Tag Archives: Informinx

Apple’s free upgrades are Inviting you into the Metaverse: iOS15 – macOS Monterey & iPadOS15

Above:Photo Credit – Apple / Lynxotic

Sci-fi sounding, inevitable upgrade for today’s online communications

You might have heard lately about the “metaverse” and yet that can mean a variety of different things to different people. Often, it’s a term that relates back to gaming and 3D augmented reality enhancements of networked communications.

There are even crypto and blockchain related projects using this term and concept. While all of these various factors are welcome, and potentially part of this next phase of convergence of communication via networked technology, there’s something else happening under the surface.

”The pandemic, with its requirements of physical distancing, has brought people into online digital environments for a growing range of shared human experiences.” — Wired UK from “The Metaverse is coming” by David Baszucki

The acceleration in AI application, machine learning, and converging use cases for all communications tech has created a situation where the entry-portal to the emerging metaverse is already here.

One often overlooked aspect of a transition to a more complete digital life is the need for humans to have adapted to the need and potential benefits of the idea. This is what is happening via many routes, including Apple and the constant synergistic upgrade cycles that have just gone into a new, bigger phase with the migration to a unified OS structure built around Apple Silicon.

The gradual increases in iOS functionality and user sophistication are changing how we interact

iOS15, previewed this week at the WWDC2021 is rolling out literally dozens of new features, many based on machine learning, neural networks and AI that propose a new level of highly sophisticated options to communicate with video, photos and text.

While this mixture of “basic” media has been the staple of our current modes of online communication, particularly via social media, the incredibly increased depth of new options and functionality of iOS15 and iPadOS15 and MacOS Monterey will make all modes of communication feel completely new.

In the evolution of online media and enriched communication (OMEC to coin an 80s sounding acronym) the slow and uneven progress is based on many factors. #1 is always user adoption and sophistication.

Second is the quality of the hardware devices and software upgrades each user around the world has access to. In the case of iOS (iPad, iPhone & macOS) the immediate adoption of upgrades is a large factor on the plus side, helping new innovation to arrive in general use more quickly.

The last factor, a huge one, is access to fast ubiquitous internet data connections, and, in the US at least, this is less consistent than ever (or our expectations are rising faster than the build out).

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However, particularly in Asia, 5g is beginning to make a dent. Satellite broadband, like Starlink, should also start to be a factor as early as 2022. Government infrastructure build-out funding and subsidies in the US is on the way in 2021.

Augmented 3D features are still growing but will merge with 2D

The upshot of this topic is that “2D” factors and increasingly sophisticated manipulation and interactive features that are already coming in iOS15 will bring us all closer the entry-portal stone-age version of the metaverse.

We all depend more and more on communications and using our devices – work from home, personal, business and hybrid activities (such as the emerging content creator class). Often, as a result, we have fewer options to go offline for “organic” RL (real life) interactions.

The increasingly sophisticated capabilities available are beginning to make even face to face communications, particularly in work situations, feel “un-enhanced” as we become accustomed to and dependent on the digital enhancements and potential of a full media rich interaction.

This is an example, one could say, of the subtle encroachment of the emerging metaverse onto the “real world” and how the boundaries are blurring and even beginning to disappear.

Rather than a sudden “jump” into a metaverse, similar to the cliché sci-fi plots from films like “Ready Player 1”, what is happening is a nearly imperceptible transition to metaverse-like experiences that will become commonplace, initially in a primitive form, and then eventually become the norm. Similar to the proverbial Frog in pot, with warm water temperatures that increase so slowly that the Frog doesn’t even notice, until it finds that it is swimming in pot that is already boiling.

The misconception that a “killer app” or sudden shift into an online, virtual reality world, is the future, and that a big leap will happen nearly all at once, is harmlessly superimposed on the real transition that has already begun.

When Apple’s 2007 launch of the iPhone changed communication forever: the journey began

The new “Digital Legacy Program”, also announced at WWDC2021, is another hint that we are already living in an extremely primitive version of the metaverse. Our online identity, data, and even behaviors and experiences are so essential and all pervasive that it has become necessary to keep a digital key to access the huge trove of personal data we will leave behind to pass on to our living loved ones, after we are gone.

The metaverse, that means, is not only creating a parallel digital universe for us to live in, in an ever more complete and sophisticated way, but we are also already setting up the eternal storage of our virtual life experiences to be passed down to future generations.

Though nearly invisible while in such a relatively primitive iteration, the concept, an example of overlapping advancements in innovation, is a tiny step towards digital immortality.

The metaverse could help to save us all

It’s not just professional and work related communication that relates to the gradual increase in the depth of networked communication options, but, even more so, casual and leisure communication and interaction is key.

TikTok and other video communication trends are at the forefront of of user evolution and metaverse activity expansion. When people feel motivated to find new and better ways to communicate using richer media and augmented techniques for fun, and to gain more recognition in online societies, that advances digital sophistication.

This process of the evolution of user comfort and sophistication, while existing and interacting in the metaverse, is the fastest way for the augmentation to become more effective.

There’s a mostly unseen benefit and need for this, otherwise seemingly pointless, global development

The challenges that the world faces, encroaching, devastating fallout from global warming and excess carbon in the atmosphere, political corruption and inequality, disinformation and cybercrime, and so on.

Ultimately, unlike at any time in human history, we are facing a challenge. The survival of our species and even the planet are at stake.

In the years and decades to come it will become more and more obvious that there are only two paths possible. One path toward a kind of Utopia, or another one that will lead, inexorably to Oblivion.

Though the metaverse is scary in many ways, and does not always appear as a way to a better life, augmented and enhanced communication is one of the most desperately needed ways that solutions could eventually be discovered and implemented.

And that would put this progression and evolution of tech more in service of Utopia, and could be at the heart of a rescue plan to prevent Oblivion, before it’s too late.

https://www.apple.com/newsroom/videos/universal-control/Apple-Universal-Control-cc-us-_1280x720h.mp4
Above: Craig Federighi Demo Video at WWDC 2021


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Netflix’s “Lupin Part 2”: The Quest for Revenge is Now: Official Trailer

The Most wanted man in France has a Master Plan 

Netflix’s French original series “Lupin” took Netflix subscribers by storm. Millions tuned in, voraciously binge-watching, including myself, furiously consuming the first season when the show debuted earlier this year.   Part 1 ended as most shows do these days, leaving us wanting more with a nerve wracking cliffhanger, yet, rejoice streamers, we will not have to wait much longer to tune in to see Omar Sy as Assane Diop for Part 2.  

The main character, as mentioned above, Assane Diop, has held a lifelong obsession with Lupin novels and has transformed much of his life, in the process becoming somewhat of a modern-day counterpart to “Lupin, gentleman thief”. His masterminded plans are always artfully crafted with unexpectedly creative genius precision, style and not to mention incredible costume changes. 

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Those that have not yet seen the series, this is the perfect time to get caught up.  The series is inspired on the French fictional character Arsene Lupin created by writer Maurice Leblanc.     

The official trailer for “Lupin Part 2” just dropped along with the release date that is now coming soon: June 11, 2021.  Those that are deterred from foreign programs because of subtitles, English dubbed audio is also available and this series is abolutely worth the watch. 

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iOS 15: It’s not just about the new Weather Animations, there’s a lot more

For what seems like a long time many of us have been living inside our iPhone, immersed in a metaverse of our digital lives.

And the deeper into Apple’s walled garden we are submerged, the more monumental the yearly OS upgrades become. That’s because, when you are in a digital life, we’ll, lots of things are worse than the “real” world. The sensual experience is built of fractions of the full sensory bandwidth of life.

But there’s one thing about the metaverse, the fact that, since it’s artificial and human engineered, it can, and does, improve.

In the case of Apple’s universe, the yearly upgrades and constant, sometimes nearly imperceptible changes in a thousand different parameters add together, over time, and suddenly, the world comes alive with vibrant, super sensual satisfaction …

Sure, the weather animations just got sent to a 3rd convolution level of better-ness, that’s true. But add this to all the thousands of better feelings and deeper interactions with yourself and the spirit of ourselves, and you will find: the future

Photo credit: Apple

WWDC 2021 was a pure upgrade fest with a lot of detail to sift through

We are in the middle of our ongoing coverage of the Apple event and all that was revealed. There are so many features and so many important details and interdependent uses for this features that it can be more easily digested in bites.

What we are witnessing is the growing interdependence and interoperability of iOS 15, iPad OS 15 and macOS 12 Monterey, particularly with the built in apple apps they all have built in.

Safari, though still with slight variations between the three OSs, is becoming more powerful everywhere, FaceTime got a huge upgrade in the new systems, and utilities connected to iCloud such as the Find My network are also extensively revamped.

While some find the sheer width and breath of Apple’s hardware, software and services conceptually off-putting, it is, at this early stage of the monumental changes that are being wrought by Apple Silicon, a wonder to behold how all the various products and underlying software for those products is evolving in a way that is constant and deep.

As put forth in articles published by Lynxotic years ago the changes that are underway are vast and were conceived and put into motion based on Steve Jobs’ core concepts for the future of Apple many years ago. And Tim Cook and the rest of Apple have not deviated from that vision, in fact are reaping benefits on behalf of users that could barely be imagined a decade ago.

One bite we’ve started to delve into is the dual and interdependent features from macOS Monterey; Airplay to Mac and Universal control. It turns out that compete interoperability for Airplay to Mac is still in the future, the list of the various models and vintages that it functions on is as follows:

  • 2018 or later MacBook Pro or MacBook Air
  • a 2019 or later iMac or Mac Pro
  • an iMac Pro
  • the 2020 Mac mini

As you can see this is a fairly exclusive list. What is most conspicuously missing is the possibility to use and older mac, such as a 2018 27” 5k iMac to take advantage of the beautiful screen.

Universal Control, meanwhile appears to work with most devices that run on iPadOS 15 and macOS Monterey. It allows you to a single mouse and keyboard and flow from ‌iPad‌ to Mac and back, pretty much as you would imagine using the cursor and keyboard for either, and, thankfully there is no setup required.

FaceTime just got a Facelift

FaceTime’s big jump ahead is somewhat more complex since the iPhone, iPad (various models of both) and the mac each have a UX and screen size that varies, as well as different computing advantages. One interesting note on the various technical enhancements, pretty much across the board from what was announced at WWDC 2021, M1 chips and Apple Silicon based devices get the biggest boost from all the new capabilities.

Rather than being a marketing ploy, at least so far there’s no evidence of that kind of approach, this is an organic by product of the underlying “big picture” goal – to unify the experience and potential of the three device categories even as they cross pollinate one-another.

All the various, and gradually hard to list, OS flavors, macOS 12 Monterey, iOS 15, iPadOS 15, tvOS 15, watchOS 8 and all the various accessories that benefit from the upgrades such as AirPods pro spatial audio, HomePod mini liaison with Apple TV 4k and tvOS 15, as well as SharePlay where FaceTime can allow multiple users to share streaming audio or video content for a synchronized experience.

Please stay tuned for the many articles to come that will further dive into the changes and improvements that are on the way, free of charge, for Apple users with this massive roll-out that will culminate in fall 2021.

As per Apple:

Redesigned Weather and Notes Apps

Weather includes more graphical displays of weather data, full-screen maps, and dynamic layouts that change based on conditions. Beautifully redesigned animated backgrounds more accurately reflect the sun’s position and precipitation, and notifications highlight when rain or snow starts and stops. Video animation below:

https://www.apple.com/newsroom/videos/apple-iphone12pro-ios15-weather-app/large_2x.mp4

Notes adds user-created tags that make it easy to quickly categorize notes, and mentions allow members of shared notes to notify one another of important updates. An all-new Activity view shows the recent history of a shared note.

