The Search for Justice is on and promises to have plenty of violence
The surge in film release activity, which all cinephiles welcome with open arms, comes from the need to push forward all the various productions that were previously on ice due to the pandemic. One such movie, “Wrath of Man,” from MGM and Miramax, which will get its theatrical launch from United Artists on May 7, 2021.
The film was adapted from the 2004 French film “Le Convoyeur” also known as “Cash Truck” and follows closely to the original outline of the story. Statham plays the character Hill or “H” as nicknamed by coworkers, a seemingly cold and mysterious man working for an armored cash truck company responsible for moving millions of dollars.
Little does anyone know “H” has positioned himself as truck driver for an undercover mission to find who murdered his son. We will have to watch to see the violent surprises that result, as there will be plenty of blood spilled..
"It's been one of the most enjoyable experiences I've had making a film." – Josh Hartnett and the cast on Guy Ritchie's #WrathOfMan. Now playing in theaters. pic.twitter.com/Jal7kfzVtM
“Wrath of Man” marks the latest match up, a total of 4 films between English filmmaker Guy Ritchie and action staple Jason Statham.
In addition to Statham, he is joined by a slew of actors including: Alex Ferns, Holt McCallany, Scott Eastwood, Jeffrey Donovan, Laz Alonso, Josh Hartnett, Niamh Algar, Raúl Castillo, Post Malone, Lyne Renee, Anthony Molinari, Deobia Oparei, Tadhg Murphy, Babs Olusanmokun, Darrell D’Silva, Chris Reilly, Matthew Illesley, Rebecca Calder, Jason Wong, Alessandro Babalola, Cameron Jack, Montana Manning, Rocci Williams, Josh Cowdery, and Eve Macklin.
In her new book, Klobuchar tries to connect the historical roots of antitrust actions to populism and her own ancestry. That’s not all, however. Although difficult, particularly for readers who are not legal scholars, there’s an important and deeper historic thread here that she is aiming to contribute to.
That job is to find a way to illuminate how the digital age, with all its challenges and complexities, can come to terms with the simple question of how to measure damage that is being done by big tech monopolies, through sheer size, power and lack of external accountability.
Moreover, there is an issue of how antitrust law and practice veered away from the remedies and goals, first established during the Gilded Age, toward a laissez-fair, anti-regulatory stance that gained steam in the Regan years.
That shift is, in many ways, to blame for the current extreme state characterized by dangerous levels of concentrated wealth and power by big tech.
This effort may seem like one that is doomed to being ignored by all but the already long-since converted. But, make no mistake, it is a topic that will grow, reverberate and become more relevant as the current administration in Washington consolidates and comes into its own.
“People have just gotten beaten down. I wanted to show the public and elected officials that you’re not the first kids on the block with this. What do you think it was like back when trusts literally controlled everyone on the Supreme Court, or literally elected members of the Senate before they were elected by the public?”
— Amy Klobuchar, in Wired interview with Steven Levey
When President Biden recently nominated Lina M. Khan to the Federal Trade Commission, in addition to Columbia Law School professor Tim Wu, who announced earlier this month he would join the National Economic Council, he set forth a clear path for an antitrust direction that has the potential to be more than just rhetoric and window dressing.
Khan is an unequivocal proponent of a new era of antitrust, one that is, not coincidentally, along the lines of what Klobuchar advocates. Likely sharing these ultra clear views from her long and celebrated research, Khan, along with Wu, is a key addition to Biden’s growing roster of Big Tech critics, and there is already a blueprint for actions and cases that will build to a crescendo over the next several years.
Biden’s call for the repeal of Section 230 of the Communications Decency Act, meanwhile, a hotly contested and possibly flawed legal shield some feel is exploited by Internet platforms, is another indicator of the tenor of the coming actions.
In a sense, with this bestselling book [on Amazon: #1 in Political Economy, #1 in Government Management, #1 in Business Law (Books)] the gargantuan task of connecting the culpability of massive, nearly infinitely powerful behemoths, each in it’s own territory, to the social and economic catastrophes that they’ve brought down on the world.
However, while politicians like Klobuchar may not have the charisma and energy to set a fire under the population, it is the very deeds themselves that will eventually conspire to ignite an uprising and put pressure on the government and the courts to take real, substantive measures. And with young, new faces and minds such as possessed by Khan and Wu, ultimately there is a bulwark of criticism against monopolist abuses building in government and among the public at large.
“I am never saying, ‘Get rid of their products.’ But let’s have more of the products that give you more choices. You can keep one product, but it’s better to have other products, because we’re not China.”
Amy Klobuchar in Wired interview with Steven Levey
In response to Klobuchar’s quote above Steven Levey in Wired wrote; “In other words, Facebook could keep it’s main app, but the public might benefit if Instagram and WhatsApp were not Mark Zuckerberg productions.”
While this kind of “moderate” view may not be the earth shattering remedy that would turn the juggernauts around in a heartbeat, from Zuckerberg’s perspective it would not be ideal, to say the least.
And, since we have seen the unfettered and viral growth of big tech, for at least a quarter century in some cases, and since there was a aura of hero worship afforded their leaders for most of that time, a break-up, such as that could ultimately turn out to be the beginning of more sweeping changes. A welcome outcome for those that have been harmed the various monopolistic structures that rule nearly all our lives, or at least it seems, at times.
Levey then asked Klobuchar why legislators so often embarrass themselves in hearings with irrelevant partisanship, clueless technical questions, and time-wasting grandstanding. Her response;
“Welcome to my life,” she says. “I get it—there’s going to be hearings that are irritating to people who know a lot. But that’s a great argument for tech to use because they don’t want this oversight.”
Amy Klobuchar in Wired interview with Steven Levey
In defense of using the word “antitrust in the title, while also advocating its eradication in future she responded:
“Well, I thought antitrust was an interesting word”. “It’s not only about this body of law; it’s also about not trusting anyone.”
Amy Klobuchar in Wired interview with Steven Levey
Perhaps it is more the course of history that led to the current and incredibly extreme situation and obscene dominance by big tech that is what should never have be trusted to arise in the first place.
Perhaps these firms will one day be seen, looking back from future generations, as a temporarily necessary, but evil mistake of history, as was the toothless interpretation of laws that led to their rise from “scrappy underdog startups” into malignant monopolies run amok.
Above: Final Official Trailer / A Quiet Place Part II
Will you venture out into theaters to watch Part 2…?
Over a year of release date delays, “A Quiet Place Part II” is almost on its way to theaters, Paramount Pictures has a May 28, 2021 release date and has released the final official trailer for the sequel. Along with the trailer, below is a featurette with a sneak peak of what’s to come, along with some behind the scenes/ commentary.
Director and costar of the first movie, John Krasinski comes back in front of camera to personally invite audiences to scream alongside fellow horror fans.
“It was always designed for a theatrical experience,” Krasinski promises. “It’s much bigger. It’s a much scarier movie.”
“You want to watch it in the dark,” star Emily Blunt adds, “jump and leap and gasp together.”
