#BrutalMasks created by iPad are a setup for singer’s AI reality in newest music video
The young and top chart-leading pop star of 2021, Olivia Rodrigo, has debuted her album SOUR. Her first song “brutal” on the album, first released back in May was met with 26.7 million streams its first week.
This week, the artist released her new music video for the song and, incredibly, it was produced exclusively on an Apple iPad. Incredible because of the way it turned out, showing how Apple is aggressively positioning itself, particularly with the iPad Pro, iPadOS 15 and the upcoming iPhone 13 as a full professional production option that will only get better with each software / hardware iteration.
Promotions leading up to her video had fans create their own #BrutalMasks to share on TikTok.
The 30 second video breaks down how some of the custom masks that are featured throughout the video were made with the FacePaint feature on the Procreate app using the Apple pencil.
https://youtu.be/Z6_J8KxIlmI
This isn’t the first time Apple has partnered with musical celebrities, other stars that have worked alongside the company include Lady Gaga, Selena Gomez, and Billie Eilish. With the new direction in marketing and even designing updates to lean more and more towards a pro orientation, expect more major artists, as well as new upcoming ones that can benefit most from the lower cost of top flight production values to get a bump this fall. And the proliferation of creative visual and musical expression will hopefully follow…
As the end of one month ends and another begins, that means many things, but for the Netflix streaming platform, is always means an influx of new content. In this case we are referring to new “classic” content, not including the the extraordinary amount of new movies Netflix plans to release now until the holidays.
Whether its TV shows, movies, Netflix originals, both old and new, we’ve compiled a huge list of everything that is coming to Netflix starting the first of September.
The list combines, truly, a digital smorgasbord of things to watch from classic movies like “Blade Runner”, documentaries including “Blood Brothers: Malcolm X and Muhammad Ali” or Netflix Originals like “Kate” and “Midnight Mass”. With the selection sometimes feeling stale after a month it is good to get a refresh!
The list is a freaking long one, with over 40 plus titles, some becoming available within hours of this writing. So, without further ado, here are the shows that lie just ahead in your Netflix-future:
Available September 1
How to Be a Cowboy (Netflix Series)
Turning Point: 9/11 and the War on Terror (Netflix Documentary)
A Cinderella Story
Agatha Christie’s Crooked House
Barbie Big City Big Dreams
Blade Runner: The Final Cut (1982)
The Blue Lagoon (1980)
Chappie
Clear and Present Danger
Cliffhanger
Cold Mountain
Crocodile Dundee in Los Angeles
Dear John
Do the Right Thing
Freedom Writers
Green Lantern
House Party, House Party 2, House Party 3
The Interview
Kid-E-Cats, season 2
Labyrinth
Letters to Juliet
Love Don’t Cost a Thing (2003)
Mars Attacks!
Marshall
Mystery Men
The Nutty Professor, The Nutty Professor II: The Klumps
Once Upon a Time in America
Open Season 2
Rhyme & Reason
School of Rock
Tears of the Sun
Welcome Home Roscoe Jenkins
Available September 2
Afterlife of the Party (Netflix Film)
Final Account
Q-Force (Netflix Series)
Available September 3
Dive Club (Netflix Family)
Money Heist Part 5: Volume 1 (Netflix Series)
Sharkdog (Netflix Family)
Worth (Netflix Film)
Available September 6
Countdown: Inspiration4 Mission to Space (Netflix Documentary)
Available September 7
Kid Cosmic, season 2 (Netflix Family)
Octonauts: Above & Beyond (Netflix Family)
On the Verge (Netflix Series)
Untold: Breaking Point (Netflix Documentary)
Available September 8
The Circle, season 3 (Netflix Series, new episodes weekly)
Into the Night, season 2 (Netflix Series)
JJ+E (Netflix Film)
Available September 9
Blood Brothers: Malcolm X & Muhammad Ali (Netflix Documentary)
The Women and the Murderer (Netflix Documentary)
Available September 10
Firedrake the Silver Dragon (Netflix Family)
Metal Shop Masters (Netflix Series)
Pokémon Master Journeys: The Series (Netflix Family)
Prey (Netflix Film)
Yowamushi Pedal, Yowamushi Pedal Grande Road
Kate (Netflix Film)
Lucifer, final season
Available September 13
Countdown: Inspiration4 Mission to Space (Netflix Documentary)
Available September 14
A StoryBots Space Adventure (Netflix Family)
Jack Whitehall: Travels With My Father, season 5 (Netflix Series)
The World’s Most Amazing Vacation Rentals, season 2 (Netflix Series)
You vs. Wild: Out Cold (Netflix Family)
Available September 15
Nailed It!, season 6 (Netflix Series)
Nightbooks (Netflix Film)
Saved by the Bell, seasons 1–9
Schumacher (Netflix Documentary)
Too Hot to Handle Latino (Netflix Series, new episodes weekly)
Available September 16
He-Man and the Masters of the Universe (Netflix Family)
Jaws, Jaws 2, Jaws 3, Jaws: The Revenge
My Heroes Were Cowboys (Netflix Documentary)
Available September 17
Ankahi Kahaniya (Netflix Film)
Chicago Party Aunt (Netflix Series)
The Father Who Moves Mountains (Netflix Film)
Sex Education, season 3 (Netflix Series)
Squid Game (Netflix Series)
The Stronghold (Netflix Film)
Available September 19
Dark Skies
Available September 20
Grown Ups
Available September 21
Go! Go! Cory Carson: Chrissy Takes the Wheel (Netflix Family)
Love on the Spectrum, season 2 (Netflix Series)
Available September 22
Confessions of an Invisible Girl (Netflix Film)
Dear White People: Volume 4 (Netflix Series)
Intrusion (Netflix Film)
Jaguar (Netflix Series)
Monsters Inside: The 24 Faces of Billy Milligan (Netflix Documentary)
Available September 23
Je Suis Karl (Netflix Film)
Available September 24
Blood & Water, season 2 (Netflix Series)
Ganglands (Braqueurs) (Netflix Series)
Jailbirds New Orleans (Netflix Series)
Midnight Mass (Netflix Series)
My Little Pony: A New Generation (Netflix Family)
The Starling (Netflix Film)
Vendetta: Truth, Lies and The Mafia (Netflix Documentary)
Available September 28
Ada Twist, Scientist (Netflix Family)
Attack of the Hollywood Clichés! (Netflix Comedy Special)
Some big-name movies are set to be removed from the streaming platform as it makes way for the new Sept 1st arrivals. Among the soon to be departed (including, ironically, The Departed!) there is something for everyone and it would be a real shame to miss out on anyone of these titles, especially if you have never seen them.
Whether comedies staring the likes of John Goodman, Jeff Bridges, Reese Witherspoon or Jonah Hill, or a drama on the making of Facebook with Justin Timberlake and Jesse Eisenberg, a love story with Kiera Knightley, or a scary movie like “The Ring”, these diverse movie selections, iconically, each in their own right and unique reasons, are a must watch.
We do have socialism in this country—but it’s not Democrats’ policies. The real socialism is corporate welfare.
You may have heard Republicans in Congress rail about how the Democrats’ agenda is chock-full of scary “socialist” policies.
