Netflix’s French original series “Lupin” took Netflix subscribers by storm. Millions tuned in, voraciously binge-watching, including myself, furiously consuming the first season when the show debuted earlier this year. Part 1 ended as most shows do these days, leaving us wanting more with a nerve wracking cliffhanger, yet, rejoice streamers, we will not have to wait much longer to tune in to see Omar Sy as Assane Diop for Part 2.
The main character, as mentioned above, Assane Diop, has held a lifelong obsession with Lupin novels and has transformed much of his life, in the process becoming somewhat of a modern-day counterpart to “Lupin, gentleman thief”. His masterminded plans are always artfully crafted with unexpectedly creative genius precision, style and not to mention incredible costume changes.
Those that have not yet seen the series, this is the perfect time to get caught up. The series is inspired on the French fictional character Arsene Lupin created by writer Maurice Leblanc.
The official trailer for “Lupin Part 2” just dropped along with the release date that is now coming soon: June 11, 2021. Those that are deterred from foreign programs because of subtitles, English dubbed audio is also available and this series is abolutely worth the watch.
For what seems like a long time many of us have been living inside our iPhone, immersed in a metaverse of our digital lives.
And the deeper into Apple’s walled garden we are submerged, the more monumental the yearly OS upgrades become. That’s because, when you are in a digital life, we’ll, lots of things are worse than the “real” world. The sensual experience is built of fractions of the full sensory bandwidth of life.
But there’s one thing about the metaverse, the fact that, since it’s artificial and human engineered, it can, and does, improve.
In the case of Apple’s universe, the yearly upgrades and constant, sometimes nearly imperceptible changes in a thousand different parameters add together, over time, and suddenly, the world comes alive with vibrant, super sensual satisfaction …
Sure, the weather animations just got sent to a 3rd convolution level of better-ness, that’s true. But add this to all the thousands of better feelings and deeper interactions with yourself and the spirit of ourselves, and you will find: the future
Photo credit: Apple
WWDC 2021 was a pure upgrade fest with a lot of detail to sift through
We are in the middle of our ongoing coverage of the Apple event and all that was revealed. There are so many features and so many important details and interdependent uses for this features that it can be more easily digested in bites.
What we are witnessing is the growing interdependence and interoperability of iOS 15, iPad OS 15 and macOS 12 Monterey, particularly with the built in apple apps they all have built in.
Safari, though still with slight variations between the three OSs, is becoming more powerful everywhere, FaceTime got a huge upgrade in the new systems, and utilities connected to iCloud such as the Find My network are also extensively revamped.
While some find the sheer width and breath of Apple’s hardware, software and services conceptually off-putting, it is, at this early stage of the monumental changes that are being wrought by Apple Silicon, a wonder to behold how all the various products and underlying software for those products is evolving in a way that is constant and deep.
As put forth in articles published by Lynxotic years ago the changes that are underway are vast and were conceived and put into motion based on Steve Jobs’ core concepts for the future of Apple many years ago. And Tim Cook and the rest of Apple have not deviated from that vision, in fact are reaping benefits on behalf of users that could barely be imagined a decade ago.
One bite we’ve started to delve into is the dual and interdependent features from macOS Monterey; Airplay to Mac and Universal control. It turns out that compete interoperability for Airplay to Mac is still in the future, the list of the various models and vintages that it functions on is as follows:
2018 or later MacBook Pro or MacBook Air
a 2019 or later iMac or Mac Pro
an iMac Pro
the 2020 Mac mini
As you can see this is a fairly exclusive list. What is most conspicuously missing is the possibility to use and older mac, such as a 2018 27” 5k iMac to take advantage of the beautiful screen.
Universal Control, meanwhile appears to work with most devices that run on iPadOS 15 and macOS Monterey. It allows you to a single mouse and keyboard and flow from iPad to Mac and back, pretty much as you would imagine using the cursor and keyboard for either, and, thankfully there is no setup required.
FaceTime just got a Facelift
FaceTime’s big jump ahead is somewhat more complex since the iPhone, iPad (various models of both) and the mac each have a UX and screen size that varies, as well as different computing advantages. One interesting note on the various technical enhancements, pretty much across the board from what was announced at WWDC 2021, M1 chips and Apple Silicon based devices get the biggest boost from all the new capabilities.
Rather than being a marketing ploy, at least so far there’s no evidence of that kind of approach, this is an organic by product of the underlying “big picture” goal – to unify the experience and potential of the three device categories even as they cross pollinate one-another.
All the various, and gradually hard to list, OS flavors, macOS 12 Monterey, iOS 15, iPadOS 15, tvOS 15, watchOS 8 and all the various accessories that benefit from the upgrades such as AirPods pro spatial audio, HomePod mini liaison with Apple TV 4k and tvOS 15, as well as SharePlay where FaceTime can allow multiple users to share streaming audio or video content for a synchronized experience.
Please stay tuned for the many articles to come that will further dive into the changes and improvements that are on the way, free of charge, for Apple users with this massive roll-out that will culminate in fall 2021.
As per Apple:
Redesigned Weather and Notes Apps
Weather includes more graphical displays of weather data, full-screen maps, and dynamic layouts that change based on conditions. Beautifully redesigned animated backgrounds more accurately reflect the sun’s position and precipitation, and notifications highlight when rain or snow starts and stops. Video animation below:
Notes adds user-created tags that make it easy to quickly categorize notes, and mentions allow members of shared notes to notify one another of important updates. An all-new Activity view shows the recent history of a shared note.
Notes adds user-created tags that make it easy to quickly categorize notes in line with relevant content:
The next global catastrophe movie is coming to Netflix, its called “Awake” and the premise has quite the spin. This apocalyptic thriller makes surviving even more difficult because the Earth’s population no longer has the ability to sleep, which leads to mass hallucinations, disorientation, and ultimately death.
“Awake” hopes to garner the same success as the Netflix original film “Bird Box”, which was a watch-at-the-end-of-your-seat apocalyptic horror/thriller where upon one glimpse of something terrifying would drive a person to deadly violence. The Netflix film released back in 2018 starred Sandra Bullock, Sarah Paulson and John Malkovich.
The cast includes: Gina Rodriguez as Jill, Jennifer Jason Leigh, Shamier Anderson, and Ariana Greenblatt as Matilda, the young girl who may hold the key to figuring out the film’s mystery. The film will debut on the Netflix streaming platform starting June 9, 2021.
A strange global event suddenly wipes out all electricity as well as strips humankind’s ability to sleep, which inevitably leads to insanity and chaos. Only Jill (played by Gina Rodriguez), an ex-soldier has a potential solution and key to a cure, her own daughter. What viewers will have to see is the major question, will Jill be able to safely deliver her daughter and save the world before she herself loses her mind from sleep deprivation.
Directed by Mark Raso known for his work on “Kodachrome”.
Trickster god Loki, show dedicated to the brother of Thor
Spinoff series from Marvel out today is Loki, which will premiere on, where else, Disney+ , originally slated to start June 11, 2021 is is now available with a new episode coming each Wednesday. The only way to watch Loki on Disney, currently, is via subscription. In the new trailer below Tom Hiddleston appears as the title character and the clip reveals just a bit more about his new role.
Taking place in a Marvel-esque alternative universe, with a shadow of Umbrella Academy attitude we see Loki approached by Mobius, embodied by the inimitable Owen Wilson, the upshot helps to put right the timeline that was disturbed via the Tesseract influence from The Infinity Saga
Loki takes the Marvel universe into yet another version of alternative directions, and yet it manages to feel fully believable within its own invented genre.
The “Pro-Vlogger” look popularized on YouTube now available to all…
Above: The stunning Portrait mode from the Camera app is now optimized for video calls in FaceTime. Photo Credit / Apple
If you are a prolific FaceTime user or if you don’t use it as much as you would if the aesthetics were a bit better (read: more flattering selfie styles) you are in luck. In a twist which takes advantage of tech that was initially created to make portrait mode a reality in the iPhone camera app is now coming to FaceTime on iPhone and also on iPad.