Notes adds user-created tags that make it easy to quickly categorize notes in line with relevant content:

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Pride is 365: June is for Celebrations

Above: Photo Collage – Lyxotic

Pride month power grows as the community becomes larger and stronger

One year ago, June 2020, in correspondence with protests around the country, spurred on by the killing of George Floyd, Pride month parades become protests and took on a new meaning.

In the middle of the pandemic it was a tense time, important elections were on the horizon and the were forces of prejudice and discrimination rising seemingly on all sides. In spite of the challenges and the forces aligned in misguided opposition, bravery and pride could be seen in the street around the US and the world.

Above: West Hollywood, June 2020 Photo: Lyxotic

A year later and there is the feeling, if only a faint one, that a chance exists for all of that to be turned back, not in a day a week or a year, but though the arc of history bending toward equality and inclusion.

And June was wisely chosen with rainbow colors, sunshine and hope for the future in a combination that can lead to hope for the future and joy for today. Joy is a concept that leads to and is a natural part of celebration just as much as pride equals hope, equality, inclusion and love.

June is the time, as spring transforms the world into summer, for us to remember not only the justice that is to come, but the joy of the journey, and even the joy of the righteous struggles to get there.

A way for the world to change must always begin with thoughts, ideas, information, education and, ultimately, understanding. In the books we’ve compiled there are chapters that contain stories of pride and struggles, and with more forthright and open information circulating the possibility for justice can only rise.

So, as June continues to beam it’s sunlit powers throughout the northern hemisphere, it’s a great time to reflect on the road ahead, the progress achieved, and most of all, the reasons for joy and celebration.

What We Will Become : A Mother, a Son, and a Journey of Transformation

A mother’s memoir of her transgender child’s odyssey, and her journey outside the boundaries of the faith and culture that shaped her. From the age of two-and-a-half, Jacob, born “Em,” adamantly told his family he was a boy.

While his mother Mimi struggled to understand and come to terms with the fact that her child may be transgender, she experienced a sense of déjà vu–the journey to uncover the source of her child’s inner turmoil unearthed ghosts from Mimi’s past and her own struggle to live an authentic life. 

Mimi was raised in an ultra-Orthodox Jewish family, every aspect of her life dictated by ancient rules and her role as a woman largely preordained from cradle to grave.

As a young woman, Mimi wrestled with the demands of her faith and eventually made the painful decision to leave her religious community and the strict gender roles it upheld. 

Having risen from the ashes of her former life, Mimi was prepared to help her son forge a new one — at a time when there was little consensus on how best to help young transgender children.

Dual narratives of faith and motherhood weave together to form a heartfelt portrait of an unforgettable family. Brimming with love and courage, What We Will Become is a powerful testament to how painful events from the past can be redeemed to give us hope for the future. 

The Stonewall Reader

June 28, 2019 marks the fiftieth anniversary of the Stonewall uprising, which is considered the most significant event in the gay liberation movement, and the catalyst for the modern fight for LGBTQ rights in the United States.

Drawing from the New York Public Library’s archives, The Stonewall Reader is a collection of first accounts, diaries, periodic literature, and articles from LGBTQ magazines and newspapers that documented both the years leading up to and the years following the riots.

Most importantly the anthology spotlights both iconic activists who were pivotal in the movement, such as Sylvia Rivera, co-founder of Street Transvestites Action Revolutionaries (STAR), as well as forgotten figures like Ernestine Eckstein, one of the few out, African American, lesbian activists in the 1960s. The anthology focuses on the events of 1969, the five years before, and the five years after.

Jason Baumann, the NYPL coordinator of humanities and LGBTQ collections, has edited and introduced the volume to coincide with the NYPL exhibition he has curated on the Stonewall uprising and gay liberation movement of 1969.

Fairest: A Memoir

A singular, beautifully written coming-of-age memoir of a Filipino boy with albinism whose story travels from an immigrant childhood to Harvard to a gender transition and illuminates the illusions of race, disability, and gender Fairest is a memoir about a precocious boy with albinism, a sun child from a rural Philippine village, who would grow up to become a woman in America.

Coping with the strain of parental neglect and the elusive promise of U.S. citizenship, Talusan found childhood comfort from her devoted grandmother, a grounding force as she was treated by others with special preference or public curiosity.

As an immigrant to the United States, Talusan came to be perceived as white. An academic scholarship to Harvard provided access to elite circles of privilege but required Talusan to navigate through the complex spheres of race, class, sexuality, and her place within the gay community. She emerged as an artist and an activist questioning the boundaries of gender.

Talusan realized she did not want to be confined to a prescribed role as a man, and transitioned to become a woman, despite the risk of losing a man she deeply loved. Throughout her journey, Talusan shares poignant and powerful episodes of desirability and love that will remind readers of works such as Call Me By Your Name and Giovanni’s Room. Her evocative reflections will shift our own perceptions of love, identity, gender, and the fairness of life.

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A ‘Ring of Fire’ Solar Eclipse Starts Thursday Dawn on east Coast

Above: Photo Credit / Bryan Goff / UnSplash

Look to the sky for a solar show that will create a stunning glow…

Stargazers and skywatchers are in for another treat, which come about two weeks after the lunar eclipse, also referred to as the “Super Flower Blood Moon”. Tonight and into Thursday, June 10th, an annular solar eclipse called “ring of fire” will be visible. Any discussion of all things lunar, blood moons and eclipses would certainly be congruent with a taste of the astrological perspective.

Unfortunately this time around, no parts of the United States will get to see the full eclipse, however some metropolitan areas like Toronto, Philadelphia and New York will be able to view a partial eclipse a little after the sunrise on Thursday morning.

Getting to see a partial eclipse looks kind of like the sun has a portion taken out of it. In total, this eclipse will last around 1 2/3 hrs (approximately 100 minutes) as it starts at sunrise in Ontario, Canada.

If you aren’t exactly clear on what a solar eclipse is, an annular eclipse occurs when the Moon is farthest from Earth. And because the Moon is far away it appears smaller. The Moon does not block the entire view of the Sun and thus creates the appearance of a ring around the Moon.

Check out additional detailed information and maps about the eclipse operated by retired NASA astrophysicist Fred Espenakly.

The word annular comes from the Latin word for ring. Since the Moon covers the sun’s center and what is left forms a ring, hence the name “ring of fire”.

If you are one of the lucky folks situated along the East Coast and Upper Midwest and want to catch a glimpse at the partial eclipse, it is strongly recommended to use solar eclipse glasses and to not look directly into the sun as it may cause permanent damage to your eyes.

Don’t fret if you aren’t able to experience the upcoming solar eclipse. This summer we have a couple more opportunities to gaze above. There is set to be a Supermoon June 24, a Meteor Shower on July 28, and the Blue Moon come August 22.

We have a couple years until the next total solar eclipse in the United States, in April 8, 2024, weather permitting.

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What Time Will Gina Rodriguez’s ‘Awake’ Be on Netflix? Now. Find out what happens

Insomnia plays the #1 villain

https://video.twimg.com/amplify_video/1389977752615464964/vid/1280x720/fp1dMTGeqLjdRsbc.mp4?tag=14

Above: Official Trailer for Awake / Netflix

The next global catastrophe movie is coming to Netflix, its called “Awake” and the premise has quite the spin. This apocalyptic thriller makes surviving even more difficult because the Earth’s population no longer has the ability to sleep, which leads to mass hallucinations, disorientation, and ultimately death.

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“Awake” hopes to garner the same success as the Netflix original film “Bird Box”, which was a watch-at-the-end-of-your-seat apocalyptic horror/thriller where upon one glimpse of something terrifying would drive a person to deadly violence. The Netflix film released back in 2018 starred Sandra Bullock, Sarah Paulson and John Malkovich.

The cast includes: Gina Rodriguez as Jill, Jennifer Jason Leigh, Shamier Anderson, and Ariana Greenblatt as Matilda, the young girl who may hold the key to figuring out the film’s mystery. The film will debut on the Netflix streaming platform starting June 9, 2021.

A strange global event suddenly wipes out all electricity as well as strips humankind’s ability to sleep, which inevitably leads to insanity and chaos. Only Jill (played by Gina Rodriguez), an ex-soldier has a potential solution and key to a cure, her own daughter. What viewers will have to see is the major question, will Jill be able to safely deliver her daughter and save the world before she herself loses her mind from sleep deprivation.

Directed by Mark Raso known for his work on “Kodachrome”.

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New iPhone Separation Alerts will warn you if you’re about to lose your AirPods Pro

Above: Photo Credit / Apple

This is a feel-good story if it works and then it’s Hallelujah!

Ok, other than to be a benign stalker or to monitor your girlfriends actual ETA, do you even use the Apple “Find My” network? Were you aware that it applies to people, devices and now “items” using air tags? And that you can also find yourself, in case you don’t know where you are?

Well, all that has been expanded into a new realm, at least for those that want to hang onto expensive audio gadgets as long as possible. You guessed it, Apple has now added AirPods Pro and AirPods Max to the devices list.

This was announced at WWDC2021 but it is not, I repeat, not, something that you need to wait for a software upgrade to make use of. It’s live now if you have iOS 14.

Above: Photo Credit / Apple

Why the jubilation? I think because so many of us suffer from extended anxiety, even early symptoms of PTSD from the thought of losing those $250 or yikes(!) $549 babies.

Losing both or even one of these could be a life changing event, triggering depression and doubt and sadness. And Apple appears to understand this, indeed, they assure us that, not only is the Find My network supposed to geolocate your AirPods, they even have a new feature called “Separation Alerts”.

They specifically describe this feature thusly: “Separation Alerts notify a user if they leave an AirTag, Apple device, or Find My network accessory behind in an unfamiliar location…”

“Separation Alerts”, admittedly, sounds like a term for childhood trauma but, again, if you walk out of a Starbucks on 5th Ave. in NYC and you get a notification that you are sans your AirPod Pros, hallelujah, all is not lost, instead, you are running back in to grab those babies, STAT! (From the Latin word statim, meaning “immediately.”)

These subtle, free and unheralded improvements are seemingly the wave of the future, if you are an inhabitant of the Apple ecosystem, which is on the verge of turning into a kind of pre-metaverse training ground for future digital life pioneers.

Hardware Schwardware updates, who needs ’em?

WWDC2021 was, perhaps cleverly, devoid of hardware news or release announcements. This trick worked like a charm. Various top and sub-top media outlets spent the weeks ahead of the show and keynote, touting leaks, speculation and sources regarding, mostly, what turned out to be non-existent hardware updates.

Those will no doubt still be forthcoming, just not at the WWDC2021 keynote, as that ship has sailed.

Instead, and this is a good thing, we can all begin the journey to learn more about what is in store for the annual pilgrimage to the next generation of software enhancements for the Apple ecosystem, meaning macOS 12 Monterey, iOS 15, iPadOS 15 and all the rest too numerous to name here.

See our latest posts from the show for more details.

As per Apple release:

”Find My introduces new capabilities to help locate a device that has been turned off or erased, as well as live-streaming locations for family and friends who choose to share their location. Separation Alerts notify a user if they leave an AirTag, Apple device, or Find My network accessory behind in an unfamiliar location, and the Find My network now supports AirPods Pro and AirPods Max. A new Find My widget offers an at-a-glance view directly from the Home Screen.”

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Just Days following the birth of Lilibeth: Meghan Markle releases first Children’s book ‘The Bench’

Photo Collage / Lynxotic

The bonds between fathers and sons, as seen through the eye of their mothers

The Duchess of Sussex, Meghan Markle, already holds so many titles: she is a wife, a mother, feminist, activist, and now will be adding author to her list of accomplishments. Just a few days ago, the couple announced the birth of their daughter, with reference to both grandmother and great-grandmother naming her Lilibet “Lili” Diana Mountbatten-Windsor.