We do have socialism in this country—but it’s not Democrats’ policies. The real socialism is corporate welfare.
Thousands of big American corporations rake in billions each year in government subsidies, bailouts, and tax loopholes—all funded on the taxpayer dime, and all contributing to higher stock prices for the richest 1 percent who own half of the stock market, as well as CEOs and other top executives who are paid largely in shares of stock.
Big Tech, Big Oil, Big Pharma, defense contractors, and big banks are the biggest beneficiaries of corporate welfare.
How? Follow the money. These corporations and their trade groups spend hundreds of millions each year on lobbying and campaign contributions. Their influence-peddling pays off. The return on these political investments is huge. It’s institutionalized bribery.
An even more insidious example is corporations that don’t pay their workers a living wage. As a result, their workers have to rely on programs like Medicaid, public housing, food stamps and other safety nets. Which means you and I and other taxpayers indirectly subsidize these corporations, allowing them to enjoy even higher profits and share prices for their wealthy investors and executives.
Not only does corporate welfare take money away from us as taxpayers. It also harms smaller businesses that have a harder time competing with big businesses that get these subsidies. Everyone loses except those at the top.
It’s more socialism for the rich, harsh capitalism for the rest.
It should be ended.
I’m as sensitive as anyone to the sufferings of Afghans now, but I’ve had it with the sanctimony of journalists and pundits who haven’t thought about Afghanistan for 20 years—many of whom urged we get out—but who are now filling the August news hole with overwrought stories about Biden’s botched exit and Taliban atrocities.
Yes, the exit could have been better planned and executed. Yes, it’s all horribly sad. But can we get a grip? The sudden all-consuming focus on Afghanistan is distracting us from hugely important stuff that’s coming to a head at home:
(1) Republican politicians and right-wing media worsening the surging Delta variant of COVID by fighting masks and vaccinations, as cities and school systems struggle to decide what to do;
(2) wildfires and floods consuming much of America, as House Democrats absurdly threaten to oppose Biden’s $3.5 trillion budget blueprint containing important measures to slow climate change;
(3) Texas on the verge of passing the nation’s most anti-democracy voting restrictions, adding to voter suppression measures in 24 other states, at the same time the “For the People Act” and the “John Lewis Voting Rights Act”—which would remedy these horrendous laws—languish in the Senate because Joe Manchin and Krysten Sinema refuse to do anything about the filibuster.
Enough sanctimony over Afghanistan. Enough about Biden’s falling approval ratings. We’ve had enough wall-to-wall coverage of the Olympics and then Andrew Cuomo and now the airport in Kabul. Can we please focus on the biggest things that need and deserve our attention right now? The window of opportunity to do anything about them will close sooner than we expect.
If we don’t take action now on COVID and the critical importance of vaccinations and masks, on climate change and Biden’s $3.5 trillion package, and on voter suppression and the necessity of the For the People and the John Lewis Voting Rights Acts, we may never.
Ongoing attempts to enable travel between cities within a matter of minutes take form and shape…
A new concept video of the company’s plans for its Hyperloop system has been released, and if realized, the system will be a very fast one. The trains would travel inside a near-vacuum environment within a tube. The absence of air allows for the luxury train-like pods to travel at low power yet at extremely fast speeds, reaching up to 1,080km/hour or 670 mph.
The concept of a Hyperloop system is not a new one, and actually it was Elon Musk that initially brought the idea of developing a hyperloop transportation concept into the mainstream via the Boring Company.
photo / Virgin Hyperloop
Plans to build fully realized systems did not materialize under his watch, perhaps due to his very full agenda with sustainable energy, EVs, the moon and mars all on his plate, and now Virgin appears to be picking up the mantel and aiming for a complete transport system. With jet speeds, comfort of luxury train travel and the flexibility of car individuality the concept projections are, at the very least, beautifully imagined.
While the slick, enjoyable video (below) might make you eager to jump into a pod pronto, the reality, if realized, of the system in some kind of full commercial operations, is projected for 2027 and beyond.
All of this is promised, along with nearly zero emissions. Looking forward using a 30 year time horizon the company’s studies estimated that there could be a reduction CO2 emissions by 2.4 million tons with a connection built between three cities creating $300 billion in overall economic benefits.
This somewhat utopian vision would enable incredibly smooth, clean, cheap transportation between cities and be fast. Really fast. Although it may be easy to scoff at this rosy view of the future – it is exactly the kind of bold utopian vision that will be required if humanity is going to be saved from oblivion. Climate crisis disasters, financial meltdowns, political gridlock and corruption, these are the obvious likely candidates for a believable future.
On the other hand, ideas like universal basic income (paid in bitcoin mined by cell phone), emission free ultra luxurious hi-speed transport systems, powered with renewable energy, a world where scarcity and want are not the measurement of reality, these are the necessities of utopia.
Perhaps it’s time to start thinking it could be possible. Since the alternative is oblivion and extinction, why not?
“It starts off with two people riding a Hyperloop. It ends with hundreds of millions of people riding on a Hyperloop and that’s what the 2020s, the roaring ’20s will be”
Virgin Hyperloop Co-founder and Chief Executive Josh Giegel
One difference between the Virgin Hyperloop and a high-speed maglev train system, for example, is the idea of an individual pod system which would allow for individual pods to break away and head to secondary tubes leading towards a different destination.
Virgin Hyperloop is part of the Virgin empire created by Richard Branson, below he shared the video explaining how travel pods work.
33 Anticipated TV Shows coming out, but there’s not enough time to watch them all!
There will be no shortage of new series and movies one can stream this fall. Netflix just announced its influx of movies (42) to watch. Next comes an avalanche of new TV series, 33 already scheduled for release during the rest of 2021, including new seasons of established shows.
With what feels like the countless number of streaming platforms (Netflix, Hulu, HBO Max, Amazon Prime, Disney+, Paramount+, Peacock, Showtime, you get the point), there are almost too many options to know where the heck to start!
Don’t worry, though, the launching new streaming options won’t end in Fall, your TV watching bonanza will be far from over as the holiday season approaches. The gift of streaming will be seemingly boundless, in particular, due to the release of two upcoming Marvel series: “Hawkeye” and “Ms. Marvel” in addition to Netflix’s “The Witcher”.
The future overall looks bright in the digital entertainment realm, at least with regard to “choice” and seemingly endless options, viewers have so much to watch, even as many of us are also already waiting for the long-planned currently-in-production status of Game of Thrones spinoffs and Lord of the Rings TV series to wrap up and finally come to our screens.
In the meantime, below we picked the top 5, out of a total of 33, not including the 42 upcoming movies, that should definitely be on your list to consider for your screens this Fall.
Succession: Season 3 – HBO – October dates and times TBA:
Streaming platform heading for a strong finish with tons of new content for the rest of ’21
Netflix has pumped up the volume for the remainder of 2021! There are 42 films slated to drop, spread across the next 4 months, that’s an average of 10 releases a month!
Get ready to see tons of star power on your screens, including big names like: Meryl Streep, Leonardo DiCaprio, Halle Berry, Sandra Bullock, and Jennifer Lawrence and those are just Oscar award winners. Ryan Reynolds, The Rock, Michael Keaton, Idris Elba, Melissa McCarthy, Gal Gadot and so many more are also set to appear in the Fall lineup of movies (read “soon”).
