In what has become a monthly Netflix ritual, some great films have just hours left for you to stream them
As is customary when each month comes to a close Netflix is saying “out with the old, in with the new”. There are many new and exciting titles premiering in the Fall months, including October, before that though, the streaming platform is giving viewers a last call to watch some classic movies.
The large list of films and series going out and becoming unavailable is a long one. As of Thursday, September 30th at midnight PT (so dramatic!) no less than 24 items will cease to be available to stream on the Platform.
While some films might be available on other platforms, and they might one day return to Netflix, it is often the case that they switch to a pay-to-pay status during the time that Netflix removes them from its catalog.
In addition to the movies about to disappear there are film “sequel groups” such as Kung Fu Panda 1 & 2, three Austin Powers movies: Austin Powers in Goldmember, Austin Powers: International Man of Mystery, Austin Powers: The Spy Who Shagged Me, Karate Kid and Karate Kid II & III as well as Star Trek Seasons 1-3, Star Trek: Enterprise Seasons 1-4 and Star Trek Voyager Seasons 1-7!
While many of these big-time sequel franchises are so well known that you might have already seen them all, the two films that we are featuring, though huge hits in the day, are unique & special and, if you have not seen them or want to revisit, we highly recommend that you go for it now, before Netflix retires them indefinitely.
These “double-view” films are great enough to see again…
Watch “Boogie Nights” one of Paul Thomas Anderson’s classics. This movie stars Mark Wahlberg, Burt Reynolds, Heather Graham, Julianne Moore and John C. Reilly.
Or the Oscar-winning drama “The Pianist” directed by Roman Polanski. Adrien Brody stars as Wladyslaw Szpillman, a Jewish pianist that was confined to the Warsaw Ghetto and later forced into hiding as the Nazi’s invaded Poland.
Leaving Netflix this Thursday at Midnight:
Air Force One Austin Powers in Goldmember Austin Powers: International Man of Mystery Austin Powers: The Spy Who Shagged Me Boogie Nights Cradle 2 the Grave Evil, Season 1 Fools Rush In Insidious The Karate Kid The Karate Kid Part II The Karate Kid Part III Kung Fu Panda Kung Fu Panda 2 No Strings Attached The Pianist Prom Night The Queen Star Trek Star Trek: Enterprise, Seasons 1-4 Star Trek, Seasons 1-3 Star Trek: Voyager, Seasons 1-7 The Unicorn, Season 1 Why Do Fools Fall in Love
The cameras are at the center of what makes an iPhone 13 a Pro investment
Direct hands on experience with something as complex and interesting as the new iPhone 13 Pro Max is invaluable for a useful assessment. After a few days and also taking into account some observations of others I will attempt to shed light on the state of the art of iPhone as of September 2021.
Comparing this iteration of iPhone with the previous versions is meaningful for buying decisions, but it must also be compared based on what it can do for a professional that has a need for a higher grade of gadget.
Judging and comparing the machine as a whole is also necessary, since the cameras are not cameras at all be just one part of an integrated system of visual (and audio!) production tools.
Big changes that begat others and on the circle goes
The first thing I noticed, out of the box was the sheer size of the 13 Pro Max, particularly compared to the 11 Pro Max, which was my previous workhorse. From photos I had gathered that the three cameras stuck out more and, yet they do, so much so that it is almost comical.
If you brave the world sans case and put this monster in your the back pocket of your loose fitting jeans, the bulge from the cameras will feel like you are doing something crazy, as it is as if they are rubbing against anything they touch, continuously.
That’s not all about the physical size, though. Looking at the diameter of the three circles (lenses) they appear significantly larger. Believe me, they are. Since the 11 Pro max and the 12 Pro Max have the same size triple camera layout (spec upgrades notwithstanding) this is an immediate and obvious change.
Above: Photo / Lynxotic
The increased size and weight of the camera itself is noticeable, more than I expected. The screen appears far larger due to the new specs and it is a bit of a shock at first, but the level of quality is the biggest and most noticeable feature.
The design logic has an implied history that jumps out once you start to use the camera system.
The changes to the three cameras are significant. After two years of using the 2019 11 Pro Max the framing options, based on the three lenses is a complete new experience.
The ultra wide 13mm equivalent is a bit of a bold and crazy choice. If I was ordering a set of lenses for a music video shoot the ultra wide might go as far as 11mm (very wide!) but that is basically an EFX look and causes an almost fish-eye look.
The 13mm is literally as wide as you can get without getting into potential “clown” territory, which is fun but not usable for a non-EFX composition.
What is odd, in a way, is that the “main” lens at 26mm equivalent is still very wide meaning that the standard 40mm equivalent, which was always considered the closest to a neutral look, is absent here.
Similarly, the telephoto lens at a 77mm equivalent is exactly the same type of choice – once again in my kit this would have been a 100mm for a deep bokeh and a noticeable sweet spot that is ultra-flattering for close ups and head shots.
The 77mm, therefore, is a long enough lens to get the magnification and emulate the look of a telephoto style. But wait, no glass no bokeh.
Both the 13 Pro and 13 Pro Max have the same sensors, optics, stabilization and features. The three cameras in the Pro models span a 6x optical focal length range.
This is where the logic of the design and how the system works, as a whole, begins to get deep.
Once you have made the commitment to not only extend the range of the entire optical focal length range to 6x the differences between a glass & steel 77mm prime lens and a “cell phone camera” must be addressed.
The 77mm requires the bokeh and relatively narrow in-focus range of a “real” telephoto lens is the stylized creative uses that a full kit of prime lenses makes possible is to be achieved.
This is addressed with the already present portrait mode – with enhanced functionality made possible by the A15 chip, the machine learning, AI and neural network – in other words software and computational assists.
And for video, cinematic mode is an absolute must – since the same bokeh effect and stylized effects are needed and desired for video.
All of this does not include the macro effects that effectively extend the range into the nearly microscopic. This feature requires a whole article, which you can check out here.
Getting to a full photographic system in your pocket, and beyond.
Once the effects and artifacts of the 77mm style glass prime lens have been added to the mix, emulated things get more interesting.
Since the bokeh and artifacts in the cinematic mode for video are computational and not photographic, they are stored separately and can be altered after the fact, just like has been the case with portrait mode all along.
This is a big deal in one way, since it could never be conceived of with traditional lenses and cameras. It also, however, one more variable to consider when putting together a large batch of footage for a project. This adds a new layer of creative flexibility, and choices to contend with.
Further, since the long lens stylizations are a byproduct of and influenced by focus settings, that has to be in the mix also. That produced the need for the cinematic mode which you can think of as a slightly stoned robot focus puller. who is also a little bit psychic.
The first robot camera assistant is already in the box when your phone arrives
Let me explain…. A real life focus puller (doing rack focus settings) in real life would function roughly as follows:
A shot is planned that requires a focus pull from one subject to another – this could be a close shot of a face panning to another face, or a close up that refocuses from the foreground to the background, for example. The focus must also factor in any movement of the camera / dolly.
The two desired subject distances are measured (using a tape measure) and the focus settings noted. In complex shots this can be multiple focus settings and a particular speed of the “rack pull” from one to the next.