“A Quiet Place Part II” was initially scheduled for a 2020 theatrical release, but, as we all know, 2020 plagued movie theaters as a result of the coronavirus pandemic. Paramount, therefore opted to delay the movie a full year until 2021.
“A Quiet Place Part II” will be released exclusively in theaters and will not be featuring the title for VOD and streaming. Instead, with Paramount’s new agreement, the movie will be in theaters and then provide streaming the streaming option on Paramount+ 45 days after its premiere in theaters, some time in July.
The bonds between fathers and sons, as seen through the eye of their mothers
The inspiration for the Duchess of Sussex’s first book started from a poem Megan wrote for Prince Harry after their son Archie was born for Father’s day. The poem then evolved into a story, the book will capture the special bond and relationship between fathers and sons from all walks of life, as described by mothers.
As news relating to the upcoming release of Markle’s debut book, reports began to surface speculating potential plagiarism with another children’s book “The Boy on the Bench” by Corrinne Averiss. The only real similarity between the two titles is they both have the word “bench”, aside from this, Averiss took to Twitter to defend the Duchess stating “I don’t see any similarities”.
“The Bench” includes illustrations by Christian Robinson, a Caldecott Award winner, who has worked with both Pixar and Sesame Street Workshop. Markle and Robinson worked together to make sure the final product was inclusive and shared a universal message every kind of family could relate to.
In a statement from Random House Children’s Books, Markle said “Christian layered in beautiful and ethereal watercolor illustrations that capture the warmth, joy, and comfort of the relationship between fathers and sons from all walks of life,” and continued to say “This representation was particularly important to me, and Christian and I worked closely to depict this special bond through an inclusive lens.
My hope is that The Bench resonates with every family, no matter the makeup, as much as it does with mine.”
The Duchess of Sussex, Meghan Markle, already holds so many titles: she is a wife, a mother, feminist, activist, and now will be adding author to her list of accomplishments.
— Random House Children's Books (@randomhousekids) May 4, 2021
“The Bench” will mark the latest venture for the Duchess after stepping back from the Royal Family and moving to the United States in 2020. Prince Harry and Meghan have also launched a podcast in partnership with Spotify Archewell Audio. The two also have plans to work on a Netflix documentary based on the Invictus Games which the Prince founded back in 2014.
A secretive algorithm that’s constantly being tweaked can turn influencers’ accounts, and their prospects, upside down
By: Dara Kerr
It was the middle of the pandemic, and Mason McClellan had just started his first semester of college in Georgia. He was stuck at home, learning remotely, and had more time than expected on his hands. So, one night he made a few short videos loosely based on small-town news stories and posted them to TikTok.
“I made five videos in the first day, went to sleep, and then ended up with 50,000 followers out of nowhere,” McClellan said. “Then I was like, ‘I gotta make more videos now.’ ”
He kept going. Over the next three days, he made several more videos and amassed one million followers—a major milestone in the world of TikTok. Views on his videos continued to tick up throughout the fall, and several million more followers streamed in. McClellan began to make money off his account, roughly $500 a week, but then, in January, it took an unexpected turn—he started hemorrhaging followers, losing roughly 200,000 in a matter of weeks.
“Since Jan. 18, I haven’t had a day that I’ve gained followers,” McClellan said. “Before late February, even my followers weren’t seeing my videos.”
McClellan hadn’t taken time off, posted taboo content, or altered the style of his videos. On his side of things, nothing had changed. And he isn’t alone: Jan. 18 was a pivotal day for many TikTok creators who say they saw inexplicable drops in followers.
No other platform can provide the explosive virality that TikTok is known for—Charli D’Amelio became famous for casual dance routines on the app and now has her own TV show, and rapper Lil Nas X credits TikTok for the meteoric rise of his song “Old Town Road.” Who goes viral is largely dictated by a discovery-based system in which TikTok’s algorithm puts together an endless “For You” feed where viewers spend most of their time picking and choosing who to follow.
Unlike YouTube, Instagram, and Snapchat, which depend on creators building a network of followers, TikTok’s algorithm can put videos at the top of the For You scroll and turn people into overnight sensations. But similarly, if videos suddenly disappear from that feed, creators’ prospects can evaporate. Those people who’ve centered their lives around performing on the app can be left trying to figure out how to stay relevant on an impenetrable, constantly changing platform. The growing industry around TikTok resembles the promise and callousness of early Hollywood—burgeoning creativity, swift fame, and little by way of worker protections—except that instead of studios creating stars, it’s a faceless, inscrutable machine.
“What is so incredibly precarious is often the [algorithmic] tweaks that are unannounced. They can wreak havoc on a creator’s livelihood,” said Brooke Erin Duffy, associate professor of communication at Cornell University, who studies social media and digital labor. “There’s always been this unpredictability, and creators have little to no recourse.”
TikTok spokesperson Hilary McQuaide declined to comment on questions about the company’s algorithm, specifically how often it’s changed and if creators are told about such changes.
The private company, which is owned by China’s ByteDance, arrived in the U.S. in 2018 and is estimated to be valued at around $50 billion. TikTok has acknowledged the mystery around its algorithm. Last June, it wrote a blog post about how the For You page generally works, saying it shows people videos based on their stated interests, such as pets or travel, and how they engage with certain videos and accounts.
A few months earlier, TikTok announced the launch of its Transparency and Accountability Center, saying experts would be able to observe its moderation policies in real time and examine the code that drives its algorithm.
McQuaide declined to comment on questions about the center but pointed The Markup to a September blog post that says nearly two dozen experts and lawmakers virtually visited the center and were guided through various demonstrations on TikTok’s safety and security practices.
Meanwhile, creators say they still feel largely left on their own.
“The TikTok algorithm is very opaque,” McClellan said. “You have to post O.K. content, but after that it’s really just random chance that your videos are going to blow up.”
Shadow Bans, Algorithm Tweaks, and Censorship
Jan. 18—the day many TikTok creators reported a sudden drop in followers—has gained some infamy in the networks creators use to trade complaints and insights into the mysteries of the algorithm. One Reddit forum directly discusses the “myths and questions about the Jan 18 suppression” with theories about a possible unannounced tweak to the algorithm.
Speculation also points to what creators call “shadow banning,” which is the belief that TikTok silences accounts without explanation. With shadow banning, nothing changes in what creators see, but they’re invisible to most everyone else.
Rumors around shadow banning are rife on TikTok, with nearly six billion videos hashtagged with #shadowbanned and more than 300 million with #unshadowbanme. YouTube tutorials, Quora forums, and entire websites are filled with tips and tricks for people hoping to get rid of TikTok shadow bans. The “Tiktokhelp” subreddit even has a popular topic tag titled “algorithm question/shadowbanned,” which is filled with thousands of comments about supposed shadow bans and advice on how to avoid them.
Cameron Hickey, project director for algorithmic transparency at the National Conference on Citizenship, studies the spread of disinformation on TikTok and other social media platforms and believes all of these sites do some sort of algorithmic downgrading. Instagram, Twitter, and YouTube have also been accused of shadow bans.
“Are they shadow-banning? I’m sure of it,” Hickey said. “How do we prove it? We don’t know.”