There are also heavy hitters scheduled in November and December that we will report back on, once trailers have been released. Already, however, they also look to have awesome potential: “Red Notice” with The Rock, Ryan Reynolds and Gal Gadot, “Don’t Look Up” with Leonardo DiCaprio and Jennifer Lawrence and “The Power of the Dog” with Benedict Cumberbatch.
Below are several that do have already released trailers – these are not all but our hand-picked favorites from the many on deck for your consideration:
September 3 – Worth:
October 29 – Army of Thieves:
November 3 – The Harder They Fall:
November 11 – Tick, Tick…BOOM!:
December 1 – The Power of the Dog:
December 3 (Theater) December 15 (Netflix) – The Hand of God:
Remake of the Danish Award winning hit will surely translate to big-time US success
Back in 2018, during the Sundance film festival, Jack Gyllenhaal watched a Danish film “Den Skyldige” (The Guilty). Immediately after experiencing the psychological thriller he knew it could be a hit in English.
The actor then quickly acquired the rights, and now he stars in the remake of “The Guilty“, which will get its premiere on Netflix October 1st, 2021.
During the time that production was initially set to begin for the film, suddenly covid-19 happened, and, as we all know, that put a halt to productions across the entertainment industry.
Yet this film, if it follows the original, is almost uniquely perfect for filming during a pandemic. The movie is primarily centered around one man in one location (everyone else is mainly heard over the phone) – thus the movie was ultimately produced by way of social distance, FaceTime and zoom chats by director and producers. (which is not to say he, at least, phoned-it-in, by any means).
Gyllenhaal plays a demoted police office that now works as a 911 dispatch operator named Joe Bayler. He receives a call from someone in danger, but throughout the call, which takes place in a single morning, nothing is as it seems.
Check out the trailer for the original 2018 version with English sub-titles, of course. The 2021 version set for the Netflix streaming platform does not, as of yet, have a trailer available. Aside from Gyllenhall, additional cast will mainly be comprised of voice performances by the likes of: Ethan Hawke, Peter Sarsgaard, Riley Keough, Paul Dano, Byron Bowers, Da’Vine Joy Randolph, David Castaneda, Christina Vidal, Adrian Martinez. Bill Burr, Beau Knapp, and Edi Patterson.
Warner Bros. is set to release its next big horror movie. The film is helmed by James Wan. If that name doesn’t strike a cord, one of his many many scary movies like “Saw”, “The Conjuring”, “Annabelle”, “Demonic” “Lights out”, “Insidious” or “The Curse of La Llorna” probably will.
This time around, the director wants to deviate from what he is most known for, mastering the jump scare, you know that moment when something crazy scary pops up on the screen and you are immediately jerked, or in my case, scream like an insane person. He promises that “Malignant” will be a different kind of horror movie from his past endeavors.
And I’m always trying to find new ways to reinvent myself so that I don’t get stale, so to speak… Part of the reason, too, why I wanted to make Malignant was that I want people to know that this is not a jump scare film.”
-James Wan / Malignant
In the film, “Madison is paralyzed by shocking visions of grisly murders, and her torment worsens as she discovers that these waking dreams are in fact terrifying realities.”
The cast includes Annabelle Wallis, Maddie Hasson, Mckenna Grace, Jake Abel, George Young, Ingrid Bisu, Michole Briana White and Jacqueline McKenzie. “Malignant” will be released simultaneously in theaters and HBO Max (for 31 days) on September 10.
At sound of a whistling in teaser video evokes an eeriness and tension between characters….
It’s always great when an actual actor becomes a movie star. Benedict Cumberbatch has been in a myriad of productions recently such as “Doctor Strange“, “The Mauritanian”, “The Courier”, “Avengers” and on and on, with nearly 100 actor credits and that doesn’t even touch on his work as an executive producer.
Running the gamut from the Multiverse to spy thrillers and serious suspense his ability to portray depth and intelligence has stood him in good steed.
Going all the way back to “Tinker Tailor Solider Spy” and “The Imitation Game” (not to mention his portrayal of Sherlock Holmes) a solid body of work is has been established which hopefully will not turn into a house of cards as a result of inevitable over-exposure.
Cumberbatch’s newest role is as a rancher from Montana named Phil Burbank. “The Power of the Dog” is based on a novel by the same name. Set in 1925, Phil “inspires fear and awe in those around him”. When his brother (Jesse Plemons) brings home a new wife (Kirsten Dunst), Phil torments them until he finds himself exposed to… the possibility of love.
Netflix gave viewers a little taste with the official teaser trailer for the film. The movie will be released initially in theaters on November 17 and will debut on the streaming platform the 1st of December.
The MCU dispatches a wave of villains from different timelines and also welcomes back some known entities
The official trailer for “Spider-Man: No Way Home” is here and after over a year of fans desperately trying to speculate the ultimate plot twists, the video clip confirms that viewers will get a multiverse-ial one.
Tom Holland is back as Peter Parker and Spider-Man. In the final moments of the most recent Spider-Man sequel “Far from Home“, Peter Parker’s identity is exposed. In “No Way Home” Parker is now fully unmasked, no longer able to separate his normal life from being a super hero, spinning his world into some serious chaos.
Peter attempts to find a solution to being exposed by asking Doctor Strange for a spell to reverse and set things back to how they used to be, but instead, the magic plunges the two into the multiverse.
Holland is joined by Zendaya as Mary Jane, Benedict Cumberbatch as Doctor Strange, Jacob Batalon as Ned Leeds and Marisa Tomei as Peter’s Aunt.
Villains from previous Spider-man franchises that we currently know of are Doctor Octopus (played by Alfred Molina), Electro (Jamie Fox) and the Green Goblin (Willem Dafoe).
Twists, turns and easter eggs…
There was even some rumors that Tobey Maguire and Andrew Garfield could make a return for some sort of weird cross-universe encounter, but that is pretty unlikely (or is it?!).
Fans even have gone so far as to attempt to analyze each individual frame in the trailer, with some thinking that they saw Daredevil character Charlie Cox (arm!) hidden in the proverbial weeds (frames), although this is still very unconfirmed.
Only time will tell, when fans watch “Spider-Man: No Way Home” which is currently scheduled for theatrical release (only!) this winter, December 17, 2021.
How to take an iPhone camera and make the most of it using taste and talent
Apple offers “Today at Apple” to inspire and educate iPhone users to help them learn and be creative with their devices. The online videos range from music to photography and are centered around Apple’s latest technologies.
This most recent video teaches users how to get the most out of the iPhone in portrait mode, but really using all to the various power features that are already in the iPhone 12 and even 11.
For example, 3 lenses allow ultra-wide, X1 and X2 (tele) shots at any time just by flipping between each preset. And once a group of photos exists, simple creative cropping and framing has a huge potential to bring out the most attractive and interesting features of each shot, and can be immediately saves as a separate image.
Of course, with such a high resolution image capture in the first place, cropping retains enough image-data that even an ultra-close crop can retain beautiful depth and detail.