Often such complex focus / dolly set ups must be rehearsed multi times just for the focus puller – so that his error does not ruin a perfect take when, for example, the actors get their best performances.
So, in the robot world practice is also good – and a plan is almost essential, but the virtual focus puller will go with the flow, and try to anticipate and predict what you want him to focus on in real time as you shoot.
This is pretty incredible and also, much like autocorrect typing, sometimes very successful and sometimes comical in the outcome. What is tricky is how to get the robot puller to know what you are trying to have as a subject if it is not a persons head or face.
Also, if the action is fast or if you are shooting something that has no pre-determined outcome or script, like a political protest or a sporting event, you will get somewhat random results.
This makes the name apt, since cinematic also implies a movie with a plot and a script.
Conclusions and a few known limitations and caveats
Human greed is a powerful thing. When given a photographic system that even attempts to approximate a profession system based on prime and zoom lenses and accessories, there’s a tendency to want it all, right now!
Of course, instead, what we get is an amazing extension of the iPhone photo tradition – taken up a bunch of notches at once. The computational enhancements are incredible and will only get better – in many cases without a new phone as they are based on AI and machine learning, which as the name implies, are continually improving while you sleep.
There are specific limitations though that should be mentioned about the iPhone 13 Pro camera system.
Cinematic mode only works (currently) in 1080p. This is a serious limitation, since the whole idea of Pro is 4k and above. There are rumors that this could get a software upgrade during the year but it is not clear if or when that will happen.
Along with the lack of slo-mo at any resolution above 1080p there is a lot of disappointment in this issue. It is the reality of how difficult the computational “assist” really is to achieve that makes this a big step that is still in the future.
It is also the reason why real lenses and traditional DLSR cameras still have an important use and value.
The new system unveiled with the iPhone 13 pro is revolutionary precisely because of the potential for people to create new visual expressions and ways of communicating.
These photographic traditions and the efforts that were made in the design to emulate them are important and valuable. However, the future will benefit from the spontaneous and new ways that people will decide to use this evolving system and the current extensions of our eyes, ears and minds….
Looking at the cast alone, is likely to turn out to be a must watch. With the writers and directors behind “Anchorman” and “Step Brothers” the film can’t not turn out to be hilarious!
The premise is a trending theme: doom and hopeless dystopian futures; this time there is a comet that will collide with Earth. Two astronomers (Jennifer Lawrence and Leonardo Di Caprio) discover the problem, but the twist is, no one actually believes the news. Sound familiar? Just ask the Climate deniers and antivaxxers out there…
The impressive cast boasts a gaggle of untra-high-profile names including: Meryl Streep, Jonah Hill, Ron Perlman, Timothée Chalamet, Ariana Grande, Kid Cudi, Cate Blanchett, and Tyler Perry.
The comedy will have a theatrical release on December 10th and quickly be available to stream on Netflix starting on December 24th ( as a little Christmas eve gift for the rest of us, apparently).
A teaser trailer of the film was previewed in small select theaters around Los Angeles this week. Those present for the sneak peak of the film characterize it as an “intimate mashup of ‘Inherent Vice’,‘ Boogie Nights’ and a “love letter to the youth generation”
“Licorice Pizza” which was only recently renamed over working title “Soggy Bottom” and the upcoming film is set within the San Fernando Valley during the 1970’s. It follows the story of a high school child actor. The movie is also a coming of age story following the character Cooper Hoffman as he tries arduously to make it in entertainment business.
Directed by the iconic Paul Thomas Anderson (PTA) who has given movie-goers a slew of great films including: “There Will Be Blood”, “Inherent Vice”, “Punch-Drunk Love”, “ Boogie Nights”, “Magnolia” and more.
So where the heck did the name Licorice Pizza come from? It is a reference to a real record store, infamous in its day, established during in the 70’s (and has since closed down).
The cast includes Bradley Cooper, Ben Stiller and Tom Waits. The film is scheduled for limited release on November 26th with a larger release towards the end of the year on December 25th.
Apple’s tweet, presumably, to avoid a collision course with the iPhone 13 arrival day (big!) says it all. A sudden, last minute escalation of the time frame for this highly anticipated new series:
From @Foundation_’s epic debut to @TedLasso’s Emmy-winning antics, watch the latest episodes from Apple TV+ three hours earlier this week. Streaming begins Thursday at 9pm EST/6pm PST.
Apple TV tweet
Perhaps a planned sudden breaking news update to the years long scheduling for this big sci-fi event? Hard to say – maybe the iPhone 13 arriving in stores and for some folks arriving by UPS is more of a distraction than expected, in the eyes of the Apple TV+ big-wigs?
Of course, that’d be a good thing since it would mean that the futuristic phone has just too much juice for the venerated classic book series come-to-life as a streaming series on Apple TV+. Hooray for both, I suppose. If you are starting to become enamored with Apple TV+ shows after having fun with Ted Lasso or other recent hits (really a hit, seems so according to the Emmys ) that are perhaps the early beginnings of a trend…
And last, but definitely not least, is the long-awaited sci-fi adaptation of the timeless classic “Foundation” by Isaac Asimov.
click to see “Foundation” and help Lynxotic and independent bookstores. Also available on Amazon.
The first 3 episodes of Apple TV’s “Foundation” will be live tonight (!) and will ultimately have a total of 10 episodes in total when all is said and done.
From @Foundation_’s epic debut to @TedLasso’s Emmy-winning antics, watch the latest episodes from Apple TV+ three hours earlier this week. Streaming begins Thursday at 9pm EST/6pm PST. pic.twitter.com/vxkkAEUuOe
That’s not all. Apple TV+ is also bringing us an extraterrestrial extravaganza. On October 22nd (when the first 3 episodes will be released), sci-fi fans can experience what it would be like to live through an alien invasion. Joy!
The new season welcomes back the unforgettable cast members, including Sarah Snook as Shiv, Kieran Culkin as Roman, Matthew Macfayden as Tom Wambsgans, and Nicholas Braun as Cousin Greg.
There will also be some new faces which include a lineup of high-amplitude and high-profile guest stars like Adrien Brody, Alexander Skarsgård, Hope Davis, Sanaa Lathan, Linda Emond, and Korean music star Jihae.
A lot has been mentioned in the media-verse about an intensification of Kendall and how it’s all going “full fucking beast.” The trailer does show that and the earlier seasons of incredibly vile dysfunction are looking to be, what else, pumped up a notch is season 3. And those of us that got hooked already into the decadent moral decay of this erzatz Fox-media fiction will cheer at the new depths of disgusting behavior. Yippeee!
Season 3, will strategically enter during the 2022 Emmy Season, and is likely to again be a frontrunner for Best Drama Series. The show won big-time in 2020 for Best Drama Series, Writing, Directing as well as Best Lead Actor to Jeremy Strong grad Guest Actress Cherry Jones.
The brand new season of Succession is slated to premier on October 17, 2021, and you can catch seasons 1 and 2 already and, of course, the new episodes when they are released, as before on HBO Max.
A string of upcoming dystopian sci-fi will be hitting the streaming platform
What does a post-apocalyptic earth, a robot, a dog and Tom Hanks all have in common? That would be the new Apple TV+ film called “Finch”. This project marks Hank’s 2nd Apple TV+ outing, his first appearance on the streaming platform was “Greyhound” which was met with mucho critical acclaim.