One of the reasons shadow-banning myths have especially taken off on TikTok could be that the company appears to be more proactive in content moderation than other social media platforms.
“They are taking down individual content from creators, and we see creators constantly complaining about that. It says to me that they’re much more aggressive and they seem less beholden to a very strict set of criteria,” Hickey said. “Facebook’s default is to let stuff stay on the platform. TikTok seems to be the opposite.”
TikTok bans violent extremism, hateful behavior, adult nudity, and more. In its community guidelines, it says it enforces its rules “using a mix of technology and human moderation.” Additionally, for videos that “could be considered upsetting or depict things that may be shocking to a general audience—we may reduce discoverability, including by redirecting search results or limiting distribution in the For You feed.”
TikTok’s McQuaide declined to comment on questions about content moderation, Jan. 18, or shadow banning.
Last May, Black TikTok creators organized a protest against the company, saying their content was being shadow-banned and censored. TikTok denied those claims. Then, in late May, just after the killing of George Floyd and the hashtag #BlackLivesMatter surged across all social media, TikTok admitted to a glitch in its system and made a rare apology.
“At the height of a raw and painful time, last week a technical glitch made it temporarily appear as if posts uploaded using #BlackLivesMatter and #GeorgeFloyd would receive 0 views,” TikTok’s U.S. general manager Vanessa Pappas and director of creator community Kudzi Chikumbu wrote in a June 1 blog post. They explained the glitch was a display issue, and the posts still generated billions of views. “Nevertheless, we understand that many assumed this bug to be an intentional act.”
The incident happened just months after The Intercept got hold of internal documents from TikTok that outlined what seems to be a clear example of shadow banning. The documents instructed moderators to exclude creators with “ugly facial looks,” “abnormal body shape,” “too many wrinkles,” and other physical features from the For You feed because they could “decrease the short-term new user retention rate.” TikTok responded to The Intercept saying those guidelines were an attempt to prevent bullying and were no longer in use.
Dopamine Hits and Trying to Make It
Tinuade Oyelowo watched the conversations around Black creators feeling marginalized at the same time she was starting to get into TikTok herself. The Brooklyn-based artist’s goal was to promote her work and to come off as a body-positive Black woman and spread that vibe to others. Her first video shows her skateboarding along a river waterfront, and when she loses her balance, she flashes a thumbs up. But Oyelowo hasn’t experienced the same rapid success as McClellan.
“It felt like crawling up on my bare hands to get 500 [followers],” Oyelowo said. “To get to 500 was really really difficult. I was posting and posting videos.”
At first, she tried all the tricks to get views and followers, like a 30-day video challenge and “follow trains” in which creators promise to follow whoever follows them. She even joined a private Facebook group led by a marketer who promised to reveal the secret to success on TikTok. “And then things just naturally started to pick up without me doing anything,” Oyelowo said.
She said seeing those pings roll in on her videos gave her the dopamine hits that social media is known for. “It is definitely addictive,” Oyelowo said. “I would argue it’s not even the likes that are the addiction, it’s the validation and the feeling of being seen.”
Duffy, the associate professor at Cornell, said this idea of being seen is hardwired into the way TikTok works. “For content creators, their livelihoods depend upon their ability to get visibility,” Duffy said. “With this entire system, it extracts labor. And more specifically, it extracts labor to direct attention to the platform.”
Christian Barnes, of St. Louis, has steadily grown his TikTok audience since last summer and now has 1.5 million followers. Many of his videos involve comical skits in which a quiet school kid surprises his teacher and classmates with unexpected dance moves or musical skills. He posts about four times a week, and each video takes roughly three hours to create and upload. He shoots and edits the videos at night once he comes home from his day job waiting tables. It can be exhausting, he said. So, a couple of months ago he decided to take a three-day break.
“You definitely get tired sometimes and lose motivation,” Barnes said. “That’s why I decided to take a break that one time. I was like, ‘This is too much for me.’ ”
When he started uploading videos again, he noticed they were getting fewer views than normal. Trying everything he could think of, such as interacting with his followers and posting consistently, he got his audience back. But it took weeks. To this day, Barnes has no idea what happened.
“There are a lot of times I go out of town and I’m scared I’ll lose views if I’m not uploading videos all the time,” he said.
Despite that, Barnes said he enjoys making videos and hopes to one day parlay his work on TikTok into a full-time job. On a good week, he’ll make a couple hundred dollars from TikTok’s creator fund, which the company set up last July as a way for popular creators to earn money from video views. He’s also sponsored by a water bottle company and color contact lens maker and uses their products as props in his videos.
Chasing the Pot of Gold
Barnes doesn’t yet have an agent, but over the past year, it’s become common for Hollywood talent agencies to sign TikTok stars. They promote creators and act as middlemen in making deals with brands. D’Amelio, for example, is repped by United Talent Agency, which has managed actors like Johnny Depp and Angelina Jolie. A3 Artists Agency’s roster lists around 200 digital creators, including Avani Gregg, who has 33 million followers and Larray, who has 23 million. With such massive audiences, TikTok creators can be good at bringing in money.
“As an agency, we get paid when they get paid,” said Keith Bielory, an A3 partner in alternative programming, digital media, licensing, and branding. “This could be a lucrative industry for years and years to come.”
A3 helps influencers in every area except growing their TikTok fanbase. In the instances when the algorithm seems to be causing a drop in followers, Bielory said, he’ll reach out to his TikTok contacts for insight into what’s happening. Ultimately, however, it’s up to the influencers to keep up engagement.
“A lot of people can go viral, but can they back that up?” Bielory said. “The folks that we work with create content for a living. It’s a lot of pressure to keep that going.”
Tha Lights Global, a smaller talent agency that focuses on hip-hop artists, has represented influencers for years. One of the first dance memes to go viral on social media was from two Detroit rappers the agency represented, Zay Hilfigerrr and Zayion McCal, who came out with “Juju on That Beat” in 2016. Jordan Tugrul, co-owner of Tha Lights Global, said influencers he works with can spend hours a day creating TikTok videos. One of the agency’s goals is get them to think beyond the social media platform.
“They’re going against thousands of other people their age who want to be in the spotlight as well,” Tugrul said. “TikTok might not be around forever, and you cannot rely on that.”
“The influencer space is still often referred to as the ‘wild wild west’, and it’s a place where creators can be taken advantage of,” Gabrielle Carteris, the union’s president, wrote in an email to The Markup. “This agreement is there to help empower and give self-determination to influencers, who are oftentimes trying to navigate their professional careers without much guidance—they’re true pioneers in this space.”
For now, SAG-AFTRA is focused on helping creators negotiate with brands and doesn’t yet assist in dealings with TikTok or other social media platforms. But, Carteris said, “This agreement is just a first step; we’re always exploring what is needed in this community.”
Despite their ups and downs on TikTok, McClellan and Barnes still regularly make videos and don’t plan to stop anytime soon. For Oyelowo, the novelty has worn off.
She has more than 1,000 followers and still likes making videos for fun but posts just once a week, at best. Spending hours trying to tap into what’s trending and scouring her Facebook group for advice is tiring, she said, especially given the whims of TikTok’s algorithm.