Fittingly, today, June 8th, 2021, marks the the release of Markle’s first children’s book.

The Duchess sweetly dedicates the book to “the man and the boy who make my heart go pump-pump”. “Lili” also holds a special place in her heart as her own mother Doria Ragland gave her the childhood nickname “Flower”. The Lilly flower happens to signify happiness and rebirth which gives their daughter name lots of symbolism and meaning to royal family’s newest (‘lil) addition.

The inspiration for the Duchess of Sussex’s first book started from a poem Megan wrote for Prince Harry after their son Archie was born for Father’s day. The poem then evolved into a story, the book will capture the special bond and relationship between fathers and sons from all walks of life, as described by mothers.

As news relating to the upcoming release of Markle’s debut book, reports began to surface speculating potential plagiarism with another children’s book “The Boy on the Bench” by Corrinne Averiss. The only real similarity between the two titles is they both have the word “bench”, aside from this, Averiss took to Twitter to defend the Duchess stating “I don’t see any similarities”.

https://twitter.com/CorrinneAveriss/status/1389918927073988608?s=20
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The Bench” includes illustrations by Christian Robinson, a Caldecott Award winner, who has worked with both Pixar and Sesame Street Workshop. Markle and Robinson worked together to make sure the final product was inclusive and shared a universal message every kind of family could relate to.

In a statement from Random House Children’s Books, Markle said “Christian layered in beautiful and ethereal watercolor illustrations that capture the warmth, joy, and comfort of the relationship between fathers and sons from all walks of life,” and continued to say “This representation was particularly important to me, and Christian and I worked closely to depict this special bond through an inclusive lens.

My hope is that The Bench resonates with every family, no matter the makeup, as much as it does with mine.”

The Bench” will mark the latest venture for the Duchess after stepping back from the Royal Family and moving to the United States in 2020. Prince Harry and Meghan have also launched a podcast in partnership with Spotify Archewell Audio. The two also have plans to work on a Netflix documentary based on the Invictus Games which the Prince founded back in 2014.

The book, along with the audiobook (Markle as narrator) is currently available for to order and will we be available for purchase starting June 8, 2021.

https://video.twimg.com/ext_tw_video/1402019623638384640/pu/vid/484x270/n724DHK22WiE-rC_.mp4?tag=12

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FaceTime gets Portrait Mode in iOS 15 to give the look of DSLR prime lens systems

The “Pro-Vlogger” look popularized on YouTube now available to all…

Above: The stunning Portrait mode from the Camera app is now optimized for video calls in FaceTime.
Photo Credit / Apple

If you are a prolific FaceTime user or if you don’t use it as much as you would if the aesthetics were a bit better (read: more flattering selfie styles) you are in luck. In a twist which takes advantage of tech that was initially created to make portrait mode a reality in the iPhone camera app is now coming to FaceTime on iPhone and also on iPad.

The maturation of features across platforms is paying big dividends

Portrait mode was added to the camera app as a way to get a DSLR style “prime lens” look with “bokeh” which is a Japanese term for the beautiful background out of focus blur that a long lens focused on the subject in the foreground will produce.

The computational fireworks required to produce this effect are nothing short of…. well check out Apple’s description:

” It’s a depth-guided, people-focused segmentation mask generated from a proprietary Apple neural network trained to detect people. It separates an individual in the foreground from whatever is in the background, with greater detail and clarity than with the depth map alone. It achieves this clarity in part because the matte image has higher resolution than the depth map.”


So this effect, which has been in the iPhone camera app since iOS 12 is now, likely due to the ever beefier potentials of the proprietary Apple neural network can now, starting with iOS 15 and iPadOS 15 be applied to video. Live.

New features in FaceTime help users look and sound their best. – credit: Apple

This, like so many other upgrades revealed today at the WWDC2021, is a great idea. High end YouTube videographers know it’s a great idea which is why they buy special DSLR camera with prime lenses just to get the very beautiful and flattering effect of a sharp subject in the foreground and a compressed, blurred “bokeh” effect in the background.

New features in FaceTime help users look and sound their best.

Not only visual but also audio upgrades are coming

They are also adding another obviously useful feature “spatial audio”, which creates the effect of having the perceived source location of each speaker match where they appear on the screen.

This is combined with “new microphone modes” which can reduce background noises and audio interference when in a chaotic sound environment and, alternatively when appropriate pickup an entire soundscape all at once.

All in all these improvements to both the visual experience, and the audio are a much needed change from the often ugly reality of bad-webcam zoom style meetings we all endured during 2020.

And with the front facing camera, lighting and software beautifications constantly getting better, we can, at least those with great internet and high end devices, look forward to a much more sensually pleasing level of FaceTime interactions.

Additional new upgraded features for FaceTime include, but are not limited to:

A new grid view that makes it possible to do a “zoom” like stack of equal size boxes.

SharePlay which is a somewhat odd sounding option to share “Apple Music, watching a TV show or movie in sync, or sharing their screen to view apps together”. Additionally, sharing can include anyone using an iPhone, iPad or Mac and if shared playback controls are active any of the parties that are sharing can play, pause or jump ahead.

Users can now share experiences with SharePlay while connecting with friends on FaceTime, including listening to songs together with Apple Music, watching a TV show or movie in sync, or sharing their screen to view apps together. SharePlay works across iPhone, iPad, and Mac, and with shared playback controls, anyone in a SharePlay session can play, pause, or jump ahead.

There’s an expanding list of sources that can be used, including, of course, Apple TV, but also third party services that opt in, and currently, according to Apple the list already includes: Disney+, ESPN+, HBO Max, Hulu, MasterClass, Paramount+, Pluto TV, TikTok, Twitch, and many others

https://www.apple.com/newsroom/videos/apple-ios15-shareplay-music/large_2x.mp4

FaceTime calls that use all of these new features will continue to be end-to-end encrypted, so privacy is not compromised.


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The Hit of WWDC2021 is the combo of AirPlay to Mac and Universal Control

credit: Apple

Allow me to explain, it’s better than it sounds…

Among the avalanche of new features and upgrades to iOS, iPadOS and most of all macOS 12 Monterey, there were two that were like a dream come true for anyone who has used AirPlay with AppleTv or “SideCar”, which originally came to the mac with macOS Catalina, and wished for one bold step further.

In an office environment, like our newsroom, being able to beam an iPad or mac on to a large conference style TV is great, but springing for the $ it takes to get a high resolution computer monitor large enough for group viewing is not such a great treat.

A fantastic compromise, one that many have wished for but never seen is the new option cogently called “AirPlay to Mac” which, just as the name implies, allows you to bean your phone or iPad (or I presume one mac to another) for paired or group viewing. (there were times when I, for one, forgot that this feature did not yet exist and tried to connect a mac screen using airPlay, to no avail).

AirPlay brings the Mac to life in all-new ways.

Even with tiny bugs that might arise at first when trying to get multiple macs to act as screens for a single source, once this is mature it should revolutionize meeting of small groups of colleagues all armed with trusty macs but wanting to do a group think and discussion session. (At a digital publisher meeting, like at Lynxotic, we might be looking at analytics data for the past week and all want to see the same data across all screens, for example.

Oh, and did I forget to mention that sound, just as in “regular” AirPlay, is included in the bargain. So even if it’s audio only that you want to share (like force feeding colleagues your favorite song) that is going to sound great on built in iMac speakers etc.

This seems instantly like something that is so obvious and intuitive that it could be one of those things, like AirPlay itself, that once entrenched and bug free, would be hard to live without.

Apple’s marketing copy:

“With AirPlay to Mac, users can play, present, and share just about anything — from the latest movies and games to vacation photos and presentations — from their iPhone or iPad right to their Mac’s stunning Retina display. The Mac’s high-fidelity sound system can also be used as an AirPlay speaker, so users can play music or podcasts on their Mac, or use their Mac as a secondary speaker for multi-room audio.”

Universal control, which sounds somehow ominous is, hopefully, just a simple way to more easily migrate live from device to device (of the same owner)

Though the mechanics of this feature were not explained in detail at the Keynote for WWDC2021, this is another feature that seems mind-bendingly obvious as a boon for any Apple device power user, it also seems strange that it did’t exist all along.

As shown with one example in the video below, it involves having a single mouse or trackpad control multiple devices. Or the same set up for a keyboard, or both. While there are some unanswered questions – such as would the keyboard designated as being the one to “universally control” another device automatically turn off the control on the remote devices native keyboard?

Perhaps this is a naive question since it appears that it is presumed that any device being universally controlled is owned and being used by a single human.

In one way this seems to have the best use when using, say, an iPad pro for a drawing task and then moving across to the mac to process the drawing in photoshop, illustrator etc. Honestly, sometimes it’s interesting to see each device as connected to a “chair mode” – iPad for a chaise lounge, iMac or MacMini for an office chair, iPhone or iPad mini for freedom from any chair, and switching from the more human-centric modes (chaise lounge) to get down to serious business on the biggest baddest screen and most powerful CPU seems like a utopian dream, with this feature activated and working without a glitch.

The ways this could be integrated into a workflow, and the permutations of how this could be useful, seem infinite, assuming it operates anywhere near as seamlessly as in the demonstration by Craig Federighi in the video. Being able to drag and drop, as he did, across three (3!) separate devices at will is pretty incredible, if not only for its simplicity and elegance.

https://www.apple.com/newsroom/videos/universal-control/Apple-Universal-Control-cc-us-_1280x720h.mp4

As per Apple: “Universal Control lets users work more seamlessly across their Mac and iPad. Working across Apple devices is now better than ever with new Continuity features:

Universal Control lets users work with a single mouse and keyboard and move between Mac and iPad for a seamless experience, with no setup required. Users can even drag and drop content back and forth between devices — great for sketching a drawing with Apple Pencil on iPad and placing it into a Keynote slide on the Mac.

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Public Policy meets Pop Culture in ‘While Justice Sleeps’: Stacey Abrams’ political thriller

Above: Photo Collage / Lynxotic / Doubleday

Multi-talented author and political force of nature

Hearing the name Stacey Abrams, you’d likely think of a woman who ran for governor in 2020 in Georgia, or the role she played in registering hundreds of thousands of voters and becoming a Democratic power broker. You might be surprised to learn that before she was well known in the political realm, Stacey Abrams wrote romance novels, under the nom de plume “Selena Montgomery”.

Abrams has also written non-fiction, including “Lead from the Outside” and Our Time is Now“. And now, in an interesting departure from previous works, her newest book is a political thriller. This is her 11th book, under her various names, but it is the first work of fiction published under her real name.

Recently the news broke that her novel is going to be adapted for a TV series to be produced by NBC Universal International Studios.

We provide a look at  “While Justice Sleeps“, by Stacey Abrams, below, along with a description, provided courtesy of the Bookshop (and the publisher), along with some links for a variety of purchasing options.

While Justice Sleeps

Avery Keene, a brilliant young law clerk for the legendary Justice Howard Wynn, is doing her best to hold her life together–excelling in an arduous job with the court while also dealing with a troubled family.

When the shocking news breaks that Justice Wynn–the cantankerous swing vote on many current high-profile cases–has slipped into a coma, Avery’s life turns upside down.

She is immediately notified that Justice Wynn has left instructions for her to serve as his legal guardian and power of attorney. Plunged into an explosive role she never anticipated, Avery finds that Justice Wynn had been secretly researching one of the most controversial cases before the court–a proposed merger between an American biotech company and an Indian genetics firm, which promises to unleash breathtaking results in the medical field.