The maturation of features across platforms is paying big dividends
Portrait mode was added to the camera app as a way to get a DSLR style “prime lens” look with “bokeh” which is a Japanese term for the beautiful background out of focus blur that a long lens focused on the subject in the foreground will produce.
The computational fireworks required to produce this effect are nothing short of…. well check out Apple’s description:
” It’s a depth-guided, people-focused segmentation mask generated from a proprietary Apple neural network trained to detect people. It separates an individual in the foreground from whatever is in the background, with greater detail and clarity than with the depth map alone. It achieves this clarity in part because the matte image has higher resolution than the depth map.”
So this effect, which has been in the iPhone camera app since iOS 12 is now, likely due to the ever beefier potentials of the proprietary Apple neural network can now, starting with iOS 15 and iPadOS 15 be applied to video. Live.
New features in FaceTime help users look and sound their best. – credit: Apple
This, like so many other upgrades revealed today at the WWDC2021, is a great idea. High end YouTube videographers know it’s a great idea which is why they buy special DSLR camera with prime lenses just to get the very beautiful and flattering effect of a sharp subject in the foreground and a compressed, blurred “bokeh” effect in the background.
New features in FaceTime help users look and sound their best.
Not only visual but also audio upgrades are coming
They are also adding another obviously useful feature “spatial audio”, which creates the effect of having the perceived source location of each speaker match where they appear on the screen.
This is combined with “new microphone modes” which can reduce background noises and audio interference when in a chaotic sound environment and, alternatively when appropriate pickup an entire soundscape all at once.
All in all these improvements to both the visual experience, and the audio are a much needed change from the often ugly reality of bad-webcam zoom style meetings we all endured during 2020.
And with the front facing camera, lighting and software beautifications constantly getting better, we can, at least those with great internet and high end devices, look forward to a much more sensually pleasing level of FaceTime interactions.
Additional new upgraded features for FaceTime include, but are not limited to:
A new grid view that makes it possible to do a “zoom” like stack of equal size boxes.
SharePlay which is a somewhat odd sounding option to share “Apple Music, watching a TV show or movie in sync, or sharing their screen to view apps together”. Additionally, sharing can include anyone using an iPhone, iPad or Mac and if shared playback controls are active any of the parties that are sharing can play, pause or jump ahead.
Users can now share experiences with SharePlay while connecting with friends on FaceTime, including listening to songs together with Apple Music, watching a TV show or movie in sync, or sharing their screen to view apps together. SharePlay works across iPhone, iPad, and Mac, and with shared playback controls, anyone in a SharePlay session can play, pause, or jump ahead.
There’s an expanding list of sources that can be used, including, of course, Apple TV, but also third party services that opt in, and currently, according to Apple the list already includes: Disney+, ESPN+, HBO Max, Hulu, MasterClass, Paramount+, Pluto TV, TikTok, Twitch, and many others
Among the avalanche of new features and upgrades to iOS, iPadOS and most of all macOS 12 Monterey, there were two that were like a dream come true for anyone who has used AirPlay with AppleTv or “SideCar”, which originally came to the mac with macOS Catalina, and wished for one bold step further.
In an office environment, like our newsroom, being able to beam an iPad or mac on to a large conference style TV is great, but springing for the $ it takes to get a high resolution computer monitor large enough for group viewing is not such a great treat.
A fantastic compromise, one that many have wished for but never seen is the new option cogently called “AirPlay to Mac” which, just as the name implies, allows you to bean your phone or iPad (or I presume one mac to another) for paired or group viewing. (there were times when I, for one, forgot that this feature did not yet exist and tried to connect a mac screen using airPlay, to no avail).
AirPlay brings the Mac to life in all-new ways.
Even with tiny bugs that might arise at first when trying to get multiple macs to act as screens for a single source, once this is mature it should revolutionize meeting of small groups of colleagues all armed with trusty macs but wanting to do a group think and discussion session. (At a digital publisher meeting, like at Lynxotic, we might be looking at analytics data for the past week and all want to see the same data across all screens, for example.
Oh, and did I forget to mention that sound, just as in “regular” AirPlay, is included in the bargain. So even if it’s audio only that you want to share (like force feeding colleagues your favorite song) that is going to sound great on built in iMac speakers etc.
This seems instantly like something that is so obvious and intuitive that it could be one of those things, like AirPlay itself, that once entrenched and bug free, would be hard to live without.
Apple’s marketing copy:
“With AirPlay to Mac, users can play, present, and share just about anything — from the latest movies and games to vacation photos and presentations — from their iPhone or iPad right to their Mac’s stunning Retina display. The Mac’s high-fidelity sound system can also be used as an AirPlay speaker, so users can play music or podcasts on their Mac, or use their Mac as a secondary speaker for multi-room audio.”
Universal control, which sounds somehow ominous is, hopefully, just a simple way to more easily migrate live from device to device (of the same owner)
Though the mechanics of this feature were not explained in detail at the Keynote for WWDC2021, this is another feature that seems mind-bendingly obvious as a boon for any Apple device power user, it also seems strange that it did’t exist all along.
As shown with one example in the video below, it involves having a single mouse or trackpad control multiple devices. Or the same set up for a keyboard, or both. While there are some unanswered questions – such as would the keyboard designated as being the one to “universally control” another device automatically turn off the control on the remote devices native keyboard?
Perhaps this is a naive question since it appears that it is presumed that any device being universally controlled is owned and being used by a single human.
In one way this seems to have the best use when using, say, an iPad pro for a drawing task and then moving across to the mac to process the drawing in photoshop, illustrator etc. Honestly, sometimes it’s interesting to see each device as connected to a “chair mode” – iPad for a chaise lounge, iMac or MacMini for an office chair, iPhone or iPad mini for freedom from any chair, and switching from the more human-centric modes (chaise lounge) to get down to serious business on the biggest baddest screen and most powerful CPU seems like a utopian dream, with this feature activated and working without a glitch.
The ways this could be integrated into a workflow, and the permutations of how this could be useful, seem infinite, assuming it operates anywhere near as seamlessly as in the demonstration by Craig Federighi in the video. Being able to drag and drop, as he did, across three (3!) separate devices at will is pretty incredible, if not only for its simplicity and elegance.
As per Apple: “Universal Control lets users work more seamlessly across their Mac and iPad. Working across Apple devices is now better than ever with new Continuity features:
Universal Control lets users work with a single mouse and keyboard and move between Mac and iPad for a seamless experience, with no setup required. Users can even drag and drop content back and forth between devices — great for sketching a drawing with Apple Pencil on iPad and placing it into a Keynote slide on the Mac.
In Netflix top 10 recently as the premonitions keep cropping up
First, to be clear, this series was produced by Crackle (Originally Sony Crackle) and in-all 3 seasons were produced between 2016 (first premiered on September 6, 2016) and 2018. It stars Adam Brody, Edi Gathegi, Otmara Marrero, Martin Freeman, Ron Perlman, Addison Timlin, and Mira Sorvino.
On November 15, 2017, the series was renewed for a third season which was released on November 1, 2018. On May 4, 2021, all three seasons were made available on Netflix and surged up into the top ten in spite of the age.
The correspondences are loose, as is the connection between the subject matter and the real world analogs. The series is dramatic and emotional more than technical and the title “StartUp” is a bit meh. It conjures up images of Silicon Valley nerds and other tech bros and lame plots with outdated “dot-com” plot twists.
“StartUp” could not be further from any of that. Set in Miami (great first choice) it has the reputation of that city for money laundering, drugs and financial crimes as a backdrop.
Ultimately it’s about life and loss, the life and death struggle to find the “American Dream” and at the same time has connections to Crypto, Alt Coins, Web 3.0, The Dark Net, the criminal underworld, specifically financial crimes, Silk Road and, of course, tech start ups and venture capital.