This time around, this family friendly film futuristic cashing into the feel of a mash-up between ‘Wall-E’ and ‘The Martian’ and based on the trailer looks to be an oddball thing: bleak futuristic fun for all ages.
A massive solar flare nearly destroys Earth, Hank, who plays a robotics engineer named Finch and has only survived because he has been living in an underground bunker for the past decade. During his time in a post-apocalyptic Earth he befriends a stray dog which he names Goodyear (shades of Wilson?. Hanks decides to utilize his expertise by building a robot to help take care of Goodyear when he is gone.
“Finch” premieres on Apple TV+ this November 5.
Check out the trailer below:
We Aren’t Alone – Invasion:
That’s not all. Apple TV+ is also bringing us an extraterrestrial extravaganza. On October 22nd (when the first 3 episodes will be released), sci-fi fans can experience what it would be like to live through an alien invasion. Joy!
Enter the Galactic Empire – Foundation:
And last, but definitely not least, is the long-awaited sci-fi adaptation of the timeless classic “Foundation” by Isaac Asimov.
The first 3 episodes of Apple TV’s “Foundation” will be released on September 24 and will ultimately have a total of 10 episodes in total when all is said and done.
Above: Inspiration4 Crew Members / Photo / Netflix
What do a billionaire, cancer survivor, geoscientists and a data engineer have in common?
For the first time on the streaming platform, Netflix will offer a 5 part docuseries covering the SpaceX’s Inspiration4 Mission in near real-time.
The series will cover SpaceX’s first all civilian mission (no astronauts!) as they prepare and train for the mission, the live launch coverage from Kennedy Space Center in Florida, as well as footage from inside the Crew Dragon spacecraft as the 4 passenger crew orbit the Earth on the 3 day mission.
Unlike recent flights from Virgin (Richard Branson) and Blue Orbit (Jeff Bezos) that led suborbital flights, Inspiration4 will reach higher altitudes than that of the International Space Station and make history as first all-civilian mission to orbit.
Multiple firsts and groundbreaking accomplishments that go beyond, way beyond…
Breakdown for Netflix’s “ Countdown: Inspiration4 Mission to Space”
Monday, September 6: Meet the four civilians heading to space
Monday, September 13: Watch them prepare
Wednesday, September 15: Watch the live launch
Thursday, September 30: Spend time with the crew in space
The Inspiration4 Mission which was brokered as a private deal by 38 year old Jared Isaacman, CEO of Shift4 Payments with SpaceX.
Isaacman will lead the mission along with his 3 other crew members: 29 year old Hayley Arceneaux who will act as chief medical officer , 51 year old Dr. Sian Proctor (mission pilot), who will become the fourth Black female American in space and 41 year old Christopher Sembroski, a veteran of the U.S. Air Force who will be the mission’s specialist.
The mission also serves as a $200 million fundraising campaign for St. Jude Children’s Research Hospital.
A day before the launch day, Netflix will also launch “A StoryBots Space Adventure” on Sept.14 which is a live-action/animation special where Inspration4 crew members will participate by answering some of kids’ most pressing space related questions.
This time, however, could be especially telling, as the top-secret memoir is coming from ex-Trump and Melania aide, Stephanie Grisham. According to Axios, who was first to report of the upcoming text, cited from a publishing source that the book would reveal “surprising new scandals”.
From candid comments it appears that is a gross understatement. One close associate of Grisham’s told Axios:
“When I heard this, all I could think about was Stephanie surrounded by a lake of gasoline, striking a match with a grin on her face.”
former West Wing colleague, quoted in Axios
Grisham has served as aide to former First Lady Melania Trump, as Chief of Staff, and as an aide to Trump as his White House Press Secretary and Communications Director.
Her job in the White House as a press person was to make sure she was in the know of what was happening and therefore got to see the personal side of the Trumps’ that rarely any staffers get to see.
Again, a former West Wing colleague, quoted in Axios: “There isn’t enough water on earth to contain the fire she could set to all of Trump world, including parts like the first lady’s orbit, which not many people are in a position to illuminate.”
Based on sources given to CNN, Grisham’s book will most likely include some of the bigger Trump headlines like the allegations of sexual misconduct and effects of the Stormy Daniels case.
The return of the Matrix, and in particular Neo and Trinity, Keanu Reeves and Carrie-Anne Moss, respectively, is looking like more than a resurrection, and that’s already a lot. The teaser for the upcoming full trailer (tomorrow at 6am PDT if you want to set your alarm) is clearly in the full spirit and classic vision of the original hit. Lana Wachowski at the helm, solo this time, appears to have brought the 4th edition of the franchise into total sync with the debut, by far the best of the series.
Photo credit: Warner Bros. / screengrab
And both Neo, looking, just like Keanu a lifetime removed and yet the same, and Trinity appear to be aiding the cause by bringing a kind of effortless perfection to the cast – No need to mention John Wick or any intervening saga, this is a continuation, or more aptly, a resurrection of what was so amazing in the time, place spirit of that original film.
Photo credit: Warner Bros. / screengrab
And, if you are old enough to have seen ‘The Matrix” in a theater in 1999, perhaps in Hollywood, CA, you would be involuntarily reflecting on how much more like the Matrix the world has become in the intervening 22 years. Today we have Elon Musk musing openly about the likelihood that the universe is a simulation of AI (sound like the Matrix to you?)
And the Metaverse is being hailed as just around the corner, and if that’s the case can our own Matrix be far behind? Perhaps we are already there?
“The strongest argument for us being in a simulation, probably being in a simulation, is the following: 40 years ago, we had Pong, two rectangles and a dot…That is what games were. Now, 40 years later, we have photorealistic 3D simulations with millions of people playing simultaneously, and it’s getting better every year. And soon we’ll have virtual reality, augmented reality. If you assume any rate of improvement at all, the games will become indistinguishable from reality.” –Elon Musk
Photo credit: Warner Bros. / screengrab
And then there’s “Dead Internet Theory” which posits that the internet “died” in around 2017 and what’s left are the skeletal remains of what was and nothing of what could have been. Sounds like a cause to fight against and escape from a la Neo and Trinity? And what is more romantic than the idea of a reunion, thanks to resurrections, of that duo back in the mix, fighting what appears to be a similar and yet further evolved battle of fake real vs real dystopia and lost innocence? Familiar?
If the teaser campaign to promote the trailer which is itself to promote the film says anything it says, with effortless simplicity that there is a fidelity to the original and a progression in time, clear from the protagonists physical instruments, that is fully absorbed into the update.
A thread like an unbroken through line, connecting the 1999 moment anew, yet absorbing the intervening changes to the fictional worlds of artifice within the films and to a third, that we, the audience, have grown with bringing us to December 22, 2021.
The BLUE PILL:
The blue pill leads to a very different series of flashed images, depicting, presumable, the journey of Neo in the Matrix simulation world it self, as in the original. While the story is known and some of this, like the Dojo scenes below, are very beautiful, classic recreations of the original training sequences with Lawrence Fishburne, the similarity only serves to pique our curiosity all the more regarding the resurrection story and how it differs this time around.