She also discovers that Wynn suspected a dangerously related conspiracy that infiltrates the highest power corridors of Washington. As political wrangling ensues in Washington to potentially replace the ailing judge whose life and survival Avery controls, she begins to unravel a carefully constructed, chesslike sequence of clues left behind by Wynn. She comes to see that Wynn had a much more personal stake in the controversial case and realizes his complex puzzle will lead her directly into harm’s way in order to find the truth. 

While Justice Sleeps is a cunningly crafted, sophisticated novel, layered with myriad twists and a vibrant cast of characters. Drawing on her astute inside knowledge of the court and political landscape, Stacey Abrams shows herself to be not only a force for good in politics and voter fairness but also a major new talent in suspense fiction.

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Top 10 Netflix Series ‘StartUp’ Eerily Predicted Today’s World in 2016

In Netflix top 10 recently as the premonitions keep cropping up

First, to be clear, this series was produced by Crackle (Originally Sony Crackle) and in-all 3 seasons were produced between 2016 (first premiered on September 6, 2016) and 2018. It stars Adam Brody, Edi Gathegi, Otmara Marrero, Martin Freeman, Ron Perlman, Addison Timlin, and Mira Sorvino.

On November 15, 2017, the series was renewed for a third season which was released on November 1, 2018. On May 4, 2021, all three seasons were made available on Netflix and surged up into the top ten in spite of the age.

The correspondences are loose, as is the connection between the subject matter and the real world analogs. The series is dramatic and emotional more than technical and the title “StartUp” is a bit meh. It conjures up images of Silicon Valley nerds and other tech bros and lame plots with outdated “dot-com” plot twists.

“StartUp” could not be further from any of that. Set in Miami (great first choice) it has the reputation of that city for money laundering, drugs and financial crimes as a backdrop.

Ultimately it’s about life and loss, the life and death struggle to find the “American Dream” and at the same time has connections to Crypto, Alt Coins, Web 3.0, The Dark Net, the criminal underworld, specifically financial crimes, Silk Road and, of course, tech start ups and venture capital.

The intertwining of this trio from disparate backgrounds is awkward but at the core of the story

It begins with “Izzy” Isabella Morales, who is a genus code crunching hacker who’s struggling to try to launch a crypto coin, “GenCoin” that she has been working on for over five years, since her time on scholarship at Stanford.

There’s not a lot of detail about her code and I don’t recall the term “blockchain” being mentioned, but they do mention bitcoin throughout the show and, considering it was around 2016 during production it is interesting to see where much of the plot fits 2021 far more.

A kind a linking character in the show is FBI agent, Phil Rask played by Martin Freeman who serves, wonderfully, to give exposition and a factual tour of the Miami crime scene and how he, and the FBI are swimming in a virtual ocean of corruption. If you can’t beat ‘em, join ‘em appears to be his motto as he is actively soliciting bribes from the jump.

Nick’s father, who is both well connected in the upscale world of financial corruption that operates openly within the big banks and corporations of the established Miami elite, is put into a jam by Agent Rask, forcing him to search for a fast escape from Miami.

Reluctantly, Nick is pulled into his father’s criminal dealings, the last thing he ever wanted, and as a result crosses paths both with FBI Agent Rask and, ultimately, invests in Izzy’s GenCoin project using his Dad’s dirty money. Once Izzy connects to Nick Talman (Adam Brody), the plot takes off.

Ronald Dacey who is a Haitian “gang leader” has a special, unique and unexpected role to play in the series. He is the human embodiment of the way the system favors the white collar criminals at the top, including the FBI, in this case, while the poor minority populations, epitomized by the tough Haitian ghetto in Miami, are forced into drug dealing and violent turf wars just to survive.

It turns out that Izzy, Nick and Ronald are not really that far removed from one another as they soon find out that a big chunk of the money Nick got from his Father turns out to belong to Ronald and his “gang”. The money was supposed to be laundered and managed by the bank where Nick’s father worked.

In an intense climax of the initial establishing episodes, the unlikely three, like a crypto-criminal Mod-squad end up as partners in the start up that they create to launch Izzy’s Gencoin.

GenCoin comes across as a kind of mini-Ethereum or alt-coin ahead of its time, and at the same time there is a dramatic interaction where the anti-government and grey-market potential and meaning of crypto is, albeit simplistically, superimposed on a critique of the social structures of the status quo.

Once again epitomized first by Miami corruption and criminal financial history as a way to underscore the desperate need, and also from the point of view of the show’s heroes, who decide to fight for a massive world changing digital transformation.

Though disconcerting at times, personal struggles and pain are superimposed over the passionate striving of the main characters

So, while all of this and the show in general, is dramatic with endless plot twists and great long-form character portrayals by the stars, particularly Ronald played by Edi Gathegi and Isabelle Morales played by Otmara Marrero, the correspondences that jump out during the show seem to emerge in strange and sometimes eerie ways.

For example, at one point they attend a huge “crypto convention” in Miami (first time in Miami after previously being held in LA) and, while they are not particularly successful in that instance, the size and stature of the show mirrors the conference that is happening literally as this article is being written (June 4-5, 2021) also in Miami (!).

While the BitCoin conference has been around since 2019, that year the number of attendees was only 1900 and is expected to be far more this year. While it is a coincidence that Miami was chosen in 2021 for the first time, it is a bit uncanny when watching a 5 year old episode where the exact conference is held in the exact location…

Another interesting corresondence has to do with events that transpire in the second and third seasons (spoiler alert). Through wild, dramatic twists and turns Gencoin is no longer the focus and the trio re-unite to launch a second tech project “Araknet” which is portrayed in the film as a kind of “dark-web 3.0 network”.

Interestingly, there are several very current projects that, while not directly a mirror of Araknet, have many of the same qualities and goals, though with less dramatic and sinister details. The biggest is that Dfinity and Internet Computer are trying to “extend”the current public internet network rather than launch a separate “private” Web 3.0 that has decentralized privacy at its core.

The DFINITY Foundation is a not-for-profit scientific research organization based in Zurich, Switzerland, that oversees research centers in Palo Alto, San Francisco, and Zurich, as well as teams in Japan, Germany, the UK, and across the United States. The Foundation’s mission is to build, promote, and maintain the Internet Computer.

One example is “Internet Computer” which is being developed by Dfinity, a start up in Switzerland. They are developing, in simplified terms a kind of blockchain based “internet 3.0” hence the cute catchy name.

Araknet promotional marketing from “StartUp” sounds again, bizarrely considering the time frame, like what you can read on the Dfinity web site today.

A slightly less direct correspondence is Helium. A project to crate a separate iOT network using long-range wireless nodes to create a decentralized wireless infrastructure.

The show emphasizes heavily the human drama and struggles of three special individuals as they try to find a path through a world of financial corruption, explosive technology changes and a disire to fight for freedom more so than individual wealth or power exclusively.

The show deserves its popularity and the attention it has been given. I would recommend it with the warning that the prophetic foreshadowing of today, while remarkable, is not the primary through-line of the narrative.

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Hundreds of PPP Loans Went to Fake Farms in Absurd Places

Above: Photo Credit / Adobe Stock

Hundreds of PPP Loans Went to Fake Farms in Absurd Places

by Derek Willis and Lydia DePillis for ProPublica

ProPublica is a Pulitzer Prize-winning investigative newsroom. Sign up for The Big Story newsletter to receive stories like this one in your inbox.

 “This story was originally published by ProPublica.”

The shoreline communities of Ocean County, New Jersey, are a summertime getaway for throngs of urbanites, lined with vacation homes and ice cream parlors. Not exactly pastoral — which is odd, considering dozens of Paycheck Protection Program loans to supposed farms that flowed into the beach towns last year.

As the first round of the federal government’s relief program for small businesses wound down last summer, “Ritter Wheat Club” and “Deely Nuts,” ostensibly a wheat farm and a tree nut farm, each got $20,833, the maximum amount available for sole proprietorships. “Tomato Cramber,” up the coast in Brielle, got $12,739, while “Seaweed Bleiman” in Manahawkin got $19,957.

None of these entities exist in New Jersey’s business records, and the owners of the homes at which they are purportedly located expressed surprise when contacted by ProPublica. One entity categorized as a cattle ranch, “Beefy King,” was registered in PPP records to the home address of Joe Mancini, the mayor of Long Beach Township.

“There’s no farming here: We’re a sandbar, for Christ’s sake,” said Mancini, reached by telephone. Mancini said that he had no cows at his home, just three dogs.

All of these loans to nonexistent businesses came through Kabbage, an online lending platform that processed nearly 300,000 PPP loans before the first round of funds ran out in August 2020, second only to Bank of America. In total, ProPublica found 378 small loans totaling $7 million to fake business entities, all of which were structured as single-person operations and received close to the largest loan for which such micro-businesses were eligible. The overwhelming majority of them are categorized as farms, even in the unlikeliest of locales, from potato fields in Palm Beach to orange groves in Minnesota.

The Kabbage pattern is only one slice of a sprawling fraud problem that has suffused the Paycheck Protection Program from its creation in March 2020 as an attempt to keep small businesses on life support while they were forced to shut down. With speed as its strongest imperative, the effort run by the federal Small Business Administration initially lacked even the most basic safeguards to prevent opportunists from submitting fabricated documentation, government watchdogs have said.

While that may have allowed millions of businesses to keep their doors open, it has also required a massive cleanup operation on the backend. The SBA’s inspector general estimated in January that the agency approved loans for 55,000 potentially ineligible businesses, and that 43,000 obtained more money than their reported payrolls would justify. The Department of Justice, relying on special agents from across the government to investigate, has brought charges against hundreds of individuals accused of gaming pandemic response programs.

Drawn by generous fees for each loan processed, Kabbage was among a band of online lenders that joined enthusiastically in originating loans through their automated platforms. That helped millions of borrowers who’d been turned down by traditional banks, but it also created more opportunities for cheating. ProPublica examined SBA loans processed by several of the most prolific online lenders and found that Kabbage appears to have originated the most loans to businesses that don’t appear to exist and the only concentration of loans to phantom farms.

In some cases, these problems would’ve been easy to spot with just a little more upfront diligence — which the program’s structure did not encourage.

“Pushing this through financial institutions created some pretty bad incentives,” said Naftali Harris, the CEO of Sentilink, which helps lenders detect potential identity theft. “This is definitely a case where companies that decided they wanted to be more careful in terms of giving out loans were penalized for doing so.”

Presented with ProPublica’s findings, SBA inspector general spokeswoman Farrah Saint-Surin said that her office had hundreds of investigations underway, but that she did “not have any information to share or available for public reporting at this time.” Reuters reported that federal investigators were probing whether Kabbage and other fintech lenders miscalculated PPP loan amounts, and the DOJ declined to confirm or deny the existence of any investigation to ProPublica.

Kabbage, which was acquired by American Express last fall, did not have an explanation for ProPublica’s specific findings, but it said it adhered to required fraud protocols. “At any point in the loan process, if fraudulent activity was suspected or confirmed, it was reported to FinCEN, the SBA’s Office of the Inspector General and other federal investigators, with Kabbage providing its full cooperation,” spokesman Paul Bernardini said in an emailed statement.

As soon as the pandemic swept across America, Kabbage was in trouble.

The online lending platform had launched in 2009 as part of a generation of financial technology companies known as “non-banks,” “alternative lenders” or simply “fintechs” that act as an intermediary between investors and small businesses that might not have relationships with traditional banks. Based in Atlanta, it had become a buzzy standout in the city’s tech scene, offering employees Silicon Valley perks like free catered lunches and beer on tap. It advertised its mission as helping small businesses “acquire funds they need for their big breaks,” as a recruiting video parody of Michael Jackson’s “Thriller” put it in 2016.