The intertwining of this trio from disparate backgrounds is awkward but at the core of the story
It begins with “Izzy” Isabella Morales, who is a genus code crunching hacker who’s struggling to try to launch a crypto coin, “GenCoin” that she has been working on for over five years, since her time on scholarship at Stanford.
There’s not a lot of detail about her code and I don’t recall the term “blockchain” being mentioned, but they do mention bitcoin throughout the show and, considering it was around 2016 during production it is interesting to see where much of the plot fits 2021 far more.
A kind a linking character in the show is FBI agent, Phil Rask played by Martin Freeman who serves, wonderfully, to give exposition and a factual tour of the Miami crime scene and how he, and the FBI are swimming in a virtual ocean of corruption. If you can’t beat ‘em, join ‘em appears to be his motto as he is actively soliciting bribes from the jump.
Nick’s father, who is both well connected in the upscale world of financial corruption that operates openly within the big banks and corporations of the established Miami elite, is put into a jam by Agent Rask, forcing him to search for a fast escape from Miami.
Reluctantly, Nick is pulled into his father’s criminal dealings, the last thing he ever wanted, and as a result crosses paths both with FBI Agent Rask and, ultimately, invests in Izzy’s GenCoin project using his Dad’s dirty money. Once Izzy connects to Nick Talman (Adam Brody), the plot takes off.
Ronald Dacey who is a Haitian “gang leader” has a special, unique and unexpected role to play in the series. He is the human embodiment of the way the system favors the white collar criminals at the top, including the FBI, in this case, while the poor minority populations, epitomized by the tough Haitian ghetto in Miami, are forced into drug dealing and violent turf wars just to survive.
It turns out that Izzy, Nick and Ronald are not really that far removed from one another as they soon find out that a big chunk of the money Nick got from his Father turns out to belong to Ronald and his “gang”. The money was supposed to be laundered and managed by the bank where Nick’s father worked.
In an intense climax of the initial establishing episodes, the unlikely three, like a crypto-criminal Mod-squad end up as partners in the start up that they create to launch Izzy’s Gencoin.
GenCoin comes across as a kind of mini-Ethereum or alt-coin ahead of its time, and at the same time there is a dramatic interaction where the anti-government and grey-market potential and meaning of crypto is, albeit simplistically, superimposed on a critique of the social structures of the status quo.
Once again epitomized first by Miami corruption and criminal financial history as a way to underscore the desperate need, and also from the point of view of the show’s heroes, who decide to fight for a massive world changing digital transformation.
Though disconcerting at times, personal struggles and pain are superimposed over the passionate striving of the main characters
So, while all of this and the show in general, is dramatic with endless plot twists and great long-form character portrayals by the stars, particularly Ronald played by Edi Gathegi and Isabelle Morales played by Otmara Marrero, the correspondences that jump out during the show seem to emerge in strange and sometimes eerie ways.
For example, at one point they attend a huge “crypto convention” in Miami (first time in Miami after previously being held in LA) and, while they are not particularly successful in that instance, the size and stature of the show mirrors the conference that is happening literally as this article is being written (June 4-5, 2021) also in Miami (!).
While the BitCoin conference has been around since 2019, that year the number of attendees was only 1900 and is expected to be far more this year. While it is a coincidence that Miami was chosen in 2021 for the first time, it is a bit uncanny when watching a 5 year old episode where the exact conference is held in the exact location…
Another interesting corresondence has to do with events that transpire in the second and third seasons (spoiler alert). Through wild, dramatic twists and turns Gencoin is no longer the focus and the trio re-unite to launch a second tech project “Araknet” which is portrayed in the film as a kind of “dark-web 3.0 network”.
Interestingly, there are several very current projects that, while not directly a mirror of Araknet, have many of the same qualities and goals, though with less dramatic and sinister details. The biggest is that Dfinity and Internet Computer are trying to “extend”the current public internet network rather than launch a separate “private” Web 3.0 that has decentralized privacy at its core.
The DFINITY Foundation is a not-for-profit scientific research organization based in Zurich, Switzerland, that oversees research centers in Palo Alto, San Francisco, and Zurich, as well as teams in Japan, Germany, the UK, and across the United States. The Foundation’s mission is to build, promote, and maintain the Internet Computer.
One example is “Internet Computer” which is being developed by Dfinity, a start up in Switzerland. They are developing, in simplified terms a kind of blockchain based “internet 3.0” hence the cute catchy name.
Araknet promotional marketing from “StartUp” sounds again, bizarrely considering the time frame, like what you can read on the Dfinity web site today.
A slightly less direct correspondence is Helium. A project to crate a separate iOT network using long-range wireless nodes to create a decentralized wireless infrastructure.
The show emphasizes heavily the human drama and struggles of three special individuals as they try to find a path through a world of financial corruption, explosive technology changes and a disire to fight for freedom more so than individual wealth or power exclusively.
The show deserves its popularity and the attention it has been given. I would recommend it with the warning that the prophetic foreshadowing of today, while remarkable, is not the primary through-line of the narrative.
Three and a half million likes in less than 24 hours? Sure, if you are Jason Stratham on TikTok. And it’s the first video on a brand new account. The only video on the account so far. And you are dancing while you divulge your stats.
Looking at the comments, however, nearly 70,000 of them, a large number are asking “is this real”. Deep-fakes are most definitely real. Several accounts used Tom Cruise Deep-fake video to try to spoof an official TikTok account for the star. And a few stray clips of Brad Pit at a script reading spawned a series of fake accounts trying to look like Brad’s personal “rogue” account.
But, wait, there’s also Billie Eilish who started a “secret” personal account in November 2020 and posted some fascinatingly bizarre ukulele footage, apparently just for kicks, as she surely has no need for more publicity. The account was so unique and, well, strange, that it was hard to imagine that it could be fake.
Sure enough, yesterday what appears to be an outtake from her recent music video with some hilarious captions and stickers popped up on the, mostly dormant, account and has since gone viral. All of which pretty much cements the “it’s definitely real” theory.
As for Jason Statham? We are going to go out on a limb here and say that he is following Billie Eilish’s lead and this is a real account. The fact that there is a single video with a full body dance clip of what absolutely appears to be the star is a tip-off. Secondly if this is his head deep-faked onto someone else’s body, that’s a pretty perfect body double.
Also, the original sound mix seems to indicate that there was method that went the extra mile.
What’s your take? Send us comments or your detective results and let us know if you think this is real, like we do, or if this is just some amazing wizardry at a next level of deep-fake-ness, which thousands of comment writers on TikTok seem to believe…
Above: Official Trailer for “Wrath of Man” Credit: MGM
In addition to Statham, he is joined by a slew of actors including: Alex Ferns, Holt McCallany, Scott Eastwood, Jeffrey Donovan, Laz Alonso, Josh Hartnett, Niamh Algar, Raúl Castillo, Post Malone, Lyne Renee, Anthony Molinari, Deobia Oparei, Tadhg Murphy, Babs Olusanmokun, Darrell D’Silva, Chris Reilly, Matthew Illesley, Rebecca Calder, Jason Wong, Alessandro Babalola, Cameron Jack, Montana Manning, Rocci Williams, Josh Cowdery, and Eve Macklin.
Clickbait is not exclusive to smaller news organizations, apparently
With titles like “Long Awaited UFO Report is Here” major news outlets are blowing up a leak, sighting “senior administration officials briefed on the findings” of the as yet unreleased report.
Taking a subject, already shrouded in mystery and intentionally misleading readers is not particularly professional but , unfortunately, par for the course when it comes to this subject.
The report is referred to universally as “highly anticipated”, which, yes, it is. That would also appear to be the incentive to relabel a round-up of mainly already reported facts and quotes as definitive.
What is, somewhat, new is the confirmation, again by those senior administration officials briefed on the findings, that there are no secret U.S. government technologies responsible for the Unidentified Aerial Phenomena (U.A.P.) or UFO incidents. However, that is only said to be true of the “vast majority” of the more than 120 incidents.