“You invest time in it because it’s this odd mystery puzzle,” Oyelowo said. “With algorithms, in theory, there is a potential solution, there is a way to figure it out—everybody is chasing that pot of gold in some way. But it’s a moving target.”
Every month Netflix ads new films and removes others. The new ones are publicized and celebrated and the ones that are going to be gone…. Well that’s not big news. Since May 1st in 2021 lands on a Saturday, the last day of April is the time for these to disappear, just as the weekend begins.
Adapted from acclaimed author Richard Matheson’s influential novelette of the same name, Constantine director Francis Lawrence’s I Am Legend follows the last man on Earth as he struggles to survive while fending off the infected survivors of a devastating vampiric plague. A brilliant scientist who raced to discover a cure for the man-made virus as humanity came crumbling down all around him, Robert Neville (Will Smith) was inexplicably immune to the highly contagious superbug.
Now the entire population of New York City — and perhaps the world — has been transformed into carnivorous bloodsuckers that fear the light and live solely to spread their contagion to any remaining living creature that crosses their path. It’s been three years since civilization came to an end, and the loneliness has taken a devastating toll on Neville.
By day he scours the city for food and supplies while sending out desperate radio messages in hopes that someone might respond, and by night he attempts to find a way to reverse the effects of the virus by experimenting with his own blood.
But time is running out for Neville as the legions of infected watch his every move from the safety of the shadows, waiting for the perfect moment to strike. They, too, long to learn the secret that lurks in Neville’s blood, though they will have to take caution while attempting to procure it because Neville will sooner die attempting to slay every last one of them than willingly giving up a single drop.
Previously adapted for the screen in the 1964 Vincent Price frightener The Last Man on Earth and the 1971 Charlton Heston action film The Omega Man, Matheson’s novelette also served as the inspiration for George A. Romero’s groundbreaking zombie classic Night of the Living Dead. – Jason Buchanan, Rovi
HDTrailers: “A Los Angeles crime saga in the vein of “Heat”, Den of Thieves follows the intersecting and often personally connected lives of an elite unit of the LA County Sheriff’s Dept. and the state’s most successful bank robbery crew as the outlaws plan a seemingly impossible heist on the Federal Reserve Bank of downtown Los Angeles.”
HDTrailers: “In this sci-fi epic from director Bong Joon-Ho (The Host, Mother), a failed global-warming experiment kills off most life on the planet. The final survivors board the SNOWPIERCER, a train that travels around the globe via a perpetual-motion engine. When cryptic messages incite the passengers to revolt, the train thrusts full-throttle towards disaster.”
Here’s the full list of what’s gone after today (April 30th, 2021):
Above: Still from “Why Did You Kill Me” / Photo Credit: Netflix
New and ready to stream is this true crime documentary from Netflix
Based on the 2006 murder case and the hunt for the real events that led to 24-year-old Crystal Theobald’s 2006 murder, “Why did you kill me?” intercuts footage of the family members of the victim, the detectives that were assigned to the case and the accused, alleged gang members, that were the primary suspects in the case.
The surprises comes to this otherwise standard plot and method due to the twist related to how the truth eventually begins to come to light. Surprisingly, it is Theobald’s mother, Belinda Lane, and then-teenage cousin, Jaimie McIntyre that do the sleuthing via Myspace “cat fishing” profiles that are meant to lure the possible guilty parties into divulging incriminating data.
This bold attempt by the bereaved to ferret out the killer(s) was all the more emotionally poignant due to the use of Crystal Theobald’s actual personal photos in the profiles.
Unlike recent Netflix docs like “Red Dot” and “Crime Scene” that, while extremely suspenseful, had endings that did not offer closure or resolutions. Below is the “Why Did You Kill Me?” official trailer for more:
Nomadland was added to the AP best films and National Society of Film Critics 2020, and as well as beingan Oscar contender will now be available for viewers to watch starting February 19, 2021. Movie-goers can either visit the big screen available anywhere movie theaters are open, or opt for a stay-at-home watch.
PROMISING YOUNG WOMAN
Ben Browning, Ashley Fox, Emerald Fennell and Josey McNamara, Producers
Official acknowledgement of ‘Unidentified Aerial Phenomena’ is becoming more commonplace
After a viral video was shared massively across the internet, now the Pentagon has confirmed that the footage showing what appears to be UFOs is authentic. Even more significant is the fact that the pyramid-shaped unidentified flying objects were “stalking” the guided-missile destroyer USS Russell in coastal waters near California in July 2019.
In an interview with Fox News Pentagon spokeswoman Susan Gough said “I can confirm that the referenced photos and videos were taken by Navy personnel. The UAPTF [Unidentified Aerial Phenomena Task Force] has included these incidents in their ongoing examinations.”
“I can confirm that the referenced photos and videos were taken by Navy personnel. The UAPTF [Unidentified Aerial Phenomena Task Force] has included these incidents in their ongoing examinations.
Pentagon spokeswoman Susan Gough
“Whoever is operating these technologies are far more advanced than anything we have in the U.S. arsenal and that should be a warning sign. We need to find out the intent of the operators of these vehicles.”
Jeremy Corbell, UFO researcher and filmmaker interviewed on Fox News
The public acknowledgment of the incident, that happened near San Clemente Island, where five different U.S. warships were operating at the time, was a required act. This is due to the new provision in the Intelligence Authorization Act of 2021 which requires the U.S. to disclose what it knows about UFOs.
According to the provision the director of national intelligence (DNI) must work with the secretary of defense to create a comprehensive report of what information the U.S. government has regarding unidentified flying objects. The full report is due on June 1, 2021.
A highly sophisticated aerial display leaves doubt and open questions as to the origin of the objects
The incident that is seen in the footage involved unmanned aerial vehicles (UAVs) or “drones”. In addition to the otherworldly appearance, the UFOs were observed flying around the U.S. warships for multiple hours, longer than would be possible based on the maximum flight time of most commercial drones currently known and available.
Highly coordinated and precise movements were also noted, raising the question of what methods of control were being utilized. Further questioned were raised by the calculated range of more than 100 nautical miles that would have been required, under conditions of very low visibility, that would have been required during the time elapsed during the encounters.
Though investigations have been conducted by the U.S. Coast Guard, Nave and the Federal Bureau of Investigation (FBI), the mysterious UFOs and their behavior continues to perplex.
The new openness required by the Intelligence Authorization Act of 2021 is a welcome change and more details are bound to surface regarding these phenomena. Since August 2020, the Unidentified Aerial Phenomena Task Force (UAPTF) is known to be operating and putting further official resources behind the study and analysis of UFOs and other “Unidentified Aerial Phenomena”.
Unlike what they say about missing sleep, stress can build up over weeks, months even years. True to the “silent killer” moniker it can eventually kill you. After basically the entire world has been in an extra stressful situation due to covid and the economic fallout from the preventative measures taken to stop it, we all need to begin finding ways, not only to reduce the current stress levels, which are likely high, but to work off the effects of the accumulated stress that has been building for at least a year.
And that is not accounting for the “normal” stresses we all face individually in our own worlds, lives and due to our own unique problems.
