles but still have more to come as this years upgrades and changes are particularly extensive.

This video is an example of how it’s possible to take even one feature, designed to assist in one form of photographic expression, and dig deeper into it with talent and intelligent use of experience and take the resulting images to a whole other level:

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Rumor has it: Multiple Apple Events in the works for September

Above: Photo / Apple

According to MacRumors who spoke with DigiTimes, Apple has plans to have a series of events in the month of September. This would clearly deviate from how the company approached the launches of its newest products last year.

In an unusual twist at the time, the launches were spread out into three separate product events that landed during the fall months of September, October and November.

Due to the ongoing pandemic, last year’s event was live-streamed versus in-person, which may have allowed Apple to better adapt its product rollouts in digital form.

There are many new products rumored to be released that include the iPhone 13, Apple Watch Series 7, next generation AirPods, a new baseline iPad, an updated iPad mini, as well as the much anticipated 14 and 16 inch MacBook Pro laptops.

Read at:


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Tales of Tesla and Musk in ‘Power Play’

Above: Photo Collage / Doubleday Books

The recently released book “Power Play” begins with some detailed accounts of Tesla’s rocky beginnings. The book is said to showcase behind-the-scenes anecdotes and allow readers to get an exact account of just how unusual Elon Musk is.

Musk also appeared to respond to various media activity related to the book, and accounts of his alleged behavior, via Twitter, confirming that Walter Isaacson will be penning his biography.

In his tweet, he said “If you’re curious about Tesla, SpaceX & my general goings on, @WalterIsaacson is writing a biography”. Isaacson is responsible for writing biographies on Benjamin Franklin, Einstein, Henry Kissinger, as well as Steve Jobs.

Power Play: Tesla, Elon Musk, and the Bet of the Century

Author and WSJ tech and author reporter Tim Higgins pens the inside story of Musk, which includes some already leaked controversial stories.

Back in the good ole days, aka as the 2000’s, fast, sexy (s3xy) electric vehicles were a new concept, a novelty, one that lead to the rise of Tesla and Elon Musk’s colossal fortunes. For more check out “Power Play“.

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In Response to The Markup’s Reporting, Some YouTubers Are Ditching the Platform

Photo Credit / Will Norbury / Unsplash

They said Google’s decision to block advertisers from seeing “Black Lives Matter” and other social justice YouTube videos was the last straw

By: Aaron Sankin

Following a recent Markup investigation revealing a secret Google Ads blocklist that hides Black Lives Matter YouTube videos from advertisers—but allowed them to find videos related to “White lives matter”—some small YouTube creators have pledged to leave the platform.

“I will not post any further content on the platform,” Carrie the One, a drag queen and YouTuber with a few dozen followers, said in an email. “I hope that by walking away from YouTube, we can inspire others to join us and put enough pressure on them to change course and do better for all of us.”

“I understand it’s one of the largest media sharing sites,” wrote another streamer who goes by the name Jambo and is mostly on Twitch, “but morals matter, and theirs are not for me.”

Both said that the decision was not hard for them because they hadn’t dedicated much time to YouTube content and didn’t depend on its ad revenue for their livelihood.

Google would not comment on the defections.

The Markup’s two-part investigative series, published earlier this month, dug into the Google Ads portal that allows advertisers to pick specific YouTube videos and channels for their ads. We found that Google’s blocklist missed most of the hate terms and slogans we checked but blocked equivalent social justice terms.

When we took our findings to Google, the company blocked all but three of the hate terms, but it also increased exponentially the number of social justice terms it blocked for ad searches, eliminating advertisers’ ability to search for 83 percent of the terms on our list, including “Black excellence,” “civil rights,” and “LGBTQ.”

The Markup also found discrepancies in how different religions were treated. When we first tested the portal last November, we found that terms like “Muslim parenting” and “Muslim fashion” were blocked for searches, whereas “Christian fashion” and “Christian parenting” were not—nor were the anti-Muslim hate terms “white sharia” and “civilization jihad.”

Rather than lift its ban on phrases containing “Muslim,” Google Ads now also blocks those and other innocuous words in combination with “Christian,” “Buddhist,” and “Jewish.”

As the investigation traveled on social media last week, with thousands of people sharing posts about it, dozens tweeted that they’d had enough and would quit the platform.

We spoke to eight YouTubers who said they were quitting, each with relatively small followings of less than 2,000 YouTube subscribers apiece. They said their decisions to leave the platform reflect a desire to push back at a powerful tech company they believe has done a poor job of listening to their concerns.

“I was pretty disgusted that a platform would use such thinly-veiled tactics and exhibit such overt disregard for the experiences and voices of marginalized folks,” Carrie the One said in an email.

“We know that racism, homophobia, transphobia, xenophobia, and islamophobia exist and thrive within the systems and structures that our society operates within, but to see those same forces INTENTIONALLY employed by a platform that claims to protect the same folks they are targeting was more than I felt like I could tolerate.”