As published in prior articles, including by Lynxotic, there are three “likely” potential sources for the unexplained phenomena:
secret U.S. technology,
an adversary’s spy vehicle
something otherworldly
To break down what these initial leaks quoting the as yet to be released report have on these three would basically be as follows. As quoted above “the vast majority” (thought apparently not all) did not originate from secret U.S. technology.
Although there is known research being done in “hypersonic”, mainly by Russia and China, and there is a “worry” that this could be one explanation, if true it would mean that those countries technology is not only a well kept secret, but also far beyond any current U.S. capability.
As for the third option, the leaks emphasized that though “difficult to explain” there is no proof that aliens are responsible.
Not all outlets are making light or obfuscating, but struggling with what can be stated as fact
The New York Times story on what is as of yet known of the contents of the report, likely the source for others quoted above, and that article has a clearer title and “spin” on the situation:
radio transmission “Whoa, got it — woo-hoo!” “Roger —” “What the expletive is that?” “Did you box a moving target?” “No, I took an auto track.” “Oh, OK.” “Oh my gosh, dude. Wow” “What is that man?” “There’s a whole screen of them. My gosh.” “They’re all going against the wind. The wind’s 120 knots from west.” “Dude.” “That’s not — is it?” “inaudible” “Look at that thing.”
If all of this is broken down, there is very little that is new or noteworthy in the revelations other than a kind of preview of the stance the report is likely to take.
Talking about this à laRumsfeld with the patter boiling down to terms like “known unknowns” and “Unknown unknowns” is not the reason, obviously, that the report is “highly anticipated”. This is where the reality of this tricky category of information enters the discussion.
For example: If the kind of ultra advance technology had any of the above three sources would these realities actually be released and admitted to in an unclassified report?
Gov speak will always echo Rumsfeld
Imagine the report confirming the existence of aliens, even the strong likelihood of the same? Panic and a host and variety of potential public responses would be enough to justify keeping that classified. And if it was U.S. technology? That would be an obvious example of something that could not be leaked or admitted, unless there was a desire to use it for saber rattling or other political strategy.
And if it was true that this ultra advanced capability was to be in the hands of a potential foreign adversary? Cue the panic and consternation once more.
So what could be divulged? Apparently there is a desire to confirm publicly and in this unclassified report just what can not be said – that these numerous instances are with 100% certainty an illusion or malfunction of our people or measurement technology.
That, once again, is certainly something. For example, if it were to be admitted that there were flaws or limitations to our various high tech mechanisms to observe and measure flying objects, that would, in and of itself, be an admission of failure and lack of functionality of the devices and systems.
As the NYT subheading states: “A new report concedes that much about the observed phenomena remains difficult to explain, including their acceleration, as well as ability to change direction and submerge.”
If the “difficulty” to explain these parameters, observed by pilots and aircraft recording systems on multiple occasions (and apparently with increased frequency) is due to the lack of sophistication of our abilities to observe and measure, that is already an admission that, while this phenomena is “real” to the best of our knowledge, we do not, as of yet, possess the ability to see or record it in a way that can explain what it is.
The end and beginning of the future
And voilà! We are back to the definition of UAP and UFO: Unidentified.
And, as frustrating as all of this can be, somehow there is, under layers of caution and reticence, an admission of something here. The admission that, whatever these sitings are of, it would be in our interest to try and find out, and to take the effort to study these incidents seriously from now on, not just make jokes and relegate these questions to some kind of “anti-science” fantasy from a fictional story.
If nothing else, it is that revelation, that there is a strong, solid reason for this report to even be ordered and carried out, that moves us forward into a new era that might well, eventually, reveal some astounding information on these craft. Very fast, very nimble and very mysterious UAP craft.
The TikTok indicator is saying crypto is here to stay…
It was, astoundingly, less than a month ago, May 8th, 2021, that Ethereum reached an all time high of $4,169. That was two days after Dogecoin, full of Musk momentum, hit .69 cents, after starting the year around .10 cents. Bitcoin had peaked about a month earlier at $63,674 on April 12th.
As is so often seen in manias, bubbles and feeding frenzies, at the time you could not find a person in America who was not talking about crypto. The proverbial shoe-shine boy was now your cousin, your uncle even your grandmother and they were all bursting with FOMO after reading the articles, especially the ones about the Dogecoin millionaires, who had made fortunes starting with a tiny sum.
Now, many of those same people are seeing a typical reversal, correction, bear phase, whatever you want to call it, and they are just as convinced of crypto’s demise today as they were that it was a sure-thing less than a month ago.
The kids get it and are not backing down
Much like TikTok itself, the later arrivals to the huge phenomena that is Crypto are the old and out-of-touch, not the young and fast. Interestingly, an anecdotal survey of young and successful crypto “influencers” on TikTok and other social media are not shocked about the downturn. They get it.
Many have been learning about and actively involved with the crypto world for years. There is a real sense that the corrupt events that led to the financial crisis and near collapse in 2008 shaped their thinking and hardened their resolve to search for a better way. Crypto’s ideals and independent foundations have provided that in a real, tangible way, it seems.
While the mainstream of the media and the bulk of the financial establishment swing from an almost grudging respect to complete derision and rejection, it appears to be the underlying concepts and ideologies that present such a stark contrast in the perspective of up and coming generations.
While perhaps no less vulnerable to the excitement of 20,000 % gains and other sensational enticements, there is a somewhat surprising depth and resolve that is demonstrated in a level headed and clear thinking allegiance to the reasons crypto was created in the first place.
The outlandish price gains (and drops) are only window dressing
At the core of the question of crypto’s eventual widespread adoption and long term success lies a simple truth: fiat currencies and the governments that print them are a big problem for the world’s future. And, naturally, the new generations of the future will be those that are most affected.
What Elon Musk recently called “The true battle… between fiat & crypto” is one that Gen-Z appear to understand in ways that 100-year-old billionaires like Warren Buffet and his side-kick Charlie Munger do not. Or maybe they just side with the financial establishment they helped build, to the bitter end.
For any reading this that also “get it”, it would be wise to understand that, even at this early phase in the future of “the true battle” there is an army rising. It is not one of suicidal fossil fuels and battlefield tanks but one of ideology and belief in the possibility of a better way.
The army that will stand up for the survival and continued development of cryptocurrencies and blockchain and “DeFi” are not a few random conscripts, they are the generations of the future and they have chosen a side.
For that reason, all signs point to an unlikely permanent collapse of cryptocurrencies and an impossibility of banning or stopping them. It is already too late to prevent their eventual rise.
Which new series and films are looking like a good bet to stream this month
These days, it seems at times like finding something worth watching, and, more importantly, devoting precious free time to, can be a challenge. Sure, you can just randomly try the next thing in your recommendation queue and take your chances.
We’ve all been there; a tried and true classic we know is pretty good but we’ve seen it three times or a new item, marketed hard by the platform, but of unclear quality or interest. Sometimes you find a gem, by sheer luck. Other times it takes some deep digging to come upon an acceptable risk profile. The last thing we want is to get twenty minutes into a film, or worse yet, a unknown series, and have to “abort plan” due to low quality or just a theme that doesn’t tickle our fancy.
With some luck, and based on prior research and experience, the recommendations below might fit the bill. “Lupin” was a bonafide smash hit and, as any who devoured the first season can attest, once hooked, this series is a top notch binge-fest. Hopefully season two will turn out to be as good.
Based on prerelease buzz, the cast, the concept and the trailer, “Awake” looks quite interesting so far. A bit in the direction of “Bird Box” another big success for Netflix, it will be the differences, rather than the similarities that will be the test.