Enter the practice and lifestyle benefits of yoga. Estimates of the origins of Yoga peg the beginnings at at least five thousand years and believe the practice could have been developed as long ago as ten thousand. The study of yoga goes beyond just the familiar “pretzel poses” and encompasses a way of life and philosophy that is universal.
According to the “Yoga Sutras of Patanjali” (wikipedia: Sutra in Indian literary traditions refers to an aphorism or a collection of aphorisms in the form of a manual or, more broadly, a condensed manual or text. Sutras are a genre of ancient and medieval Indian texts found in Hinduism, Buddhism and Jainism.) there are eight “limbs” to the path of yoga:
1. yama (moral restraints) – how we relate to others 2. niyama (observances) – how we relate to ourselves 3. āsana (posture) – how we relate to our body 4. prāṇāyāma (breath extension) – how we relate to our breath or spirit
5. pratyāhāra (sensory withdrawal) – how we relate to our sense organs 6. dhāraṇā (concentration) – how we relate to our mind 7. dhyāna (meditation) – moving beyond the mind 8. samādhi (meditative absorption) – deep realization and inner union (quoted from http://ashtanga-yoga-victoria.com/what-are-the-eight-8-limbs-of-yoga/)
As can be seen from the list above there are many levels of thought and action that can all coalesce to form a bulwark against stress and to improve the enjoyment of life as a whole. Wherever you begin and at whatever level your journey brings you to, any interaction with these thoughts, actions and choices can enhance your life in some way.
Even the simplest meditation or reflection on our breathing and its connection to our inner spirit can cause an instantaneous reduction in stress and psychic pain. Below we’ve put together a variety of books that could represent a first step toward discovering how yoga, in whatever level or aspect your choose to explore, can reduce stress and help you take a huge step on the road to recovery.
Descriptions are courtesy of bookshop.org and the individual publishers:
A stand alone practice companion and beautiful coffee table book, Yoga: A Manual for Lifeis for anyone interested in yoga, mindful movement and meditation, and exploring how these practices fit within the modern world.
As well as an extensive guide to poses, this book features a number of picture-led sequences with specific targets in mind: to combat stress and fatigue, to ground, to uplift, to inspire creativity and to sleep better.
These sequences are underpinned with essays on yoga’s relationship with different aspects of life, such as yoga and discipline, yoga and self-care, and yoga and difficulty.
Peppered throughout the book are mindful life hacks–simple ways to take yoga’s message of radical self-care off the mat and into daily life. Click here to see “Yoga: a Manual for Life” also available on Amazon.
Are you seeking balance, healing, and a calmer mind? Unlike active styles of yoga that focus on stretching and movement, restorative yoga emphasizes mindful rest by using props to support your body in complete comfort and relaxation–no flexibility required!
Whether you already practice yoga or are just getting started, Restorative Yoga is your step-by-step guide to deepening the connection between your body and mind. Click here to see “Restorative Yoga” also available on Amazon.
Yoga: Relaxation, Postures, Daily Routines
Click here to see “Yoga” also available on Amazon.
Yoga is a popular physical, mental, and spiritual discipline that originated in ancient India.
Various traditions of yoga can be found in Hinduism, Buddhism, Jainism and Sikhism, and in recent years Western culture has embraced yoga’s power of simplicity, stillness and mental poise.
This accessible new book focuses on a series of exercises, body motions and self-disciplines that offer the benefits of yoga to everyone.
Featuring specially commissioned practical photography, step-by-step instruction, and an introduction to the entire scope of the system of yoga. Click here to see “Yoga” also available on Amazon.
Restorative yoga offers the body a chance to rest deeply and revitalize. Whether you are feeling weak, fatigued, stressed from daily activities, or simply need to slow down and tune into your body, this wonderfully adaptive practice is essential for well being.
Many of the practices are simple and accessible for people of all ages and in all states of health, using props that are readily available–like pillows and chairs. These deeply relaxing poses help you. Click here to see “Restore and Rebalance” also available on Amazon.
Yin yoga offer remedies to the stresses of your busy yang life. Each restorative pose targets your deeper fascia and connective tissues, helping you experience increased flexibility and improved joint health.
Yin yoga also focuses on deep breathing and longer hold times, allowing you the time and space to clear your mind and enhance your mental acuity.
These meditative poses will help you attain a renewed sense of mindfulness and physical well-being, making them the perfect complement to an active yang lifestyle and helping bring you back into balance. Click here to see “Yin Yoga” also available on Amazon.
Sleep Recovery: The Five Step Yoga Solution to Restore Your Rest
Insomnia is reaching epidemic proportions: more than half of us will suffer from a sleep problem during our lifetimes.
In this practical, compassionate guide, renowned yoga teacher and sleep specialist Lisa Sanfilippo shows how to sweep out sleep saboteurs and rest wreckers, putting in place sustainable strategies that will boost your energy during the day, and help you access a good night’s rest.
As we began this article above sleep was mentioned and, in contrast to our initial statements, recovery is also possible and yoga is one way that improvement, that so many of us desperately seek, is available. We hope you enjoyed this selection of books to help combat stress and ask that you please visit us again and also our sister sites Cherrybooks and InforMinx.
Apple TV+ announces new original documentary special
As a way to take some of the doom and gloom away from reporting and documenting climate change and global warming, and to celebrate Earth Day 2021, Apple will showcase three new earth related programs.
First, ‘The Year Earth Changed’ narrated by Emmy and BAFTA Award-winning broadcaster David Attenborough will go live on April 16th. In addition, both documentary series “Tiny World” and “Earth At Night In Color” will return for second seasons.
The hour long documentary special release will focus on the way a world-wide crisis, in this case the global pandemic of 2020, can impact human behavior, travel restrictions, closed beaches and lock-downs, which then in turn, surprisingly in this case, led to positive adaptations by wildlife around the globe.
“During this most difficult year, many people have reappraised the value and beauty of the natural world and taken great comfort from it,” said Attenborough. “But the lockdown also created a unique experiment that has thrown light on the impact we have on the natural world. The stories of how wildlife responded have shown that making even small changes to what we do can make a big difference.”
David Attenborough
All three productions also highlight the commitment of Apple TV+ & the respective production units (BBC Studios Natural History Unit, along with director Tom Beard for The Year the earth Changed) to the highest quality visuals and using the uplifting images to inspire through the beauty of the natural world.
It is being called “a love letter to planet Earth, highlighting the ways nature bouncing back can give us hope for the future” in Apple’s words.
Above: Original Trailer for ‘The Year Earth Changed’
In an educational and entertainment corollary to other green initiatives Apple is using its resources to influence positive change
Seasontwoof “Tiny World”, which was narrated and executive produced by Paul Rudd (“Ant-Man”), used high-end macro filming techniques to capture 3,160 hours of rarely seen “ant’s eye views” of over 200 species. The resulting final edit gives the viewer entry into a fascinating miniature natural world that is otherwise unseen all around us.
Paul Rudd’s participation is not without note, since he is literally known as “Ant-Man” and therefore in a unique position to narrate and executive produce “an illuminating the ingenuity and resilience of the planet’s smallest creatures”.