Learning how to use all the tools, and most of all a photographer’s eye
The five minute video features self-taught New York City photographer Mark Clennon. In the clip he shows and explains how he sets up, shoots and edits his images, mainly in-camera (that is to say “in-iphone-camera”) to capture his most powerful portraits.
With iOS 15 (released in public beta) and soon with the iPhone 13 (or what the actual name turns out to be) both expected to be revealed in early September, the potential for portrait mode will be added also, potentially, to video in addition to photos and many other upgrades and improvements are on deck.
Free and extensive software upgrades, along with the not free and not inexpensive new hardware are a yearly ritual with Apple since the very first iPhone was released in 2007. Recently, with Apple Silicon and the gradual merging of the functionality to MacOS, iOS and iPad OS the upgrades seem to be in overdrive.
We have cataloged some of the more interesting changes in stand alone articles but still have more to come as this years upgrades and changes are particularly extensive.
This video is an example of how it’s possible to take even one feature, designed to assist in one form of photographic expression, and dig deeper into it with talent and intelligent use of experience and take the resulting images to a whole other level:
“Scientists say we cannot allow this to happen. People in power stand in our way.”
Originally published on Common Dreams via Creative Commons
While heatwaves, fires, and floods produce warnings that “we are living in a climate emergency, here and now,” a scientific study suggested Thursday that a crucial Atlantic Ocean current system could collapse, which “would have severe impacts on the global climate system.”
“The likelihood of this extremely high-impact event happening increases with every gram of CO2 that we put into the atmosphere.” —Niklas Boers, PIK
The study, published in the journal Nature Climate Change, focuses on the Atlantic Meridional Overturning Circulation (AMOC), which includes the Gulf Stream. As the United Kingdom’s Met Office explains, it is “a large system of ocean currents that carry warm water from the tropics northwards into the North Atlantic,” like a conveyor belt.
Previous research has shown AMOC weakening in recent centuries. The author of the new study, Niklas Boers of the Potsdam Institute of Climate Impact Research (PIK), found that this is likely related to a loss of stability.
“The Atlantic Meridional Overturning is one of our planet’s key circulation systems,” Boers, who is also affiliated with universities in the U.K. and Germany, said in a statement.
“We already know from some computer simulations and from data from Earth’s past, so-called paleoclimate proxy records, that the AMOC can exhibit—in addition to the currently attained strong mode—an alternative, substantially weaker mode of operation,” he continued. “This bi-stability implies that abrupt transitions between the two circulation modes are in principle possible.”
In the absence of long-term data on the current system’s strength, Boers looked at its “fingerprints,” sea-surface temperature and salinity patterns. He said that “a detailed analysis of these fingerprints in eight independent indices now suggests that the AMOC weakening during the last century is indeed likely to be associated with a loss of stability.”
“The findings support the assessment that the AMOC decline is not just a fluctuation or a linear response to increasing temperatures,” he continued, “but likely means the approaching of a critical threshold beyond which the circulation system could collapse.”
As The Guardian‘s Damian Carrington reports, the collapse of “one of the planet’s main potential tipping points” would be devastating on a global scale:
Such an event would have catastrophic consequences around the world, severely disrupting the rains that billions of people depend on for food in India, South America, and West Africa; increasing storms and lowering temperatures in Europe; and pushing up the sea level in the eastern U.S. It would also further endanger the Amazon rainforest and Antarctic ice sheets.
The complexity of the AMOC system and uncertainty over levels of future global heating make it impossible to forecast the date of any collapse for now. It could be within a decade or two, or several centuries away. But the colossal impact it would have means it must never be allowed to happen, the scientists said.
“The signs of destabilization being visible already is something that I wouldn’t have expected and that I find scary,” Boers told the newspaper. “It’s something you just can’t [allow to] happen.”
It is unclear what level of global heating would cause a collapse, “so the only thing to do is keep emissions as low as possible,” he added. “The likelihood of this extremely high-impact event happening increases with every gram of CO2 that we put into the atmosphere.”
Some climate action advocates responded to the study by highlighting a science fiction movie that, as famed film critic Roger Ebert wrote nearly two decades ago, “is ridiculous, yes, but sublimely ridiculous—and the special effects are stupendous.”
This is literally the exact plot of the 2004 film The Day After Tomorrowhttps://t.co/MQRHRTq9oP
“We all laughed at The Day After Tomorrow, back in 2004,” said Guy Shrubsole, policy and campaigns coordinator at Rewilding Britain. “Turned out it was a documentary.”
The environmental advocacy group 350 Tacoma responded to the findings with a call to action.
“There are warning signs that the Gulf Stream could collapse, an unimaginably catastrophic (and irreversible) impact of fossil fuel-caused climate breakdown,” the group tweeted. “Scientists say we cannot allow this to happen. People in power stand in our way.”
The study comes ahead of a United Nations climate summit in Glasgow set to begin October 31. Last month, U.N. Secretary-General António Guterres noted the upcoming event and reminded leaders of wealthy countries that “the world urgently needs a clear and unambiguous commitment to the 1.5-degree goal of the Paris agreement,” and “we are way off track.”
Last week, ProPublica published the story of how PayPal co-founder and tech investor Peter Thiel was able to turn a Roth IRA initially worth around $2,000 into a jaw-dropping $5 billion tax-free retirement stash in just 20 years.
Originally published by ProPublicaProPublica is a Pulitzer Prize-winning investigative newsroom. Sign up for The Big Story newsletter to receive stories like this one in your inbox.
The story is even more remarkable because Congress created the Roth IRA in 1997 to encourage middle-class Americans to save for their golden years. Most Americans have struggled to do even that; the average account was worth about $39,000 in 2018. But Thiel and other billionaires have managed to turn their mundane Roths into giant onshore tax shelters.
Thiel was able to launch his Roth into the stratosphere through a complicated strategy involving the purchase of nonpublic stock at bargain prices — the kind of deal most people can’t access. Experts say it risked running afoul of rules designed to prevent IRAs from becoming illegal tax shelters. (Thiel’s spokesman didn’t respond to questions.)
Other ultrawealthy Americans have used different means to build Roths worth tens or hundreds of millions of dollars. Senate Finance Chairman Ron Wyden is now looking at how to end the use of the Roth as “yet another tax dodge that allows mega millionaires and billionaires to avoid paying taxes.”
How are they able to do it while you can’t? Check out our explainer of one way the Roth works for the ultrawealthy and not for you.
by Nadia Sussman, Sherene Strausberg and Justin Elliott for ProPublica and published via Creative Commons
G. I. Joe has proven to be a huge franchise, with years of comics, action figure toys and two big-budget movies: “G. I. Joe: The Rise of Cobra” in 2009 and “G. I. Joe: Retaliation” in 2013. Now, in 2021, the next G. I. Joe feature film will give fans the origin story of one of the more mysterious characters, the ninja warrior named Snake Eyes.
Snake Eyes is also considered one of the more popular known members of the G.I. Joe team of commandos, his character first appeared in the Marvel Comics back in 1982.
In the past his character has been both a silent and masked assassin, which is a stark departure this time around and we get to see much more of what his character is like behind the mask.
From the looks of the trailer, a major part of the film highlights how the friendship and bond was forged between Snake Eyes and Storm Shadow.