“Sweet Tooth” is already stirring discord among reviewers and the press. Perhaps due to the “sacred” and known DC Comic origin, and the pedigree of the production team, while the critics wariness could be warranted, it’s interesting enough to give this one a good test run before discounting it out of hand…
Lupin: Part 2– Netflix Original Series – 6/11:
Assane’s quest for revenge against Hubert Pellegrini has torn his family to pieces. With his back to the wall, he now has to think of a new plan, even if it means putting himself in danger.
Awake – 6/9:
Chaos ensues after a global event wipes out all electronics and takes away humankind’s ability to sleep. But Jill (Gina Rodriguez), an ex-soldier with a troubled past, may hold the key to a cure in the form of her own daughter.
Sweet Tooth – 6/4:
Based on the beloved DC Comic, and Executive Produced by Susan Downey & Robert Downey Jr., Sweet Tooth is a post-apocalyptic fairytale about a hybrid deer-boy and a wandering loner who embark on an extraordinary adventure. All episodes of Sweet Tooth premiere June 4th, 2021, only on Netflix.
Workin’ Moms (Season 5) – 6/15
Warm, loyal PR executive Kate and her longtime friend, no-nonsense psychiatrist Anne, attend a judgmental mommies’ group, where they meet timid IT tech Jenny and blindly optimistic real estate agent Frankie. The four quickly form an unlikely friendship, sharing struggles of urban motherhood filled with the chaos of toddlers, tantrums, careers, and identity crises, all while trying to achieve the holy grail: a sense of self.
Above: “Brokeback Mountain” / Photo Credit / Focus Features
Sitting on top of the heap of ultra successful streaming giants Netflix must spend and produce more and more content to keep up with views that binge watch new movie titles and even series as fast as they arrive, it seems. It’s given that the deluge of new arrivals helps to reduce the feeling of frustration that can arise when you are searching for something you have yet to watch, but it feels like hours go by, with little new to consider.
With a large number of new titles coming down the pipeline each month, and spread out in terms of release dates presumably in order to prevent a bulge in the first week, at least there is a chance that something completely new, or at least new to the classic library of titles on the streamer, will pop up in the browsing selection.
But what if you don’t stumble across a great, classic title and it is removed, perhaps permanently, before you had a chance to see it? To help pay for the many new titles that are always being added, and produced from scratch, the library must also be culled on a continuous basis. And as we all know by now, often the older classic titles outshine the more recent productions, sometimes with aging, half interested stars and “direct-to-streaming” titles and directors.
Fortunately, this month the last day falls on a Monday and it also comes in direct proximity to a 3-day weekend for Memorial Day, so we have a bit more time to warn you about what you might want to see, before it’s too late.
Netflix had a huge release of new titles for May 2021, 90 to be exact, that were added to the platform. As the end of the month rapidly nears, 20 titles will be leaving to make space in the budget for the June 2021 arrivals.
Therefore, be sure you don’t miss out on the titles below. We have provided trailers and a synopsis for a few select choices, since they are classic movies boasting high-profile stars. Examples such as Drew Barrymore and Adam Sandler in “50 First Dates”, “Meryl Street and Amy Adams in “Julie & Julia” and Jake Gyllenhaal, Heath Ledger, Michelle Williams and Anne Hathaway in “Brokeback Mountain” give you a taste and the full list also follows below.
Comedy, Romance, Action, Historical, Horror, Thriller are all on the list.
The list of titles leaving Netflix also includes award-winning films such as: “Milk”, “Miracle” and “The Pursuit of Happyness”.
Below are the titles that will officially be gone from the platform on May 31st at midnight:
Brokeback Mountain
In 1963, rodeo cowboy Jack Twist (Jake Gyllenhaal) and ranch hand Ennis Del Mar (Heath Ledger) are hired by rancher Joe Aguirre (Randy Quaid) as sheep herders in Wyoming. One night on Brokeback Mountain, Jack makes a drunken pass at Ennis that is eventually reciprocated. Though Ennis marries his longtime sweetheart, Alma (Michelle Williams), and Jack marries a fellow rodeo rider (Anne Hathaway), the two men keep up their tortured and sporadic affair over the course of 20 years.
50 First Dates
Playboy vet Henry (Adam Sandler) sets his heart on romancing Lucy (Drew Barrymore), but she has short-term memory loss; she can’t remember anything that happened the day before. So every morning, Henry has to woo her again. Her friends and family are very protective, and Henry must convince them that he’s in it for love.
The Help
In 1960s Mississippi, Southern society girl Skeeter (Emma Stone) returns from college with dreams of being a writer. She turns her small town on its ear by choosing to interview the black women who have spent their lives taking care of prominent white families. Only Aibileen (Viola Davis), the housekeeper of Skeeter’s best friend, will talk at first. But as the pair continue the collaboration, more women decide to come forward, and as it turns out, they have quite a lot to say.
Milk
In 1972, Harvey Milk (Sean Penn) and his then-lover Scott Smith leave New York for San Francisco, with Milk determined to accomplish something meaningful in his life. Settling in the Castro District, he opens a camera shop and helps transform the area into a mecca for gays and lesbians. In 1977 he becomes the nation’s first openly gay man elected to a notable public office when he wins a seat on the Board of Supervisors. The following year, Dan White (Josh Brolin) kills Milk in cold blood.
The Pursuit of Happyness
Life is a struggle for single father Chris Gardner (Will Smith). Evicted from their apartment, he and his young son (Jaden Christopher Syre Smith) find themselves alone with no place to go. Even though Chris eventually lands a job as an intern at a prestigious brokerage firm, the position pays no money. The pair must live in shelters and endure many hardships, but Chris refuses to give in to despair as he struggles to create a better life for himself and his son.
Act of Valor
All Dogs Go to Heaven
The Blair Witch Project
The Boy
Deliver Us from Eva
I Now Pronounce You Chuck and Larry
Julie & Julia
Above: “Julia & Julia” / Photo Credit / Columbia Pictures
Marauders
Miracle
National Lampoon’s Christmas Vacation
Prosecuting Evil: The Extraordinary World of Ben Ferencz
The Scorpion King 2: Rise of a Warrior
The Scorpion King 3: Battle for Redemption
Soul Surfer
Striptease
Waiting…
Above: “Striptease” / Photo Credit / Warner Bros. Pictures
It’s nearly June and that means new films and shows to stream on Netflix
Every month a kind of sudden house cleaning happens these days at Netflix. out go the “old” but sometimes classic films and in come a batch of new shows and movies. Sometimes a new season of an established show like The Kominsky Method, now already starting season 3, or a long term binger like Lucifer already at season 7!
Also there’s a film that’s only now getting to Netflix’s streaming availability like Collateral Beauty, which admittedly has a funny name, what? Is it like “American Beauty but with collateral? Or do collateral “damage” victims suddenly get very beautiful? Well, with Will Smith, Kate Winslet, Edward Norton and Keira Knightley all showing up, perhaps it’s worth a bit of your time to try to solve that riddle.
The Kominsky Method – Season 3:
The third and final season is here. The show will be leaving with a bang with six Emmy nominations. Although its often sad to see a great series end, with the finality of any show, you are able to binge 1-2-3 seasons all in one go. Another bonus is the all-star cameos for the season which include Morgan Freeman and Barry Levinson.
The show follows the once-famous, now aging acting coach Sandy Kominsky played by Michael Douglas. Alongside him his longtime agent Norman Newlander played by Alan Arkin. The two navigate their later years together and all the crazy curveballs thrown out them, all the while, keeping each other laughing.
Lucifer- Season 5 / Part 2 :
Don’t sleep on Lucifer. It does not disappoint. Netflix picking up the show when it was cancelled from Fox appears to be right on the money. The show has been doing so well that Lucifer will be renewed for a 6th season. Fans know that it has felt like a considerably “long” time since the Part 1 of Season 5 initially dropped on Netflix (back in August 21, 2020). Now the final half of the season, with another 8 episodes will be available May 28.