Once more the set, while perhaps not 100% identical, and, of course, likely to befit from advances in digital filmmaking, evokes so perfectly the spirit of the original that the experience, best case in a live movie theater (!) of vicariously “being there” is already a tantalizing proposition.
And Neo / Keanu, appears to have everything he displayed as a man 22 years younger in his physical presence and that alone tells a story within the story.
Naturally, some images produce more curiosity and questions than they answer, even when a still frame is isolated and studied. There is a particularly interesting interaction with the rooftop crowd in this case (above) and the image begs the question: will Neo lead uprisings both within the Matrix and the revolutions in the “real” world?
What kinds of mental challenges and trickery will a more mature Neo encounter while in the Matrix? This shot also produces mystery and begs for speculation regarding the script and how the various logical and illogical pathways will be traversed.
Multiple flash frames do confirm that a romantic adventure and escape will extend the story of Neo & Trinity, and that, while perfectly fitting, also appears to be something that could add more interest on a level above the intervening sequels (2 & 3). For all these reasons and many more, it does look like the buzz and building anticipation will start here and just keep growing until we all have a chance to experience the film in its entirety. On December 22, 2021 either in the Theater (best!) or on HBO Max for subscribers.
Another example of the fantastic potential of re-uniting the Director / Writer with much of the cast and perhaps even crew and locations. This still (above) looks interestingly like the rooftop where the famous bullet-time sequence was made. Perhaps the same location or just digitally re-created, still the spirit of the original already can be seen shining through even in the set design and location management.
If anything, it feels like there is a depth and poignancy to the characters, the images and the implied story that extends and deepens the original, as a great sequel should do. For once it’s as if the maturity of the main stars in the cast is not an obstacle to manage or navigate but a built in feature.
The images will be extended no doubt, with tomorrow’s full trailer and, perhaps take the already building anticipation to the next level.
Thank you to Warner Bros. for the still frames and for not minding that we penned this love letter to the series, it’s cast, crew, director and producers.
The Teaser of the teaser has your brain in the Matrix x 180,000
Photo credit: Warner Bros. / screengrab
The return of the Matrix, and in particular Neo and Trinity, Keanu Reeves and Carrie-Anne Moss, respectively, is looking like more than a resurrection, and that’s already a lot. The teaser for the upcoming full trailer (tomorrow at 6am PDT if you want to set your alarm) is clearly in the full spirit and classic vision of the original hit. Lana Wachowski at the helm, solo this time, appears to have brought the 4th edition of the franchise into total sync with the debut, by far the best of the series.
Photo credit: Warner Bros. / screengrab
And both Neo, looking, just like Keanu a lifetime removed and yet the same, and Trinity appear to be aiding the cause by bringing a kind of effortless perfection to the cast – No need to mention John Wick or any intervening saga, this is a continuation, or more aptly, a resurrection of what was so amazing in the time, place spirit of that original film.
Photo credit: Warner Bros. / screengrab
And, if you are old enough to have seen ‘The Matrix” in a theater in 1999, perhaps in Hollywood, CA, you would be involuntarily reflecting on how much more like the Matrix the world has become in the intervening 22 years. Today we have Elon Musk musing openly about the likelihood that the universe is a simulation of AI (sound like the Matrix to you?)
And the Metaverse is being hailed as just around the corner, and if that’s the case can our own Matrix be far behind? Perhaps we are already there?
“The strongest argument for us being in a simulation, probably being in a simulation, is the following: 40 years ago, we had Pong, two rectangles and a dot…That is what games were. Now, 40 years later, we have photorealistic 3D simulations with millions of people playing simultaneously, and it’s getting better every year. And soon we’ll have virtual reality, augmented reality. If you assume any rate of improvement at all, the games will become indistinguishable from reality.” –Elon Musk
Photo credit: Warner Bros. / screengrab
And then there’s “Dead Internet Theory” which posits that the internet “died” in around 2017 and what’s left are the skeletal remains of what was and nothing of what could have been. Sounds like a cause to fight against and escape from a la Neo and Trinity? And what is more romantic than the idea of a reunion, thanks to resurrections, of that duo back in the mix, fighting what appears to be a similar and yet further evolved battle of fake real vs real dystopia and lost innocence? Familiar?
If the teaser campaign to promote the trailer which is itself to promote the film says anything it says, with effortless simplicity that there is a fidelity to the original and a progression in time, clear from the protagonists physical instruments, that is fully absorbed into the update.
A thread like an unbroken through line, connecting the 1999 moment anew, yet absorbing the intervening changes to the fictional worlds of artifice within the films and to a third, that we, the audience, have grown with bringing us to December 22, 2021.
The BLUE PILL:
The blue pill leads to a very different series of flashed images, depicting, presumable, the journey of Neo in the Matrix simulation world it self, as in the original. While the story is known and some of this, like the Dojo scenes below, are very beautiful, classic recreations of the original training sequences with Lawrence Fishburne, the similarity only serves to pique our curiosity all the more regarding the resurrection story and how it differs this time around.
Once more the set, while perhaps not 100% identical, and, of course, likely to befit from advances in digital filmmaking, evokes so perfectly the spirit of the original that the experience, best case in a live movie theater (!) of vicariously “being there” is already a tantalizing proposition.
And Neo / Keanu, appears to have everything he displayed as a man 22 years younger in his physical presence and that alone tells a story within the story.
Naturally, some images produce more curiosity and questions than they answer, even when a still frame is isolated and studied. There is a particularly interesting interaction with the rooftop crowd in this case (above) and the image begs the question: will Neo lead uprisings both within the Matrix and the revolutions in the “real” world?
What kinds of mental challenges and trickery will a more mature Neo encounter while in the Matrix? This shot also produces mystery and begs for speculation regarding the script and how the various logical and illogical pathways will be traversed.
Multiple flash frames do confirm that a romantic adventure and escape will extend the story of Neo & Trinity, and that, while perfectly fitting, also appears to be something that could add more interest on a level above the intervening sequels (2 & 3). For all these reasons and many more, it does look like the buzz and building anticipation will start here and just keep growing until we all have a chance to experience the film in its entirety. On December 22, 2021 either in the Theater (best!) or on HBO Max for subscribers.
Another example of the fantastic potential of re-uniting the Director / Writer with much of the cast and perhaps even crew and locations. This still (above) looks interestingly like the rooftop where the famous bullet-time sequence was made. Perhaps the same location or just digitally re-created, still the spirit of the original already can be seen shining through even in the set design and location management.
If anything, it feels like there is a depth and poignancy to the characters, the images and the implied story that extends and deepens the original, as a great sequel should do. For once it’s as if the maturity of the main stars in the cast is not an obstacle to manage or navigate but a built in feature.
The images will be extended no doubt, with tomorrow’s full trailer and, perhaps take the already building anticipation to the next level.
Thank you to Warner Bros. for the still frames and for not minding that we penned this love letter to the series, it’s cast, crew, director and producers.
What was, what will be, and what is, may yet fall under the Shadow
The new episodes will be based on the best-seller fantasy series of the same name (15 books in total) by author Robert Jordan. His first book came out back in 1990 and longtime fans of series have been excited to finally see the screen-adaptation come to life.