Google would not respond to The Markup’s questions for the original investigation about why terms like “Black Lives Matter” were blocked—or why it expanded the block.

In response to questions for this story, Google spokesperson Christopher Lawton said in an email: “We know that many brands want to reach audiences who are interested in social justice causes and we want our creators who make videos about these topics to thrive on YouTube.”

He added that YouTube “videos about topics like Black Lives Matter, Black culture and Black excellence, can and do monetize on YouTube, along with topics related to a wide range of social justice issues,” meaning that if advertisers can find these videos despite the block, the videos themselves can run ads.  

Graham Jenkins, a video game streamer who uploads on the channel 170Out, said the revelations in The Markup’s investigation pushed him over the edge.

“It’s been on my mind to move from YouTube for a little while now,” Jenkins said in an email. “This isn’t the first time that YouTube has blocked phrases like this but allowed right-wing content to stay unchallenged. I think there was an issue where they blocked LGBT content previously, but are quite happy to allow anti-LGBT videos to remain untouched.”

He was referring to research in 2019 by a group of YouTube creators that showed the platform was systematically demonetizing videos that contained LGBTQ content. YouTube was also criticized for knowingly leaving homophobic content accessible on its platform.

Jenkins said he would stop uploading new content to YouTube as soon as he found another platform that is free for videos of any length. 

“Sadly, there are currently not any other strong distribution options out there to compete with YouTube…”

— streamer who goes by the handle Glam Shatterskull

That might not be so easy. Other YouTubers told The Markup that the platform’s massive reach and ease of use made the choice to stop posting there more difficult.

“Sadly, there are currently not any other strong distribution options out there to compete with YouTube,” said a streamer who goes by the handle Glam Shatterskull and previously posted video gaming content to the platform.

“I would love to see Twitch flesh out its video production offerings,” he said. “In the meantime I will most likely be building out my own website to host video content.”

These content creators weren’t the only ones with harsh words for Google following revelations about its advertising blocklist.

The method Google used to add previously unblocked terms to its blocklist in response to our investigation makes future similar watchdog reporting impossible.

The blocked terms are now indistinguishable in the code from the responses the portal gives for gibberish. Because we now cannot know for certain which terms are blocked, as opposed to the platform not finding any related videos, Google has shielded itself from future scrutiny of its keyword blocks on Google Ads.

This didn’t sit right with Sen. Ron Wyden (D–OR), who authored legislation in 2019 that sought to require tech companies to audit their algorithms for bias.

“Google clearly has a lot of work to do to block hateful videos from advertisers,” said Wyden, who said he plans to  reintroduce the bill. “Hiding how it screens those videos is exactly the wrong way to respond to legitimate reporting.”

Lawton, the Google spokesperson, declined to comment on Wyden’s criticism.

This article was originally published on The Markup and was republished under the Creative Commons Attribution-NonCommercial-NoDerivatives license.

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Big Tech Is Pushing States to Pass Privacy Laws, and Yes, You Should Be Suspicious

Photo Credit / Morning Brew / Unsplash

The Markup found industry fingerprints on at least five bills around the country—weak laws, experts say, that are designed to preempt stronger protections

By: Todd Feathers

Concerned about growing momentum behind efforts to regulate the commercial use of personal data, Big Tech has begun seeding watered-down “privacy” legislation in states with the goal of preempting greater protections, experts say.

The swift passage in March of a consumer data privacy law in Virginia, which Protocol reported was originally authored by Amazon with input from Microsoft, is emblematic of an industry-driven, lobbying-fueled approach taking hold across the country. The Markup reviewed existing and proposed legislation, committee testimony, and lobbying records in more than 20 states and identified 14 states with privacy bills built upon the same industry-backed framework as Virginia’s, or with weaker models. The bills are backed by a who’s who of Big Tech–funded interest groups and are being shepherded through statehouses by waves of company lobbyists.

Meanwhile, the small handful of bills that have not adhered to two key industry demands—that companies can’t be sued for violations and consumers would have to opt out of rather than into tracking—have quickly died in committee or been rewritten.

Experts say Big Tech’s push to pass friendly state privacy bills ramped up after California enacted sweeping privacy bills in 2018 and 2020—and that the ultimate goal is to prompt federal legislation that would potentially override California’s privacy protections. 

“The effort to push through weaker bills is to demonstrate to businesses and to Congress that there are weaker options,” said Ashkan Soltani, a former chief technologist for the Federal Trade Commission who helped author the California legislation. “Nobody saw Virginia coming. That was very much an industry-led effort by Microsoft and Amazon. At some point, if multiple states go the way of Virginia, you might not even get companies to honor California’s [rules].”

California’s laws, portions of which don’t go into effect until 2023, create what is known as a “global opt out.” Rather than every website requiring users to go through separate opt-out processes, residents can use internet browsers and extensions that automatically notify every website that a user wishes to opt out of the sale of their personal data or use of it for targeted advertising—and companies must comply. The laws also allow consumers to sue companies for violations of the laws’ security requirements and created the California Privacy Protection Agency to enforce the state’s rules.