The basic innovation behind the burgeoning fintech industry is automating underwriting and incorporating more data sources into risk evaluation, using statistical models to determine whether an applicant will repay a loan. That lower barrier to credit comes with a price: Kabbage would lend to borrowers with thin or checkered credit histories, in exchange for steep fees. The original partner for most of its loans, Celtic Bank, is based in Utah, which has no cap on interest rate, allowing Kabbage to charge more in states with stricter regulations.

With backing from the powerhouse venture capital firm SoftBank, Kabbage had been planning an IPO. Its model foundered, however, when Kabbage’s largest customer base — small businesses like coffee shops, hair salons and yoga studios — was forced to shut down last March. Kabbage stopped writing loans, even for businesses that weren’t harmed by the pandemic. Days later, it furloughed more than half of its nearly 600-person staff and faced an uncertain future.

The Paycheck Protection Program, which was signed into law as part of the CARES Act on March 27, 2020, with an initial $349 billion in funding, was a lifeline not just to small businesses, but fintechs as well. Lenders would get a fee of 5% on loans worth less than $350,000, which would account for the vast majority of transactions. The loans were government guaranteed, and processors bore almost no liability, as long as they made sure that applications were complete.

At first, encouraged by the Treasury Department, traditional banks prioritized their own customers — an efficient way to process applications with little fraud risk, since the borrowers’ information was already on file. But that left millions of the smallest businesses, including independent contractors, out to dry. They turned instead to a collection of online lenders that have sprung up offering short-term loans to businesses: Kabbage, Lendio, Bluevine, FundBox, Square Capital and others would process applications automatically, with little human review required.

For the platforms, this was also easy money. In the first funding round that ran out last August, Kabbage completed 297,587 loans totaling $7 billion. It received 5% of each loan it made directly and an undisclosed cut of the proceeds for those it processed for banks; its total revenue was likely in the hundreds of millions of dollars. A lawsuit filed by a South Carolina accounting firm alleges that Kabbage was among several lenders that refused to pay fees to agents who helped put together applications, even though the CARES Act had said they could charge up to 1% of the smaller loans (a provision that was later reversed). For Kabbage, that revenue kept the company alive while it sought a buyer.

“For all of these guys, it was like shooting fish in a barrel. If you could do the minimum amount of due diligence required, you could fill up the pipeline with these applications,” said a former Kabbage executive, one of four former employees interviewed by ProPublica. They spoke on the condition of anonymity to avoid retaliation at their current jobs or from industry giant American Express.

To handle the volume, Kabbage brought back laid-off workers starting at $15 an hour. When that failed to attract enough people, they increased the hourly rate to $35, and then $40, and awarded gift cards for reaching certain benchmarks, according to a former employee with visibility into the loan processing. “At a certain point, they were like, ‘Yes, get more applications out and you’ll get this reward if you do,’” the former employee said. (Bernardini said the company did not offer incentive compensation.)

In a report on its PPP participation through last August, Kabbage boasted that 75% of all approved applications were processed without human review. For every 790 employees at major U.S. banks, the report said, Kabbage had one. That’s in part because traditional banks, which also take deposits, are much more heavily regulated than fintech institutions that just process loans. To participate in the PPP, fintechs had to quickly set up systems that could comply with anti-money laundering laws. The human review that did happen, according to two people involved in it, was perfunctory.

“They weren’t saying, ‘Is this legitimate?’ They were just saying, ‘Are all the fields filled out?’” said another former employee. As acquisition talks proceeded, the employee noted, Kabbage managers who held the most company stock had a built-in incentive to process as many loans as possible. “If there’s anything suspicious, you can pass it along to account review, but account review was full of people who stood to make a lot of money from the acquisition.”

One situation in which Kabbage approved a suspicious loan became public in a Florida lawsuit filed by a woman, Latoya Clark, who received more than $1 million in PPP loans to three businesses. When the funds were deposited into accounts at JPMorgan Chase, the bank discovered that Clark’s businesses hadn’t been incorporated before the PPP program’s cutoff and froze the accounts. Clark sued Chase, and Chase then filed a counterclaim against the borrower and Kabbage, which had originated the loan despite its questionable documentation. In its response, Kabbage said it had not yet completed its investigation of the incident.

Although the Justice Department rarely names lenders that processed fraudulent PPP applications, Kabbage has been named at least twice. One case involved two loans worth $1.8 million to businesses that submitted forged information, and the other involved a business that had inflated its payroll numbers and submitted a similar application to U.S. Bank, which flagged authorities. Kabbage had simply approved the $940,000 loan. American Express’ Bernardini declined to comment further on pending litigation.

Shortly after the application period for PPP’s first round closed on Aug. 8, American Express announced the Kabbage purchase. But the transaction included none of Kabbage’s loan portfolios, either from the PPP or its pre-pandemic conventional loans. The PPP loans had either been sold to SBA-approved banks or bought by the Federal Reserve. Bernardini wouldn’t say which banks now own the loans, however, and said that no potentially fraudulent loans had been pledged to the Fed.

In April, an Ocean County, New Jersey, resident contacted ProPublica after seeing his name attached to a Kabbage loan for a nonexistent “melon farm.” To see whether it was an isolated incident, ProPublica took basic information the government released after a Freedom of Information Act lawsuit by ProPublica and others and compared it with state business entity registries. Although registries don’t pick up all sole proprietorships and independent contractors, the absence of a name is an indication that the business might not exist.

As it turned out, Kabbage had made more than 60 loans in New Jersey to unlisted businesses. Fake farms also showed up repeatedly in the SBA’s Economic Injury Disaster Loan Program, according to reports from localnewsoutlets.

A common tie became apparent when the resident of the home to which one nonexistent business was registered said that he was a client of the certified public accountants at Ciccone, Koseff & Company. In March 2020, the firm notified its clients of what it called an “ultimately unsuccessful ransomware attack” that occurred the previous month. According to information filed with Maine’s attorney general, the attackers acquired Social Security numbers and financial information.

Several other clients of the accounting firm, including Mancini, the Long Beach mayor, also had loans registered to their addresses. Reached by phone, firm founder Ray Ciccone declined to comment.

But that CPA’s data breach didn’t account for all of the suspicious loans ProPublica found across the country. Searches for PPP applicants that didn’t show up in state registration records yielded hundreds in 28 more states, with dense clusters in Florida, Nebraska and Virginia. Other lenders had nonexistent businesses as well, but fake farms only showed up in Kabbage loans. Most followed a distinctive naming convention, with part of the name of a resident or former resident of the home to which the business is registered, plus a random agricultural term.

Some of the fake loans listed addresses of people who’d also legitimately applied for their businesses. Hartington, Nebraska, anesthesiologist Bruce Reifenrath received a PPP loan for his practice in nearby Yankton, South Dakota. That’s why the idea of one being approved for a “potato farm” was so strange. “We did a PPP loan last spring and it’s pretty extensive, the documentation,” Reifenrath said.

Reifenrath was part of a cluster of dubious Kabbage loans in Hartington that also included the home of J. Scott Schrempp, the president of the Bank of Hartington, who confirmed that he did not own a strawberry farm. Schrempp said he had noticed the fake loan, and reported it to the SBA.

The SBA data only reflects approved applications received from lenders, some of which are then caught and not funded. The SBA also periodically updates its dataset to remove loans canceled by lenders. But none of the suspicious loans pulled by ProPublica show undisbursed funds, and they all have remained in the dataset for more than eight months.

One possible mechanism for the invented businesses is a technique known as synthetic identity theft, in which a criminal obtains pieces of personally identifiable information — such as a home address, a Social Security number and a birthdate — and combines it with fake information to build a credit profile. The associated bank account then routes to the fraudster, not the owner of the original information.

None of the residents of the phony farms ProPublica contacted were getting notices that they needed to repay the loans they didn’t apply for, because they didn’t get any money. But that doesn’t mean they’re not at risk, according to James Lee, chief operating officer at the Identity Theft Resource Center.

“Just having an address linked to your name on a fraudulent loan can impact your credit,” Lee said. It can also pose problems for pre-employment background checks, insurance applications or new identification documents like passports and driver’s licenses.

Meanwhile, if not corrected, the fabricated identities will stay in circulation and become better at fooling other financial institutions. “Those records get built into the credit and authentication systems used by government and commercial entities,” Lee said. “Each next time they are used and authenticated, the more ‘real’ they become. That’s what makes synthetic identity fraud so insidious.”

This, however, is largely not Kabbage’s problem anymore.

After its huge blitz of PPP loans last summer, Kabbage had hundreds of thousands of borrowers whose loans would need to be serviced until they were closed out. The loans could either be forgiven, if the borrower demonstrated that they spent most of the money on payroll, or paid back with interest. But American Express didn’t acquire the part of Kabbage’s business that owned those loans. Instead, a separate entity called K Servicing would handle loan forgiveness and take applications for a second PPP draw that Congress funded in December. The servicer is led by former Kabbage employees and its website looks very similar to Kabbage’s, but American Express says it has no affiliation.

If Kabbage was understaffed for the volume of PPP loans it took on before the acquisition, the situation has apparently worsened since then. Reddit, Yelp, Consumer Affairs, Trustpilot, Facebook and Better Business Bureau threads are replete with complaints from customers whose applications were denied or who received no communication from the company. When the SBA changed the rules in February to make the program more generous to independent contractors, K Servicing couldn’t incorporate the new forms into its processing system. So it told all new applicants to apply through another company, SmartBiz, which had operated as a mostly online processor of SBA loans even before the pandemic.

K Servicing is run by Kabbage’s former head of program management, Laquisha Milner, who also runs her own consulting firm. “Due to extenuating circumstances beyond our control, currently, our processing function is delayed,” Milner emailed in response to detailed questions from ProPublica. “We are relentlessly exploring all available options to ensure our existing customers are able to maximize their loan forgiveness.”

Jennifer Dienst is a freelance travel and events writer who received her first-draw loan from Kabbage and wants to apply for forgiveness before her window for doing so closes in the fall, but she has been stymied by K Servicing’s failure to make the forms available. “Please be patient with us as we prepare for the new forms,” a message on the loan portal reads.

Meanwhile, Dienst’s account has started accruing interest, which Milner said will not be charged if the loan is forgiven. But it’s making Dienst nervous.

“It’s always the same response from K Servicing — we’re updating our forgiveness forms and they’ll be made available soon,” Dienst said. “They’ve been saying that for months.”

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New Jason Statham Video or Deepfake TikTok Account? You Decide

Above:Photo Credit / MGM

Three and a half million likes in less than 24 hours? Sure, if you are Jason Stratham on TikTok. And it’s the first video on a brand new account. The only video on the account so far. And you are dancing while you divulge your stats.

Looking at the comments, however, nearly 70,000 of them, a large number are asking “is this real”. Deep-fakes are most definitely real. Several accounts used Tom Cruise Deep-fake video to try to spoof an official TikTok account for the star. And a few stray clips of Brad Pit at a script reading spawned a series of fake accounts trying to look like Brad’s personal “rogue” account.

But, wait, there’s also Billie Eilish who started a “secret” personal account in November 2020 and posted some fascinatingly bizarre ukulele footage, apparently just for kicks, as she surely has no need for more publicity. The account was so unique and, well, strange, that it was hard to imagine that it could be fake.

Sure enough, yesterday what appears to be an outtake from her recent music video with some hilarious captions and stickers popped up on the, mostly dormant, account and has since gone viral. All of which pretty much cements the “it’s definitely real” theory.

As for Jason Statham? We are going to go out on a limb here and say that he is following Billie Eilish’s lead and this is a real account. The fact that there is a single video with a full body dance clip of what absolutely appears to be the star is a tip-off. Secondly if this is his head deep-faked onto someone else’s body, that’s a pretty perfect body double.