The show, which originally was released in 2016 aired on Fox until 2018. The series follows, well, Lucifer Morningstar, the original fallen angel, who becomes dissatisfied with spending his life in hell and comes to live in Los Angeles. Lucifer runs the nightclub LUX as well as working as a consultant to the police. He loves indulging in the pleasures of women, drinking and nightlife. Yet after a murder takes place outside his club, something changes him, awakening the buried feelings of what he thinks is compassion and empathy, ultimately begging Lucifer to wonder if there is hope for HIS soul.
Collateral Beauty:
The 2016 drama/romance film is another title dropping on the streaming platform Friday. I honestly had not heard of the movie, yet there are some big name stars that definitely make me interested to add this to the weekend watch cue. The cast includes: Will Smith, Kate Winslet, Edward Norton and Keira Knightley.
The movie follows, Will Smith who plays a successful New York executive, who after suffering a tragic loss, retreats from his life. As a way to search for meaning, he begins to write letters addressed to Love, Time, and Death. The notes end up bringing about unexpected and revealing responses to how love, time and death connect to every human being on Earth.
Dog Gone Trouble:
If you are looking for more of a light and fluffy, feel-good, goofy movie, look no further. The animated film was originally released in 2019 under the title “Trouble”. Netflix acquired the rights under the new name “Dog Gone Trouble”.
A pampered dog name Trouble has his world turned around when his owner passes away and he finds himself lost. He has to figure out how to survive big-city life and all the adventures that come along with it. Voices by Big Sean, Lucy Hale, Wilmer Valderrama, Snoop Dogg, Betty White.
How many times have you searched or browsed the various suggestions prepared for you by the Netflix algorithm, only to get lost in confusion? Perhaps it’s a little like a self-driving car or a spell-checker, when it works you feel magically guided to your destination (or spelling) but when it doesn’t work, you are likely in trouble.
Choosing the newest or the most watched is no fool-proof either. Often, when a better movie rises organically to the Netflix top ten, it’s an older film that people discovered all at once, for some reason, rather than a new release or “original” production.
Such was the case when, after I made a series of unwatchable depressing choices, and then stumbled on “The Professor and the Madman”.
In this time of mandatory streaming, big screen production values are more important than ever
Unlike many featured Netflix titles which come across as budget-conscious direct to streaming productions the fist thing noticeable in the opening sequence is that this is a “real movie” with a serious cinematic presentation. It only gets better from there.
Above: Photo / Netflix
Starring Mel Gibson, Sean Penn, Natalie Dormer, Eddie Marsan, Jennifer Ehle, Jeremy Irvine, David O’Hara, Ioan Gruffudd, Stephen Dillane, Laurence Fox, and Steve Coogan, there’s a rare combination of megastar acting talent in a setting that is both age appropriate (the lead characters are both late in life as the drama unfolds) and produced with absolutely impeccable and ensemble acting.
Unlike so many films that appear to have a concept that was half based on a calculation in the production budget – for example “An Imperfect Murder” and “The Midnight Sky” which seem to reduce the number of characters and screen time as a way to produce something with a higher change of recouping costs and producing profit, rather than any artistic or aesthetic inspiration, “The Professor and the Madman” is a full cinematic experience that translates to any screen.
Disney’s prequel to show a whole different side to the well-known evil character
Oscar winner Emma Stone is playing as the new role of villain- Cruella de Vil in the upcoming live-action version of the Disney’s iconic “101 Dalmatians”. Glen Close, who played the same role back in the 1990’s version to the cartoon is also on the scene, this time as producer.
The first official trailer has been launched and by the looks of it, there is a dark punk feeling as fans get a sneak behind the back story of a younger Cruella.
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According to Disney, the synopsis for the 2021 version: “In 1970s London, young fashion designer Estella de Vil becomes obsessed with dogs’ skins, especially Dalmatians, until she eventually becomes a ruthless and terrifying legend known as Cruella.”
“Cruella” is scheduled for theatrical release on May 28, 2021.
The first teaser trailer Warner Bros. just released for the upcoming drama highlights a truly star-studded ensemble cast. Although the video clip below doesn’t give audience much of a taste of what the movie will be about, we do get to see the stars that include: Don Cheadle, Benicio del Toro, David Harbour, Jon Hamm, Ray Liotta, Kieran Culkin, Brendan Fraser, Noah Jupe, Julia Fox and Amy Seimetz.
The new crime thriller will first premiere at Tribeca and shortly after be released onto the HBO Max streaming platform, written by Ed Solomon that brought us “Bill and Ted“. The film is also directed by Steven Soderbergh, who is responsible for numerous hit movies including: “Ocean’s Eleven“, “Erin Brockovich“, “Traffic”, “The Informant! ” with Matt Damon, “The Laundromat” and so many others.
The film is set in the 1950’s Detroit and centers on a group of small-time criminals that are brought together to steal what they thought was just a simple document. Inevitably the plan goes down horribly wrong and now the group is set out to search for who hired them in order to discover the real purpose of whats going on.
With the annual Tribeca Film Festival just a few weeks away, the 12-day outdoor celebration will be held June 9 through June 20 and will be one of the first major festivals within North America to hold such a large in-person event coming out of the pandemic.
Soderbergh in a statement, “A year ago I was on lockdown in Tribeca,” and continued “So I never imagined we could return 12 months later with a new movie screening for a live audience in our neighborhood. I’m VERY happy.”
“No Sudden Move” is currently scheduled to premiere at Tribeca on June 18th and will be then be released to stream on HBO Max in the U.S. starting July 1st. Watch the teaser trailer below:
The first sneak peak trailer for Marvel Studios’ “Eternals” has dropped welcoming the next epic Superhero movie. The film is based on the comics of the same name that follow a group of eclectic god-like beings from another planet, an immortal race that have been on Earth living secretly for thousands of years. The heroes team up in order to protect humanity from a new threat, one of mankind’s oldest enemy, The Deviants.
Massive amounts of eyeballs watched the “Eternals” trailer, 77 million global views within the first 24 hours, which reportedly now marks the highest numbers for a Disney movie during the past 14 months.
The Academy Award winning director of “Nomadland” Chloe Zhao will direct and also co-wrote the screenplay for the upcoming movie.
The new team of Super Hereoes as part of the Marvel Cinematic Universe (MCU) will be the third Phase 4 movie and will boase major star power including: Angelina Jolie, Salma Hayek, Gemma Chan, Kit Harington, Richard Madden, Kumail Nanjiani, Barry Keoghan and Brian Tyree Henry
Check out the official first-look trailer for Marvel Studios’ “Eternals”:
Above: Photo Collage / Lynxotic / Oregon State University Press
Lessons to how we can better listen to the wisdom of plants
A blend of scientific, indigenous and personal experiences is where author Robin Wall Kimmerer memoir will take readers as she explores the relationship between humans and nature.
Robin’s first book, was also a collection of essays “Gathering Moss“. Her Second will follow suit and dig deeper into the genre while expanding the subject matter by way of a series of personal essays. She is devoted to focusing our attention on restoring ecological communities and humans’ relationship with land.
The view that Natural resources are not unconditionally “given” and should not be viewed as property but instead “gifts” from mother nature is a persistent thread of the narrative.
“I think now that it was a longing to comprehend this language I hear in the woods that led me to science, to learn over the years to speak fluent botany.”
Braiding Sweetgrass, Robin Wall Kimmerer
Kimmerer is a botanist, teacher and member of the Citizen Potawatomi Nation, and with that pedigree she is able to write about her lessors from plants, animals and nature from both a scientific and spiritual perspective.
With her wealth of knowledge she has appeared in many YouTube videos as a guest speaker including below in “Gifts of the Land”.
We’ve provided a closer look at Braiding Sweetgrass by Robin Wall Kimmerers, along with a description, provided courtesy of Bookshop.org (and the publisher), and added some links for a variety of options where to purchase.