“Setting up these weak foundations is really damaging and really puts us in a worse direction on privacy in the U.S.,” said Hayley Tsukayama, a legislative activist for the Electronic Frontier Foundation. “Every time that one of these bills passes, Virginia being a great example, people are saying ‘This is the model you should be looking at, not California.’ ”

Amazon did not respond to requests for comment, and Microsoft declined to answer specific questions on the record.

Industry groups, however, were not shy about their support for the Virginia law and copycats around the country.

The Virginia law is a “ business and consumer friendly approach” that other states considering privacy legislation should align with, The Internet Association, an industry group that represents Big Tech, wrote in a statement to The Markup.

Big Tech’s Fingerprints Are All Over State Privacy Fights

In testimony before lawmakers, tech lobbyists have criticized the state-by-state approach of making privacy legislation and said they would prefer a federal law. Tech companies offered similar statements to The Markup. 

Google spokesperson José Castañeda declined to answer questions but emailed The Markup a statement: “As we make privacy and security advancements to protect consumers, we’ll continue to advocate for sensible data regulations around the world, including strong, comprehensive federal privacy legislation in the U.S.”

But at the same time, the tech and ad industries have taken a hands-on approach to shape state legislation. Mostly, industry has advocated for two provisions. The first is an opt-out approach to the sale of personal data or using it for targeted advertising, which means that tracking is on by default unless the customer finds a way to opt out of it. Consumer advocates prefer privacy to be the default setting, with users given the freedom to opt in to certain uses of their data. The second industry desire is preventing a private right of action, which would allow consumers to sue for violations of the laws. 

The industry claims such privacy protections are too extreme. 

“That may be a bonanza for the trial bar, but it will not be good for business,” said Dan Jaffe, group executive vice president for government relations for the Association of National Advertisers, which has lobbied heavily in states and helped write model federal legislation. TechNet, another Big Tech industry group that has been deeply engaged in lobbying state lawmakers, said that “enormous litigation costs for good faith mistakes could be fatal to businesses of all sizes.”

Through lobbying records, recordings of public testimony, and interviews with lawmakers, The Markup found direct links between industry lobbying efforts and the proliferation of these tech-friendly provisions in Connecticut, Florida, Oklahoma, and Washington. And in Texas, industry pressure has shaped an even weaker bill. 

Protocol has previously documented similar efforts in Arizona, Hawaii, Illinois, and Minnesota.

Additionally, The Markup found a handful of states—particularly North Dakota and Oklahoma—in which tech lobbyists have stepped in to thwart efforts to enact stricter laws. 

Connecticut

The path of Connecticut’s bill is illustrative of how these battles have played out. There, state Senate majority leader Bob Duff introduced a privacy bill in 2020 that contained a private right of action. During the bill’s public hearing last February, Duff said he looked out on a room “literally filled with every single lobbyist I’ve ever known in Hartford, hired by companies to defeat the bill.”

The legislation failed. Duff introduced a new version of it in 2021, and it too died in committee following testimony from interest groups funded by Big Tech, including the Internet Association and The Software Alliance. 

According to Duff and Sen. James Maroney, who co-chairs the Joint Committee on General Law, those groups are now pushing a separate privacy bill, written using the Virginia law as a template. Duff said lawmakers “had a Zoom one day with a lot of big tech companies” to go over the bill’s language. 

“Our legislative commissioner took the Virginia language and applied Connecticut terminology,”  Maroney said. 

That industry-backed bill passed through committee unanimously on March 23.

“It’s an uphill battle because you’re fighting a lot of forces on many fronts,” Duff said. “They’re well funded, they’re well heeled, and they just hire a lot of lobbyists to defeat legislation for the simple reason that there’s a lot of money in online data.”

Google has spent $100,000 lobbying in Connecticut since 2019, when Duff first introduced a consumer data privacy bill. Apple and Microsoft have each spent $124,000, Amazon has spent $116,000, and Facebook has spent $155,000, according to the state’s lobbyist reporting database

Microsoft declined to answer questions and instead emailed The Markup links to the testimony its company officials gave in Virginia and Washington.

The Virginia model “is a thoughtful approach to modernize United States privacy law, something which has become a very urgent need,” Ryan Harkins, the company’s senior director of public policy, said during one hearing. 

Google declined to respond to The Markup’s questions about their lobbying. Apple and Amazon did not respond to requests for comment. 

Oklahoma

In Oklahoma, Rep. Collin Walke, a Democrat, and Rep. Josh West, the Republican majority leader, co-sponsored a bill that would have banned businesses from selling consumers’ personal data unless the consumers specifically opted in and gave consumers the right to sue for violations. Walke told The Markup that the bipartisan team found themselves up against an army of lobbyists from companies including Facebook, Amazon, and leading the effort, AT&T.

AT&T lobbyists persuaded House leadership to delay the bill’s scheduled March 2 hearing, Walke said. “For the whole next 24-hour period, lobbyists were pulling members off the house floor and whipping them.” 