Also, the original sound mix seems to indicate that there was method that went the extra mile.

What’s your take? Send us comments or your detective results and let us know if you think this is real, like we do, or if this is just some amazing wizardry at a next level of deep-fake-ness, which thousands of comment writers on TikTok seem to believe…


https://movietrailers.apple.com/movies/mgm/wrath-of-man/wrath-of-man-trailer-1_h1080p.mov

Above: Official Trailer for “Wrath of Man” Credit: MGM

In addition to Statham, he is joined by a slew of actors including: Alex Ferns, Holt McCallany, Scott Eastwood, Jeffrey Donovan, Laz Alonso, Josh Hartnett, Niamh Algar, Raúl Castillo, Post Malone, Lyne Renee, Anthony Molinari, Deobia Oparei, Tadhg Murphy, Babs Olusanmokun, Darrell D’Silva, Chris Reilly, Matthew Illesley, Rebecca Calder, Jason Wong, Alessandro Babalola, Cameron Jack, Montana Manning, Rocci Williams, Josh Cowdery, and Eve Macklin. 

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New Malcolm Gladwell Book Selection for Summer 2021

Although a hit ‘The Bomber Mafia’ is less known than previous Gladwell bestsellers

With “Blink” (2007) and “The Tipping Point” as well as “OutliersMalcolm Gladwell burst onto the scene with a new kind of popular non-fiction. Rather than being another single minded academic focused on a particular specific niche, it was in choosing what phenomena to study, and then taking his now patented unique approach, that he was able to excite and inspire the minds of millions of readers.

Drilling down into the exact aspects of his chosen topics to focus on just what made him choose them in the first place, and doing so with an excited air of adventure and discovery, Gladwell continues to delight, and for some, his entire body of work consists of one page-turner after another. Even his titles, like outliers and the tipping point, though in usage before, after he nailed them into more expansively defined concepts, were brought into more popular use and the widespread level of understanding to a whole new level.

Below we feature a broad selection, including his latest, for fan and the curious alike.

To make it easier they are featured front and center, below, along with descriptions, provided courtesy of the Bookshop (and the various publishers), and with some links for a variety of options of where to purchase.

The Bomber Mafia: A Dream, a Temptation, and the Longest Night of the Second World War

 In The Bomber Mafia, Malcolm Gladwell weaves together the stories of a Dutch genius and his homemade computer, a band of brothers in central Alabama, a British psychopath, and pyromaniacal chemists at Harvard to examine one of the greatest moral challenges in modern American history. Most military thinkers in the years leading up to World War II saw the airplane as an afterthought. But a small band of idealistic strategists, the “Bomber Mafia,” asked: What if precision bombing could cripple the enemy and make war far less lethal? 

In contrast, the bombing of Tokyo on the deadliest night of the war was the brainchild of General Curtis LeMay, whose brutal pragmatism and scorched-earth tactics in Japan cost thousands of civilian lives, but may have spared even more by averting a planned US invasion. In The Bomber Mafia, Gladwell asks, “Was it worth it?” Things might have gone differently had LeMay’s predecessor, General Haywood Hansell, remained in charge.

Hansell believed in precision bombing, but when he and Curtis LeMay squared off for a leadership handover in the jungles of Guam, LeMay emerged victorious, leading to the darkest night of World War II. The Bomber Mafia is a riveting tale of persistence, innovation, and the incalculable wages of war.

Talking to Strangers: What We Should Know about the People We Don’t Know

How did Fidel Castro fool the CIA for a generation? Why did Neville Chamberlain think he could trust Adolf Hitler? Why are campus sexual assaults on the rise? Do television sitcoms teach us something about the way we relate to one another that isn’t true? Talking to Strangers is a classically Gladwellian intellectual adventure, a challenging and controversial excursion through history, psychology, and scandals taken straight from the news.

He revisits the deceptions of Bernie Madoff, the trial of Amanda Knox, the suicide of Sylvia Plath, the Jerry Sandusky pedophilia scandal at Penn State University, and the death of Sandra Bland–throwing our understanding of these and other stories into doubt. Something is very wrong, Gladwell argues, with the tools and strategies we use to make sense of people we don’t know.

And because we don’t know how to talk to strangers, we are inviting conflict and misunderstanding in ways that have a profound effect on our lives and our world. In his first book since his #1 bestseller David and Goliath, Malcolm Gladwell has written a gripping guidebook for troubled times.

David and Goliath: Underdogs, Misfits, and the Art of Battling Giants

Three thousand years ago on a battlefield in ancient Palestine, a shepherd boy felled a mighty warrior with nothing more than a stone and a sling, and ever since then the names of David and Goliath have stood for battles between underdogs and giants. David’s victory was improbable and miraculous. He shouldn’t have won.

 Or should he have? In David and Goliath, Malcolm Gladwell challenges how we think about obstacles and disadvantages, offering a new interpretation of what it means to be discriminated against, or cope with a disability, or lose a parent, or attend a mediocre school, or suffer from any number of other apparent setbacks. 

Gladwell begins with the real story of what happened between the giant and the shepherd boy those many years ago. From there, David and Goliath examines Northern Ireland’s Troubles, the minds of cancer researchers and civil rights leaders, murder and the high costs of revenge, and the dynamics of successful and unsuccessful classrooms—all to demonstrate how much of what is beautiful and important in the world arises from what looks like suffering and adversity. 

Outliers: The Story of Success

In this stunning book, Malcolm Gladwell takes us on an intellectual journey through the world of “outliers”–the best and the brightest, the most famous and the most successful. He asks the question: what makes high-achievers different?


His answer is that we pay too much attention to what successful people are like, and too little attention to where they are from: that is, their culture, their family, their generation, and the idiosyncratic experiences of their upbringing.

Along the way he explains the secrets of software billionaires, what it takes to be a great soccer player, why Asians are good at math, and what made the Beatles the greatest rock band. Brilliant and entertaining, Outliers is a landmark work that will simultaneously delight and illuminate.

The Tipping Point: How Little Things Can Make a Big Difference

The tipping point is that magic moment when an idea, trend, or social behavior crosses a threshold, tips, and spreads like wildfire.

Just as a single sick person can start an epidemic of the flu, so too can a small but precisely targeted push cause a fashion trend, the popularity of a new product, or a drop in the crime rate.

This widely acclaimed bestseller, in which Malcolm Gladwell explores and brilliantly illuminates the tipping point phenomenon, is already changing the way people throughout the world think about selling products and disseminating ideas.

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LGBTQ+ Books for Pride Month and Every Month

As the sun begins to peak out and early summer finally shines among us, June, as it has been for years, is the perfect month to be designated for Pride Month. Although large public celebrations like parades may still be stalled for most parts of the world because of the still looming pandemic, there are nevertheless plenty of opportunities to celebrate and proudly wave that beautiful rainbow flag (literally and metaphorically).

Pride can and never will be be canceled!

There are many ways to show your support/allegiance and to champion the LGBTQ+ community, particularly during Pride Month, (although Pride should really be a constant). One such way is through the classic form of words and images on pages, as reading and learning should never be considered less than desirable and always be savored. 

There are hundreds of LGBTQ+ books out there and although it can be extremely hard to choose which ones to spotlight, we’ve chosen a few with accompanying book descriptions to kick off June 2021 Pride.

The Queer Bible: Essays

Jack Guinness wanted to have a tangible way for us to see and praise the long and “glorious” history of the LGBTQ+ community and created the website QueerBible.com in 2016, the online community solely devoted to celebrating queer heroes both from the past and the present. 

The new 2021 book pays homage to queer heroes that paved the path, both unsung heroes and queer icons, which readers will get learn and see them in a fresh light.

The illustrated collection of essays include contributions fro the likes of Elton Jonhn, Tan France, Gus Kenworthy, Paris Lees, Russell Tovey, Munroe Bergdorf. As well as honoring timeless queer icons such as  Susan Sontag, David Bowie, Sylvester, RuPaul, and George Michael.

We Are Everywhere: Protest, Power, and Pride in the History of Queer Liberation

Check out this book that covers major historical Queer Liberation movements through photographs.

Readers can learn the beginning queen activism in late 19th century Europe to the pivotal Stonewall Riots of 1969 to the current. 

The text features more than 300 pictures from more than 70 photographers and 20 archives.  Looking at family life, protests, marches, celebrations, mourning and Pride – you can to literally SEE queer history.

“We are Everywhere” shows readers how they can and must honor LGBTQ+ post history in order to shape a more liberated future.  

Tomorrow Will Be Different: Love, Loss, and the Fight for Trans Equality

Sarach McBride would become the first transgender person to speak at a national political convention and later became the first openly transgender Delaware state senator and national press secretary for the Human Rights Campaign.

Yet before all that she struggled with the decision to come out. 

“Tomorrow Will Be Different” is chronicles her journey.

Her book, a powerful memoir, that is informative, heartbreaking and also extremely powerful as she writes about her identity and the battle for equal rights and what it means to be trans. 

Also includes a foreword by President Joe Biden. 

One Life

Megan Rapinoe is an Olympic gold medalist and a 2x Women’s World cup champion.

In her book “One Life” she shares for the first time ore intimate information about her life on and off the soccer field and begs the ultimate question, if we all have just one life – what are we going to do? 

After the 2011 World Cup, Rapinoe felt discouraged by how very few athletes were open about their sexuality. As a result, she decided to disclose publicly she was gay and from then on used her platform to help advocate for marriage equality. 

Her story follows some of the most important moments in her life and career including her realization she was gay in college, her experience with soccer coaches and the backlash / disputes she received when she took a knee during the national athem in 2016 in solidarity with NFL player Colin Kaepernick, how she met her fiancé Sue Bird and her process during the US Soccer Federation over gender discrimination and equal pay. 

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UFO Report Teased by Major News Outlets Ahead of Actual Release

Clickbait is not exclusive to smaller news organizations, apparently

With titles like “Long Awaited UFO Report is Here” major news outlets are blowing up a leak, sighting “senior administration officials briefed on the findings” of the as yet unreleased report.

Taking a subject, already shrouded in mystery and intentionally misleading readers is not particularly professional but , unfortunately, par for the course when it comes to this subject.

The report is referred to universally as “highly anticipated”, which, yes, it is. That would also appear to be the incentive to relabel a round-up of mainly already reported facts and quotes as definitive.

What is, somewhat, new is the confirmation, again by those senior administration officials briefed on the findings, that there are no secret U.S. government technologies responsible for the Unidentified Aerial Phenomena (U.A.P.) or UFO incidents. However, that is only said to be true of the “vast majority” of the more than 120 incidents.

As published in prior articles, including by Lynxotic, there are three “likely” potential sources for the unexplained phenomena:

  1. secret U.S. technology,
  2. an adversary’s spy vehicle
  3. something otherworldly

To break down what these initial leaks quoting the as yet to be released report have on these three would basically be as follows. As quoted above “the vast majority” (thought apparently not all) did not originate from secret U.S. technology.

https://video.twimg.com/amplify_video/1394072364250550273/vid/1280x720/x_kfMpT-EjEEegfj.mp4?tag=14

Although there is known research being done in “hypersonic”, mainly by Russia and China, and there is a “worry” that this could be one explanation, if true it would mean that those countries technology is not only a well kept secret, but also far beyond any current U.S. capability.

As for the third option, the leaks emphasized that though “difficult to explain” there is no proof that aliens are responsible.