Braiding Sweetgrass:Indigenous Wisdom, Scientific Knowledge and the Teaching of Plants
As a botanist and professor of plant ecology, Robin Wall Kimmerer has spent a career learning how to ask questions of nature using the tools of science. As a Potawatomi woman, she learned from elders, family, and history that the Potawatomi, as well as a majority of other cultures indigenous to this land, consider plants and animals to be our oldest teachers.
Drawing on her life as an indigenous scientist, and as a woman, Kimmerer shows how other living beings–asters and goldenrod, strawberries and squash, salamanders, algae, and sweetgrass–offer us gifts and lessons, even if we’ve forgotten how to hear their voices.
In reflections that range from the creation of Turtle Island to the forces that threaten its flourishing today, she circles toward a central argument: that the awakening of ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world.
For only when we can hear the languages of other beings will we be capable of understanding the generosity of the earth, and learn to give our own gifts in return.
The Ice Road is the latest venture for Liam Neeson, who, no stranger to action packed thrillers, already boasts a huge list of theatrical hits including: “The Marksman“, “Honest Thief”, “Cold Pursuit“, “Non-Stop“, “Taken” and more.
This time, he’s back at it in the Netflix produced Ice fest. Neeson’s character, Mike, plays a big rig driver traveling through the dangerous icy roads of Canada. A remote diamond mine collapses, trapping workers with only a limited time to survive without freezing. Mike must lead a seemingly impossible rescue mission transporting necessary equipment needed to save the 26 trapped miners.
In a sense with plot is a hybrid of Neeson’s two most dominant sub-genres, the violent triumph of the good guy against obvious pure evil and, initially in this case, the survival hero against the odds. As the trailer shows, the evil enemy does emerge, apparently in the form of the corrupt mine company that conspired in the collapse and thereby add even more tension to the already dire straits.
Though not a surprise in terms of genre, there is a sense that Liam Neeson is pushing all the buttons he’s pushed so well before, and with a star cameo from Laurence Fishburne as the man charged with putting together the crack team of misfits to make the rescue happen, it looks like this could be another winner.
Along with Liam, cast includes: Benjamin Walker, Amber Midthunder, Marcus Thomas and Laurence Fishburne. Check out the official trailer that just dropped. “The Ice Road” will be available to watch on the streaming platform starting June 25, 2021.
If you are stuck on the word ‘fiat’ this post can help you (everyone else too)
In a single, 14 word reply to a follower (@TheRealShifo) that asked “Yo Elon what do you think about the peeps who are angry at you because of crypto?” He gave a simple answer that is the often unmentioned, yet most important, question regarding crypto vs. fiat, government issued, currency such as the US dollar.
Looking around during the ongoing frenzy surrounding crypto and digital finance you’ll see countless ‘news” stories and blog posts comparing, or pretending to compare cryptocurrencies, especially the two biggest Bitcoin and Ethereum (as coin sometimes referred to as “Ether”) and they virtually always quote the “price” fluctuations of those coins as a certain number of dollars and cents.
Interestingly I have yet to see any of these “comparisons” use the reverse valuation method, such as, “the US dollar is currently worth .00002703 Bitcoin. Can you imagine everything using that as a standard – CNBC quoting stock prices in Bitcoin, your house is “worth” 32 Bitcoins (if you’re in California, for example).
The reason this comes off sounding strange and ridiculous is that all communication related to the US dollar, which has been a fiat currency since abandoning any “backing” (such as gold) and continuing on by decree (or fiat) of the government with no backing other than than decree, also carries a decree (tacit) not to undermine it in public.
So when Elon says:
“The true battle is between fiat & crypto. On balance, I support the latter.”
The true battle is between fiat & crypto. On balance, I support the latter.
Simple and straightforward and yet intentionally shrouded in mystery
Musk is directly comparing crypto, generally, and fiat currencies around the world that “float” against each other. And by inference, doing so in terms of the difference between a fiat currency like the US Dollar and a crypto currency, like Bitcoin.
A fiat currency is money that is not backed by a physical commodity like gold, but instead backed by the government that issued it. Most modern currencies, such as the U.S. dollar, euro, pound and yen, are fiat money.
from Wikipedia
The term fiat derives from the Latin word fiat, meaning “let it be done” used in the sense of an order, decree or resolution.
— common Definition
The fact that Bitcoin was created as a digital alternative to fiat money stands at the forefront of that point. The fact that it was designed precisely to counter the drawbacks and dangers of a system based on fiat paper money (or digital ledgers of those paper dollars such as your bank balance or any method to keep track of how many “imaginary” paper dollars you “have”) is exactly the real issue at hand.
photo credit: twitter
It’s no secret that many attack those goals and intentions superficially and dismiss the entire discussion with a wave of the hand. They willfully use the complexity of the cryptographic solutions, at the heart of cryptocurrency, as a way to gloss over the real and substantive problems being targeted.
They prey on the ignorance of the majority to try and discount out of hand any value at all for the movement and the various products.
Opening up the door to this exact exchange and characterizing it as a “battle” in one fowl swoop clarifies and simplifies the real issues and the real reason for the existence, and according to many, including Elon Musk, the need for monetary “reform” or change via a shift toward crypto.
Opening up the door to this exact exchange and characterizing it as a “battle” in one fowl-swoop clarifies and simplifies the real issues and the real reason for the existence of, and the need for, monetary “reform” or change via a shift toward crypto.
D.L.
The “price” of Bitcoin or any other crypto currency on any given day has almost nothing whatsoever to do with that debate.
Speculation abounds but not just in Crypto
The “price” is a function of, mostly, speculation and scarcity, due, in the case of Bitcoin to the mining cap, or at least a perceived scarcity. And additionally the various perceived advantages of crypto such as privacy, decentralization, use of block chain systems, etc.
But the price is like the smoke above the battlefield, not the reason for the battle or any indicator who is winning or who is on the side of might or right.
Two major questions that arise from this tweet and the potential shift toward a clearer and simpler dialogue on crypto are the following:
Is crypto generally, and Bitcoin / Ether more specifically established and entrenched enough to withstand the coming backlash from governments that feel threatened and other status quo institutions that will do whatever it takes to discourage or even stamp out crypto usage?
Will the very battle itself, that Elon Musk says is the current “true” battle, bring even more attention to the weaknesses and problems with the current fiat money system and thereby increase, perhaps inadvertently yet massively, the size of the battle and its stakes?
Alternative systems of trade have been tolerated in the US for some time now. How are those air miles doing? What about the chips and points for perks you got at the Indian Casino? Is it too late to outlaw all crypto without causing a revolution in the streets?
The other side of the (clipped) coin
It is truly surprising to see how little is to be found in the media about the deeper reasons for the rise of crypto. How it sometimes seems like direct criticism of fiat currency is almost taboo.
Naturally any internet search will find many “rabbit hole” sources for all kinds of information critical of the current monetary system, the same system the near total collapse of which in 2008 inspired the creation of bitcoin.
It appears that Elon Musk is emphasizing, in a subdued manner, exactly the way that the nonsense-furor over huge price gains or declines is completely missing the actual point. The “true battle”.
Many stories in the media and millions of private comments are currently following a kind of convoluted logic – first the popularity of crypto (which is linked to the unpopularity of the very messed up fiat system) artificially and massively increases prices in many crypto assets.
This “bubble”, a typical outcome of human herding behavior in financial markets, inevitably bursts or sees large setbacks. Then the coin or crypto system itself is blamed for the human stupidity and greed that caused the distortions of price, just like happened in the dot-com bubble and the 2007 housing bubble and subsequent crash.
The difference is that the crypto bubble, in an interesting way, is in reality due to a surge in skepticism toward fiat currencies, a boom in the prevalence of mistrust toward governments and a combination of fear and greed that is growing, not dissipating.
Although many have rightly criticized Elon Musk’s tweets and odd Saturday Night Live appearance, and there is a kind of mini-backlash (growing?) against all things Musk, in this case it is a healthy and wise tweet that we have shown above.