Above: Original “Behind the Scenes” Trailer for ‘Tiny World’
As per Apple: “Returning for season two, “Tiny World,” narrated and executive produced by Paul Rudd, grants viewers a unique perspective into the natural world, illuminating the ingenuity and resilience of the planet’s smallest creatures. With over 200 species filmed and 3,160 hours of footage, the six-episode docuseries shares surprising stories and spectacular cinematography that spotlight small creatures and the extraordinary things they do to survive.”
Above: “earth At Night In Color” Credit: Apple
“Earth At Night In Color” is also returning for a second season with six all-new episodes narrated by Tom Hiddleston (“Avengers”).
Once again, the production values are designed to wow and elicit awe, “with the use of cutting-edge cameras and a revolutionary post-production process, “ the series seeks to reveal “nature’s nocturnal wonders with striking new clarity.”
Further, as per Apple;
“Some never-before-seen behaviors of animals after dark, captured using low-light cameras and light from a full moon, include elephants battling hyenas around starlit waterholes and kangaroos embracing under the cover of darkness to find a mate.”
Other animals in the new season include pumas, polar bears, manta rays, and tiny planktonic life at night in the ocean. “Earth At Night In Color” is produced by Offspring Films. The series is executive produced by Alex Williamson and series produced by Sam Hodgson.
Above: ‘WeWork: Or the Making and Breaking of a $47 Billion Unicorn’ Credit: HULU
The story of a fiasco of monumental proportions that deserves to be told
WeWork, from the fabled insanity of the SoftBank funding to the crash and burn of founder and then CEO Adam Neumann would, in any other epoch, perhaps, be the most spectacular and outrageous failure of our time.
That is until one takes a closer look. With a ‘valuation” ( a term that had little actual meaning in the case of WeWork) of $47 billion at its peak, just a month-and-a-half from near bankruptcy, is one way to try and put the absurdity into context.
In the end, after perhaps a feature film and a couple of more documentaries such as “WeWork: Or the Making and Breaking of a $47 Billion Unicorn” it will be brought out how venture capital excesses and ideas like those of SoftBank’s Masayoshi Son, who was primarily responsible for WeWork’s meteoric rise that will be seen as the real madness of the age.
According to an oft told anecdote, in 2017, Mr. Neumann needed only 12 minutes of walking Mr. Son around WeWork’s headquarters to convince the SoftBank mogul to shell out an investment of $4.4 billion.
Complex and even more insane ideas motivated the $billions in funding
It was, after all, Masayoshi Son who chose to invest billions based on this “elevator pitch” and who, according to many accounts, egged on the young founder to think bigger, faster and “crazier”. And that advice was taken seriously, by all means.
However, during an era where it is a truism in VC culture, particularly in Silicon Valley, that it’s “harder to get a $100,000 investment than it is to get 100 million, it was ultimately more about systemic excesses, which inexorably lead to the enabling of a megalomaniacal start-up personality like Neumann and give him enough funds to turn him into a madman of nearly historical proportions.
Directed by Jed Rothstein’s (The China Hustle) the new Hulu documentary (trailer below) is a good first draft of an account trying to depict Neumann’s extravagant rise and fall. However the sheer scope and depth of the hubris that underlie, not just the WeWork saga, but the corrupt age itself, that makes the treatment here somehow less successful than a deeper, more insightful look at what brought about this tragic farce could have been.
Making Neumann the center of the madness is an easy way out of asking, and answering, deeper questions
For all his “reincarnated hippie” talk of uniting the world around an idea – after charged his own company $5.9 million for his absurd trademark of the word “we” (which he was forced to pay back when the details leaked)- and how he would unite the world (and be the first world president and trillionaire ), the actual “idea” and the company was based on little more than infantile greed run amok.
Unfortunately, it’s the complex back room mathematics made his “dream” a reality and now this documentary look into it and the real estate “empire of cards” that sill exists after Neumann has long departed. I fear it will require a more revelatory and analytical treatment than this credible and watchable first look can provide. Still worth checking out for the thrill and nonsense of the waning days of pre-2020 excesses nearly beyond imagination. On Hulu now.
Above: Official trailer for ‘WeWork: Or the Making and Breaking of a $47 Billion Unicorn’
John Wick with a milquetoast twist? No, much better than that…
Are you, like me, someone who just has to watch any movie with Liam Neeson after “Taken” where he plays an underestimated character doing mega damage to the bad guys? Was “John Wick” (and 2 and 3 etc) a worthwhile experience but you could imagine a bit of Bob Odenkirk à la mode mixed in? You’re in luck (seriously).
The official blurb from Universal goes like this: Emmy winner Bob Odenkirk (Better Call Saul, The Post, Nebraska, Breaking Bad) stars as Hutch Mansell, an underestimated and overlooked dad and husband, taking life’s indignities on the chin and never pushing back. A nobody.
Add to this his “particular set of skills” and ominous past and you have an inspired next step in this now established feel-good as the blood-flows genre. (trailer below)
At a time when, metaphorically, perhaps all of us feel like we are bullied once too many times, and when the vagaries of trying to live in peace have us at wits end, watching this could be the antidote to all those pent-up feelings.
However, if going to see it live in a movie theater still seems too dangerous, you will soon be able to stream – if you are willing to pay for video-on-demand.
As of Friday, April 16th you will be able to purchase to stream at the usual VOD outlets (most likely, Apple, Amazon and others) and there’s even a blu-ray disk in the offing which has pre-order options already.
Directed by Ilya Naishuller (Hardcore Henry), and written by Derek Kolstad (John Wick), a great cast that includes Bob Odenkirk (Better Call Saul, The Post, Nebraska) and co-stars legendary Emmy winner Christopher Lloyd as Hutch’s father, musician-actor RZA as Hutch’s brother, whose own hidden talents aid Hutch in his quest for vengeance.
Here is the description provided on the official web site by Universal Pictures:
Sometimes the man you don’t notice is the most dangerous of all. Emmy winner Bob Odenkirk (Better Call Saul, The Post, Nebraska) stars as Hutch Mansell, an underestimated and overlooked dad and husband, taking life’s indignities on the chin and never pushing back. A nobody.
When two thieves break into his suburban home one night, Hutch declines to defend himself or his family, hoping to prevent serious violence. His teenage son, Blake (Gage Munroe, The Shack), is disappointed in him and his wife, Becca (Connie Nielsen, Wonder Woman), seems to pull only further away.
The aftermath of the incident strikes a match to Hutch’s long-simmering rage, triggering dormant instincts and propelling him on a brutal path that will surface dark secrets and lethal skills. In a barrage of fists, gunfire and squealing tires, Hutch must save his family from a dangerous adversary (famed Russian actor Aleksey Serebryakov, Amazon’s McMafia)—and ensure that he will never be underestimated as a nobody again.
Nobody is directed by acclaimed filmmaker Ilya Naishuller (Hardcore Henry), from a script by Derek Kolstad, the narrative architect of the John Wick franchise, and co-stars legendary Emmy winner Christopher Lloyd as Hutch’s father and multi-hyphenate musician-actor RZA as Hutch’s brother, whose own hidden talents aid Hutch in his quest for vengeance.