Within the trailer you can hear the opening words that are found in Book # 1 of the series “ The Eye of the World”, which emphasizes the cyclical nature of the world (events circle again and again on the wheel of time with important characters reincarnated/reborn through out different times).
“The Wheel of Time turns and Ages come and pass, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the Age that gave it birth returns again…”
Amazon Prime Video released its official teaser trailer and now there is finally action related to this beloved theme!
In the short video clip, fans are swept into the dangers that await the characters, and we see magic, particularly lots of women (a group named the Aes Sedai) using magic, which is called the ‘One Power’ that helps to keep the world in place.
The Aes Sedai, let by the powerful sorcerer played by Rosamund Pike arrive in a town called Two Rivers where they embark with small group to find the Dragon Reborn, whom is prophesied to be the one who will either save or destroy humanity.
Showrunner Rafe Judkin describes the upcoming series as a the “connective tissue between Lord of the Rings and Game of Thrones”. I think even “Shadow and Bone” kind of vibes as well as I watched.
Also there are rumors circling that Amazon Prime will not likely be the only place where fans will get a taste of “The Wheel of Time” , there are also reports that a movie, or rather set of movies (trilogy) is also in the works called “Age of Legends” and will complement the series as a sort of prequel to the novel saga.
Amazon Prime Video plan is currently for a scheduled release of “The Wheel of Time” on November 19.
They said Google’s decision to block advertisers from seeing “Black Lives Matter” and other social justice YouTube videos was the last straw
By: Aaron Sankin
Following a recent Markup investigation revealing a secret Google Ads blocklist that hides Black Lives Matter YouTube videos from advertisers—but allowed them to find videos related to “White lives matter”—some small YouTube creators have pledged to leave the platform.
“I will not post any further content on the platform,” Carrie the One, a drag queen and YouTuber with a few dozen followers, said in an email. “I hope that by walking away from YouTube, we can inspire others to join us and put enough pressure on them to change course and do better for all of us.”
“I understand it’s one of the largest media sharing sites,” wrote another streamer who goes by the name Jambo and is mostly on Twitch, “but morals matter, and theirs are not for me.”
Both said that the decision was not hard for them because they hadn’t dedicated much time to YouTube content and didn’t depend on its ad revenue for their livelihood.
Google would not comment on the defections.
The Markup’s two-part investigative series, published earlier this month, dug into the Google Ads portal that allows advertisers to pick specific YouTube videos and channels for their ads. We found that Google’s blocklist missed most of the hate terms and slogans we checked but blocked equivalent social justice terms.
When we took our findings to Google, the company blocked all but three of the hate terms, but it also increased exponentially the number of social justice terms it blocked for ad searches, eliminating advertisers’ ability to search for 83 percent of the terms on our list, including “Black excellence,” “civil rights,” and “LGBTQ.”
The Markup also found discrepancies in how different religions were treated. When we first tested the portal last November, we found that terms like “Muslim parenting” and “Muslim fashion” were blocked for searches, whereas “Christian fashion” and “Christian parenting” were not—nor were the anti-Muslim hate terms “white sharia” and “civilization jihad.”
Rather than lift its ban on phrases containing “Muslim,” Google Ads now also blocks those and other innocuous words in combination with “Christian,” “Buddhist,” and “Jewish.”
As the investigation traveled on social media last week, with thousands of people sharing posts about it, dozens tweeted that they’d had enough and would quit the platform.
We spoke to eight YouTubers who said they were quitting, each with relatively small followings of less than 2,000 YouTube subscribers apiece. They said their decisions to leave the platform reflect a desire to push back at a powerful tech company they believe has done a poor job of listening to their concerns.
“I was pretty disgusted that a platform would use such thinly-veiled tactics and exhibit such overt disregard for the experiences and voices of marginalized folks,” Carrie the One said in an email.
“We know that racism, homophobia, transphobia, xenophobia, and islamophobia exist and thrive within the systems and structures that our society operates within, but to see those same forces INTENTIONALLY employed by a platform that claims to protect the same folks they are targeting was more than I felt like I could tolerate.”
Google would not respond to The Markup’s questions for the original investigation about why terms like “Black Lives Matter” were blocked—or why it expanded the block.
In response to questions for this story, Google spokesperson Christopher Lawton said in an email: “We know that many brands want to reach audiences who are interested in social justice causes and we want our creators who make videos about these topics to thrive on YouTube.”
He added that YouTube “videos about topics like Black Lives Matter, Black culture and Black excellence, can and do monetize on YouTube, along with topics related to a wide range of social justice issues,” meaning that if advertisers can find these videos despite the block, the videos themselves can run ads.
Graham Jenkins, a video game streamer who uploads on the channel 170Out, said the revelations in The Markup’s investigation pushed him over the edge.
“It’s been on my mind to move from YouTube for a little while now,” Jenkins said in an email. “This isn’t the first time that YouTube has blocked phrases like this but allowed right-wing content to stay unchallenged. I think there was an issue where they blocked LGBT content previously, but are quite happy to allow anti-LGBT videos to remain untouched.”
He was referring to research in 2019 by a group of YouTube creators that showed the platform was systematically demonetizing videos that contained LGBTQ content. YouTube was also criticized for knowingly leaving homophobic content accessible on its platform.
Jenkins said he would stop uploading new content to YouTube as soon as he found another platform that is free for videos of any length.
“Sadly, there are currently not any other strong distribution options out there to compete with YouTube…”
— streamer who goes by the handle Glam Shatterskull
That might not be so easy. Other YouTubers told The Markup that the platform’s massive reach and ease of use made the choice to stop posting there more difficult.
“Sadly, there are currently not any other strong distribution options out there to compete with YouTube,” said a streamer who goes by the handle Glam Shatterskull and previously posted video gaming content to the platform.
“I would love to see Twitch flesh out its video production offerings,” he said. “In the meantime I will most likely be building out my own website to host video content.”
These content creators weren’t the only ones with harsh words for Google following revelations about its advertising blocklist.
The method Google used to add previously unblocked terms to its blocklist in response to our investigation makes future similar watchdog reporting impossible.
The blocked terms are now indistinguishable in the code from the responses the portal gives for gibberish. Because we now cannot know for certain which terms are blocked, as opposed to the platform not finding any related videos, Google has shielded itself from future scrutiny of its keyword blocks on Google Ads.
This didn’t sit right with Sen. Ron Wyden (D–OR), who authored legislation in 2019 that sought to require tech companies to audit their algorithms for bias.
“Google clearly has a lot of work to do to block hateful videos from advertisers,” said Wyden, who said he plans to reintroduce the bill. “Hiding how it screens those videos is exactly the wrong way to respond to legitimate reporting.”
Lawton, the Google spokesperson, declined to comment on Wyden’s criticism.
G. I. Joe has proven to be a huge franchise, with years of comics, action figure toys and two big-budget movies: “G. I. Joe: The Rise of Cobra” in 2009 and “G. I. Joe: Retaliation” in 2013. Now, in 2021, the next G. I. Joe feature film will give fans the origin story of one of the more mysterious characters, the ninja warrior named Snake Eyes.
Snake Eyes is also considered one of the more popular known members of the G.I. Joe team of commandos, his character first appeared in the Marvel Comics back in 1982.