Walke said to try to get the bill through the Senate, he agreed to meetings with Amazon, internet service providers, and local tech companies, eventually adopting a “Virginia-esque” bill. But certain companies remained resistant—Walke declined to specify which ones—and the bill died without receiving a hearing. 

AT&T did not respond to questions about its actions in Oklahoma or other states where it has fought privacy legislation. Walke said he plans to reintroduce the modified version of the bill again next session.

Texas

In Texas, Rep. Giovanni Capriglione first introduced a privacy bill in 2019. He told The Markup he was swiftly confronted by lobbyists from Amazon, Facebook, Google, and industry groups representing tech companies. The state then created a committee to study data privacy, which was populated in large part by industry representatives.

Facebook declined to answer questions on the record for this story.

Capriglione introduced another privacy bill in 2021, but given “Texas’s conservative nature,” he said, and the previous pushback, it doesn’t include any opt-in or opt-out requirement or a private right of action. But he has still received pushback from industry over issues like how clear and understandable website privacy policies have to be.

“The ones that were most interested were primarily the big tech companies,” he said. “I received significant opposition to making any changes” to the status quo.

Washington

The privacy bill furthest along of all pending bills is in Washington, the home state of Microsoft and Amazon. The Washington Privacy Act was first introduced in 2019 and was the inspiration for Virginia’s law. Microsoft, Amazon, and more recently Google, have all testified in favor of the bill. It passed the state Senate 48–1 in March.

A House committee considering the bill has proposed an amendment that would create a private right of action, but it is unclear whether that will survive the rest of the legislative process.

Other States

Other states—Illinois, Kentucky, Alabama, Alaska, and Colorado—have Virgina-like bills under consideration. State representative Michelle Mussman, the sponsor of a privacy bill in Illinois, and state representative Lisa Willner, the sponsor of a bill in Kentucky, told The Markup that they had not consulted with industry or made privacy legislation their priority during 2021, but when working with legislative staff to author the bills they eventually put forward, they looked to other states for inspiration. The framework they settled on was significantly similar to Virginia’s on key points, according to The Markup’s analysis.

The sponsors of bills in Alabama, Alaska, and Colorado did not respond to interview requests, and public hearing testimony or lobbying records in those states were not yet available.

The Campaign Against Tougher Bills

In North Dakota, lawmakers in January introduced a consumer data privacy bill that a coalition of advertising organizations called “the most restrictive privacy law in the United States.” It would have included an opt-in framework, a private right of action, and broad definitions of the kind of data and practices subject to the law.

It failed 75–19 in the House shortly after a public hearing in which only AT&T, data broker RELX, and industry groups like The Internet Association, TechNet, and the State Privacy and Security Coalition showed up to testify—all in opposition. And while the big tech companies didn’t directly testify on the bill, lobbying records suggest they exerted influence in other ways.

The 2020–2021 lobbyist filing period in North Dakota, which coincided with the legislature’s study and hearing on the bill, marked the first time Amazon has registered a lobbyist in the state since 2018 and the first time Apple and Google have registered lobbyists since the state began publishing lobbying disclosures in 2016, according to state lobbying records.  

A Mississippi bill containing a private right of action met a similar fate. The bill’s sponsor, Sen. Angela Turner-Ford, did not respond to an interview request.

While in Florida, a bill that was originally modeled after California’s laws has been the subject of intense industry lobbying both in public and behind the scenes. On April 6, a Florida Senate committee voted to remove the private right of action, leaving a bill substantially similar to Virginia’s. State senator Jennifer Bradley, the sponsor of Florida’s bill, did not respond to The Markup’s request for comment. 

Several bills that include opt-in frameworks, private rights of action, and other provisions that experts say make for strong consumer protection legislation are beginning to make their way through statehouses in Massachusetts, New York, and New Jersey. It remains to be seen whether those bills’ current protections can survive the influence of an industry keen to set the precedent for expected debate over a federal privacy law.

If the model that passed in Virginia and is moving forward in other states continues to win out, it will “really hamstring federal lawmakers’ ability to do anything stronger, which is really concerning considering how weak [that model] is,” said Jennifer Lee, the technology and liberty project manager for the ACLU of Washington. “I think it really will entrench the status quo in allowing companies to operate under the guise of privacy protections that aren’t actually that protective.”

This article was originally published on The Markup and was republished under the Creative Commons Attribution-NonCommercial-NoDerivatives license.

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iPadOS 15 Preview: Get Ready for AI and Machine Learning that will Blow You Away

Boring? Are you kidding me? Time to look under the hood…

Somewhere in the land of media herding there was a familiar refrain. iOS 15 and iPadOS 15 are “boring”. Apparently the idea behind this is that there is no single feature that changes the entire experience of the iPhone or iPad – no “killer app” or killer upgrade.

The “boring” crowd have focused on things like “you can banish your ex from memories in iOS 15”. I saw a slew of articles with a variation on that title.