Not all outlets are making light or obfuscating, but struggling with what can be stated as fact

The New York Times story on what is as of yet known of the contents of the report, likely the source for others quoted above, and that article has a clearer title and “spin” on the situation:

U.S. Finds No Evidence of Alien Technology in Flying Objects, but Can’t Rule It Out, Either” Though vague, this title is at least not intentionally misleading.

radio transmission “Whoa, got it — woo-hoo!” “Roger —” “What the expletive is that?” “Did you box a moving target?” “No, I took an auto track.” “Oh, OK.” “Oh my gosh, dude. Wow” “What is that man?” “There’s a whole screen of them. My gosh.” “They’re all going against the wind. The wind’s 120 knots from west.” “Dude.” “That’s not — is it?” “inaudible” “Look at that thing.”

If all of this is broken down, there is very little that is new or noteworthy in the revelations other than a kind of preview of the stance the report is likely to take.

Talking about this à la Rumsfeld with the patter boiling down to terms like “known unknowns” and “Unknown unknowns” is not the reason, obviously, that the report is “highly anticipated”. This is where the reality of this tricky category of information enters the discussion.

For example: If the kind of ultra advance technology had any of the above three sources would these realities actually be released and admitted to in an unclassified report?

Gov speak will always echo Rumsfeld

Imagine the report confirming the existence of aliens, even the strong likelihood of the same? Panic and a host and variety of potential public responses would be enough to justify keeping that classified. And if it was U.S. technology? That would be an obvious example of something that could not be leaked or admitted, unless there was a desire to use it for saber rattling or other political strategy.

And if it was true that this ultra advanced capability was to be in the hands of a potential foreign adversary? Cue the panic and consternation once more.

So what could be divulged? Apparently there is a desire to confirm publicly and in this unclassified report just what can not be said – that these numerous instances are with 100% certainty an illusion or malfunction of our people or measurement technology.

That, once again, is certainly something. For example, if it were to be admitted that there were flaws or limitations to our various high tech mechanisms to observe and measure flying objects, that would, in and of itself, be an admission of failure and lack of functionality of the devices and systems.

As the NYT subheading states: “A new report concedes that much about the observed phenomena remains difficult to explain, including their acceleration, as well as ability to change direction and submerge.”

If the “difficulty” to explain these parameters, observed by pilots and aircraft recording systems on multiple occasions (and apparently with increased frequency) is due to the lack of sophistication of our abilities to observe and measure, that is already an admission that, while this phenomena is “real” to the best of our knowledge, we do not, as of yet, possess the ability to see or record it in a way that can explain what it is.

The end and beginning of the future

And voilà! We are back to the definition of UAP and UFO: Unidentified.

And, as frustrating as all of this can be, somehow there is, under layers of caution and reticence, an admission of something here. The admission that, whatever these sitings are of, it would be in our interest to try and find out, and to take the effort to study these incidents seriously from now on, not just make jokes and relegate these questions to some kind of “anti-science” fantasy from a fictional story.

If nothing else, it is that revelation, that there is a strong, solid reason for this report to even be ordered and carried out, that moves us forward into a new era that might well, eventually, reveal some astounding information on these craft. Very fast, very nimble and very mysterious UAP craft.


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Anyone got Norton 360? Now you’re a Crypto Miner

Norton has announced integrated Ethereum mining software

Norton Antivirus software, and the company that makes it, NortonLifeLock , best known for being bundled annoyingly in new Windows computers, has announced via press release that they intend to bundle a feature they call “Norton™ Crypto”.

The feature which they say will be added to Norton360 starting tomorrow for “early adopters” to begin mining from within the already installed software.

They are also, with a very helpful tone, declaring that they will also bundle an ethereum wallet which will be safely stored in “the cloud” so it won’t be lost.

They do not specify any minimum computing requirements but they do say that :

“Norton Crypto is expected to become available to all Norton 360 customers1 in the coming weeks.”

Yo’ dude this shit’s getting real

So, although this comes off as a somewhat desperate attempt to try and maintain relevance after likely millions of forced installations are never monetized (just a guess) it nevertheless could send millions of civilians into crypto mining without “just a few clicks”.

This brings up so many questions immediately it’s a bit mind-boggling. Although the first media reactions, predictably, mention “environmental” issues and take a negative tone, doubting why anyone would want to risk “taxing” the computer’s GPU for such a task.

Of course questions such as how mining efficiency would be affected by millions of “micro-miners” there is also the question of why wouldn’t a virus software subscriber want to essential use their idle computer resources to pay for the software itself (cut to happy Norton execs congratulating themselves on the genius idea).

Above:Photo Credit / Norton

Could there be another story here? Mainstream experience with crypto, demystifying the blockchain?

Further and more interestingly. If more mainstream software companies and even service subscription software companies follow suit and millions if not hundreds of millions of average people begin collecting small months ethereum “dividends”, even if only $10 per month, how easy is it to put the Genie back into the bottle, so to speak?

When millions are not “irresponsibly” using dollars or euros to purchase cryptocurrencies, but rather, instead “earn” a few extra dollars, once the coins are traded for local “hard” (read: fiat) currencies, here and there for each computer or GPU they own, can the whole thing, like green stamps, air miles, credit card loyalty program be suddenly outlawed?

As appears everywhere more and more on a daily basis, isn’t crypto, via Bitcoin, Ethereum and many various alt coins, become more and more woven into the financial system? Isn’t the number of people who own, buy or even mine crypto exploding exponentially on a daily basis?

Isn’t this just one more sign that the trend of crypto becoming “normalized” and woven more and more deeply into the fabric of our lives is not likely to reverse itself?

Yes. That’s the answer. More news tomorrow, probably.



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TikTok’s Winning Formula Starts with the Algo, but Thrives thanks to the Creators

Above: 3 TikTok Creators / Photos from TikTok

The evolution of content continues at warp speed due to pure individual creativity

By now, the open algorithm, where a new account can blow-up in the first week because videos are not pre-judged by past performance or prior stats is well known and a huge draw to creators.

The apps and filters and tricks that are provided by the software are also extremely enticing. There are many videos (“TikToks”) that feature how-to and DIY tips for using various hacks to get SFX into your clip.

But, by far, the biggest draw and quality that most sets TikTok apart from virtually all other social media is the character of the creators themselves. And the diverse and unique spectrum of what can be perceived as successful and popular on the app is a creation of the creator and user community itself.

Links to the creators in this article:

The contrast with Instagram and Facebook couldn’t be more extreme

After sampling 20 hours of TikToks a year ago and comparing those to today, what stands out most is how the same qualities that seemed like a blast into a different universe a year ago, compared to what came before, are now much more developed and refined, if a concept like refinement can be applied to absolute quirky free expression.

What stands out is the level that creators are embracing the platform, not just to get seen and build stats, and possibly influence earning potential, but to communicate. With sometimes almost shocking honesty what they really believe in and and especially who, exactly, they are. That confidence is contagious and gives the experience an addicting quality, and yet, it’s a more positive addiction than any other social media experience.

Most intriguing, from a journalists point of view, is how highly intelligent, mostly self-educated creators are devoting enormous energy toward propagating highly valuable, yet often overlooked, insights about society, finance, internet business, wealth and, well, life itself. All without concern for an immediate reward.

There’s an electric feeling that, once given a platform and a megaphone, the chance exists for a world of information and constantly changing ideas to be rescued from the bland pit of ignorance and convention that is the weakness with most of media product.

Above: 3 TikTok Creators / Photos from TikTok

A faint echo of hope, bouncing back from the dream of a better future

News and media web sites, that bend and contort content choices out of fear of revenue reductions, are rightfully lambasted and called-out for lack of coverage in areas that are critically important and yet given scant or negative coverage.

The ethos of being yourself, with or without glamor, and still be accepted, or even rising to the top echelons of stat-killing influencers, is not just a theoretical fairytale but is a visible reality all across the community.

You just have to look at what is popular, or even just showing viewer interest generally, and you’ll see incredibly creative people who made the choice to double-down on their uniqueness, rather than trying to conform to some social standard of bland attractiveness or fake charisma.

Because of the emphasis on the “content” of the content, for the most part, rather than slick visuals and production values, or a fake self-aggrandizing fantasy image bolstered by props like mansions, hot cars, make-up and wardrobe, etc. there’s a feeling that great clips will be rewarded for authenticity, more often than not.

The ethos and attitude that pervades the experience as a passive user is an organic outgrowth, in part, of the openness of the algorithm, and appears to be a more honest reflection of what people will “like” if not manipulated with dark patterns and all of ‘Zuckerbergian’ tricks.

Above: 3 TikTok Creators / Photos from TikTok

Don’t mess with the recipe: just let it grow and evolve

Of course, no app or community is perfect and the best of what is happening on TikTok could disappear at any time. On the whole, however, it seems like the app is now locked into a situation where if TikTok were to lose that “magic”; the magic created by the community of creators themselves, it would destroy the actual formula that built the success of the platform.

And, hopefully, that reality will therefore prevail and will continue and allow millions of creators to grow, share insights and evolve together into a force that could, one day, make the rest of social media adopt at least some of those positive qualities, in order to maintain their own fan base and popularity. Or they will just disappear, to be replaced by a new type of online exchange that has not yet been conceived.


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Crypto-Kids of TikTok will Never Give Up on Blockchain

Above: ‘Photo Collage / Lynxotic / Unsplash

The TikTok indicator is saying crypto is here to stay…

It was, astoundingly, less than a month ago, May 8th, 2021, that Ethereum reached an all time high of $4,169. That was two days after Dogecoin, full of Musk momentum, hit .69 cents, after starting the year around .10 cents. Bitcoin had peaked about a month earlier at $63,674 on April 12th.

As is so often seen in manias, bubbles and feeding frenzies, at the time you could not find a person in America who was not talking about crypto. The proverbial shoe-shine boy was now your cousin, your uncle even your grandmother and they were all bursting with FOMO after reading the articles, especially the ones about the Dogecoin millionaires, who had made fortunes starting with a tiny sum.

Now, many of those same people are seeing a typical reversal, correction, bear phase, whatever you want to call it, and they are just as convinced of crypto’s demise today as they were that it was a sure-thing less than a month ago.

The kids get it and are not backing down

Much like TikTok itself, the later arrivals to the huge phenomena that is Crypto are the old and out-of-touch, not the young and fast. Interestingly, an anecdotal survey of young and successful crypto “influencers” on TikTok and other social media are not shocked about the downturn. They get it.

Many have been learning about and actively involved with the crypto world for years. There is a real sense that the corrupt events that led to the financial crisis and near collapse in 2008 shaped their thinking and hardened their resolve to search for a better way. Crypto’s ideals and independent foundations have provided that in a real, tangible way, it seems.

While the mainstream of the media and the bulk of the financial establishment swing from an almost grudging respect to complete derision and rejection, it appears to be the underlying concepts and ideologies that present such a stark contrast in the perspective of up and coming generations.

https://www.tiktok.com/@cryptocita/video/6954932256267980037?sender_device=pc&sender_web_id=6967902097740793350&is_from_webapp=v1&is_copy_url=0

While perhaps no less vulnerable to the excitement of 20,000 % gains and other sensational enticements, there is a somewhat surprising depth and resolve that is demonstrated in a level headed and clear thinking allegiance to the reasons crypto was created in the first place.

The outlandish price gains (and drops) are only window dressing

At the core of the question of crypto’s eventual widespread adoption and long term success lies a simple truth: fiat currencies and the governments that print them are a big problem for the world’s future. And, naturally, the new generations of the future will be those that are most affected.

What Elon Musk recently called “The true battle… between fiat & crypto” is one that Gen-Z appear to understand in ways that 100-year-old billionaires like Warren Buffet and his side-kick Charlie Munger do not. Or maybe they just side with the financial establishment they helped build, to the bitter end.