In the past his character has been both a silent and masked assassin, which is a stark departure this time around and we get to see much more of what his character is like behind the mask.
From the looks of the trailer, a major part of the film highlights how the friendship and bond was forged between Snake Eyes and Storm Shadow.
The origin story for Snake Eyes is said to deviate and take on a more modern spin, steering from the original comic story, which usually cause one of two reactions from fans: love or hate. Yet there is something to be said when the original writer Larry Hama gave his personal approval on the new creative twists the movie will take on. Reactions has been positive, though some have considered it a “bomb” at the box office in first weekend.
Henry Golding, best known for his roles in romantic films like “Crazy Rich Asians” and “Last Christmas” will take on a much different role, with more action-packed in his part as Snake Eyes. Andrew Koji as Storm Shadow.
Check out the new trailer from Paramount, as well as a featurette for “Snake Eyes: G.I. Joe Origins”.
Along with Golding and Koji, Úrsula Corberó plays The Baroness, Samara Weaving as Scarlett, Haruka Abe as Akiko, Takehiro Hira as Kenta and Iko Uwais as Hard Master.
Lorenzo di Bonaventura and Brian Goldner are producing “Snake Eyes”, which had its theatrical release July 23, 2021.
Above:Promotional Photo for “The Courier” courtesy of Lionsgate
An invitation to save on streaming current hot films and shows, plus $.99 teaser rates for subscriptions
Not only are thousands of physical products on sale for Prime Day, starting tonight at midnight, but virtual deals, such as films and shows are getting big promotional discounts also. The streaming deals are already live, so if you are inclined to watch while it’s still weekend prime time, a large assortment is available.
Some examples of films currently deeply discounted to view:
Titles that are normally priced higher for rental viewing or purchase are set for a limited time to $.99, $1.99 or $2.99 depending on the title. Naturally the newer and “hotter” the choice the less likely that it is at $.99 cents, but on the other hand, we all have different taste and perhaps you can find a film or show that you have been wanting to see but did not want to pay a higher price to watch.
For some reason, documentary films such as “Chasing Madoff” or “Good Trouble“, the excellent documentary on John Lewis, which is part of a Juneteenth special promotion, tend to show up at the rock bottom price. So perhaps, taking advantage of the promotion as a way to educate and enlighten oneself might be more economical than jumping in to the top hits and most current feature films.
If you do shop around, hovering or clicking on the deals designated with a “$” in the upper left hand corner, you will find at least a few titles here and there at the low $.99 cent watch price. Much more common are $1.99, $2.99 and even $3.99, which is a discount but does not feel like a huge one.
Also, since newer popular titles are normally priced much higher, up to $5.99 and sometimes more, even the $2.99 special price represents a bargain opportunity.
An example of a recently released, high quality film is “The Courier” which is currently available to watch for $2.99 (normally $5.99)
Netflix’s French original series “Lupin” took Netflix subscribers by storm. Millions tuned in, voraciously binge-watching, including myself, furiously consuming the first season when the show debuted earlier this year. Part 1 ended as most shows do these days, leaving us wanting more with a nerve wracking cliffhanger, yet, rejoice streamers, we will not have to wait much longer to tune in to see Omar Sy as Assane Diop for Part 2.
The main character, as mentioned above, Assane Diop, has held a lifelong obsession with Lupin novels and has transformed much of his life, in the process becoming somewhat of a modern-day counterpart to “Lupin, gentleman thief”. His masterminded plans are always artfully crafted with unexpectedly creative genius precision, style and not to mention incredible costume changes.
Those that have not yet seen the series, this is the perfect time to get caught up. The series is inspired on the French fictional character Arsene Lupin created by writer Maurice Leblanc.
The official trailer for “Lupin Part 2” just dropped along with the release date that is now coming soon: June 11, 2021. Those that are deterred from foreign programs because of subtitles, English dubbed audio is also available and this series is abolutely worth the watch.
The next global catastrophe movie is coming to Netflix, its called “Awake” and the premise has quite the spin. This apocalyptic thriller makes surviving even more difficult because the Earth’s population no longer has the ability to sleep, which leads to mass hallucinations, disorientation, and ultimately death.
“Awake” hopes to garner the same success as the Netflix original film “Bird Box”, which was a watch-at-the-end-of-your-seat apocalyptic horror/thriller where upon one glimpse of something terrifying would drive a person to deadly violence. The Netflix film released back in 2018 starred Sandra Bullock, Sarah Paulson and John Malkovich.
The cast includes: Gina Rodriguez as Jill, Jennifer Jason Leigh, Shamier Anderson, and Ariana Greenblatt as Matilda, the young girl who may hold the key to figuring out the film’s mystery. The film will debut on the Netflix streaming platform starting June 9, 2021.
A strange global event suddenly wipes out all electricity as well as strips humankind’s ability to sleep, which inevitably leads to insanity and chaos. Only Jill (played by Gina Rodriguez), an ex-soldier has a potential solution and key to a cure, her own daughter. What viewers will have to see is the major question, will Jill be able to safely deliver her daughter and save the world before she herself loses her mind from sleep deprivation.
Directed by Mark Raso known for his work on “Kodachrome”.
Trickster god Loki, show dedicated to the brother of Thor
Spinoff series from Marvel out today is Loki, which will premiere on, where else, Disney+ , originally slated to start June 11, 2021 is is now available with a new episode coming each Wednesday. The only way to watch Loki on Disney, currently, is via subscription. In the new trailer below Tom Hiddleston appears as the title character and the clip reveals just a bit more about his new role.
Taking place in a Marvel-esque alternative universe, with a shadow of Umbrella Academy attitude we see Loki approached by Mobius, embodied by the inimitable Owen Wilson, the upshot helps to put right the timeline that was disturbed via the Tesseract influence from The Infinity Saga
Loki takes the Marvel universe into yet another version of alternative directions, and yet it manages to feel fully believable within its own invented genre.
In Netflix top 10 recently as the premonitions keep cropping up
First, to be clear, this series was produced by Crackle (Originally Sony Crackle) and in-all 3 seasons were produced between 2016 (first premiered on September 6, 2016) and 2018. It stars Adam Brody, Edi Gathegi, Otmara Marrero, Martin Freeman, Ron Perlman, Addison Timlin, and Mira Sorvino.
On November 15, 2017, the series was renewed for a third season which was released on November 1, 2018. On May 4, 2021, all three seasons were made available on Netflix and surged up into the top ten in spite of the age.
The correspondences are loose, as is the connection between the subject matter and the real world analogs. The series is dramatic and emotional more than technical and the title “StartUp” is a bit meh. It conjures up images of Silicon Valley nerds and other tech bros and lame plots with outdated “dot-com” plot twists.
“StartUp” could not be further from any of that. Set in Miami (great first choice) it has the reputation of that city for money laundering, drugs and financial crimes as a backdrop.
Ultimately it’s about life and loss, the life and death struggle to find the “American Dream” and at the same time has connections to Crypto, Alt Coins, Web 3.0, The Dark Net, the criminal underworld, specifically financial crimes, Silk Road and, of course, tech start ups and venture capital.
The intertwining of this trio from disparate backgrounds is awkward but at the core of the story
It begins with “Izzy” Isabella Morales, who is a genus code crunching hacker who’s struggling to try to launch a crypto coin, “GenCoin” that she has been working on for over five years, since her time on scholarship at Stanford.