The biggest problem with the attitude, which must have been initiated by someone that has not really been hands on with any of the new iOS software (which is still in non-public beta only) is that it’s not true. (A public beta is expected in July but it is not recommended unless you are a developer testing on “non-critical” devices).)

Why? Because there are so many killer upgrades that it’s overwhelming, basically due to the avalanche of amazing new features and improvements. This article will attempt to give an illustration of that by focusing on only one feature inside one built-in app: Memories inside of the Photos app.

First a short digression. We have been testing on several devices including a MacBook Pro 15” from 2017, an original 1st generation iPad Pro (2015) and an iPhone XS Max from 2018. None of these machines have the new Apple Silicon chips and for that reason they are only able to produce the upgraded features that don’t require it.

That makes the improvements that are possible without buying any new hardware even more amazing. Stunningly, of the three devices we upgraded the MacBook Pro was the most stable right out of the gate. Any beta software will have bugs, glitches and sometimes crash but that does not prevent one from testing out features that are new.

The iPad pro, in a non-technical observation almost appears as if the screen resolution has been increased, obviously not possible but, as you will read below, could be part of a stunning emphasis on increased beauty, sensuality and luxurious feel in the new suite of OSs.

Memory movies on iPad OS15 are an amazing example of how AI and machine learning are evolving

For those not familiar with “Memories” they are auto-generated film clips that can be found in the “For You” tab in your photos app on iPhone and iPad. While you are sleeping this feature scans everything in your photos library and uses artificial intelligence, machine learning and neural networks to choose and edit the clips, as the name says, for you.

One not confirmed but almost certain technical backdrop to this is that the learning is improving even between updates to the OS. Not only that but all Apple devices on earth are “cooperating” to help each other learn. That’s a powerful force that spreads across over 1.65 billion devices.

This feature was added in iOS 12 but started to function in iOS 14 on a much higher level. If you had tested and used the feature over the last few years as we have you’d have noticed that the ability of the AI to “see” and select photos and videos to include was limited and, at times, comical. Not any more.

Much of the data that clues the software in as to what photos belong together is from the embedded meta data. The date, time and location information helps to tell the AI that you took a group of images or videos on a day in a particular location.

The difference in iPad OS15 (iPhone too, of course) is that the more difficult to accomplish tasks, such as recognizing the subjective quality of one photo verses another (humans often take several photos of the same scene to try to capture the best out of a bunch). Or, more importantly, who and what are the subject of a photo.

All of this began to get interesting in iPad OS 14 and many groups of photos and videos were already being chosen, edited and enhanced by the software to a level that was fairly impressive.

AI and aesthetics collide and the result is a Joy to witness

Something that is starting to become a thread and a definitive direction that Apple is taking, particularly with the iPad Pro series, is, true to the name, a Pro level of visual production and manipulation throughout the OS.

Center Stage, for example and many other video and photo related upgrades were some of the big features in the newest generation of iPad Pro. Those are great, but require a new iPad along with the OS upgrade.

When it comes to the memory movie clips what we found is that even on the oldest iPad Pro from 2015 the evolution of the software due to the constant learning by the AI is already taking a huge step forward doing all the things that it was already doing only much better.

Apple’s upgrade took that and give it an additional kick up a notch with somewhat that the company is known for: good taste.

What has changed specifically?

In iPad and iPhone OS 14 there were a few things that felt awkward in the way movies were created. The biggest shortfall was in the softwares ability to deal with various aspect ratios.

These days when we shoot photos and videos with an iPhone it is tempting and, at times, wonderful to use the vertical orientation. Other times, for landscapes and other scenes we might prefer a traditional film aspect or even use the panorama feature to get an ultra-wide screen “cinema-scope” style.

Until now this was dealt with very poorly by the software. Mostly the photos would constantly zoom in (the so called “Ken Burns” effect) and if shown without zooming in a vertical portrait shot would have ugly side bars (like a vertical letterbox effect).

The zooming and most of the effects in general destroyed the resolution and therefore the quality of many photos by enlarging them and adding the effects.

Additionally the effects that were added, while cute and fun, were not much more than a way to add fun and not what would likely be used by a human editor. All of this and more made for a kind of novelty feel to the whole process that was nice to have, but many never even bothered to look at the movies that software created for them.

That’s about to be over.

A whole new array of options for the AI to use while trying to entertain

In iPad OS 15, as can be seen on the photos and videos in this article, the ways that the software solves the aspect ratio issue as described above is genius and, dare I say it, beautiful.

In a collaboration between the AI and the software itself it now has a new bag of tricks to use and, boy, does it work. One feature that is fantastic is the letterbox generator for any wide screen photos in any aspect ratio.

How this works is that it takes the iPad aspect ratio and then uses the photo in it original at 100% full resolution and then adds a letterbox. But this is not the usual plain black bars we are all familiar with – the software and AI are able to see and analyze the photo and create a custom gradient letterbox that can be any shade or color.