The origin story for Snake Eyes is said to deviate and take on a more modern spin, steering from the original comic story, which usually cause one of two reactions from fans: love or hate. Yet there is something to be said when the original writer Larry Hama gave his personal approval on the new creative twists the movie will take on. Reactions has been positive, though some have considered it a “bomb” at the box office in first weekend.
Henry Golding, best known for his roles in romantic films like “Crazy Rich Asians” and “Last Christmas” will take on a much different role, with more action-packed in his part as Snake Eyes. Andrew Koji as Storm Shadow.
Check out the new trailer from Paramount, as well as a featurette for “Snake Eyes: G.I. Joe Origins”.
Along with Golding and Koji, Úrsula Corberó plays The Baroness, Samara Weaving as Scarlett, Haruka Abe as Akiko, Takehiro Hira as Kenta and Iko Uwais as Hard Master.
Lorenzo di Bonaventura and Brian Goldner are producing “Snake Eyes”, which had its theatrical release July 23, 2021.
“America The Beautiful” broadcast from Washington DC on 4th of July. Nothing wrong with that. Perhaps this year in particular – with many reasons to remind ourselves of our rights under the constitution and while we consider the future of the nation, perhaps some historical classic and meaningful titles are in order. Some great songs from our hallowed past, many with a more thought provoking auditory emanation of the American Dream, and perhaps that reflect the real lives and loves of Americans.
This Land Is Your Land
The ultimate people’s anthem. Endlessly influential, from Bob Dylan to Springsteen all the way to the present day. Not to be forgotten. Ever.
The Star-Spangled Banner (Jimi Hendrix)
https://www.youtube.com/watch?v=TKAwPA14Ni4
Misunderstood, yet insightful to the nth degree. Performed at Woodstock (50 year anniversary happening now) at the height of unrest during the Vietnam War. For many, perhaps the peak and final moments of the 60s. Has taken on mythic status and while the controversy has faded, the insight and bittersweet love for the country shines through, to this day. Hendrix was a veteran and knew exactly what “rockets red glare” really sounded and felt like.
Born In The USA
In the parade of the misunderstood “Born In The USA” may stand as the most misinterpreted song ever. Pride at being born in the USA? Absolutely. Look at the rest of the lyrics to get the more nuanced take on what it means.
America, West Side Story
What can you say? Classic all the way.
Living In America
Anything by James Brown is an American Treasure.
America The Beautiful (Ray Charles)
Ditto
A bit more from The Boss and some lesser known gems to round out the tour:
Boring? Are you kidding me? Time to look under the hood…
Somewhere in the land of media herding there was a familiar refrain. iOS 15 and iPadOS 15 are “boring”. Apparently the idea behind this is that there is no single feature that changes the entire experience of the iPhone or iPad – no “killer app” or killer upgrade.
The “boring” crowd have focused on things like “you can banish your ex from memories in iOS 15”. I saw a slew of articles with a variation on that title.
The biggest problem with the attitude, which must have been initiated by someone that has not really been hands on with any of the new iOS software (which is still in non-public beta only) is that it’s not true. (A public beta is expected in July but it is not recommended unless you are a developer testing on “non-critical” devices).)
Why? Because there are so many killer upgrades that it’s overwhelming, basically due to the avalanche of amazing new features and improvements. This article will attempt to give an illustration of that by focusing on only one feature inside one built-in app: Memories inside of the Photos app.
First a short digression. We have been testing on several devices including a MacBook Pro 15” from 2017, an original 1st generation iPad Pro (2015) and an iPhone XS Max from 2018. None of these machines have the new Apple Silicon chips and for that reason they are only able to produce the upgraded features that don’t require it.
That makes the improvements that are possible without buying any new hardware even more amazing. Stunningly, of the three devices we upgraded the MacBook Pro was the most stable right out of the gate. Any beta software will have bugs, glitches and sometimes crash but that does not prevent one from testing out features that are new.
The iPad pro, in a non-technical observation almost appears as if the screen resolution has been increased, obviously not possible but, as you will read below, could be part of a stunning emphasis on increased beauty, sensuality and luxurious feel in the new suite of OSs.
Memory movies on iPad OS15 are an amazing example of how AI and machine learning are evolving
For those not familiar with “Memories” they are auto-generated film clips that can be found in the “For You” tab in your photos app on iPhone and iPad. While you are sleeping this feature scans everything in your photos library and uses artificial intelligence, machine learning and neural networks to choose and edit the clips, as the name says, for you.
One not confirmed but almost certain technical backdrop to this is that the learning is improving even between updates to the OS. Not only that but all Apple devices on earth are “cooperating” to help each other learn. That’s a powerful force that spreads across over 1.65 billion devices.
This feature was added in iOS 12 but started to function in iOS 14 on a much higher level. If you had tested and used the feature over the last few years as we have you’d have noticed that the ability of the AI to “see” and select photos and videos to include was limited and, at times, comical. Not any more.
Much of the data that clues the software in as to what photos belong together is from the embedded meta data. The date, time and location information helps to tell the AI that you took a group of images or videos on a day in a particular location.
The difference in iPad OS15 (iPhone too, of course) is that the more difficult to accomplish tasks, such as recognizing the subjective quality of one photo verses another (humans often take several photos of the same scene to try to capture the best out of a bunch). Or, more importantly, who and what are the subject of a photo.
All of this began to get interesting in iPad OS 14 and many groups of photos and videos were already being chosen, edited and enhanced by the software to a level that was fairly impressive.
AI and aesthetics collide and the result is a Joy to witness
Something that is starting to become a thread and a definitive direction that Apple is taking, particularly with the iPad Pro series, is, true to the name, a Pro level of visual production and manipulation throughout the OS.
Center Stage, for example and many other video and photo related upgrades were some of the big features in the newest generation of iPad Pro. Those are great, but require a new iPad along with the OS upgrade.
When it comes to the memory movie clips what we found is that even on the oldest iPad Pro from 2015 the evolution of the software due to the constant learning by the AI is already taking a huge step forward doing all the things that it was already doing only much better.
Apple’s upgrade took that and give it an additional kick up a notch with somewhat that the company is known for: good taste.
What has changed specifically?
In iPad and iPhone OS 14 there were a few things that felt awkward in the way movies were created. The biggest shortfall was in the softwares ability to deal with various aspect ratios.
These days when we shoot photos and videos with an iPhone it is tempting and, at times, wonderful to use the vertical orientation. Other times, for landscapes and other scenes we might prefer a traditional film aspect or even use the panorama feature to get an ultra-wide screen “cinema-scope” style.
Until now this was dealt with very poorly by the software. Mostly the photos would constantly zoom in (the so called “Ken Burns” effect) and if shown without zooming in a vertical portrait shot would have ugly side bars (like a vertical letterbox effect).
The zooming and most of the effects in general destroyed the resolution and therefore the quality of many photos by enlarging them and adding the effects.
Additionally the effects that were added, while cute and fun, were not much more than a way to add fun and not what would likely be used by a human editor. All of this and more made for a kind of novelty feel to the whole process that was nice to have, but many never even bothered to look at the movies that software created for them.
That’s about to be over.