Reframing, or more aptly refocusing the discussion away from prices and speculative profits and back to the real reasons that cryptos were initially created and why it has gained such massive support is a welcome shift. That this reframing comes from the likes of Musk himself, is fitting and who better to put forth a message to simplify and clarify the nature of the real “battle” at hand.
The following video has some interesting data and arguments for, and mainly against, the fiat regime under which we have lived for most of the last century. Although, in a sense, a kind of advertisement for Gold and Silver, the overview is nevertheless accurate and does not exaggerate the dangers and issues that revolve around the fiat system.
Disclaimer: This article is for informational purposes only. It is not a direct offer or solicitation of an offer to buy or sell, or a recommendation or endorsement of any products, services, or companies. Lynxotic does not provide investment, tax, legal, or accounting advice. Neither the company nor the author is responsible, directly or indirectly, for any damage or loss caused or alleged to be caused by or in connection with the use of or reliance on any content, goods or services mentioned in this article.
Above: Christian Bale, playing Dr. Michael Burry in “The Big Short“
The more things change, the more they stay the same
Shorting in the stock market has gotten a bad rep recently among the “WallStreetBets” crowd on Reddit, and those that were in the run-up frenzy over Game-Stop and AMC, Koss, etc. This was, for the most part, due to a lack of understanding of what shorting is, how it works and why it adds liquidity and has other benefits to markets as a whole.
Many of the crowd from that frenzy has now moved on to the crypto frenzy, which has a lot of speculators worried after relatively large drops in many of the top coins. Similar to the misunderstanding of short positions many of the speculators in crypto are new arrivals and, for a short time, had no experience of the fact that volatile, fast moving instruments, such as shares in tech companies or “alt-coins” also go down faster than slow moving investments. They don’t “only go up” as was the “slogan” for the Game Stop crowd and others at the time.
Michael Burry, the genius founder of Scion Asset Management, the firm that was chronicled in “The Big Short” (both the book and the film) which tells the story of how Burry bet against the US housing market at the peak of the bubble and experienced massive success when his billion dollar bet paid off.
That bet was, as the name of the book implies, the longest of long shots, and in the movie the skepticism and outright scorn and derision that he experienced for even thinking of taking that gamble was shown and formed the backbone of the story.
The power of that story was how a man with knowledge and experience could see clearly, even with one good eye, what millions of “experts” either could not see or were too corrupt to admit or accept.
That the housing market and the products devised to profit off of it, mortgage backed securities, collateralized debt obligations, credit default swaps, and so forth, were about to take the entire world economy to the brink of doom.
A collapse did occur, and were it not for desperate and questionable bail-outs by the governments and the central banks around the world, could have collapsed the world economy to a level that would have taken decades to recover from.
Instead this “largest band-aid” in the history of the universe has been followed up by larger and larger ones until as of the writing some 14 trillion has been created to prop up the original “fix” and kick the can further and further down the road.
Fast forward to 2021 and see where Burry sees a big opportunity now…
Michael Burry, the same man who say the end of the housing bubble in 2006 and 2007, and bet big against the one market that no one, literally no one, believed could ever go down, appears to believe that the end of the road for the current speculative bubble ( at least in Tesla stock prices) is near.
Michael Burry’s Scion Asset Management has disclosed a major, half-a-billion dollar short position against Tesla Inc.
Scion Asset Management disclosed via a regulatory filing on May 17th that purchases were made for bearish put options on 800,100 shares in Tesla. In the disclosure was also the further information that, as of the end of the first quarter, the options had a value of US$534 million.
“my last Big Short got bigger and Bigger and BIGGER,” Burry said in a tweet from February, apparently referring to Tesla’s large surge in market capitalization. “Enjoy it while it lasts,” he continued.
It appears that, as of May 18th, he may have deleted his Twitter account entirely. Which, if true, may be over concerns that the SEC could have questions about the tweets, as wells as earlier tweets he made referring to other short position in GameStop Corp.
Revelations already leaked into de-classified public domain are enough to shock and amaze
Now that UFO sightings, also known as UAP (“unidentified aerial phenomena”) encounters have become too numerous and too tangible to dismiss as “swamp gas” or “reflected light” or anything of the kind, the next step is for the Pentagon to reveal much more about what it already knows. And from all accounts; it’s a lot.
Recently, for example in the CBS “60 Minutes” segment that aired on Sunday, May 16th, 2021 the growing body of de-classified data and credible accounts from government, ex-government and military personnel has been thoroughly cataloged and competently explained, the the degree that it is possible to explain at all.
In an interview exchange between CBS correspondent Bill Whitaker and Lue Elizondo, who was in US military intelligence for 20 years and was part of “what The Pentagon called the Advanced Aerospace Threat Identification Program, or AATIP, the discussion turn to the amazing current state of publicly available information on UFO sightings by the military.
Lue Elizondo:
“The mission of AATIP was quite simple. It was to collect and analyze information involving anomalous aerial vehicles, what I guess in the vernacular you call them UFOs. We call them UAPs
Imagine a technology that can do 6-to-700 g-forces, that can fly at 13,000 miles an hour, that can evade radar and that can fly through air and water and possibly space. And oh, by the way, has no obvious signs of propulsion, no wings, no control surfaces and yet still can defy the natural effects of Earth’s gravity. That’s precisely what we’re seeing.
In some cases there are simple explanations for what people are witnessing. But there are some that, that are not. We’re not just simply jumping to a conclusion that’s saying, “Oh, that’s a UAP out there.” We’re going through our due diligence. Is it some sort of new type of cruise missile technology that China has developed? Is it some sort of high-altitude balloon that’s conducting reconnaissance? Ultimately when you have exhausted all those what ifs and you’re still left with the fact that this is in our airspace and it’s real, that’s when it becomes compelling, and that’s when it becomes problematic.”
A series of revelations that are building and increasing, not a scattered random sequence
The segment went on to interview two of the four pilots that were witnesses to an very close encounter with a UAP during a training mission with the USS Nimitz carrier strike group 100 miles southwest of San Diego, CA in 2004.
CBS News interviewed them, David Fravor, a graduate of the Top Gun naval flight school and commander of the F/A-18F squadron on the USS Nimitz; and flying at his wing, Lieutenant Alex Dietrich, who has never spoken publicly about the encounter:
“For a week, the advanced new radar on a nearby ship, the USS Princeton, had detected what operators called “multiple anomalous aerial vehicles” over the horizon, descending 80,000 feet in less than a second. On November 14, Fravor and Dietrich, each with a weapons systems officer in the backseat, were diverted to investigate. They found an area of roiling whitewater the size of a 737 in an otherwise calm, blue sea. “
The interview went on to describe in great detail the shockingly real and yet impossible to grasp behavior of the UAP and how hard it is to fathom the origin of something so advanced and so far beyond anything we can imagine as being possible to build by humans with current technological means.
‘Either or’ is a short list of what could explain the mysteries
According to various unnamed pilots, of the many that have had sometimes multiple highly corroborated and documented UAP encounters, there are three likely possible sources for these “anomalous aerial vehicles” origin:
secret U.S. technology,
an adversary’s spy vehicle
something otherworldly.
What no-one, outside the “UFO fringe element” has speculated to is the exact meaning and source of “something otherworldly” being involved, or a 4th possibility that this is the most advanced and elaborate hoax ever devised to create the illusion of an ultra sophisticated entity “watching” us.
This last completely speculative statement underscores just how unlikely it is, with this much evidence already uncovered, that this is any kind of “hoax” at all, and how that would be even more far fetched than #3 above, an “otherworldly” explanation.
Now that, since last August, AATIP has been reactivated by the Pentagon, and it’s now called the UAP task force, more information has likely been cataloged since service members now are encouraged to report any strange encounters.
In December 2020, while still head of the intelligence committee, Senator Marco Rubio, of all people, asked the director of national intelligence and the Pentagon to present Congress an unclassified report.
That report will be next major step in this building story. It is scheduled to be released to the Senate on June 1st, 2021.
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