Photos in clip above courtesy of The 2021 International Portrait Photographer of the Year
Copyright © 2021. www.internationalportraitphotographer.com

The effect is often astoundingly tasteful and often makes the original photo look even better. We tested it on award winning photos (video above) and the result is, basically art. Also on our own “nice” photos, chosen 100% by the AI and software, look amazing also.

Actually, all the photos and videos in the clips generated from the library look much better than I had remembered. That turns out to be because the software and AI now do automated color grading on all the photos and videos in all the generated memories !

Color grading also known as color correction, especially for video, has traditionally required an expensive expert and high end software (and hardware) to enhance and color match various photos and clips, that have often been taken at different times and places, where lighting conditions vary and sometimes were shot with different camera.

AI and machine learning software on iPad OS15 (and iOS 15) now has a virtual colorist actively adjusting your shots and enhancing and color matching them while you sleep. That is basically insane. That’s probably why it appeared that the photos and even the iPad itself had been upgraded.

Ok, I could go on and on about that one feature, but let’s move to some more features. There are also new effects that are added that vary with each memory (there are a lot more clips being generated, including various versions of the same idea to choose from).

In the experiments so far the effects are clearly better and more subtle than in iOS 14. Again in many cases I found myself saying the word “beautiful” when I tried find an adjective to describe the results.

For shots that have a vertical bias there’s a vertical geometric split screen effect, often with a thin black border, and it has a kind of 60’s on steroids feel with the bars sliding in and out and resizing into place.

Another effect not seen in iOS 14 is a kind of circular rotation – great for landscapes – it’s not a common effect probably because it is computationally complex, but for the AI, it’s a snap. Sometimes this effect has a kind of blur-dissolve added which makes it fun and, again, still tasteful.

It appears that the effects are not only better and there’s a larger bag of them, but they appear to evolve and adapt to the content, that is to say that the speed and depth of each changes with the music combined with the photo and video content.

Oh, and the music. OMG. Each clip has 6 songs pre-selected and the entire clip adapts, in real time (!), when you change the song, showing you various styles and looks that match. Apparently Apple Music is also connected if you have a subscription.

As a mater of fact, it is hard to be certain, as we have not had more than a few hours to test this, but nearly everything appears to be “live” and constantly evolving in real time. In order to “freeze” a version of a memory you have to “favorite” it (with the typical heart symbol) and then “add to memories” in order to edit (change the names or choose more images – or remove anything if it is not to your liking).

There is so much more not yet mentioned here: this article could probably be a book

The AI is also getting creative with names and “concepts” for the clips. For example, if you had lunch (or took photos) over the years in the same city (for me it was Knoxville, TN) it might look at the coincidence that you tended to take photos around midday in that town and then create a memory clip called “Lunch in Knoxville over the Years”. Or for example the clip at the head of this article: “Golden Hour Over The Years”.

This is an early and primitive foretaste of the literary ambitions of AI. In the new Photos App in iOS 15 it is beginning to “think” about when, where and why humans take photos and videos and then conceiving a story that fits the behavior it is witnessing.

Other titles go beyond the basic “Amsterdam in 2016” and start to use the understanding and visual ability to “see” what is in the photo to create a clip like : “Playing in the Snow at Christmas”. Snow? Does it know it’s cold? Maybe just that it’s white and happens in the northern hemisphere in December. This is just the very beginning of something that will evolve, hourly, from now on. I can’t wait.

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Now Open: Apple’s Lavish New Store in the Heart of Downtown LA

Above: Photo Credit / Apple

A stunning historic renovation comes to life

The Apple Tower Theater is officially open and marks one of Apple’s most significant and iconic restoration projects. The company worked alongside restoration artists and the City of Los Angeles in order to preserve the theater which was originally designed back in 1927 by architect Charles Lee.

CEO Tim Cook was in attendance of the grand opening alongside Retail Chief Deirde O’Brien. He took many pictures and selfies with attendees and welcomed the first customers into the Downtown Los Angeles Store.

Customers were excited to explore the Apple Tower Theatre and took the opportunity to snap photos of the beautifully restored arches, as well as getting their hands on the latest products like the iMac, iPad Pro and new iPhone 12.

Though many ambitions and luxurious Apple Stores have be build, including the biggest in NYC, Apple Fifth Avenue, and more recently Apple Store Singapore (see video below), the new downtown LA location is unique in that it simultaneously reincarnates an amazing former mecca for filmmaking and Hollywood glamour and also reimagines it in a compatible and yet up-to-date style.

As the company has surpassed $2 trillion in market capitalization, and is the largest of the big tech giants, the emphasis on community, yet in a beautiful, luxurious setting, is befitting of this giant, yet often underestimated behemoth.

Apple Tower Theatre will be open from 10 a.m. to 8 p.m. from Monday to Saturday, and 11 a.m. to 7 p.m. on Sunday. The Tower is located on the corner of Eighth and Broadway: 802 S Broadway, Los Angeles, CA 90014.