There’s not a lot of detail about her code and I don’t recall the term “blockchain” being mentioned, but they do mention bitcoin throughout the show and, considering it was around 2016 during production it is interesting to see where much of the plot fits 2021 far more.
A kind a linking character in the show is FBI agent, Phil Rask played by Martin Freeman who serves, wonderfully, to give exposition and a factual tour of the Miami crime scene and how he, and the FBI are swimming in a virtual ocean of corruption. If you can’t beat ‘em, join ‘em appears to be his motto as he is actively soliciting bribes from the jump.
Nick’s father, who is both well connected in the upscale world of financial corruption that operates openly within the big banks and corporations of the established Miami elite, is put into a jam by Agent Rask, forcing him to search for a fast escape from Miami.
Reluctantly, Nick is pulled into his father’s criminal dealings, the last thing he ever wanted, and as a result crosses paths both with FBI Agent Rask and, ultimately, invests in Izzy’s GenCoin project using his Dad’s dirty money. Once Izzy connects to Nick Talman (Adam Brody), the plot takes off.
Ronald Dacey who is a Haitian “gang leader” has a special, unique and unexpected role to play in the series. He is the human embodiment of the way the system favors the white collar criminals at the top, including the FBI, in this case, while the poor minority populations, epitomized by the tough Haitian ghetto in Miami, are forced into drug dealing and violent turf wars just to survive.
It turns out that Izzy, Nick and Ronald are not really that far removed from one another as they soon find out that a big chunk of the money Nick got from his Father turns out to belong to Ronald and his “gang”. The money was supposed to be laundered and managed by the bank where Nick’s father worked.
In an intense climax of the initial establishing episodes, the unlikely three, like a crypto-criminal Mod-squad end up as partners in the start up that they create to launch Izzy’s Gencoin.
GenCoin comes across as a kind of mini-Ethereum or alt-coin ahead of its time, and at the same time there is a dramatic interaction where the anti-government and grey-market potential and meaning of crypto is, albeit simplistically, superimposed on a critique of the social structures of the status quo.
Once again epitomized first by Miami corruption and criminal financial history as a way to underscore the desperate need, and also from the point of view of the show’s heroes, who decide to fight for a massive world changing digital transformation.
Though disconcerting at times, personal struggles and pain are superimposed over the passionate striving of the main characters
So, while all of this and the show in general, is dramatic with endless plot twists and great long-form character portrayals by the stars, particularly Ronald played by Edi Gathegi and Isabelle Morales played by Otmara Marrero, the correspondences that jump out during the show seem to emerge in strange and sometimes eerie ways.
For example, at one point they attend a huge “crypto convention” in Miami (first time in Miami after previously being held in LA) and, while they are not particularly successful in that instance, the size and stature of the show mirrors the conference that is happening literally as this article is being written (June 4-5, 2021) also in Miami (!).
While the BitCoin conference has been around since 2019, that year the number of attendees was only 1900 and is expected to be far more this year. While it is a coincidence that Miami was chosen in 2021 for the first time, it is a bit uncanny when watching a 5 year old episode where the exact conference is held in the exact location…
Another interesting corresondence has to do with events that transpire in the second and third seasons (spoiler alert). Through wild, dramatic twists and turns Gencoin is no longer the focus and the trio re-unite to launch a second tech project “Araknet” which is portrayed in the film as a kind of “dark-web 3.0 network”.
Interestingly, there are several very current projects that, while not directly a mirror of Araknet, have many of the same qualities and goals, though with less dramatic and sinister details. The biggest is that Dfinity and Internet Computer are trying to “extend”the current public internet network rather than launch a separate “private” Web 3.0 that has decentralized privacy at its core.
The DFINITY Foundation is a not-for-profit scientific research organization based in Zurich, Switzerland, that oversees research centers in Palo Alto, San Francisco, and Zurich, as well as teams in Japan, Germany, the UK, and across the United States. The Foundation’s mission is to build, promote, and maintain the Internet Computer.
One example is “Internet Computer” which is being developed by Dfinity, a start up in Switzerland. They are developing, in simplified terms a kind of blockchain based “internet 3.0” hence the cute catchy name.
Araknet promotional marketing from “StartUp” sounds again, bizarrely considering the time frame, like what you can read on the Dfinity web site today.
A slightly less direct correspondence is Helium. A project to crate a separate iOT network using long-range wireless nodes to create a decentralized wireless infrastructure.
The show emphasizes heavily the human drama and struggles of three special individuals as they try to find a path through a world of financial corruption, explosive technology changes and a disire to fight for freedom more so than individual wealth or power exclusively.
The show deserves its popularity and the attention it has been given. I would recommend it with the warning that the prophetic foreshadowing of today, while remarkable, is not the primary through-line of the narrative.
Three and a half million likes in less than 24 hours? Sure, if you are Jason Stratham on TikTok. And it’s the first video on a brand new account. The only video on the account so far. And you are dancing while you divulge your stats.
Looking at the comments, however, nearly 70,000 of them, a large number are asking “is this real”. Deep-fakes are most definitely real. Several accounts used Tom Cruise Deep-fake video to try to spoof an official TikTok account for the star. And a few stray clips of Brad Pit at a script reading spawned a series of fake accounts trying to look like Brad’s personal “rogue” account.
But, wait, there’s also Billie Eilish who started a “secret” personal account in November 2020 and posted some fascinatingly bizarre ukulele footage, apparently just for kicks, as she surely has no need for more publicity. The account was so unique and, well, strange, that it was hard to imagine that it could be fake.
Sure enough, yesterday what appears to be an outtake from her recent music video with some hilarious captions and stickers popped up on the, mostly dormant, account and has since gone viral. All of which pretty much cements the “it’s definitely real” theory.
As for Jason Statham? We are going to go out on a limb here and say that he is following Billie Eilish’s lead and this is a real account. The fact that there is a single video with a full body dance clip of what absolutely appears to be the star is a tip-off. Secondly if this is his head deep-faked onto someone else’s body, that’s a pretty perfect body double.
Also, the original sound mix seems to indicate that there was method that went the extra mile.
What’s your take? Send us comments or your detective results and let us know if you think this is real, like we do, or if this is just some amazing wizardry at a next level of deep-fake-ness, which thousands of comment writers on TikTok seem to believe…
Above: Official Trailer for “Wrath of Man” Credit: MGM
In addition to Statham, he is joined by a slew of actors including: Alex Ferns, Holt McCallany, Scott Eastwood, Jeffrey Donovan, Laz Alonso, Josh Hartnett, Niamh Algar, Raúl Castillo, Post Malone, Lyne Renee, Anthony Molinari, Deobia Oparei, Tadhg Murphy, Babs Olusanmokun, Darrell D’Silva, Chris Reilly, Matthew Illesley, Rebecca Calder, Jason Wong, Alessandro Babalola, Cameron Jack, Montana Manning, Rocci Williams, Josh Cowdery, and Eve Macklin.
Which new series and films are looking like a good bet to stream this month
These days, it seems at times like finding something worth watching, and, more importantly, devoting precious free time to, can be a challenge. Sure, you can just randomly try the next thing in your recommendation queue and take your chances.