A whole new array of options for the AI to use while trying to entertain
In iPad OS 15, as can be seen on the photos and videos in this article, the ways that the software solves the aspect ratio issue as described above is genius and, dare I say it, beautiful.
In a collaboration between the AI and the software itself it now has a new bag of tricks to use and, boy, does it work. One feature that is fantastic is the letterbox generator for any wide screen photos in any aspect ratio.
How this works is that it takes the iPad aspect ratio and then uses the photo in it original at 100% full resolution and then adds a letterbox. But this is not the usual plain black bars we are all familiar with – the software and AI are able to see and analyze the photo and create a custom gradient letterbox that can be any shade or color.
The effect is often astoundingly tasteful and often makes the original photo look even better. We tested it on award winning photos (video above) and the result is, basically art. Also on our own “nice” photos, chosen 100% by the AI and software, look amazing also.
Actually, all the photos and videos in the clips generated from the library look much better than I had remembered. That turns out to be because the software and AI now do automated color grading on all the photos and videos in all the generated memories !
Color grading also known as color correction, especially for video, has traditionally required an expensive expert and high end software (and hardware) to enhance and color match various photos and clips, that have often been taken at different times and places, where lighting conditions vary and sometimes were shot with different camera.
AI and machine learning software on iPad OS15 (and iOS 15) now has a virtual colorist actively adjusting your shots and enhancing and color matching them while you sleep. That is basically insane. That’s probably why it appeared that the photos and even the iPad itself had been upgraded.
Ok, I could go on and on about that one feature, but let’s move to some more features. There are also new effects that are added that vary with each memory (there are a lot more clips being generated, including various versions of the same idea to choose from).
In the experiments so far the effects are clearly better and more subtle than in iOS 14. Again in many cases I found myself saying the word “beautiful” when I tried find an adjective to describe the results.
For shots that have a vertical bias there’s a vertical geometric split screen effect, often with a thin black border, and it has a kind of 60’s on steroids feel with the bars sliding in and out and resizing into place.
Another effect not seen in iOS 14 is a kind of circular rotation – great for landscapes – it’s not a common effect probably because it is computationally complex, but for the AI, it’s a snap. Sometimes this effect has a kind of blur-dissolve added which makes it fun and, again, still tasteful.
It appears that the effects are not only better and there’s a larger bag of them, but they appear to evolve and adapt to the content, that is to say that the speed and depth of each changes with the music combined with the photo and video content.
Oh, and the music. OMG. Each clip has 6 songs pre-selected and the entire clip adapts, in real time (!), when you change the song, showing you various styles and looks that match. Apparently Apple Music is also connected if you have a subscription.
As a mater of fact, it is hard to be certain, as we have not had more than a few hours to test this, but nearly everything appears to be “live” and constantly evolving in real time. In order to “freeze” a version of a memory you have to “favorite” it (with the typical heart symbol) and then “add to memories” in order to edit (change the names or choose more images – or remove anything if it is not to your liking).
There is so much more not yet mentioned here: this article could probably be a book
The AI is also getting creative with names and “concepts” for the clips. For example, if you had lunch (or took photos) over the years in the same city (for me it was Knoxville, TN) it might look at the coincidence that you tended to take photos around midday in that town and then create a memory clip called “Lunch in Knoxville over the Years”. Or for example the clip at the head of this article: “Golden Hour Over The Years”.
This is an early and primitive foretaste of the literary ambitions of AI. In the new Photos App in iOS 15 it is beginning to “think” about when, where and why humans take photos and videos and then conceiving a story that fits the behavior it is witnessing.
Other titles go beyond the basic “Amsterdam in 2016” and start to use the understanding and visual ability to “see” what is in the photo to create a clip like : “Playing in the Snow at Christmas”. Snow? Does it know it’s cold? Maybe just that it’s white and happens in the northern hemisphere in December. This is just the very beginning of something that will evolve, hourly, from now on. I can’t wait.
The Apple Tower Theater is officially open and marks one of Apple’s most significant and iconic restoration projects. The company worked alongside restoration artists and the City of Los Angeles in order to preserve the theater which was originally designed back in 1927 by architect Charles Lee.
CEO Tim Cook was in attendance of the grand opening alongside Retail Chief Deirde O’Brien. He took many pictures and selfies with attendees and welcomed the first customers into the Downtown Los Angeles Store.
Customers were excited to explore the Apple Tower Theatre and took the opportunity to snap photos of the beautifully restored arches, as well as getting their hands on the latest products like the iMac, iPad Pro and new iPhone 12.
Though many ambitions and luxurious Apple Stores have be build, including the biggest in NYC, Apple Fifth Avenue, and more recently Apple Store Singapore (see video below), the new downtown LA location is unique in that it simultaneously reincarnates an amazing former mecca for filmmaking and Hollywood glamour and also reimagines it in a compatible and yet up-to-date style.
As the company has surpassed $2 trillion in market capitalization, and is the largest of the big tech giants, the emphasis on community, yet in a beautiful, luxurious setting, is befitting of this giant, yet often underestimated behemoth.
Apple Tower Theatre will be open from 10 a.m. to 8 p.m. from Monday to Saturday, and 11 a.m. to 7 p.m. on Sunday. The Tower is located on the corner of Eighth and Broadway: 802 S Broadway, Los Angeles, CA 90014.
Marking the beginning of a new era of Hollywood tech glamour
Somehow it is slightly disconcerting to see iconic and historic movie theaters repurposed or simply demolished. The former is preferred. However, this is not just any renovation, not just any commercial repurposing.
This is a bold and strategic statement that Apple is not just the future of computing but the future of entertainment, enabler of creativity and the beating heart of digital communication.
In renovating, really rescuing the location, Apple has, seemingly, taken the deeper meanings to heart and tried, with a budget befitting the world’s largest company, to do justice to the majestic, historic landmark, even as they transformed it into a temple to all things Apple.
The link to Hollywood’s glory days is not inappropriate or hard to grasp, and there’s a nod to the innovative and pioneering spirit of those early days of film, and an attempt to draw a lane directly to the potential for Apple’s products and services to enhance creativity, entertainment experiences, and, well, life.
There’s also statement lurking in the transition, potentially a permanent one, which sees in-person pleasures like viewing a film on the big screen in opulent surroundings begin to fade into the past and a move into sales and learning nodes for devices and methods we can use to build and inhabit the metaverse.
In the press release from today the sub-head reads: “Historic theater has premiered new technology since 1927” – in an, apparently, heartfelt attempt to build a link between the technology of today and the entertainment marvels showcased at the theater during a bygone era.
The connections to Hollywood are no longer metaphoric
With Apple in the middle of a long transition away from just devices and hardware and into a service and communications company, the importance and multi-layered meaning of this location is unavoidable.
Creativity and communication, and most of all a deep bond with the emerging “creator class” that Apple itself had a huge role in bringing into being, are at the heart of the message they are sending with this location, the lavish and loving renovation and in the press release itself.
Once literally an underdog, first to IBM and later to the “evil empire” of Microsoft’s Kock-offs, Apple is still, oddly, often underestimated and misunderstood, or at least not understood until changes permeate society.