Above: Photo Credit / Apple

https://www.apple.com/newsroom/videos/tower-theatre/Tower_Trailer_Edit-cc-us-_1280x720h.mp4
Above: Apple Produced Video Showing the Amazing New Location in LA

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Peter Thiel’s $5 Billion Bombshell: Hubris and Hypocrisy Beyond all Imagining

Above: Photo Collage / Lynxotic

ProPublica drops a second monumental article based on treasure trove of IRS, SEC & court data

Excellent reporting of tax injustices among the obscenely rich continues with a huge and revelatory piece on Peter Thiel and his “little” Roth IRA scheme. Going well beyond the previous article that detailed how Bezos, Musk, Buffet and others all use loans secured with share holdings to avoid income, and thus avoid paying tax the “Lord of the Roths” is even more explosive.

While the emphasis of the article on Thiel’s Roth IRA takes on the task of trying to somehow compare an “average” investor’s potential gains with the unimaginable magnitude of Thiel’s windfall, this is something that makes sense as a valid perspective, but the obscenity is nearly lost in the opaque fog of numbers beyond comprehension.

For example: your Peter is basically gifted 1.7 million shares by the company he was one of the founders of (along with Elon Musk and the rest of the so called “PayPal Mafia). That “purchase” costing less than $2000 based on the ridiculous price of $0.001 per share was used to found a Roth IRA.

The engineered numbers were no accident: at the time, in 1999, a Roth IRA account had a maximum allowable contribution amount of $2,000. Since the shares were “below fair value”, the fact of which was admitted by PayPal in an SEC filing from the time just before the company went public, the value increased massively, by 227,490% in the first year. Which increased the value of the paltry $2k up to $3.8 million.

Though obviously not enforced, regulations at the time forbade this kind of “stuffing”. Meaning, the initial trade that launched this scheme was possibly illegitimate, if not unlawful. Or, as ProPublica more kindly phrased it: “Investors aren’t allowed to buy assets for less than their true value through an IRA. “

As a matter of fact, according to the article, the “stuffing” was so successful that no further contributions were ever made into the account after that initial 1999 sum.

Since a Roth IRA allows a person to trade stocks within the account tax free, as long as no withdrawals are made, this large but still comprehensible sum was the start of a 20 year use of the tax statutes to build a fortune of over $5 billion without paying a single penny in tax.

Hitting $870 million in value by 2008, by 2019 the tax free enterprise, built on the less than $2000 initial contribution (stock “purchase”), ultimately ballooned to 96 sub-accounts with holdings of $5 billion.

Ok, so that’s the short summary of the mind blowing numbers. For a more detailed account, by all means visit the original article.

The numbers are outrageous, but the entitlement and arrogance is on a whole other level

The part of the story that should spark outrage is not in the numbers but begins where the almost inhuman greed, hubris and hypocrisy at this good fortune grows apace with the size of the tax free bonanza. Because Peter Tiel is not just any run-of-the-mill untaxed billionaire.

The endlessly expanding windfall he received, tax free, did not engender a mindset of charity or gratefulness at his miraculous providence.

Above: Photo Collage / Lynxotic

Instead Thiel, once the wealth lent him a position of power, preached and pushed the idea that the US government, the same one that he was able to avoid paying taxes to, was guilty of over-taxing people like him (and poor people too).

He spent millions of dollars in an effort to influence Republican politicians and groups that have anti-tax agendas, to change the laws in ways that would add even more advantages to his already preposterously privileged position. Then this: as per ProPublica: “In 2016, he became the rare Silicon Valley titan to endorse Donald Trump.”

And, in an arrogance that is as incomprehensible as the size his effortlessly expanding fortune, he espouses the belief that people like him are entitled to these kind of spoils because, after all, without him we might have to live without PayPal and….wait for it…. Facebook.

Yes, you heard that right. In 2004, Thiel used his IRA to buy $500,000 worth of shares in a, then private, company called Facebook, which was the first big outside investment in Zuckerberg’s soon to be massive monstrosity.

By using his IRA funds to buy shares of the start-up he was able to avoid tax on all the future gains of those shares. (ProPublica, in excellent investigative reporting, uncovered this tidbit by combing though Facebook court documents).

So, again, ostensibly, based on his well known statements, we are not only to congratulate him on his clever method of avoiding any taxation whatsoever on the first gambit with the PayPal shares, but we ought to effusively thank him for helping Facebook to become the dangerous purveyor of surveillance and phantom tollbooth Ponzi empire that is it today?

In perhaps one of the greatest illustrations of how power corrupts, this idea that because he was able to amass a fortune on such a massive scale without the burden of any tax whatsoever, he is somehow a hero to be emulated, is the real reason for us to be outraged.

That an average person might be lucky to turn $2000 into $250,000 over two decades, as was illustrated in detail in the article, while Thiel easily turned it into $5 billion, is outrageous, yes.

But the real “crime” is that it was done with zero benefit to anyone except him and other Silicon Valley insiders at companies like PayPal and Facebook.