We’ve all been there; a tried and true classic we know is pretty good but we’ve seen it three times or a new item, marketed hard by the platform, but of unclear quality or interest. Sometimes you find a gem, by sheer luck. Other times it takes some deep digging to come upon an acceptable risk profile. The last thing we want is to get twenty minutes into a film, or worse yet, a unknown series, and have to “abort plan” due to low quality or just a theme that doesn’t tickle our fancy.
With some luck, and based on prior research and experience, the recommendations below might fit the bill. “Lupin” was a bonafide smash hit and, as any who devoured the first season can attest, once hooked, this series is a top notch binge-fest. Hopefully season two will turn out to be as good.
Based on prerelease buzz, the cast, the concept and the trailer, “Awake” looks quite interesting so far. A bit in the direction of “Bird Box” another big success for Netflix, it will be the differences, rather than the similarities that will be the test.
“Sweet Tooth” is already stirring discord among reviewers and the press. Perhaps due to the “sacred” and known DC Comic origin, and the pedigree of the production team, while the critics wariness could be warranted, it’s interesting enough to give this one a good test run before discounting it out of hand…
Lupin: Part 2– Netflix Original Series – 6/11:
Assane’s quest for revenge against Hubert Pellegrini has torn his family to pieces. With his back to the wall, he now has to think of a new plan, even if it means putting himself in danger.
Awake – 6/9:
Chaos ensues after a global event wipes out all electronics and takes away humankind’s ability to sleep. But Jill (Gina Rodriguez), an ex-soldier with a troubled past, may hold the key to a cure in the form of her own daughter.
Sweet Tooth – 6/4:
Based on the beloved DC Comic, and Executive Produced by Susan Downey & Robert Downey Jr., Sweet Tooth is a post-apocalyptic fairytale about a hybrid deer-boy and a wandering loner who embark on an extraordinary adventure. All episodes of Sweet Tooth premiere June 4th, 2021, only on Netflix.
Workin’ Moms (Season 5) – 6/15
Warm, loyal PR executive Kate and her longtime friend, no-nonsense psychiatrist Anne, attend a judgmental mommies’ group, where they meet timid IT tech Jenny and blindly optimistic real estate agent Frankie. The four quickly form an unlikely friendship, sharing struggles of urban motherhood filled with the chaos of toddlers, tantrums, careers, and identity crises, all while trying to achieve the holy grail: a sense of self.
Above: “Brokeback Mountain” / Photo Credit / Focus Features
Sitting on top of the heap of ultra successful streaming giants Netflix must spend and produce more and more content to keep up with views that binge watch new movie titles and even series as fast as they arrive, it seems. It’s given that the deluge of new arrivals helps to reduce the feeling of frustration that can arise when you are searching for something you have yet to watch, but it feels like hours go by, with little new to consider.
With a large number of new titles coming down the pipeline each month, and spread out in terms of release dates presumably in order to prevent a bulge in the first week, at least there is a chance that something completely new, or at least new to the classic library of titles on the streamer, will pop up in the browsing selection.
But what if you don’t stumble across a great, classic title and it is removed, perhaps permanently, before you had a chance to see it? To help pay for the many new titles that are always being added, and produced from scratch, the library must also be culled on a continuous basis. And as we all know by now, often the older classic titles outshine the more recent productions, sometimes with aging, half interested stars and “direct-to-streaming” titles and directors.
Fortunately, this month the last day falls on a Monday and it also comes in direct proximity to a 3-day weekend for Memorial Day, so we have a bit more time to warn you about what you might want to see, before it’s too late.
Netflix had a huge release of new titles for May 2021, 90 to be exact, that were added to the platform. As the end of the month rapidly nears, 20 titles will be leaving to make space in the budget for the June 2021 arrivals.
Therefore, be sure you don’t miss out on the titles below. We have provided trailers and a synopsis for a few select choices, since they are classic movies boasting high-profile stars. Examples such as Drew Barrymore and Adam Sandler in “50 First Dates”, “Meryl Street and Amy Adams in “Julie & Julia” and Jake Gyllenhaal, Heath Ledger, Michelle Williams and Anne Hathaway in “Brokeback Mountain” give you a taste and the full list also follows below.
Comedy, Romance, Action, Historical, Horror, Thriller are all on the list.
The list of titles leaving Netflix also includes award-winning films such as: “Milk”, “Miracle” and “The Pursuit of Happyness”.
Below are the titles that will officially be gone from the platform on May 31st at midnight:
Brokeback Mountain
In 1963, rodeo cowboy Jack Twist (Jake Gyllenhaal) and ranch hand Ennis Del Mar (Heath Ledger) are hired by rancher Joe Aguirre (Randy Quaid) as sheep herders in Wyoming. One night on Brokeback Mountain, Jack makes a drunken pass at Ennis that is eventually reciprocated. Though Ennis marries his longtime sweetheart, Alma (Michelle Williams), and Jack marries a fellow rodeo rider (Anne Hathaway), the two men keep up their tortured and sporadic affair over the course of 20 years.
50 First Dates
Playboy vet Henry (Adam Sandler) sets his heart on romancing Lucy (Drew Barrymore), but she has short-term memory loss; she can’t remember anything that happened the day before. So every morning, Henry has to woo her again. Her friends and family are very protective, and Henry must convince them that he’s in it for love.
The Help
In 1960s Mississippi, Southern society girl Skeeter (Emma Stone) returns from college with dreams of being a writer. She turns her small town on its ear by choosing to interview the black women who have spent their lives taking care of prominent white families. Only Aibileen (Viola Davis), the housekeeper of Skeeter’s best friend, will talk at first. But as the pair continue the collaboration, more women decide to come forward, and as it turns out, they have quite a lot to say.
Milk
In 1972, Harvey Milk (Sean Penn) and his then-lover Scott Smith leave New York for San Francisco, with Milk determined to accomplish something meaningful in his life. Settling in the Castro District, he opens a camera shop and helps transform the area into a mecca for gays and lesbians. In 1977 he becomes the nation’s first openly gay man elected to a notable public office when he wins a seat on the Board of Supervisors. The following year, Dan White (Josh Brolin) kills Milk in cold blood.
The Pursuit of Happyness
Life is a struggle for single father Chris Gardner (Will Smith). Evicted from their apartment, he and his young son (Jaden Christopher Syre Smith) find themselves alone with no place to go. Even though Chris eventually lands a job as an intern at a prestigious brokerage firm, the position pays no money. The pair must live in shelters and endure many hardships, but Chris refuses to give in to despair as he struggles to create a better life for himself and his son.
Act of Valor
All Dogs Go to Heaven
The Blair Witch Project
The Boy
Deliver Us from Eva
I Now Pronounce You Chuck and Larry
Julie & Julia
Above: “Julia & Julia” / Photo Credit / Columbia Pictures
Marauders
Miracle
National Lampoon’s Christmas Vacation
Prosecuting Evil: The Extraordinary World of Ben Ferencz
The Scorpion King 2: Rise of a Warrior
The Scorpion King 3: Battle for Redemption
Soul Surfer
Striptease
Waiting…
Above: “Striptease” / Photo Credit / Warner Bros. Pictures