Nothing says, nay screams, that we are approaching a golden age of Apple than the new Apple Tower Theatre complex. That golden age will occur when the world catches up with the potential of having a professional film production studio in your pocket and all the other technical innovations still to come.
The great singularity of the Apple ecosystem
There is a hugely important convergence coming in the galaxy of Apple products, software and services, that is not yet halfway implemented. The next couple of years are bound to see powerful, sometimes confusing, always remarkable advances in the company’s offerings and the way that we interact with them.
And now, with the Apple Tower Theatre in LA, there is also a mecca which can be the end destination for any pilgrimage of the faithful. Also, with Hollywood creative talents literally around the corner, what better location could there be as a reminder for the power brokers that AppleTV+ is here to stay and plans to engage at all levels and intends to seek options on any deal.
Today at Apple Creative Studios will reach out to budding creativity everywhere
Strongly associated with the theater’s launch is also a enlargement and
Today at Apple Creative Studios – the project is a global initiative for “underrepresented young creatives” and is an ongoing part of Today at Apple which is hosted at Apple Stores worldwide.
As per the Apple press release:
“In collaboration with the nonprofit Music Forward Foundation, as well as Inner-City Arts and the Social Justice Learning Institute, Creative Studios LA will provide access to technology, creative resources, and hands-on experience, along with a platform to elevate and amplify up-and-coming talents’ stories over nine weeks of free programming.”
Apple: The overhead dome, which originally depicted scenes full of clouds and cherubs, had been painted over in a previous restoration. It now brightens the space with an atmospheric sky.
“Today at Apple will also offer public in-store sessions at Tower Theatre and virtual sessions hosted by Creative Studios teaching artists and mentors, including photographer and filmmaker Bethany Mollenkof, rapper and producer D Smoke, singer-songwriter Syd, and cellist and singer Kelsey Lu. Noah Humes and his mentor, Maurice Harris, two artists who worked on the mural outside Tower Theatre inspired by the spirit of Creative Studios LA, will also teach a virtual session. Everyone is welcome to register at apple.com/creative-studios-la.”
“Originally home to the first theater in Los Angeles wired for film with sound, the historic Tower Theatre was designed in 1927 by renowned motion-picture theater architect S. Charles Lee. That legacy of technological innovation continues today as the perfect venue to discover Apple’s full line of iPhone, iPad, and Mac, each of which has transformed modern-day filmmaking, photography, and music composition.”
“Upon the closing of its doors in 1988, the space has lain empty and unused. With the same level of care found in previous restoration projects, Apple collaborated with leading preservationists, restoration artists, and the City of Los Angeles to thoughtfully preserve and restore the theater’s beauty and grandeur. Every surface was carefully refinished, and the building has undergone a full seismic upgrade.”
Apple Tower Theatre Opens Thursday at 10 a.m.
The store team will welcome its first customers Thursday, June 24, at 10 a.m. Apple Tower Theatre will be open from 10 a.m. to 8 p.m. from Monday to Saturday, and 11 a.m. to 7 p.m. on Sunday, with team members ready to provide support and service to all visitors. For those wishing to order new products online, customers can get shopping help from Apple Specialists, choose monthly financing options, trade in eligible devices, receive Support services, and elect for no-contact delivery or Apple Store pickup.
Above: photo from “Lost Cause” – photo credit: BillieEilish.com
Music Video Vignettes Combined into Prime Day Promotion
Amazon prime is a way for the company to combine and bundle features for a yearly subscription fee. Every year, in addition to the usual subsidized shipping, prime video and the rest, there is Prime Day, which is now upon us. This year that also includes “Prime Day Show” which is a “free” offering for Prime members, basically 30 minute music video vignettes by Billie Eilish, H.E.R. and Kid Cudi.
The long form multi song productions are enjoyable enough, however, it is also true that music videos are a form of free advertising for the artists and songs that they feature. So, in this case that makes this a kind of subsidized collaboration between the artists (presumably paid to have the Amazon moniker associated with their music) and the company.
None of this makes it less enjoyable, of course, but it is interesting how it is not live (nothing like the huge live concerts put on by AliBaba and Tao Bao for “Singles Day” in China, but rather a pre-recorded, fairly standard, traditional, music video style production).
As the shopping kicks off in Ernest later, at one minute after midnight on June 21st, this show could be a way to relax ahead of the shopping frenzy.
The first episode contains several songs by H.E.R., interspersed with short drama interludes and featuring celebrity cameos. All set at Los Angeles’ Dunbar Hotel, known in the 1930s and 1940s as the hub of the city’s Black culture, and the lavish production and assist from acting talent makes for a showcase of songs from her new album, “Back of My Mind”.
Next, in the second episode Kid Cudi goes with an outer Space theme and, similarly, has scenes linking the production extravaganzas built for each song. This is all appropriate since he is presenting songs from his album “Man on the Moon III”.
A second space connection comes from the participation in collaboration from the International Space Orchestra, who happen to be the world’s first orchestra entirely consisting of space scientists from the NASA Ames Research Center, the SETI Institute and the International Space University.
The closing act, of course, is Billie Eilish, and the city of Paris (or at least a studio set of it) is the conceptual backdrop used to elevate what are otherwise live performances for the purpose of creating a video, sans audiences. The first song is set in a romantic hotel room set and features the song “My Future” as well as “Lost Cause”, “Therefore I Am” and “My Power”. As a whole the set is very “jazzy” and has an intimate feel that appears to be a project rendition original version take.
All in all, while there is respectable and well produced performances and visual enhancements, at the same time there is a lack of any event style excitement or sense of a musical live performance (which is not the point, admittedly).
Perhaps the three episodes can best be seen as a kind of chestnut to show fans of the artists that “Prime” is giving back and that the bundling extends beyond free shipping, prime video, prime music, other perks and deals and into another area, event bases collaborations for the sake of commerce.
Not only are thousands of physical products on sale for Prime Day, starting tonight at midnight, but virtual deals, such as films and shows are getting big promotional discounts also. The streaming deals are already live, so if you are inclined to watch while it’s still weekend prime time, a large assortment is available.
Some examples of films currently deeply discounted to view:
Titles that are normally priced higher for rental viewing or purchase are set for a limited time to $.99, $1.99 or $2.99 depending on the title. Naturally the newer and “hotter” the choice the less likely that it is at $.99 cents, but on the other hand, we all have different taste and perhaps you can find a film or show that you have been wanting to see but did not want to pay a higher price to watch.
For some reason, documentary films such as “Chasing Madoff” or “Good Trouble“, the excellent documentary on John Lewis, which is part of a Juneteenth special promotion, tend to show up at the rock bottom price. So perhaps, taking advantage of the promotion as a way to educate and enlighten oneself might be more economical than jumping in to the top hits and most current feature films.
If you do shop around, hovering or clicking on the deals designated with a “$” in the upper left hand corner, you will find at least a few titles here and there at the low $.99 cent watch price. Much more common are $1.99, $2.99 and even $3.99, which is a discount but does not feel like a huge one.
Also, since newer popular titles are normally priced much higher, up to $5.99 and sometimes more, even the $2.99 special price represents a bargain opportunity.