Could it be argued that Facebook is a gift to humanity? Well, in 2021 that would be a tough argument to put forth without being laughed out of the room. And PayPal? It’s doubtful that Satoshi Nakamoto has to fear competition from any of the PayPal Mafia (including Mr. Musk) when the crown for greatest financial innovator of the century is awarded.

In a revelation that could have received more page inches, the article also exposes a second, possibly more plausible reason, regarding why Thiel went to great lengths to bankrupt Gawker Media, which he blamed for outing him as Gay. That politically convenient motivation could very well have covered up the real reason:

Again, as per ProPublica:

“In a story headlined, “Give Me Liberty or Give Me Taxpayer Money,” Gawker Media, citing anonymous sources, revealed that Thiel held his Facebook investment in a tax-free Roth.”

Companies built on greed and hubris create nothing and, in the end, die

Thiel believes he will live to be 120 years old. Based on his comments and writings he appears to believe that the world would benefit from that eventuality.

But when looking at the companies he helped to build, and the obscene fortune he was rewarded with for binging them into being, it seems like most of us, after accessing his life’s works and “accomplishments”, would be more thankful for the improbability of that dream coming true.

2087? That will be the year that either Utopia or Oblivion will have arrived for humanity and the planet earth. If by a miracle an earthly Utopia comes to be, it is highly unlikely that PayPal, Facebook or Mr. Thiel will have had any hand in bringing it about.

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Elon Musk & Jack Dorsey finally agree to debate for the BitCurious

Above: Jack Dorsey & Elon Musk – Photo – various / tesla / Twitter / collage Lyxotic

Possibly staged “Twitter feud over BitCoin” leads to portentous upcoming event: “THE talk”

Although both Jack Dorsey, head of both Twitter and Square, and Elon Musk are long standing and staunch BitCoin advocates, a lot of chatter around the internet has painted Musk as having gone soft on the crypto currency.

Th narrative that has been put forth pits his loyalty to Bitcoin as somehow incongruous with his support for DogeCoin, the somewhat less serious AltCoin variant he has openly championed.

Intermingled with this straw-man charade, is the also over-hyped idea that the energy used by BitCoin mining is a factor in global warming and therefore a stain on Musk’s otherwise high profile positive sustainable energy resumé.

While many article have shown this argument to be blown out of proportion at best, apparently the whole world (China, if you’re listening) has seized on this talking point as a way to damage BitCoin’s popularity and pedigree.

The attempt to use this argument to undermine BitCoin’s adoption progress and futuristic pedigree appears to have already backfired, however. For example, at the recent BitCoin conference in Miami, Jack Dorsey announced plans to invest in a sustainable energy powered BitCoin mining facility.

Elon Musk has also stated via his twitter account that Tesla would resume accepting BitCoin payments, as soon as more miners switch to renewable energy. This coming after he had announced, to great fanfare, that Tesla would accept the cryptocurrency and then, in May, reversed the decision after backlash from those who pounced on the issue to try to tarnish Tesla’s sterling reputation as a proponent of the transition to sustainable energy.

The hype is warranted and the buzz can begin

Though not yet confirmed 100%, the Twitter exchange between the two titans implied that the “talk” would take place in conjunction with the “The B Word” BitCoin conference, which kicks off on July 21, 2021. Sponsored by Ark Invest, Square and Paradigm, the big name speakers and hype already building, along with the timing, coming on the heels of a huge peak then “crash” in the crypto markets, looks to be a watershed event for Bitcoin and cryptocurrencies in general.

Details on whether the exchange between the two will be live on stage or via video conference have, as of yet, not been revealed.

Twitter and Square CEO Dorsey tweeted Thursday about an upcoming “The B Word” bitcoin event, and Musk responded to it. It’s unclear if the event, which kicks off on July 21, will be virtual or in-person.

The potential for drama as the two discuss a topic on which they, for the most part agree, is a smart way to hype the event, both the conference itself and the monumental meeting for “THE Talk”.

Regardless of any fireworks or revelations coming out of the event and the meeting between these two incredibly influential business leaders, the upshot is that all of the above is a net positive for BitCoins progress toward more widespread adoption and acceptance.

Critical mass may already been achieved for crypto in the US

The overly manic focus on price fluctuations notwithstanding, there is a rapidly growing sense that the #1 cryptocurrency as well as all related coins and activities are reaching the point, in the US, that it will be impossible to return the genie to the bottle.

Any attempt to block or outlaw, in totality, the emerging world of crypto-finance, is likely to fail. Realizing this there appears to be a faint whisper of capitulation on the part of both the government in the US and among the “old guard” establishment, namely Wall Street.

Dorsey’s take, as quoted from his appearance at the BitCoin conference in Miami:

  • “Governments are trying to block cryptocurrency use to avoid losing hold of power”
  • “It can’t, and it never will.” — musing on the likelihood of Wall Street controlling bitcoin.
  • “That’s why we don’t deal with any other currencies or coins — because we’re so focused on making bitcoin the native currency for the internet.” — when asked about payments provider Square’s ambitions for bitcoin.

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