The film is produced by Kelly McCormick, p.g.a, and David Leitch, p.g.a., the filmmakers of Fast & Furious Presents: Hobbs & Shaw, Deadpool 2 and Atomic Blonde, for their company 87North, by Braden Aftergood, p.g.a. (Hell or High Water, Wind River), for his Eighty Two Films, and by Bob Odenkirk and Marc Provissiero (Hulu’s PEN15) for Odenkirk Provissiero Entertainment. The film is executive produced by Derek Kolstad, Marc S. Fischer, Annie Marter and Tobey Maguire.
Made for Love, is a new half-hour dramedy series streaming now on HBO Max. The first three episodes were released on April fools day, (not sure if this is significant) and there are seven more episodes that will come out in a subsequent 2 bundles all available as of April 15th.
Although there may be a familiar vibe for those who enjoyed “Palm Springs”, the Hulu production, there are also some meaningful differences. “Made for Love” is mining the rich ground where love and disaster intersect. The united front in the face of chaos is no longer central to the themes.
The twin or triumvirate of themes, all dark yet at times ridiculously amusing are woven well. Those that have an appetite for the dystopia of tech and romance will be right at home and feel an affinity for the tone.
From HBO: Made for Love is a darkly absurd and cynically poignant story of love and divorce. It follows Hazel Green (Cristin Milioti), a thirty-something woman on the run after 10 years in a suffocating marriage to Byron Gogol (Billy Magnussen), a controlling tech billionaire.
Synopsis: “A woman is on the run after 10 years in a suffocating marriage to a tech billionaire, who has implanted a monitoring device in her brain, allowing him to track her, watch her and know her “emotional data” as she tries to regain her independence.”
Above: Emilia Clarke in “above Suspicion” Credit: HULU
After 2019’s ‘Last Christmas RomCom, finally some gritty drama and action from the G.O.T. star
Coming just hours ahead of the new trailer for “Black Widow“, we are gifted with two films coming soon with the most dynamic female actors in action and drama. Long synonymous with Game of Thrones, Emilia Clarke is now branching out and, after the cute but less weighty “Last Christmas” outing in 2019, we now can feast on her upcoming role via the brand new trailer for her upcoming thriller, “Above Suspicion”.
With a release scheduled for next month, the film also stars Fargo‘s Jack Huston as a crime partner – and Jackass star Johnny Knoxville, who rounds out the main desperado ensemble.
Phillip Noyce (Salt; Netflix series What/If) helmed the project and it was written by Chris Gerolmo. “Above Suspicion” is actually based on a true story and “one of the most notorious crimes in FBI history”.
According to the official synopsis: “This gritty crime-thriller stars Emilia Clarke as Susan Smith, a young woman desperate to escape a seedy life of crime and drugs in a Kentucky coal mining town. When a newly minted FBI agent named Mark Putnam recruits Susan as his informant for a high-profile case, she believes her bad luck may finally be changing. But as Susan and Putnam’s relationship deepens, so does the danger, setting them both on a collision course with deadly consequences.”
Above: Emilia Clarke in “above Suspicion”
Above Suspicion will open in US cinemas and on-demand on May 14. A UK release date is not yet confirmed.
Above: Scarlett Johansson as ‘Black Widow’ Photo Credit: Disney
Building to a climax? A tough road but Black Widow still has potential to be worth the wait…
A year since the first potential release window and various delays, and after a launch postponement from May to July, finally this new trailer is released, and is designed, it would appear, to keep the anticipation, suspense and interest in the future blockbuster in waiting.
Since this has to be the real and bonafide date we can confirm it here: “Black Widow” will hit theaters and Disney+ on July 9th, 2021.
“Black Widow is directed by Cate Shortland and was written by Eric Pearson from a story conceived by Jac Schaeffer and Ned Benson. Starring, as is well known, Scarlett Johansson, reprising Natasha Romanoff / Black Widow, along with Florence Pugh, David Harbour, O-T Fagbenle, William Hurt, Ray Winstone, and Rachel Weisz.
Set sometime after the Captain America: Civil War epoch, which had Natasha on the run from the government and dealing with her personal spy history, and the many personal changes since she became an Avenger.
Natasha’s voiceover sets the stage as the trailer begins, while flashbacks to previous movies are cross-cut beneath — and the focus on her secrets and mysterious past are intoned:
“You don’t know everything about me, I’ve lived a lot of lives,” she says. “Before I was an Avenger. Before I got this family. I made mistakes choosing between what the world wants you to be, and who you are.”
Dialog from new “Black Widow” Trailer
Synopsis: “In Marvel Studios’ action-packed spy thriller Black Widow, Natasha Romanoff aka Black Widow confronts the darker parts of her ledger when a dangerous conspiracy with ties to her past arises. Pursued by a force that will stop at nothing to bring her down, Natasha must deal with her history as a spy and the broken relationships left in her wake long before she became an Avenger.”
Above: “Black Widow” Credit: Marvel Studios
Above Suspicion will open in US cinemas and on-demand on May 14. A UK release date is not yet confirmed.
In the Director – Star pairing this marks the fourth try
Has anyone noticed the seemingly sudden surge in new films announced and confirmed for release dates? Especially for theatrical runs? And doesn’t it feel like summer is kicking off artificially early? I guess that’s a sign of all of us wanting to kick-in the teeth of the lock-down era. Miami was just a beginning, perhaps.
Part of the reason, of course, for the sudden surge in film release activity, is the need to push forward and outward various productions that were previously on ice due to the pandemic. One example of this phenomena is “Wrath of Man,” from MGM and Miramax, which will get its theatrical launch from United Artists on May 7. As already mentioned this is the newest, fourth match-up between English filmmaker Ritchie and action staple Jason Statham.
The first date that was set for this film was an optimistic January 15th, which just so happened to coincide with the peak of what is now being called the “third wave”, and certainly no fortuitous release date, action god or no.
A second scheduling attempt was originally set for April 23rd until finally landing on the May 7th date. That date is traditionally one that can be a strong one for future summer blockbusters and was, luckily for “Wrath of Man” recently vacated by “Black Widow” which has been shifted by Disney to July 9th for both streaming on Disney+ and in theaters.
Whew! Stay tuned for more updates as the changes and new confirmed releases are happening, seemingly, by the hour. Oh, and enjoy the trailer.
Sex, Drugs, Florida, Strip Clubs, what can go wrong?
“Zola” emerged initially as a tweet thread (of approximately 148 tweets) which captivated and vent viral at the time, say around late 2016. The thread was Aziah Wells’ firsthand account of what Rolling Stone has called “The Greatest Stripping Saga ever Tweeted“, which began with an idea, inspired by her work-friend, that it might be fun and profitable to try to make money dancing at strip clubs…
It’s actually spawned a feature film – one that attempts to bring online mash-up ethos and and mind-set to the big screen. Staring Taylour Paige and Riley Keough this genre obliterating dark, wild stab into now had its initial run at Sundance (2020) and has gained adherents enough to gain a theatrical release now that the lock-down is finally abating.