An example of a recently released, high quality film is “The Courier” which is currently available to watch for $2.99 (normally $5.99)
Above:Promotional Photo for “The Courier” courtesy of Lionsgate
An invitation to save on streaming current hot films and shows, plus $.99 teaser rates for subscriptions
Not only are thousands of physical products on sale for Prime Day, starting tonight at midnight, but virtual deals, such as films and shows are getting big promotional discounts also. The streaming deals are already live, so if you are inclined to watch while it’s still weekend prime time, a large assortment is available.
Some examples of films currently deeply discounted to view:
Titles that are normally priced higher for rental viewing or purchase are set for a limited time to $.99, $1.99 or $2.99 depending on the title. Naturally the newer and “hotter” the choice the less likely that it is at $.99 cents, but on the other hand, we all have different taste and perhaps you can find a film or show that you have been wanting to see but did not want to pay a higher price to watch.
For some reason, documentary films such as “Chasing Madoff” or “Good Trouble“, the excellent documentary on John Lewis, which is part of a Juneteenth special promotion, tend to show up at the rock bottom price. So perhaps, taking advantage of the promotion as a way to educate and enlighten oneself might be more economical than jumping in to the top hits and most current feature films.
If you do shop around, hovering or clicking on the deals designated with a “$” in the upper left hand corner, you will find at least a few titles here and there at the low $.99 cent watch price. Much more common are $1.99, $2.99 and even $3.99, which is a discount but does not feel like a huge one.
Also, since newer popular titles are normally priced much higher, up to $5.99 and sometimes more, even the $2.99 special price represents a bargain opportunity.
An example of a recently released, high quality film is “The Courier” which is currently available to watch for $2.99 (normally $5.99)
Sci-fi sounding, inevitable upgrade for today’s online communications
You might have heard lately about the “metaverse” and yet that can mean a variety of different things to different people. Often, it’s a term that relates back to gaming and 3D augmented reality enhancements of networked communications.
There are even crypto and blockchain related projects using this term and concept. While all of these various factors are welcome, and potentially part of this next phase of convergence of communication via networked technology, there’s something else happening under the surface.
”The pandemic, with its requirements of physical distancing, has brought people into online digital environments for a growing range of shared human experiences.” — Wired UK from “The Metaverse is coming” by David Baszucki
The acceleration in AI application, machine learning, and converging use cases for all communications tech has created a situation where the entry-portal to the emerging metaverse is already here.
One often overlooked aspect of a transition to a more complete digital life is the need for humans to have adapted to the need and potential benefits of the idea. This is what is happening via many routes, including Apple and the constant synergistic upgrade cycles that have just gone into a new, bigger phase with the migration to a unified OS structure built around Apple Silicon.
The gradual increases in iOS functionality and user sophistication are changing how we interact
iOS15, previewed this week at the WWDC2021 is rolling out literally dozens of new features, many based on machine learning, neural networks and AI that propose a new level of highly sophisticated options to communicate with video, photos and text.
While this mixture of “basic” media has been the staple of our current modes of online communication, particularly via social media, the incredibly increased depth of new options and functionality of iOS15 and iPadOS15 and MacOS Monterey will make all modes of communication feel completely new.
In the evolution of online media and enriched communication (OMEC to coin an 80s sounding acronym) the slow and uneven progress is based on many factors. #1 is always user adoption and sophistication.
Second is the quality of the hardware devices and software upgrades each user around the world has access to. In the case of iOS (iPad, iPhone & macOS) the immediate adoption of upgrades is a large factor on the plus side, helping new innovation to arrive in general use more quickly.
The last factor, a huge one, is access to fast ubiquitous internet data connections, and, in the US at least, this is less consistent than ever (or our expectations are rising faster than the build out).
However, particularly in Asia, 5g is beginning to make a dent. Satellite broadband, like Starlink, should also start to be a factor as early as 2022. Government infrastructure build-out funding and subsidies in the US is on the way in 2021.
Augmented 3D features are still growing but will merge with 2D
The upshot of this topic is that “2D” factors and increasingly sophisticated manipulation and interactive features that are already coming in iOS15 will bring us all closer the entry-portal stone-age version of the metaverse.
We all depend more and more on communications and using our devices – work from home, personal, business and hybrid activities (such as the emerging content creator class). Often, as a result, we have fewer options to go offline for “organic” RL (real life) interactions.
The increasingly sophisticated capabilities available are beginning to make even face to face communications, particularly in work situations, feel “un-enhanced” as we become accustomed to and dependent on the digital enhancements and potential of a full media rich interaction.
This is an example, one could say, of the subtle encroachment of the emerging metaverse onto the “real world” and how the boundaries are blurring and even beginning to disappear.
Rather than a sudden “jump” into a metaverse, similar to the cliché sci-fi plots from films like “Ready Player 1”, what is happening is a nearly imperceptible transition to metaverse-like experiences that will become commonplace, initially in a primitive form, and then eventually become the norm. Similar to the proverbial Frog in pot, with warm water temperatures that increase so slowly that the Frog doesn’t even notice, until it finds that it is swimming in pot that is already boiling.
The misconception that a “killer app” or sudden shift into an online, virtual reality world, is the future, and that a big leap will happen nearly all at once, is harmlessly superimposed on the real transition that has already begun.
When Apple’s 2007 launch of the iPhone changed communication forever: the journey began
The new “Digital Legacy Program”, also announced at WWDC2021, is another hint that we are already living in an extremely primitive version of the metaverse. Our online identity, data, and even behaviors and experiences are so essential and all pervasive that it has become necessary to keep a digital key to access the huge trove of personal data we will leave behind to pass on to our living loved ones, after we are gone.
The metaverse, that means, is not only creating a parallel digital universe for us to live in, in an ever more complete and sophisticated way, but we are also already setting up the eternal storage of our virtual life experiences to be passed down to future generations.
Though nearly invisible while in such a relatively primitive iteration, the concept, an example of overlapping advancements in innovation, is a tiny step towards digital immortality.
The metaverse could help to save us all
It’s not just professional and work related communication that relates to the gradual increase in the depth of networked communication options, but, even more so, casual and leisure communication and interaction is key.
TikTok and other video communication trends are at the forefront of of user evolution and metaverse activity expansion. When people feel motivated to find new and better ways to communicate using richer media and augmented techniques for fun, and to gain more recognition in online societies, that advances digital sophistication.
This process of the evolution of user comfort and sophistication, while existing and interacting in the metaverse, is the fastest way for the augmentation to become more effective.
There’s a mostly unseen benefit and need for this, otherwise seemingly pointless, global development
The challenges that the world faces, encroaching, devastating fallout from global warming and excess carbon in the atmosphere, political corruption and inequality, disinformation and cybercrime, and so on.
Ultimately, unlike at any time in human history, we are facing a challenge. The survival of our species and even the planet are at stake.
In the years and decades to come it will become more and more obvious that there are only two paths possible. One path toward a kind of Utopia, or another one that will lead, inexorably to Oblivion.
Though the metaverse is scary in many ways, and does not always appear as a way to a better life, augmented and enhanced communication is one of the most desperately needed ways that solutions could eventually be discovered and implemented.
And that would put this progression and evolution of tech more in service of Utopia, and could be at the heart of a rescue plan to prevent Oblivion, before it’s too late.
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