For any reading this that also “get it”, it would be wise to understand that, even at this early phase in the future of “the true battle” there is an army rising. It is not one of suicidal fossil fuels and battlefield tanks but one of ideology and belief in the possibility of a better way.

The army that will stand up for the survival and continued development of cryptocurrencies and blockchain and “DeFi” are not a few random conscripts, they are the generations of the future and they have chosen a side.

For that reason, all signs point to an unlikely permanent collapse of cryptocurrencies and an impossibility of banning or stopping them. It is already too late to prevent their eventual rise.


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Best of the new arrivals Coming to Netflix in June

Which new series and films are looking like a good bet to stream this month

These days, it seems at times like finding something worth watching, and, more importantly, devoting precious free time to, can be a challenge. Sure, you can just randomly try the next thing in your recommendation queue and take your chances.

We’ve all been there; a tried and true classic we know is pretty good but we’ve seen it three times or a new item, marketed hard by the platform, but of unclear quality or interest. Sometimes you find a gem, by sheer luck. Other times it takes some deep digging to come upon an acceptable risk profile. The last thing we want is to get twenty minutes into a film, or worse yet, a unknown series, and have to “abort plan” due to low quality or just a theme that doesn’t tickle our fancy.

With some luck, and based on prior research and experience, the recommendations below might fit the bill. “Lupin” was a bonafide smash hit and, as any who devoured the first season can attest, once hooked, this series is a top notch binge-fest. Hopefully season two will turn out to be as good.

Based on prerelease buzz, the cast, the concept and the trailer, “Awake” looks quite interesting so far. A bit in the direction of “Bird Box” another big success for Netflix, it will be the differences, rather than the similarities that will be the test.

“Sweet Tooth” is already stirring discord among reviewers and the press. Perhaps due to the “sacred” and known DC Comic origin, and the pedigree of the production team, while the critics wariness could be warranted, it’s interesting enough to give this one a good test run before discounting it out of hand…

Lupin: Part 2– Netflix Original Series – 6/11:

Assane’s quest for revenge against Hubert Pellegrini has torn his family to pieces. With his back to the wall, he now has to think of a new plan, even if it means putting himself in danger.

Awake – 6/9:

Chaos ensues after a global event wipes out all electronics and takes away humankind’s ability to sleep. But Jill (Gina Rodriguez), an ex-soldier with a troubled past, may hold the key to a cure in the form of her own daughter.

Sweet Tooth – 6/4:

Based on the beloved DC Comic, and Executive Produced by Susan Downey & Robert Downey Jr., Sweet Tooth is a post-apocalyptic fairytale about a hybrid deer-boy and a wandering loner who embark on an extraordinary adventure. All episodes of Sweet Tooth premiere June 4th, 2021, only on Netflix.

Workin’ Moms (Season 5) – 6/15

Warm, loyal PR executive Kate and her longtime friend, no-nonsense psychiatrist Anne, attend a judgmental mommies’ group, where they meet timid IT tech Jenny and blindly optimistic real estate agent Frankie. The four quickly form an unlikely friendship, sharing struggles of urban motherhood filled with the chaos of toddlers, tantrums, careers, and identity crises, all while trying to achieve the holy grail: a sense of self. 

Related Articles:


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Amazon to buy MGM for $8.5 Billion: WTF?

opinions & observations

Above: Photo Collage by Lynxotic & New Press

There’s a joke somewhere in here but it’s hard to see it through the tears

Woody Allen’s onscreen counterpart, Alvy Singer, complaining about Hollywood Award Shows in “Annie Hall” remarked that a category of award for “Greatest Fascist Dictator” would not surprise him, and that Adolf Hitler would probably win.

Amazon, viewed from some neutral future date or by aliens from another planet would surely win the award for “Greatest Company to Amass Wealth & Power by Intentionally Losing Money” award. Or maybe just “World’s Biggest Ponzi Scheme”.

For now the fawning books and articles on the greatness of “Bezos’ Behmouth” continue to pile up.

An exception to the fawning fan fiction is “Monopolized: Life in the Age of Corporate Power” by David Dayen. The author also commented cogently on the current situation with Amazon and MGM. His thoughts shed much needed light on the simple and yet sadly overlooked truth about Amazon: its core mission is to monopolize not just online sales but all transactions that take place in the economy where a “cut” of those transactions can be extracted.

What’s with all these awards? They’re always giving out awards. Best Fascist Dictator: Adolf Hitler. — Alvy Singer

This viewpoint, it would seem, can be traced back to a rare case where Jeff Bezos let his guard down and accidentally explained a core concept of the Amazon business model.

He said, simply: “Your margin is my opportunity”.

With this seemingly innocuous and widely misinterpreted phrase he unleashed the dogs of hell on the world of commerce. The MGM deal, according to Dayen, who is also editor of The American Prospect, is yet another attempt to gut an industry with techniques designed to use predatory pricing strategies to crush all rivals.

The sub-head from his article states: “The company wants to control pricing on everything, and funnel as many transactions to itself as possible.”

Meanwhile, somehow, this statement is finally being generally understood in its real context.

Yet what is astounding is that this is not a supposition or an accusation, but rather is a stated fact, and how this company has behaved and operated for decades.

Putting 2+2 together, the common interpretation that there is an “innocent” pro-customer meaning possible, is finally being seen for the absurdity that it is.

Simple, Effective and Disgusting: Selling below cost or at a loss to harm competition

We’ve seen how that goes. In this case, since Amazon does not make any data available on the profitability of various business segments, using nearly $9 billion to enhance its “free with Prime” business creates yet another loss-leader opportunity to destroy the margins of all other streaming platforms, who, like other businesses actually have to make a profit or at least break even, unlike Amazon due to its cross-subsidization of products and services.

Amazon wants to control all economic activity in the United States and the world. It wants a cut of every transaction. — D. Dayen

Amazon as “cross-subsidized content devourer” is how Dayen described the inevitable outcome of the deal in his article.

He also succinctly argues that by using its virtually unlimited power and resources to devour an ever larger share of the market, ultimately the result will be to drive up costs for competitors (for I.P., production and star power) and achieve the goal of squeezing the already slim margins for those poor schmucks (or rich schmucks like Disney, HBO, Netflix, etc.) that don’t have an unlimited budget for intentional losses.

The playbook is so obvious and familiar that it’s almost laughable. That is, if not for the death and destruction that always follow in the next chapters of this plot schema.

They pick on an established industry where no one will have sympathy for the rich victims – did anyone feel sorry for Borders or other large book retailers? Does anyone cry over the loss of Diapers.com or Quidisi? When Birkenstock complains does anyone listen?

How can gutting the streaming industry or unassailable giants like Disney and HBO be bad? Isn’t it just capitalism at its finest? Should we start preparing the award now for “Greatest Consolidator of Content in History”?

But what about the “loss leader” system? What about the ultimate outcome of less competition and higher prices overall, an obvious harm to consumers, regardless of how stupid and convoluted the route is to get there?

By moving the market in a way that will make streaming a terrible business for any company that has to compete with this, “oughta be illegal” script, margins will, if the gambit succeeds, face a similar fate to the one that anyone who used to be in the retail book industry, or any of the other entire industries that Amazon has received kudos for destroying, knows all too well.

Dayen also makes the point that, once this thinly veiled ploy is seen for what it is, the harm, not only to Amazon’s competitors but to the general public, should be obvious and impossible to ignore.

Citing the similarities with the recently brought antitrust action by the Washington, DC attorney general, it is exactly this kind of pernicious practice, that Amazon has not only gotten away with for decades, but Bezos has been lionized for “inventing”.

That lawsuit, which deals with an Amazon clause in 3rd party marketplace terms and conditions (since altered to disguise its true intent) that 3rd party sellers must sell anywhere outside Amazon’s marketplace at the same or higher price that they have listed on Amazon, is a sign of a gradual shift toward seeing the real meaning of Amazon’s behavior.

Since there are massive, exorbitant fees added to every transaction for all 3rd party sellers, the only way for them to make any profit at all is to tack on the cost of those fees, meaning artificially higher prices.

Amazon has ways to retaliate through “dark patterns” of its own special stripe, by manipulating buyers behaviors on its web site, making sure that sellers that don’t toe the line will get, essentially, zero sales.

For Amazon this kind of bullying and blackmail is a “win-win-win”. They see and have tattooed into their DNA all pain, suffering and loss for anyone other than the company (AMZN) as a gain for them.

3rd party sellers caught in hell trying to survive while paying fees up to 43% or more without recourse to try and recoup by selling anywhere else at lower prices?

Amazon congratulates themselves. Sellers undercutting each other, in spite of those fees in an effort to behave like a “mini-Amazon” and getting into a race to the bottom death match with each other? Yippee! Great for Amazon, when they are dead, there are always new victims waiting in line to enter the cage.

How about sellers that obtain goods illegally, counterfeit, illegal imports, stolen products, remainders and aftermarket overstock? They are GREAT for Amazon because they put even more pressure on the individual, honest sellers to immolate themselves trying to survive (and eventually die via pricing suicide) while Amazon can claim to be offering lower prices!

Oh, and when they “do their best” to stop all those illegal sellers, albeit at a snails pace, they are bailed out by section 230 and can point to their “partners in crime”, the counterfeiters, the knockoffs from China, the illegal imports and the stolen and aftermarket goods and say: “We tried our best, these are just a few bad apples” laughing all the way through every board meeting.

“Your margin is my opportunity”, indeed.

Above: Photo Collage by Lynxotic

There are no mitigating factors here. There is no “good guy” or customer obsessed hero. Just evil and the dead or dying. Wake the fuck up, America.

The praise and adulation continues, even as the $400 million yacht is being prepared for its maiden voyage

It’s as if Bezos is given award after award for the “genius” of selling 1$ bills for .75 cents. Championed for using a strategy that masquerades short term margin destruction as “customer obsession”, pretending that the dumping levels of pricing won’t in the long run flip into price gouging and the destruction of competition.

Somehow the massive detriment to consumers and the society at large is overlooked amid all the parties celebrating the “genius”.

But have the chickens finally come home to roost? Is anyone seeing a pattern of systematic use of the same tactics over and over, applied to each and every sector that Amazon chooses to “disrupt”? They didn’t get the nickname “grim reaper” for nothing. The problem is that it was meant as a compliment.

It is a sea change in the antitrust orientation, a sea change that is desperately needed, and with Lina Kahn and Columbia Law School professor Tim Wu, it might be just over the horizon. Could even have a chance to come about.

That change, so long overdue, could finally begin the process of dismantling the damage wrought and and still to come, if there is no interdiction.

The worm will eventually turn. When? After decades of obvious abuse and criminal behavior, completely and willfully ignored (too complicated to see).

Will there eventually be so many victims that they will outnumber the duped and the sycophants? Stay tuned.

Monopolized: Life in the Age of Corporate Power

David Dayen (Author)

This is a world where four major banks control most of our money, four airlines shuttle most of us around the country, and four major cell phone providers connect most of our communications. If you are sick you can go to one of three main pharmacies to fill your prescription, and if you end up in a hospital almost every accessory to heal you comes from one of a handful of large medical suppliers.

Over the last forty years our choices have narrowed, our opportunities have shrunk, and our lives have become governed by a handful of very large and very powerful corporations.

Today, practically everything we buy, everywhere we shop, and every service we secure comes from a heavily concentrated market.

Dayen, the editor of the American Prospect and author of the acclaimed Chain of Title, provides a riveting account of what it means to live in this new age of monopoly and how we might resist this corporate hegemony.

Through vignettes and vivid case studies Dayen shows how these monopolies have transformed us, inverted us, and truly changed our lives, at the same time providing readers with the raw material to make monopoly a consequential issue in American life and revive a long-dormant antitrust movement.


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