This new trailer will give more than a taste of what’s in store with Zola arriving in theaters (exclusively, at least initially) this summer.
The Dystopian drama will proceed after almost 2 year hiatus
Hulu’s biggest hit series will continue starting on April 28th. After Season 3, almost two years ago, the much loved drama starring Elisabeth Moss will finally return. The series, which was based on the classic novel by Margaret Atwood, revolves around Moss’s character, June, who lives in a world called Gilead, a.k.a. “The Devine Republic, a totalitarian patriarchal theocracy, which belonged to the former continental United States in the Novel. The dystopian society portrays a place where women are oppressed and only used in society for their fertility.
Above: The Handmaid’s Tale Credit: HULU
As per Hulu: In the upcoming fourth season of The Handmaid’s Tale, June (Elisabeth Moss) strikes back against Gilead as a fierce rebel leader, but the risks she takes bring unexpected and dangerous new challenges. Her quest for justice and revenge threatens to consume her and destroy her most cherished relationships.
Synopsis as per IMDB: The Handmaid’s Tale is the story of life in the dystopia of Gilead, a totalitarian society in what was the United States. Gilead is ruled by a fundamentalist regime that treats women as property of the state, and is faced with environmental disasters and a plummeting birth rate.
The trailer (below) reveals a constant struggle for justice against a seemingly hopeless established oppressive order.
Bring the Luck of the Irish to your nearest streaming device
The Boondock Saints
We found a collection of Irish movie favorites ranging from action packed to love stories – movies both old and new that you can surely indulge from the comfort of your couch (while also enjoying a pint of Guinness if you’re into that kind of thing). Check out our pick of movies below with trailers that star big names like Leonardo DiCaprio, Norman Reedus, Gerard Butler, Hilary Swank, Judy Dench and more. Enjoy!
Directed by Troy Duffy. Tired of the crime overrunning the streets of Boston, Irish Catholic twin brothers Conner (Sean Patrick Flanery) and Murphy (Norman Reedus) are inspired by their faith to cleanse their hometown of evil with their own brand of zealous vigilante justice. As they hunt down and kill one notorious gangster after another, they become controversial folk heroes in the community. But Paul Smecker (Willem Dafoe), an eccentric FBI agent, is fast closing in on their blood-soaked trail.
Also a sequel: The Boondock Saints II: All Saints Day – From Troy Duffy, writer and director of The Boondock Saints, comes the much anticipated sequel to the tough, stylized cutting edge saga of the MacManus brothers (Norman Reedus, Sean Patrick Flanery). The two have been in deep hiding with their father, Il Duce (Billy Connolly), in the quiet valleys of Ireland, far removed from their former vigilante lives. When word comes that a beloved priest has been killed by sinister forces from deep within the mob, the brothers return to Boston to mount a violent and bloody crusade to bring justice to those responsible. With a new partner in crime (Clifton Collins Jr., Star Trek) and a sexy FBI operative (Julie Benz, TV’s “Dexter”) hot on their trail…the Saints are back! Available on Amazon and Walmart.
South Boston cop Billy Costigan (Leonardo DiCaprio) goes under cover to infiltrate the organization of gangland chief Frank Costello (Jack Nicholson). As Billy gains the mobster’s trust, a career criminal named Colin Sullivan (Matt Damon) infiltrates the police department and reports on its activities to his syndicate bosses. When both organizations learn they have a mole in their midst, Billy and Colin must figure out each other’s identities to save their own lives. Available on Amazon and Walmart.
A 2015 romance and historical drama. Young Irish immigrant Eilis Lace (Saoirse Ronan) navigates her way through 1950s Brooklyn. Lured by the promise of America, Eilis departs Ireland and the comfort of her mother’s home for the shores of New York City. The initial shackles of homesickness quickly diminish as a fresh romance sweeps Eilis into the intoxicating charm of love. But soon, her past disrupts her new vivacity, and Eilis must choose between two countries and the lives that exist within. Available on Amazon and Walmart.
A 2007 romantic film. When Gerry (Gerard Butler), the husband of Holly Kennedy (Hilary Swank), dies from an illness, she loses the love of her life. Knowing how hard Holly will take his death, Gerry plans ahead. Beginning on her 30th birthday, she receives the first in a series of letters written by him, designed to ease her grief and encourage her to move forward to a new life. Available on Amazon and Walmart.
In a 2013 drama film directed by Stephen Frears, based on the book The Lost Child of Philomena Lee by journalist Martin Sixsmith. 1952, Irish teenager Philomena (Judi Dench) became pregnant out of wedlock and was sent to a convent. When her baby, Anthony, was a toddler, the nuns took Philomena’s child away from her and put him up for adoption in the United States. For the next 50 years, she searched tirelessly for her son. When former BBC correspondent Martin Sixsmith (Steve Coogan) learns of the story, he becomes her ally. They travel together to America to find Anthony and become unexpectedly close in the process. Available on Amazon and Walmart.
2007 Irish romantic musical drama film written and directed by John Carney. The film stars Glen Hansard and Markéta Irglová as two struggling musicians in Dublin, Ireland. A vacuum repairman (Glen Hansard) moonlights as a street musician and hopes for his big break. One day a Czech immigrant (Marketa Irglova), who earns a living selling flowers, approaches him with the news that she is also an aspiring singer-songwriter. The pair decide to collaborate, and the songs that they compose reflect the story of their blossoming love. Available on Amazon and Walmart.
What you didn’t even know you needed: a zombie heist movie!
Director Zack Snyder has been hard at work. As most are patiently awaiting the upcoming “Justice League” movie to drop on HBO Max on March 18, 2021, another entertainment gem has landed on our laps.
A new teaser trailer for the next action packed film by Snyder, this time for the Netflix streaming platform has dropped called “Army of the Dead”.
According to Netflix, the film will follow a group of fearless mercenaries who decide to take the ultimate gamble during a zombie outbreak in Las Vegas. The group breaks away from the quarantine zone to pull off one of the wildest heists ever attempted.
“It is a full-blown, balls-to-the-wall zombie heist movie, so it’s genre-on-genre in a great way,” Snyder told EW.com. “So you expect pure zombie mayhem, and you get that, 100 percent. But also you get these really amazing characters on a fantastic journey. It’s going to surprise people that there’s a lot of warmth and real emotion with these great characters.”
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The movie will be released later this year, May 21, 2021, with plans to make the film into a franchise in the form of a prequel anime series.
Starring Dave Bautista, Ella Purnell, Ana de la Reguera, Matthias Schweighöfer, Tig Notaro, Nora Arnezeder, Hiroyuki Sanada, Raúl Castillo, Michael Cassidy, and Garret Dillahunt.
With the incredibly ambitious 2021 lineup for Netflix, that boasts 71 titles this year alone, means that the streaming platform has to make way for a fresh slate of incoming TV show and movies.
However, even as they add so many new titles, each month, a few dozen movies are no longer available to watch. Before the start of the new month, check out the library of titles below that will be gone by March 1. This list has a variety of genres, both newer and classic oldies. So check the list and there are some of these titles you haven’t seen yet, now is the perfect time, before it’s too late!
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